Real Rock Book

Autor : cdya Pedidos : cdya@fibertel.com.ar Songbooks , Metodos, Clinicas, Mp3’s , Videos y Softwares Musicales. Todos los Instrumentos. Solicita el listado completoa cdya@fibertel.com.ar Envios a Todo el Pais por Contrareembolsoby K G Johansson WARNER/CHAPPELL MUSIC SCANDINAVIA AB © Copyright 1998 Warnor/Chappell Music Soandinavia AB Urval: Ingemar Hahne och KG Johansson Komptips: K G Johansson Notskri: K G Johansson ‘Omslag: Ui Ekwall (omslagsfoto Chuck Berry och Steven Tyler, Pressens bil) ‘Tryok: Duvbo Tryckeri AB, SundbybergINTRO This is a collection with about 150 of the most loved and well known rock hits of all time — from fifties rock’n’- roll tunes to songs by Nirvana, Soundgarden, Guns’n’Roses and Tom Petty from the late 80’S and early 90°s. For every song, you'll find the melody, chord changes and complete lyrics. You will also find either complete rhythm parts for all instruments (as in Solsbury Hill) or a “rhythm cxample”, an example of’a typical rhythm part (as in Tush). Important riffs (Smoke On The Water) and famous solos (Midnight Hour) are also included. Most of these songs have been recorded several times ~ many of them actually are the “evergreens” of rock and of course they can be played in different ways. There are songs that are almost always played more or less in the same way, like Smells Like Teen Spirit, but there’s nothing wrong with coming up with your own version The written music is often somewhat simplified especially for vocals, the value of transcribing every little inflection or variation seems somewhat limited. You might consider the written music as a bare Christmas tree, which will be decorated by your own unique version, And if you want to copy some famous recording, it’s better to do that directly from the recording in question. Listen to the songs, check out the music and play the songs the way you want to play them! For songs where the form seemed important, the form from one of the most famous recordings has been writ ten out, with intro, solos and so on. That, too, is just suggestions. It it feels better to play the song with fewer verses or longer solos, just do so! Most of the songs are written in the “right key” — from some famous recording, If the song is transposed, the original key is indicated in the list of recordings. Many of the songs were originally played by just one guitar, bass and drums. If you have keyboards and/or another guitar in your band, remember that it’s almost always possible to have a rhythm guitar, strumming cighths Try such ideas and see what happens! Here are some explanations for the written music. Drums are written like this: Hihat Snare = Bass drum ‘Small tom Middle tom Floor tom Chord rhythms are written with fat slashes ~ check out guitar and keyboard above! You may voice the chords any way you like. Or again, listen to recordings! This sign means "repeat the previous bar”: eS) And this, of course, means "repeat two bars”: g The word SIMILE in jazz and rocks means "keep playing in a similar fashion”. SIMILE is used mostly for drum and rhythm guitar parts when there’s a basie figue re that might be varied in different ways. Guitar is abbreviated "GUIT” or "GTR”. Keyboard is abbreviated "KBD. Piano is "PNO”, bass is ”BS”, and drums are "DR”. Typical sections of songs, or form parts, are INTRO (introduction) VERSE PRE-CHORUS (often abbreviated to PRE-CH) CHORUS (CH) BRIDGE (also known as “middle eight”) SOLO CODA (or ENDING) "Now form a band”. And remember, have fun!TITLE/Recordings Abracadabra Steve Miller Band: Abracadabra (original key:Bb minor) All Day And All Of the Night Kinks: Greatest hits Stranglers: All Live And All Of the Night All Right Now Free: Molten Gold Another Brick In the Wall Pink Floyd: The Wall < Another One Bites the Dust ‘Queen: Greatest hits Apartment Song, the Tom Petty: Full Moon Fever Are You Gonna Go My Way ? Lenny Kravite: Are You Gonna Go My Way Back in the High Life Again ‘Stevie Winwood: Back Inthe High Life Again (orig. key: D) Bad “Michael Jackson: Bad Bad Moon Rising Creedence Clearwater Revival: Gold Ballroom Blitz ‘Sweet: Sweet Fanny Adams Basket Case Green day: Dookle (Orig, key Eb guitars ted down 1/2 step) Lula Mincent: De-Dop-A-Lula The Collection Black Magic Woman Fleetwood Mae: Greatest Hits Santana: Abraxas Blue Suede Shoes Carl Perkins: Greatest Hits Elvis Presley: Greatest Hits Boom Boom John Lee Hooker: Blues Collection The Animals: Greatest Hts Born In the USA Bruce Springsteen: Born In the USA (Orig. key: B) Born Under a Bad Sign “Albert King: Born Under a Bad Sign Robhen Ford: Talk To Your Daughter Corot Chuck Berry: Greatest Hits Rolling Stones: Get Your Ya-Yas Out Change Your Mind Neil Young: Sleeps With Angels Cinnamon Girl Neil Young: Evervbody Knows This Is Nowhere Live Rust Weld Come Together Beatles: Abbey Road Crosseut Saw Albert King: Born Under a Bad Sign (in Ab) Erie Clapton Page 10 12 u l4 16 18 20 22 24 25 30 26 31 28 34 32 36 35 Crossroads Robert Jolson: King Of the Delta Blues Singers Cream: Wheels Of Fire Dancing Days Led Zeppelin; Houses Of the Holy Divin’ Duck Blues Taj Mahal: Taj Mahal ‘Low Budget Blues Band: Low Budget Blues Band Dust My Broom Robert Johnson: King Ofthe Delta Blues Get Back Beatles: Let it Be Get it On T Rex: The Ultimate Collection Get Up, Stand Up Bunny’ Wailer: Protest (transcribed) Bob Marley: Live Peter Tosh: Equal Rights Gimme All Your lovin’ Zz Top: Eliminator Gimme Some Lovin’ Spencer Davis Group: Best of Blues Brothers: Best of Give In To Me Michael Jackson: Dangerous Got My Mind Set On You George Harrison: Cloud Nine (Orig key: P) Great Balls Of Fire Jerry Lee Lewis: Greatest Hits Hatetujah, 1 Love Her So Ray Charles: Greatest Hits Have You Ever Seen the Rain ? Creedence Clearwater Revival: Gold Heartache Tonight The Eagles: The Long Run Heartbreak Hotel Elvis Presley: Elvis Forever Heart-Shaped Box Nirvana: In Utero Hey Hey, My My Neil Young: Live Rust Hey Joe limi Hendrix: Smash Hits Hold On, I’m Coming Sam & Dave: Greatest Hits Tom Jones Hotel California Eagles: Hotel California House of the Rising Sun The Animals: Greatest Hits Hungry Heart Bruce Springsteen: The River Hysteria Def Leppard: Hysteria 38 40 42 B 46 48 44 50. 52 34 56 58 59 62 60. 6 66 64 47 65 68 67 70 RnT Got a Woman n Ray Charles: Georgia On My Mind LGY. 74 Donald Fagen: The Nightfly (Orig. key: Ab minor) I Got You (I Feel Good) 16 James Brown: Golden Hits Saw Her Standing There 11 Beatles: Please Please Me (Orig. key: E) 1 Shot the Sheriff 8 ‘Bob Marley: Best Of (in G minor) I Want To Take You Iigher 7” Shy & The Family Stone: Greatest Hits 1 Wish 82 Stevie Wonder: Looking Back I Hear You Knocking 212 Dave Edmunds: Classic Tracks In the Midnight Hour 14 Wilson Pickett The Commitments Tanie’s Got a Gun 84 ‘derosmith: Pump (Orig. key: F- guitars tuned up 1/2 step) Johnny B Goode 80 Chuck Berry: Greatest Hits (in Bb) Jimi Hendrix (and many more) Jump: 86 Van Halen: 1984 Key to the Highway 81 Erie Clapton: Layla Kids Are Alright, the 89 The Who: Meaty, Beaty, Big and Bouney Kiss 88 Prince: Parade Knock On Wood 92 Eddie Floyd Otis Redding Lady Madonna 90 Beailes; Hey Jude Land Of Ihousand Dances 94 Wilson Pickett Namelosers: Faboulos Sounds from Southern Sweden Layla a1 Brie Clapton: Layla / Unplugged Learning To Fly 96 Tom Petty Into the Great Wide Open Let's Go Crazy 100 Prince: Purple Rain Letter, the 99. The Box Tops Joe Cocker Let’s Twist Again 98 Chubby Checker: Greatest Hits Light My Fire 102 Boors: The Doors / Alive She Cried José Feliciano Like a Hurricane Neil Young: Live Rust / Weld The Mission: The First Chapter: Livin’ On a Prayer Bon Jovi: Slippery When Wet (Orig, key: kiminor) Long Tall Sally Little Richard: Greatest Hits Beatles: Rarities Kinks: Greatest Hits Long Train Running ‘Doobie Brothers: Best of Love Hurts Nazareth: Vory Best Love Me Two Times Doors: Strange Day's Memphis Tennessee ‘Chuck Berry: Motorvatin’ Mercury Blues David Lindley: El Rayo-X Money: Pink Floyd: The Dark Side Of the Moon Moondance Van Morrison: Moondance ‘Mustang Sally Wilson Pickett My Generation The Who: Greatest Hits / Live at Leeds Needles And Pins The Searchers: Greatest Hits Night They Drove Old Dixie Down, the The Band: Rock of Ages Joan Baez No Woman No Cry Bob Marley & The Wailers: Live ! Oot iLike Creeps: Blue Tomato Owner Of a Lonely Heart Yes" 90125 Papa's Got a Brand New Bag lames tno: Grease Peggy Sue Bolg tony: Greces is People Get Ready “Tay Beck Flash fwith Rod Stewart) (Orig. key: D) Proud Mary Creedence’ Clearwater Revival: Gold (Orig. key: D) Purple Rain Prince: Purple Rain Ranmbtin’ on My Mind Robert Johnson: King Of the Delta Blues John Mayall: Bluesbreakers (with Bric Clapton) Roadhouse Blues ‘Doors: Morrison Hotel Rock And Roll ed Zeppelin: V 104 106 105 108 216 110 112 113 116 18 120 209 122 124 126 128 130 132 134 135 136 228 137 138 140 a A iz ae aa ad aa Aa aa 4a ee Re ee =— =Rock And Roll Music Chuck Berry: Greatest Hits Beatles: Beatles For Sale Rock Around the Clock Bill Haley: Greatest Hits Rockin’ All Over the World John Fogerty: John Fogerty ‘Status Quo: Rockin’ All Over the World Rockin’ In the Free World Neil Young: Freedom Rock'n Me Steve Miller Band: Fly Like an Eagle Roll Over Beethoven. Chuck Berry: Greatest Hits Rollin’ And Tumblin’ Muddy Waters: Rollin’ Stone Cream: Fresh Cream Route 66 Rolling Stones: The Rolling Stones Runaway Train Soul Asylum: Grave Dancer's Union Runaway Del Shannon (Orig. key: B) See You Later Alligator Bill Haley: Greatest Hits Dr: Feelgood She’s Not There The Zombies: Begin Here Zombies: Greatest Hits Should I Stay Or Should I Go Clash: Combat Rock Signed, Sealed, Delivered Stevie Wonder: Songs In the Key Of Life Smells Like Teen Spirit Nirvana: Nevermind Smoke On the Water Deep Purple: Machine Head / Made in Japan Solsbury Hill Peter Gabriel: Peter Gabriel Peter Gabriel: Peter Gabriel Plays Live (Orig. key: B) Somebody To Love Queen: A Day At the Races Something The Beatles: Abbey Road Spinning Wheel Blovd, Sweat Anel Tears: Greasest Hits Stairway To Heaven Led Zeppelin: IV Statesboro Blues Taj Mahal: Taj Mahal Allman Brothers: A Decade Of Hits Still Got The Blues Gary Moore: Still Got The Blues Stone Me Into the Groove Atomic Swing: A Car Crash In the Blue Strutter Kiss: Kiss / Alive Summer In the City Lovin’ Spoonful: Greatest Hits Suzie Q Creedence Clearwater Revival: Gold 142 143 144 145 146 148 147 150 154 152 151 156 158 157 160 162 164 166 224 170 2u 161 222 172 174 176 177 Sweat (a la la a a long) Inner Circle: Bad To the Bone Sweet Home Alabama Lynyrd Skynyrd: Second Helping Lynyrd Skynyrd: One More From the Road Sweet Home Chicago Robert Johnson: King Of the Delta Blues Blues Brothers: Best of Symphony Of Destruction Megadeath: Countdown To Extinction Tash ZZ Top: Fandango / Greatest Hits ‘Tutti Frutti Little Richard: Greatest Hits Twist And Shout Isley Brothers Beatles: Please Please me David Lindley: El Rayo-X Two Gunslingers Tom Petty: Into the Great Wide Open Under the Boardwalk The Drifters Rolling Stones: No 2 Under the Bridge Red Hot Chili Peppers: Blood Sugar Sex Magic Wark on the wild side Lou Reed: Transformer (Orig. key: B) Walkin’ the Dog Rufus Thomas: Atlantic Rhythm’n'Blues 5 We Will Rock You ‘Queen: Greatest Hits What'd I Say Ray Charles: Greatest Hits When a Man Loves a Woman Percy Sledge When Doves Cry Prince: Purple Rain When the Children Cry White Lion: Pride White Room Cream: Goodbye Whiter Shade Of Pale, A Procad Harun a eine iva Whole Lotta Love Led Zeppelin: If Whole Lotta Shakin’ Goin’ On Jerry Lee Lewis: Greatest Hits Why Can't This Be Love Van Halen: 3150 Wild Thing Troggs: Greatest Hits Jimi Hendrix: Jimi Hendrix Plays: Monterey You Could Be Mine Guns‘n‘Roses: Use Your Illusion You Really Got Me Kinks: Greatest Hits Van Halen: Van Halen 180 182 184 186 178 179 190 192 188 218 189 196 194 195 214 200 226 230 220 202 198, 204 199, 206 208Dm * Ete Am fy — ° Ee z | aS V heer UP 1 CANT coon Tow ov GOT ME StINNING — ROUND AND ROUND Am Den et E319 fe Am PSS eee — + — t St t Row hud ROOND AND ROUND IT Goes WHERE TT STOPS NOBODY Knows Am Dm EF+4 Ny a Pl rn > a= ——— ee =e BiRy TINe wd CALL MY NAME 1 Hear UP LiKe A BURNING FLAME Am Dn Brea 2 i oS Sey ae yt as Fou oF Des RE Kistne GABY Ler THe FIRS Ger HIGHER A mn et Aa Bea- A- BRA- CADA. BRA WANNA Refcd DIT AND GRAB YA Ae Am Dm, E44 An 1 = = AS BRA- A- BRA- CADA____ BRA A- BRA-CRDA —____ BRA VERSE 2. You make me hot, you make me sigh, you make me laugh, you make me cry Keep me burning for your love, with the touch of the velvet glove (CHORUS) VERSE 3. feel the magic in your caress, I feel magic when I touch your dress Silk and satin, leather and lace, black panties with an angel's face Tsee magic in your eyes, [hear the magic in your sighs Just when I think I'm gonna get away, I hear those words that you won't say (CHORUS) VERSE 4. Every time you call my name, I heat up like a burning flame Burning flame, full of desire, kiss me baby, let the fire get higher (Guitar solo — then fade on intro) Copyran © xe52 Sailor Music Tyehtmed tang av Gazal Music ABsie Bo Peco (hc soee GF + 3 25 alte NOT CONTENT TD Be win you- ‘INTHE DAY- “TIME a 1 —Gelichs wer Sov aw hee uMvtee eS Wee G Fe Be 6 F & F Bp G & hie SS Sa = I ¥ aed em. Une eee wer Se hu ce The Tne = YEAH, Al. 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Now YoutY TW TRICK Me IN LOVE: t i 4 7 7 PLL RIGHT now BA BY ATS AL RiotT — Now > + & =H = E A GA D/A A (cont. sinile) eS aaa , f ——— SS = ‘ SS —3 f —- f + aa A oA D/A Al See, 4+ t t ALL RIGHT = NOW) BA PY WALL RIGHT eran Cue wre) | TOK HER Copyright © 1970 Blue Mountain Music Ltd/tand Music Lis, ‘Trvekt med lst av Sweden Musie AB, Stockholm. (bass line)[pases - = vy WE DoT NEED No E- duch- Ton aa = Ss ae iS ¢ t t we Dow'r Nero NO TROVEHT CONTROL NO i » 4 + | | Vv = — DARK SARLAS — M IN “THE CLASS- ROOM } (= + = 4 al i =f | 7 VY + — TEACHER LEAVE THEM Kips ALONE Dm [ Sees if I | ¥ ss hey TEACHER LENE THEM Kins ALONE. c Dm PS = ae | Z ALL IN ALL IS Jr AN- — OTRER BRICK IN THE = WALL Fe == = E rears = ? = 5 ALL IN ALT Yov'ne Just AN- omer Rik it The He hy M DRvms epyrgh 1070 Pink Foy! Muse Pubtehar ‘The fofo ented THE WACL when contains all compostions from the album is avalible (with or wthout gi tab from Musle Sales Lid—— = : fe 7 A b ! oo Bess -[|-—- -? 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Hou) LonG CoN YOU STAND THE Heat YES 1M READY FoR YOU "M, ‘STANDWG ON MY OWN —TWo FEeT__ a TO The SOUND OFTHE BEAT 1 PEATING THE SoUNDOF THe BEAT + Copyright © Quoen Musi Lid, Tyekt med tilstind av EMI Music Publishing Seandinavia AB,Em Am = si + — SMILE s & 4g 8 x bx = 4 t + +t OTmee one BITES Te Dust (HawPcLaps: (4 An (oe) : % ie = = = as ze REPEAT INTRO+' TW CODA © G c G \pep_+ | Guan! Veaser RePear THESE 4 BeRS IN INTRO — DR Sen eiaey Nor on REPcAr! gr ad + h fe Fe a Sa (Ean Repear THESE Ee (En) JARS Nice al = _ e = Nov on Repear! TR = nee NERSE, VOX. i 7 t i = 4 1 was BORN LONG A- oo 1 AMTKE CHosal Imrie | ONE. meu 2. | DON'T Kilow) WHY aR We Aways CRY “Ts WE MS LERE mo Ge UN-] PONE +4 5 Ent rs a oe =: =e: SEE Emt ; Sree Ss | = TD save THE AND | WoNYLémeE UNTE In DONE AND RE-ARRANGE AND TWRNTHIS PLANET BAK TO = ONE (weve come Gut WE must ENGAGE 'so-THAT'S. WHY So TELL me Way Copyright © Miss Bessie MusicrWigged Musle ‘Y0o GOTH OREM AND HVE Some UK, ONE BY ONE ND KILLEAGH OTHER. 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Ses W'S LACK OF Sex eas 8 BRINGING ie Down _ E B ct a poeta aes A AM Ne OF THO Mé- LO- DRA- MANIC FOOLS hev- wenr 70 ie He SAD omy LIFES A BORE AND B = ad fp at = E is =o THE BOWE NO poe f TE ia aor 7 WHINING: ope IT's BRINGING tae Down — a ; == Jee E | ‘somenmes | GIVE MY-seur_ ME CREEPS Se ey —— + Somérimes my tell PuAys TRICKS ON ME —— IT pote) pS a ee KEEPS. ae ve __ 1 “Tink in CRACKIN UP i a ee ps idl pe er == pS ————- Lo sust PARA NoID Tm ust ‘STONED. t f 85 as Be 65 85 cas Br ET a #- —==¥ fe] B (Break) at GRASP 0 ta ROL 50 | BETTER ROLD ON verset E Ems Bae Mule A B Gx) A & B Se PRUs— GENE VINCENT = Est coy weLL BE- BO-A- LULA SHE'S MY BABY BE-BO-A-LILA 1 DONT MEAN MAYBE. [HORUS] a an ee fe t rt Dt oo ‘BE-BHP- A- LULA Sues MY BABY BEBOP A-LvLA | DoT micAN MAYBE f e+ BF aE — sres________ mY BrBY DoLLmy BABY DOL my BABY- DOLL. DH & (break) Dit - = = —t 55 THe : Jeans eons s SHEE Re. amr n= So? Mm “Bet eames er Sa aes & ak) DEE (break) er,» » eee eee A-SHESTHE DNE-A- Womal Wer 1 KNOW A-SHESTHE WOMANTHAT A- LOVES ME 30, WELL’ DRUMS hy k hi Copyright© Lowary Music Co. In. / Unichappoll Music Ine For Skandinavien, Fnian, Island & Baliska Statema; Wamer/Chappell Music Scandinavia AB, 23- = : 5 Re =| Got A BLACK MAGIC woman GOT A BLACK MAGIC Am Dm Ee ° rit 2 woman \ GoT A BUCK MAGIC = WOMAN. Gor Me So BLIND | CaN'y Gm Dm 6Pm) ©) == pare at see .) “MAT SHES A BLACK MAGIC WOMAN, SHES And (Am) Dm (BREAK) I eee = = ) ' Ca — TRIN’ TO MAKE A DEVIL OUT OF = Me Don’t turn your back on me baby Don’t turn your back on me baby Yes, don’t turn your back on me baby Stop messin ‘round with your tricks Don’t turn your back on me baby You just might pick up my magic sticks Got your spell on me baby Got your spell on me baby Yes, you got your spell on me baby Turning my heart into stone I need you so bad, magic woman, I just can’t leave you alone (quem Your BACK on me) Copyright © Bourne Music Lid. Trycit med tistind av Sweden Music AB, Stockholm.dx Fie) ¢) Jf Ore = =p SSeS By WEL (TIS Onle FORTHE MONEY TWO FORTHE SHoW, THREE? GET READY Now Go cAY GQ BUT FP + = % DONT You STEP ON MY BLUE Sucve Sines YoU CAN C? Bee, 2 t : St aan te ot Cee} ANY--TUING BI LAY OFF OF (WY Bue. GVEDE SHOES wee yoo “Con break 1) te saad 4 SSS == SUT mY One Bal ER Belt AY Ne Bs on OES PE e Sie PES dnnd : ~=—t i ‘ f = z E== = DO ANY-THNo-nar Yo WAT TH DO Bur | UH- UR HONEY, LAY OFF OF my Su0es bbe (band) See =| Dont you SHEP ON my BUWE sveDe SHOES YO) CAN 5 04 By F? Fine ‘Do ANYTHING, Bur LAY OFF OF mY BLUE Suet SHES WELL ‘YoU cAN WELL ITs FF kong ESS Ze 4 DUE Be ave seoesnese ea aA Pr Fa ji = 2 SS =] Bue Bwe BLE SuEME SHOES, wv - @ 4 GUAR FE FO FOB rg ‘DRUMS A { et = (Copyright© Unichappell Music ne. / Car Perkins Musi Ine For Skandinevien, Finland, Island & Baska Statema; Warner/Chappell Music Scandinavia AB, 25BORN IN THE-.S,0,—_“S=w PORN INTHE N).S 0 — Sse 2 = Eup UF LIKE A DOG od BEAT TO Muck. Tui You EAD] HALF YOUR LIFE Jusr | COVERING UP. te : ee BORN IW THe} U.S. AL 1 was 4 4 [SS rts * : : Zz ¥ t :s 7 ot BORN IN Tee | Us. A 4 1 \_( Fini) as £ = —— : Got into a little hometown jam, so they put a rifle in my hand Sent me off to a foreign land, to go and kill the yellow man /, Born in the U,S.A., I was born in the USA. Come back home to the refinery, hiring man sa mn, if it was up to m Went down to see my V.A. man, he said, "Son, don’t you understand now" (8 bars pause in vocals) Had a brother at Khe Sahn, fighting off the Viet Cong Theyre still there, he’s all gone (2 bars pause) He had a woman he loved in Saigon, I got a picture of him in her arms now (4 bars pause in vocals) Down in the shadow of the penitentiary, out by the gas fires of the refinery T’m ten years burning down the road, nowhere to run, ain't got nowhere to go ./. Born in the U.S.A., 1 was born in the U.S.A. ./. fe El Copyright © 1984 Bruce Springsteen Musi. ‘yet med tistind av Sonet Music AB, Stockholm.BRUCE SPRINGSTEEN. Sony MusicCAROL CHUCK BERRY ff = Fe = ets OH, CAR: is + a + : 2 (+ Ft (Oca poe (Fur f— >) zi - = T im. T Vox al ~ ~ + = SSS f 5 3 20; DONT JLEr rim STEAL YOUR: Away f "M Gon GTR, ei +. ce 77 Gets key FF Ct SIMESE: Co BASS z iE = toe : SE Bop 5 ae CF + a AMA LesRITO DANCE IF IT “TAKES me ALL NIGHT AND DAY. CLIMB. ta Awe te You Wess}o4 z t INTO WY MAGEE ado chs ON OUT, 1 KNOW A WRNWA WEAR Site MisicLIKE THE BoYs ARE PLAYA HOLD a rt f ze SWINGIN LITTLE JOINT UMEREWECAN Join? “AND SHOUT t's NOT “100 Tio, PRT RFI OmT Ler HIN CAREY tr AWRY Dow Ler THE CCopyiaht © Arc Music Corp. / peermusic ab. Tyckt mod standco See 25 ee FAR GACKOFF THE HiGHUAY NOT SO LONG A Ride _ Yo PARK YOR Herr 0- VERCOME You uMEN THY PLAY So Lou) — 4, Don'y THE & br ——et = =] CAR OUT IN THE oven, YOU cant ULK INSIDE __ a un Loo +e Music INTRIGUE. You WHEN “THEY Ger A CROWD. IF Pe == a - — KES 0IR T CAN “Ht ‘ain, Yeh every cq mone Ve nion You. wist Sad? “Sob Yeor thy TIME. YOU MAKE WHE SCONE YO INDE. JOINT 15 Jammie Eyes ON YOU BABY ‘cos YO) DANE So Good SS q SOLOS OVER INTRO~ cuo@us) CHUCK BERRY. Foto: Sharon Smithy/Pressens Bildny Help B00m. BOOM ~ HW oe HOOKER INTRO E F ¢ as so t ; = SUN A Vox: = 1. Boom Boom Boom et por Boom Fait Stomt Yeu fuoitr Down) oy OFF OF Oe poate feo AR ano Wires TW ny ee a ; = = a = # = E = | Sen My CSTE tae TAKE 6 a Me Ab aes Ty Ct Fe FF === 5 : ; = es ee iit ee TAU Witt You TRUK Like = MAT ‘Copyright © Arc Music Corp/peermusic ab. Tryckt med tistAnd—BOOKERT. JONES nt j 4 4+ i + = =i + + Bon UNDER A BAD SIGN | Been Down sce 1 BE- GANTD CRAML A? GF De h t we + = F 74 ANDI i+ WASN'T FOR BRO LUCK, | WOUID'WT RANE No LUCK AT ALL D7 — Ae f 7 & ee = | BAD LUCK AND TROVBLE My ONLY FRIEND — BEEN ON MY OWNEWR Swe 1 ula TEN VERSE 2: I can’t read, I can hardly write My whole life has been one big fight VERSE 3: Wine and women, all I crave Big-legged woman carry me to my grave Copytight© 1967 (Renewed 1996), ving Music Ine (BMIYEast MemphisiCotiion Music ‘Tiyck med tlstand av EMI Music Publishing Seandinevla AB. a1GR = ‘ - THE 4 ad, =a me. 3 D ; (unis) fr 6 cD (Unis) BY a f + Ser ib = aS ae ma v Y DRUMS: Y 4 = - SIMILE Pes gar eee Bealls 5 RARMONY CONT. SiMILE -—* ? eee — ¥ WANNA LIVE wiTH A CINNAMON GIRL. —_ \ coud BE HAP- PY THE DRreamck OF PIC— TWRes 1 | RUN IN THe Night — You] Sec US Teer HER SEREE Am c = SHE eS £ wrk A | CINNAMON GIRL —UGHT My} CINNAMON ciRL —_ pit mre x - + a Sad & D (vis) Am i-4 ct ze = . VY = z SEE Copyright © Broken Arrow Music. For Skandinavien, Finland, Island & Baliska Statema; WarneriChappell Music Scandinavia AB.BRIDGE} et eee st =o MA Seno ME MO-NEY NOW] 1M GONNA MAKEIT SomeHOW | NEED ANOT- HER CHANG SIMTEE Cc SS aee G 4 t * sar SHEE y =~ ese _ you SEE Your BABY LoVesTD —. EH yer yen Gm? AFNEIL YOUNG Neue Osy. Saas =| THEN Yo) GET WE) 200 Yo) weee TD Ter, LL, 3 MSY Mens SOx SOB oR BS in GBt ae ‘aaa A. THE MoRWMG COMES “THERE'S Pu ODOR IN THe ROOM + eS I oes 4 KEN LiPes COMPLETE SorHees seni Miss STL wien yo) Fee, U3e1 AND YI JUST CANT PUNT COUN Ye) see-nte Pictu Chawaing ZieRoriinie YOO HEARD Tee Scart 0 LOVE = moRETtAN fr miLuidN ROHS “Boom 5 r f ean Saar DISTRACTING yy FROM THIS] : eROTEETING Ys Ba Joo WE THE ONE YN LIVE muse BE THE ONE whOse Inhcic Tou CP GHONGE OUR BRERA ¢ e_ Za = Dm Fin fey =e MNO DON'T Léy AN- OTHER DAY Go BY__ withour THe MeGic G, of CHORVET C x. = ——F E& | 4 eS = TOUR Dist= RACTING y9) (camice voR min Sup Sear BBN ¥y Bue : 3 : xz | PORTING RR em- Bere Be CON- Birewve you F o-teorne Wy Con ay ee VINGING “Yd (Cee Yor. into CHORUS S 1 BovBe. “Ride you \ / LyRICS SUNG FREELY! FING vou \ —_ Am (GF,C,Em) |] Dn, Fe) (¢,F) a + = a , y 70 hi aulF. INGRAM At — o—+ = = =e St + é Unt a CROSSCUT SAW WIT DRNE Me ACROSS YDUR LOG vn A kd AZ =- + Fe = = = —= 5 CROSSCUT SAW JwSt DRIVE the ACROSS Yuk LOG VLU GUT YouR =e 5 ch ma AX SS E a WOOD se EAsy For you YOU CANT HELP Bur shY “HoT DO"! VERSE 2: Now, some call me woodchoppin” Sam Some call me woodcuttin’ Bill The last girl I cut the wood for, you know, she want me back again I’m a crosscut saw... VERSE 3: Ive got me a double-bladed axe that really cuts good But I'ma crosscut saw, just bury me in your wood I’m a crosscut saw... oR | opytght © 1969 invng Musa, ne Toekt med ta av EMI te Pushing Scandinavia ABCOME TG EHE R PENNON/ NEARING 1. HeKe Cone OD FUITTOE HE Come —GRooWN UF SLOWLY KE Gor —JU- Ju EYEBAUS HE ONE HOLY ROWER HE GOT & A f f + : — THis Kees Gry BE A JOKER He Wr DO AS HE PURSE. =. + Pat aio NO SHUESHNE HE GOT “TOE JAM FoorBALL He GoT — /MOWKEYFINGER He sHooT _COcR- COLA HE SAY WALRUS GunBOtT HE Gor OND. sineBOAD Hee Owe. /r# is SS Dt AF _ # fee == SS <7? THE CROSSROADS Feu Down ON thy KNEES Down - aued At FELL Own ON thY KNEES E+ 03/F¥ Ag a ———— ASHEDTHE IRD ABOVE FOR MERCY SAVE (me IF Yoo PLEAGE Copyright © Gazell Music AB, Tryckt mad titstang.VERSE 2: Twent down to the crossroads, trying to flag a ride /. Nobody seemed to know me, everybody passed me by VERSE 3: Well I’m going down to Rosedale, take my rider by my side ./. We can still barrelhouse baby, on the riverside (SOLO — two choruses) VERSE 4 (som 3): Well I’m going down to Rosedale, take my rider by my side /. We can still barrelhouse baby, on the riverside (SOLO = three choruses) VERSE 5: You can run, you can run, tell my friendboy Willie Brown /. And I’m standing at the crossroads, believe I'm sinking down vox >. ¢: = STANDING AT THE CROSSRORES, BEF LIEVE I'M SINKING. DOWN om O * = - Safe ahinane De pF Be =e * st Pett tose : a= IDR= JIMMY ie, 4% = tf Gur Cos CDP 0D phen DP Cour _(cont. simile.) DP (2 == eee —— em $ DRNUNG DAYS ARE HERE AGRIN SUMNER EVENINGS GROW pe C pe © — + + L_Ger my FuoweR 1 GoT_ hy PoweR 1 GOT A WoMm WAOKNOWS ORC] B (+, 04, A c =< 1 sao it's ALRIGHT. ‘You Kaul 1's RLAG Rr. \ Guess W's ALL ony HEART b a =: bes tr 4 ed = + + = Sov BEIM ON LY (9 ONG AND ONLY 1STHRTTHe WAT WE smo omer? VERSE 2: Crazy ways are evident, in the way you re wearing your clothes Sippin’ boote is precedent, as the evening starts to grow CHORUS repeat INTRO VERSE 3: You told your mama I'd get you home, but you didn’t say Thad no car T saw a lion, he was standing alone, with a tadpole in a jar CHORUS VERSE 4: ‘ Said dancing days are here again, as the summer evenings grow You are my flower, you are my power, you are my woman who knows CHORUS end on INTRO Copyright® Supemype Muse Fr Skancinavien, Fran, Island & Baska Statoma; WarnedChappell Music Scandinavia AB 40. ad, z = i ¥ v i GTR, | — ae era a I e IS ee ve Lz rey eH soe wY | I ee - 1 D Cos SIMILE sags] Cx © Dhl pb Dai ea + i +5 H ip 2 BLVES ~ SLEEPY JOHN ESTES Gt FE Y = 4 pee i WF te * RWER WAS WHISKY | was A DWN! DUCK IF THe. C4 1 i: = =i = RWER viAS WHISKY Twas A DWN’ DUCK, wel \/D ie CF GF DF =a £ = tot cot Dive To THe BOTTOM AND 1'0 NEVER come UP VERSE 2: The sun is ganna shine, thru my back-door some day (2x) The wind is gonna rise, and blow my natch blues away VERSE 3: Let me be your sidetrack, honey, to your natch’ mainline (2x) I'ma doe rollin’ daddy, rollin from sun to sun RIFE FOR Bree/ore: Gt apt oF ye 2 7 + xe SS oe hy = Dz C4 oe i t = 4 FF oF ele ae Sn et any Copyright© peormusie ab Trykt ma tilstind. 423 3 ~ ROBERT JORNSON DUST WY—BR ODM aw eines) cae! sesste alia = VM GONWA GET UF INTHE moRNING, BE- Lieve I'LL Diet MY BROOM Vo Gonna De oY zt aie GET UP INTME MORNING BE-LIEVE Vu Dust My BROOM 'm GONNA EF DA, — pee = LEAVE mY Brey Aur Gor NO Time To Lose 7 GONNA Another Elmore James verse: I dont want no woman, gotta treat me wrong all the time (2x) I'm tired of the way she treat me, just about to lose my mind And some Robert Johnson verses: I’m gonna get up in the morning, I believe I'll dust my broom (2x) Girlfriend, the black man you ve been lovin girlfriend, can get my room I’m gonna write a letter, telephone every town I know (2x) If can’t find her in West Helena, she must be in East Monroe, I know I don’t want no woman, want every downtown man she ‘Il meet (2x) She’s ano good doney, they shouldn't allow her on the street T believe, I believe Ill go back home (2x) You can mistreat me here baby, but you cant when I get home I'm going call up China, see is my good girl over there (2x) If can’t find her on Philippine ’s Islands, she must be in Ethiopia somewhere oreflane “THE ELMORE JaMes~ Lick’ + SSE = —— = % wes ORE = feet = = tH R 3 Copyright © Gazell Music AB, Tryckt med tts. Arr: Copyrinht © Arc Music Com. Tryckt med tilt av panes ab—B0B MARLEY - GET ve, STAND-UP xx) CDRUMS+SPENKING CHOIR) = SSS C= aT TE TRUM! WE want THE TRUTH! Gm > “tieovstour! = > = Get uP smno ue STAND UP FOR Your Ri Ea = (2) £ Crrineman) Groans) = = 7 = a ene ur [DONT @ivVE UP TRE FIGHT! (2. 2 + no = = —— = —— =e PREACICR MAN Dont Tel we, eave 16 on — vee-rwe eagTa 5 + f os : WAT LIFE IS REAL LY aoe + v Copyright © Stuck on Muse Ista Logie Lt, Tryeht med tilstind av Gazell Music AB / Wamer/Chappel Music Scandinavia AB,Bass SAMPLE FLL 1 VERSE 2: Pastor deacon we ‘re tired a-hearing Great God gonna come from the sky Taking away every living things That‘s a whole bag a-lie Cause if you knew what life is worth You would look for yours on earth And now that the children have seen the light They re gonna stand up for their rights (CHORUS) VERSE 3: We're sick and tired of your common game Dying and go to heaven in lord Jesus name We know and we ve come to understand That the Creator is a living one You could have fooled some people sometime But you can ‘ fool all the people all the time And now that the children have seen the light They’re gonna stand up for their rights (CHORUS)G ET BA G K = LENNON A € Fy A uh He WA %, Se MRA a Mi) TOTNES A Lowe Ke coma suieerLokeria ‘MARTIN Towetrshe ws MONA RUE SMe WH ANOTHER "ona ss t == aS : ° ier ee “Woy ABI na EOR SOME CALL Fognl Fea atte kis A cOM uc sR oe ey Boning Bit eae GORE sue “cAI }C|r once é Ee DA s —— SSS Ger Back — n| GET BACK. uate Once BG- LONGED GET BACK 7) A eee eS ===] Ger Bac f 1 t GET BACK TO WHERE wo) ‘ONCE 6c — “Lone ARS F PND G OF CHOR anh 81060 Norm Sng. A igh Reseed mana Coy Seca inch ed sting av don Wihcim Hansen A's, Koper me oo ee eee =(Av Bass & Drums ) - iV Y paris WHERE You GONMA GO Wik THAT Gow) } c G D, Beh : Se Um Goin’ Dowd 0 sHoor my op LA- DY You kwow) 1 CAUGHT HER Messin ROUND TOWN) WITH AN Eo 4 4 OmeR «man Hey Joe, I heard you shot your woman down Hey Joe, I heard you shot your woman down Yes, did, I shot her, you know I caught her runnin’ around town Yes, I did, I shot her, you know I caught her runnin“ around town (Solo) Hey Joe, where you gonna run to now Well, I think I'Ui go down to my favorite place, Mexico Ain't no hangman gonna put no rope around me Hey Joe, you better run, run down... GUITAR ies es aes CFT Bei (AL oy oo oi sor be (ese) eS ce DRUMS = 4 (Fs) a+ Copyright © Third Story Musi Inc. Tryekt med tilstind av Air Chrysalis Scandinavia AB.“MARC BOLAN a DRUMS? RL, (om 4 connnves! ) Kad WELL Tove O1R = ae + paar —? t = + ta S ete = ae — TY AAD SUCET CLAD in BL = DONT LOOK BACK ANDI LOVE] -YOU You'Re }DIRTY AND SWEET OH YEAR or <= Be TRERES 3372 SPSS F KBD ll ass HE A E A 3 tlt iE SESH Copyrght © 1971 Essex Must nt. Ls ‘Fyekt med listans av Musholaget Essex AB, StockroimE A A Eot a io S WELL YOURE SLIM_ AND YOURE WEAK. YOU Gortte TEemOF A HYDRA UPON + ‘ LS Yyou'ke DIRTY Sweet AWD YouRE my GIRL za es oer wT Ow A ; € = = —_ + — | A Ae ir ee rea = A = = = A ~~ BANG “A GONG Ger IT ON B} INTERLUDE NO DRUMS GTR. 1 PLAYS SMILE TD INTRe! be —— = mite Y ted Revear pars 5-8 OF reo! E f E { rerear VERSE) — Perens] Sx 4 taes} [loreane) (4 pars) CA BARE7 OVER ITRORI PE 4x4 Baro) 2. Well, you're built like a car, you got a hub cap diamond star halo You're built like a car, oh yeah Well, you're an untamed youth, that the truth, with your cloak full of eagles You're dirty sweet and you're my girl (CHORUS) 3. Well, you ‘re windy and wild, you got the blues in your shoes and your stockings You ‘re windy and wild, oh yeah Well, you're built like a car, you got a hub cap diamond star halo You're dirty sweet and you're my girl (CHORUS) 4, Well, you're dirty and sweet, clad in black, don’t look back, and I love you You're dirty and sweet, oh yeah Well, you dance when you walk,so let‘s dance, take a chance, understand me You're dirty sweet and you ‘re my girl (CHORUS)GIBBONS HILL DRUMS _4_BARS Rife ¢ Bars & Z = = \ on 7 [ese], a TAD Aa ara a7 mee 2. wine we oe ilo MMT ME Aiea Sou Be Ser Sen 3, MOVE rr ut ANO USE IT UKE a Shes ut Wid YOU cor 7 ice Hor: DU) my nee Vr ue 6 ina You E Sat Es WW LIke A New a5 el + —— IMME PL YOUR LOVIN) pe ALL YOUR Huss AND Kisses “TO : Fett s ==) fr a Gimme AL YouR LOVIN' —Oon'TLEr UP UNTIL wcke THROUGH 2.worD c 3. You Ger TD BS 5 E | Git ee 2g - c [ E E - i < | F 6 © ¢ = +— (our File) ar eg >, abc Cc ro Copyright © 1983 Hamstein Musi Co. a (Goo 0 Fare, Tiyekt med tistand av Air Chrysalis Scandinavia AB. 50c 7 +e oe (Bes nvEeRse3:) SIE eee z or SE CHORUS! A 5 5 E ca = = = i F C == = == ve SLE, ZZ TOP. Foto: Pressens Bildy MORE Win -STANIE ya wge? DAVIS: Re PERATURE RisiNe AND] Feer on “THE FLOOR PERPLE KlocKatasTie] WANTING SOME MORE, BAND + L t + L = LET ME IN BABY | DONT] KNow WART-Yo# GIT BAT YOU I BETTER TWKE Tr EASY “THiS t PLACE I> HOY Ano 1/m BAND Sie Copyright © 1966 Island Music Lid/F.S. Music Lis “Tyckt med ilstand av Sweden Music AB, Stockholm / WamoriChappell Music Scandinavia AB,' ~ ; + an Zt t tt SO GLAD WE MADE} IT $0 GLAD we mag iT you GOTTA = > G A Cc os r i mos cn eee oe 2 - + ar — Gime Some OF | Lovin’ Lovin’ e-ve-RY | Day ORGAN E Alle won| E 24S REPeRr FROM 2. Well, I feel so good,everything is sounding hot, INTRO 29! Better take it easy, cos the place is on fire Been a hard day and I don’t know what to do, Wait a minute baby, it could happen to you And I'm so glad we made it... 3. Well, I feel so good, everybody's getting high, Beuter take it easy, ‘cos the place is on fire Been a hard day, nothing went too good, Now I’m gonna relax, honey, everybody should And I'm so glad we made it.73 i" iT \N\E ‘Somenwe Seams Wu ET We Cts om Senne Res PORT IRN DNOSE STING Am iz Ey =F ES SF > as = =f a as ME ei he Ese, “eon ue ef Em D cep j eet te = i Eh = FeertnG “Gwe rrWMeN! went Vm WN Fike VENA thy Desig, Ge tr wien 1 em c Q Em c B TALK TD Me womAd Gwe TO me GWE TO Me. ce Em — i? ——t POWHATYON Fee WHEN | Béenl UNDER YoURTWA(1) Bur it'S 0. K. uo t's 0 KO Am G F Be — Xs f { 7 a 7 You won'r BE Laven’ GRL Wien Im NOT AROWND 1D BE 0. K. AND I'D I'D NEVER FIND BETTER Bt a = co “TRAN Peace OF MIND DOW'T TRY 7D TELL Me BECAUSE Your wok0s sole) VOCAL FROM BAR + Ft JUST AREN'T “eNover (sel) Copyright © Mijac Music / Ignorant Music. For Skandinavien, Finland, Island & Baliska Staterra; Wamner/Chappell Musle Scandinavia AB. 54RAY THM onyker [intRo} [verseEee eae fA \ Got my mind ¢ 4 67, ¢, a == ee Go MY MND SET On you \ Gor OY mip Se a SSE i 2 ¢ $+ . ser ON You oer my MND ser ON YN Bur at's GM TAKE F Gt c ot 7s E> SS SS} Money A WHE LOTR SPEND MO_NEY ITS GonwA TAKE © E ore © £ Gt E ==! == Pa f == | toe we PLENTY oF money 0 Oo wr RNGRT Omi \1's GONWA TRKE, cv = c , F a ES SCE tp fae fa TIME wHole LerTR = PRECOUS TWE__ IT's GONNA “TRkKe c F Gt © Ee © z E Ss ; SES 5 et ae aot $ ae aS PRRENCE AWo TIME Ma-MM «TD be lr Tbe do tro pe ly TH e c (BREAK) © —— oe " WT 70 DIT Rew CALE \ Gor thy mo ano Ic E Gt & Fe GF - re =e ANS TIME 00 Kolo if FR REAL. he | FeeUNG Tr) FECL ¢ Fe Gz SRS Gt (exeAk) say fSastic =o : f + + ae eadw IF 1 Ger my ND TD IT mai Kaloo ter 1 REALS CON OO IT 1 Ger MY MIND Repeat ct verse fick (wernumenmn) Ch / Bridge verse ich -m Fane! Copyright © Carbent Muse nc For Skandinavien,Fioland, Island & Baliska Statema; Wamer/Chappol Musle Scandinavia AB,oR [ace ee PIANO => at wg fn EF Am C 5 \ = a —sR 2 OE. q g Space inner ¢ (BREAK) ae FT) ) Conca) ae £ a= it 7H fas fe ibs | you Naetes AMD You RATTLE My BR pw “We ica. lve Deuce gneN INSANE Jise) ( intees Sr Live “cos eget iP WASEUNNY You CAME RLONG No maNeD” —ME— ReNEY DF TT] dea(pe) ST ee Oy T ——— = r a be oye YOU BROKE MY WILL BUT Wer A MARILL cae GRACIOUS GREAT BALLS OF FIRE | 1 CHANGED IY ah nD “har Love 13 FING ~( band ) 5 G3, i ae es Kiss me BABY on yo! iT FEELS Goop C4 D#(BREAt) era fst = = ; a bey =| Holo me BABY | WANNA Love You LIKE A Lover SHauLo. De (pe) bz J(Be) ST) toe D+ (band) oe = t You'Re FINe 50 KIND GONNATELL THE WORL? Tar You'Re MINE (niwe VINE: ON IME, GE (band ) ct = 1 Claw My NAUS PNO | TWIPPLE mY THUMBS Wm REAL Néevovs BUT IT sue 1s FUNL DF». CH, G3 ( BREAK) 7 ty f er 5 = = at : —+ - * os OH = BABY Yov'ke DAWN’ ME CRA_2Y — GouONESS GRACIOUS GREAT. BALLS OE FIRE! PIAM ‘Copyright © Urichappell Music Inc. / Chappel-Co Ine. /Rightsong Music Inc. For Skancinavien, Fintan, Island & Baliska Statera; WameriChappoll Music Scandinavia AB,RAY CHARLES Ce cote 6. ae : ¢ Ler me Ten.) ‘tor A ORL | KNOW SHE 19 ty BABY AND 1 LOVE HER so UIHEN Tm IN TROVELE PD | HAVE NO FRIZNDS 1 KNbU SHEL GO ulm ME UN-TL THE END. z c care g § 5 t == SS sy t eihY toRungwhar’nte Sin ae = = 8 PATORNE oP sik : VEY Bay ASO MES HOw KNOW FE NAB hadet Ste RUE me SB mech | pn 3 + rs t Know Yes) KNOwd HALLE LUJAH | JUST Love HER 50 che 6 oF —— r ¢ = =e a + ——s Nw IF | OAL HER ON THE TELE PHONG Ano TEL HeRWar I’M ALL Aone cF pba Aim (a ao — - = z ‘S BY THE TIME 1 COUNT FROM ONG TO FOUR \ wean tee VTS Fon amy poe freq oe Cc Cc _cfe TS me: # 5 SS = tt mete ae Se oe Ite GvENIN WHE THE SIN Goes Dow Ao These Pir NOBODY Lee ARDND™ G %, 0 S tS f+ 5s ———! + SHE KES «me AND SHE HOLOS Me TIGHT Sie Tews Me "BABY, EV'EY-“HINGD FuLricur”wa$s WY | td En CF Az. Du CG 3 $ j ; ee ]| t + - a t eNowW Yes 1 Know HALLE ~ LUDA | vor Loud HER SD T c ae VV I cee BS Copyright © Unichappell Music Inc. Rightsong Muse Inc For Skandnavien, Finland, Island & Baliska Siatorna; WarmerChappell Musie Scandinavia AB,nee = DON HENLey / GLENN FREY S- F = c € : a q fe drums only!) En men $ + et oe + = | SOMEBODY'S GONNA HURT SOMEONE iar 1S THRU __ SONE PeomE Like TD SrAY OUT LATE YT HOLD DUT-THRY LONG c & os D E i aS Se SOMEBODY'S GONNA COME UNDONE —_ Trees NOTING We CAN ‘Bur NOBODY WANTS TO GO Home Now Tikee's Too MCE GOING a G Em AG Em et SSE Sa EvERYBODY WANTS TD “Duc SomesO__ ee: ie ir Thees ALL NiGHT “Mis NIGHT 15 GONNA = LAST FOR- E__ LAs ALL oe AL svmmck LONG BC & aD 3a eae EVRYBOOY Wars TD -TRKE ALITTLE CHANCE ‘Out Race some “Tinc Berene HE SON COWES UP -nte 69010 1S Gouin LAY THAT SONG Peeayneenn Che +» + be Gr 5 xt tte = E best — ; t t ERRERCHE “TONG He A HEARTACHE “rONIGHY «1 KNow “Tieee's Gonwn BE A A Aye bh cep 9 9 2 ra, = i : 2 A veperrcté TWiGHr 1 KNOW LORD 1 Know) —_ 2(rnee's GINND 96-0) ee enc b 2 ob : aPy - + at = HEAR Wight, THe MOONS SRINING BRIGHT, “Wie! ovr ie cia owe cer nun Be A Beer uno THe BUS we cal Cr Doan “TP THE BONE KE CAN Lem TRE FRRKNG LOT, Bur Ge RY THRs Conn BC A Cibieereeay Dp. & + 2 = + Henkrpate TONIGHT A Heparncte TONY | KNOW Weakshote TONioRY =A HERRICK TONIGHY 1 KNOW FF OC FG 2 eS Vara Copyright © Res Cloud Musi / Gear Publ. Co/ Woody Creek Muse For Skandinavien, Finland, leland & Balska Statema; WamerIChappell Music Soandinavia AB, Copyright © ice Age Music. Tyekt med tilstind av EMM Songs Scandinavia AB. 60co ic aed at HEARTACHE me rhythm Cxcd oF = 5 c FIC fo e —#F a _)g- a i+ SSS F fae 4, Soméoné THLD me Long = Aad __ Tiekes A cALM BEFORE __ tte swoRM | KNOW 2. YesteROhY PAO DAYS §— BEFORE _ SUN 15 COLD AND RAIN 1S HARD] KNOW ae ez 5 as | ee | =, AND IT'S BEEN CO-wIN” FOR — SomeZ TIME = BEN THAT WAY FOR ALL my TIME c = o--0 Bees ae: SS ee Ey whew T's OVER Go “THEY SAY Wet RAW A SUN NY OAY_ 1 KNOW TL FORE= VeRO tr Goes “Miu THE CARCLE FAST_ AND sLow_ | KNOW > Sj SHIN’ Dow _ LIKE WATER. 3 4. Ay 1 cers 1 WONDER, ie. ; Es E F i g aera Am Am/G (WANNA Know __ HAVE YO ENER __ SEEN THE RAIN, = : ey COMIN’ COWN_ ON A SUNNY DAY __ ‘Sopyright © 1970 Jondora Music Co, USA Tekno tstind ay Prose ua ES 62MAE BOREN ATV, ‘TIMMY DURDEN, Vox, t v T ZF Naw Hismicé my GABY oer me | Joorm waa FILET Pn DomlNCTHFEADF UE es MERTEN HOTEL“ GTRPIANO F- = ee vy z ens C Ses : } zi DRMS BRIEHES | Sle i vin so | Lowery Gt CH Sue == ie 4 Now, since my baby left me, I’ve found a new place to dwell Down at the end of Lonely Street, at Heartbreak Hotel I'm so lonely, I'm so lonely, I’m so lonely that I could die And though it’s always crowded, you can still find some room For brokenhearted lovers to cry there in the gloom T'm so lonely... The bell hop’s tears keep flowing, the desk clerk’s dressed in black They've been so long on Lonely Street, they never will go back I'm so lonely. So, if you baby leaves you, and you have a tale to tell Just take a walk down Lonely Sireet, to Heartbreak Hotel You'll be so lonely... ‘Sepyah © Tre Puttsing Co. ne For Skarcinavin, Flan sar & Basha Statona; WaroevChappel Musk Scandinavia A, 63~ Am c BS Sree There's mote THe Plc TURE THAN Mees THE EYE —__ Am Ze) F/A = 2 Hey wr my my —_ Out of the blue and into the black They give you this but you pay for that And once you're gone, you can’t come back When you're out of the blue and into the black The king is gone but he’s not forgotten (Johnny Rotten! Johnny Rotten!) Is this the story of Johnny Rotten (Rotten Johnny! Rotten Johnny!) It’s better to burn out, cos rust never sleeps The king is gone but he’s not forgotten Davms Copytight © SiverFiddle Pub. Co. Fr Skandinavien, Finland, Island & Baltska Staterna; Wamer/Ohappell Mus Scandinavia AB. 646 = x x Z— a HORN RIFE ALSO PLAYED DURING cHoRDSes! Dot Yoo fF eT = + t—¢ ee =a Fee. SAD Lean ON me WHEN TIMES. ARE BAD Wited “THe DAY WR LOVER \F-YGEr COD ILL Be YOUR Cover DONT Have TD DL ,. be os + pee sae eee | ANO You'ne Dow IN A RIVER OF TRoVBLE AND 1 Gor 70 Deon swst HOLD ‘cos Vm iy NO Neep pees “cos VM oe ‘cos HOLD + —_ EX i 4 = ¢ y = =E2 - cer vm COMIN! Holo ON Vom comin” (vm Goin’) gee Gyre G, iM, COMIN’ Hoo ON vm cOMiN' Boon a ; 2nas a=: 4 ty ; REACH our To WE FORK SAMSFAC___ “TN Yet CALL MY NAME NOW FoR Giioe REAC- athP ats pp =e =a ¥ TWN Yeu yeu eH YEAH Rerear Aor VERE pune [INTRO- cious to Fade! Zt oe GTR ; AIL ee G G Cc Be — + ore — ae DR, : =m =e SMILE: Copyright® 1986 Renewed 1994, ving Music Ine. Pronto (BM) J Coton Musi nc For Skandinavien, Finland & island; Wamer'Chappel Music Scandinavia AB / EMI Music Publishing Scandinavia AB.HEART-SHAPED Box ~KURT COBAIN Ay £5 DG) SHE GES MMe LiKe, ve Been woeKed Ise WEAR supreD 605 16DRs Cems Imie’ | Sauk no ner L wish 1 COULD ear 3y) ss = = F u ee ttt G3) Hey! Warr! | Gor A New comPLAINT FoR ENER IN DEST] “TD YR PRICELESS ADVKCE| (2) Hare) MAigar | pisrt ; + t == = + $F = ae a os erm AS Pa Oe F = if SIME = =" re YOUR novice | ae = & Ra AS. _ Ror, veRswens en ROK Te ee meat Caring a Kids ethane, NO-ONE JUST YET HAIR AND | BABYS BREATH Copyright © The End of Mus an T Pa tera a Oni tans hem Soto VeRG 3 = VERSES » 66= “THERE el c D F a 5 é nega 1S A HOUSE Ww NeW OR- LEANS THEY CALL THE RI- SING SUN AND 11'S hace eC. D F Am © An € ee a Been THE RUIN OF MANY POOR BOYS AND God 1 KNow Vm one © An Dn Am Dm Am (ee ay 2: My mother was a tailor, She sewed my new blue jeans My father was a gambling man, down in New Orleans 3: Now, the only thing a gambler needs, is a suitcase and a trunk And the only time when he is satisfied, is when he’s all drunk 4: ORGAN SOLO ( VERSE ) 5: O mothers, tell your children, Not to do what I have done Spend your lives in sin and misery, in the House of the Rising Sun 6; Well with one foot on the platform, the other on the train I'm going back to New Orleans, to wear that ball and chain 7: repeat Ist verse a WC CIMAX® REPERT INTRO APTER EACH VERSE. ORGAN or: AFTER LAG VERSE: at oH : a C "paps" ) =e || TRO TO Copal A Am Sy zt ee Copyright © 1964 Keith Prowse Musle Publishing Co Lis ‘Tryekt med tiletand av Thore Ehring Musik AB(coo. VERse w/ Repeat ) Io ee — 4 6+ tate et y > SS ee ee ye ty ON A DARK Deseir wicuway © cook Wmd IN mY HAIR “THERE SHE STOOD IN THe DOORWAY | HEARD THE mission = BELL =a A_= ee SS ann WAR, WethGE Bo VBE miscons be Heaven Me This CovLO we WELL oS SS = SS UP A- HEAD IN THE DISTANCE 1 SAU A SHIMMERING = Ligut A “hen Se LiT uf AR CANDLE - AND SHE ShOvED mete WAY m oe f + mY HEAD GREW) wan AW 1 Svat Gia Dim \ Hap STOR FoR The, Niet cee CORRIDOR — eel HEARD THEM SAN 2. Ee tft Se E] fe = = =e WELCOME “TO "THe HOTEL cALIFOR ss NIA such A BF Em eo = = 7 eel ess = — LoVeLy FINE Gane wrerrace) sum LOVELY FACE c Bee Pa $ i eee rr. ze + ——— (SSS ae + = PLENTY OF ROOM _ ea HOTeL CALIFOR —_ NIA ANY Am, BF ae + + — Tune oF yenR_ Cr THRE SF EME) You can FIND tr HERE Copyright © 1976, 1977 Red Cloud Music / Woody Crook Music / Fingers Music. Fr Skandinavien, Finland, Island & Baltiska Statora; Wamer/Chappell Music Scandinavia AB.BASS FILL, BAR 4 OF CHORUS: C, VERSE: Her mind is Tiffany-twisted, she got the Mercedes Benz She got a lot of pretty, pretty boys, that she calls friends How they dance in the courtyard, sweet summer sweat Some dance to remember, some dance to forget So called up the Captain, "Please bring me my wine” He said, "We haven't had that spirit here since nineteen-sixty-nine" And still those voices are calling from far away, Wake you up in the middle of the night, just to hear them say CHORUS: Welcome to the Hotel California, such a lovely place (such a lovely face) Livin’ it up at the Hotel California, what a nice surprise, bring your alibies COOL VERSE: Mirrors on the ceiling, the pink champagne on ice And she said "We are just prisoners here, of our own device” And in the master’s chambers, they prepared for the feast Thay stab it with their steely knives, but they just can’t kill the beast VERSE: Last thing I remember, I was running for the door Thad to find the passage back to the place I was before “Relax”, said the night man, we are programmed to receive, You can check out any time you want, but you can never leave” (SOLO over VERSE)HUNGRY. HEART ~ BRUCE SPRINGSTEEN na a a a tt to pat tee test pe — PIANO PLAYS: satire HIG voicinos! DE me © a Am Dm i GF Fad = a4 z = tS T a Uo By > == PRE Am = Da G2 __ (cont. simile) a =: = i =A 1 Gor A mie mwmete N ORLNIVRE JBCK | vicat curr a RIDE FAD | NEleR che BACK : 2. MET HER IN A meee mw BAR WE Feu In en Knew) 11 HAD TD EN evey “tow weem’h Aine Rest BODY VIALS Te Wave.’ Home —e 5 PP % f —— Peo See See Lice o eee Biwuiere. 11's FLOWING KA WRONGTRN PRD | usr KEPT GO- ING We TOOK Wa fi we RIO roRT wow nesta DOWN IN KINGSTOWN A- GRIN. OI MARE Ae DF wet ND- BODY 'T NOBODY ieee DE Ay LONE a # = Ei at i $ Pet f ee evky 6001'S GITA HUNGRY HEART EN'RY Boy's Got A HUNGRY HeneT 5 me a BEE et PSS =A] LAY DOWN YOUR MONEY ANDYO) PLAY vouk PART EN'RYBODY'S Gor & HU- U- U-UNGRY BEART S = —— a rae t Em 2 ] gb E J Copyright © 1981 Bruce Springsteen Music. ‘Tex! mod Dlstand av Sonet Music AB, Stockholm.1G 0 PWM AN — E : = {t= = 4s + o—¢ = ae ; 1 Gor he woman way over" THN ay! SHES _G00D TO Daman AY, Ste” TAS" Stet Goo ee At E 2 =e We 3 ME che Sy me on Some DAY we'ce At, s + + = = = + + WOMAN WAY Ove iN ‘Stes GOOD “0 Kisses AND We My HUGS IY JusT—_ FR maRay way OER we ses C000 70 BF EB SSS a ME OW YER Now SHES [ny ee oH yer WHEN 1 SAY es ou NG ee SomeDAY = WE'LL ——r t oo — = —s z aa DREAMBORT Ok YES IN- = DEED —_— See uae We 8% PLeAse “THRE my = WAND swe Hobs Me MARRY DON'T You UNDER- STAD ‘che Site's my I aS = rs == { Kino OF GAL | NEED. is \ Founp “*A Tewr —__ Se’s my = LoveR GIRL ey LOVER GIRL v ¥ =| = = = + i a ae I a t = woman WAY OVER wn Sue's G00) TD A> 4 { | z 4s os me ——— Et 2. 1 seve mie Bel serena CHORD INOTR, (+ Hoanst q I _ BASE res ——PRoMS Pt x % x _— Copyright © 1955 by Progressive Music Publ Co. Inc. For Skandinavien, Finland, Island & Baliska Statora; Wamer/Chappoll Music Scandinavia AB,SS =F ae : - i our of THIGH Our OF me. = == + = 4, yd COULD TRY iy OUT oF ecru YEA = W- 70 You YeRH You cant HIDE Em. G p> cx — = = Ss _ Weer A Pee OF Me ———__ Yoh IN LOVE — W's JUar AONE WAY STREET —_ | Believe AD En t Sa 1 GOTTA KNOW TONIGHT I YavRE ALINE TONIGHT c Ca Gm 0. ‘ fy i igs tt ee + +t Dt we cantr STOP “THIS FEE LING CAT sre THIS Tver =o! | Ger HY co C p By 5 owe D BS Se 2 t STERICAL We Sree” AWAY CANT YOU Pee IT | CAanyOv BeLieNe a sw eevee SH A Em c dp & D D D — z = ttt a i ! = T MAGICAL MY- STERI- A Whew “nd Ger TWAT FEELING | AuOYo) Sniar BELIEING ‘cot u's A Drader FesUN 3S omar Bes O, D PBREAK- DRM FILL —————, ‘¢ TE a tte S—— et { f zr = MIRACLE OW Pain? Da S Chm Bot f f — $ ‘YoU GOTT ADMUT IT AT THIS PONT IN TIME Ter irs CLEAR he Fie LOOKS BRIGHT sehr Rurtess eer Cane ‘or ele Ane CES WE Ea Pens tee tt CA/6'4 — CLG Fo Cale —a02,/6 &/6 , E rf = it ==] 1.3, ON Ants TRA AL GRAPH = TE AND GUTTER, UNDER- SEA BY Ra anes DG Wat Cee ER cate PRESS B, Rie SN cae, 4, 53/4 eran Fa 3 a NINETY MINUTES FROM Ned YORKTY PARIS WELL, BY, PERFECT WERTHER FOR A Siete ACTER Roce IE ny Summary Banas, Ges HE, + Az a => = + eveh et, Lee BORE Hehe Bnei eae BROS FIED IRE <0 IE BITE COND PUY HO UTE HT BEB 5 aE A rm Fil Go) LCHY se smctrr soo Nanci Be IN LiGHTS san! ili ose enon Ea P ; ge: + * Se eee eee oa oo, lian ail GO HM GO! Go! ap: ey =e zt =A es t 7 ax Go OHMNY GO oo Jounny Gol Got ~er Ay + = 5 | = = we SOANNY By GoorE | (Copyright © Are Music Comp, Tryckt mod lating av poor music ab 80 Mo mn aa om om om om om om om onby Fj 3 BIG BILL BRoon2y, A EY FE GH AY —ctteses scone” At (eas De ~ Ey pet Key TD THE hiGHWAY BILLED OVT_ AND BOND TD Go GONNA ACK «6 -TD THE = BORDER WHERE 'M BETTER KNt “THOVER You OWE MORE KISS MAMA Just ey \ or CAVSE WHEN 1 NK (3 Fy A ut = =: A 22 D ~e EF — = = : 7. t i LEAVE Here RUNNIN! WALKIN’ 1S MUCH TWO sSSy) __ 2. /M GOIN WAVEN'T DONE NOTHIN’ — DROVE A GAIDMAN AWAY Ze0n brome 3. OW, GWE mE Leave Tis Time. (_win'r BE BACK NO More TAVRNAROUND” CLAS TWO BARS)? nt AF AAG >D F/pt ple et oo +2 ane cata BASS Ly.) a Copyright © 1941 & 1969 Duchess Music Corp, USA. / MCA Muse Lid, London. All Rights Reserved. Informational Copyright Secured Tiyekt med tilstand av Editon Witham Hansen A/S, Kopenhamn,~ STENIE WoNpER SS peas epee ys ET A_(sA6) 4 (Bann) = == = VERSE, tort ite itn a, mt Abe mt poe epee . LOOKIN! Back ON WHEN | WAS A LITTLE NeP_PY HeADeD BOY eh, Ave Kone Aba Bmt pe Eur Aba a t eee rer = ———s + Tien my ONLY WORRY WAS FOR CHRISTAAS WHAT WOO BE Me TY Pes Ent. ee place Pipne pet Oty oli oy eee ee = i —— NEN THON WWE SoMENMES ww Wer Ger A Thine = WE WERE AAPPY WIT THE JOY THE DAY WOULD BRING Cony AF ty, Ab aE bmt hoe chm bg 5 $- Set — | env! out The BACKDOOR “THANG our WinttTHngs HocDLIM FRIENDS OF Mine eng ne Ow, be emt pb hn Abs GReertD AT THE BACKOMR wratOY |“THoDRIT | TOLD You Nor Go oorse_” rm oe Ci me Eat Aimy BOF Ct Ena | pad ht be ¢ pp eee fj = + =e tt + + UMA woORLsS CONE UNDONE FROM LOOK SAW AT THe. SUN A 8 € A_ 68 { 4 —- + 4 z rT wiar OW Hen "Drooy bo __ 4 wear DO RE PuT YoU THRoUeH? © “TREY SAY witten oF, Ae ae (D5) (o5/e) [5/e) EF — eed JANIE WAS ARRESTED “THEY Fao Hin UNDERNEANE A TRAIN BUT on. AB. “te a sot eS 3 MON He Hao Ir COMMTNOW THAT JANES Ger A GUNSHEANT DL ER GONNA BETHE SAME. iin Bru € fn ; Bsus E=aaa ; SSS : =| Jane's Gor R | GUNZ saMe's Gor A om eR Fim Bows é + 7 Feet 5 + = t = Day's Just BeGuy Now eae” po01 TS & ae = 2. Tex Me now Yrs UNTRVe —— Wilke DIO Hee 3. WHAT DID HER DADDY DD 7% T's seus unr 1. Os, AS 4. pte peg ge 2 Lire erry BAey The MAN ASCH TD BE INGANG __ “Te Hin Dowd EAST = AND Pur A BULLET IN Hid BRAIN Copyright © Swag Song Musi. ‘Tiyekt mad lst av EMI Songs Scancinavia AB,As Ar FS ss 5 a=: i — i ‘SPELL Twa He WA ONDER = THE LIGHTNING THE “HUNDER KNEW THAT SOMEONE HAD TD SmPTHE RAM NOBO- Dy Believes ME. The MAN WAS SicH A SLEAZE. HE AY NOI ER GONNA Be THe sane” ee peep fp i Gaz). aS io fe pee ei RUNAWAY RUN AWAY FromT¥G PAIN. ert YEAH YEAR YERH YEAH on Pee e pee E59. oe - 5 ie ~ RUN- AWAY RUN AWAY FRom-nic PRIN. ema Yea YoRM Yemn Yeni Yea Yeah oF De - irene ee vt Se t . RUN- AWAY RUN- AWAY RUN RUN-AR way. 4 SS (6 as cose Gm. OF BASS 85= $e VAN HALEN MICHAEL ANTHONY a = | PND NOTIN’ Gers Me DoulN__ => wo Gor IT =~ TVGH Se \'VE SeenTHe bucHest Sox A- RouND 2. Pao | know = ae ea | ———— = [= =e i rt oe Brey Wor How You Feel 0), Gor 70 OLB (ARE voy wHo shortn’)) BABY How Yo Been — YoU SPY eo DON'T 2 (re Soe gap = eed ROLL WITH The PUNCHES “1D Ger TO WHAT'S REAL CANT YOu KNOW Yov Won'r KNOW UNTIL WW BE- GIN cout yo Copy Van Halon Mase / amend Dav Mus Fr Skancinavien, Finland, Island & Baltiska Statoma; ‘Wamed/Chappell Music Scandinavia AB,SE ME STNON HERE! GoT MY | BACK AGAIN THe RECORD miec iE gre Amt F Em tDha| 1 Pur The wrase TART YD) See} sy8 95 $$ & et al mt 2? a = zs 3 oe iB ~p - roy ee = (8 can’ You See inn | Mean] __ OTR 1 mone As went E Em RarTHM sims 42 eel aielera (Ea) (boas [EH] ) : ‘a cs SS es] sume (a ane) miei AS VIEL. ume Go RHERD —_ = tif») + tte +). a Z| sy. Ge RicAD ier (= oul) SOLA eum, » = # SS Za | (ona) IF. Qe Leo LZ SIL VY HORUS— PRINCE At RPE br 2 Tr + DONTHAE2 BE. BEAUTIFUL 2 “WRN Me ON —— T usr ween Your Z. DIRTY BABY —\F U ulmwlk IMPRESS ME U cnr Be 2 a + 5 i f + aS Fe wes = = Bopy Ba BY FROM DUSK “TLL DAWN U DON'T NESD EX- FLIETY mea mA =U Kw HOW 2 UNDRZSS «ome 1 Wans "2 pe You De ys = 7 cs 7 | —_— u Jusr ceave iT ALL anny mavecD Conn "Se ‘kwe—— 0 Suen Cee ir ALL Ag : -f==r —— j * = eee 7 up 2 me VM GONNASHOW U WHAT IT'S ALL ABjr__ U DONT Have 2 BE fv twt We conn HAVER GoD TIME. Et D3 ty + be fes = Rik 2 BE MY GIRL U DONT HmED Be COOL RULE MY WORLD AWT WD PARTICULAR SIGN Et K oF +. (DA) BREA! Z : t ws —I'mmore compan With aust wane YOUR Extet The PMD YOUR Kyss! At BReak Tay 8 SSS 2, 0 Ger Not TALK REPEAT VERSE AND CHORUS! bra VERSE: WOMEN, NOT GIRLS, RUE My yee TSA RULE My WORLD Ker souk noe, Nér oR, SHEHBe, Maybe We cduL! i YOU Don't Have D “une Byuaary ATT DUS EN PoE: UF ee my 2 WiLL Be YOUR Foo. | You DON'T HAVE TO Bz.-. = Copytight © Controversy Music For Skandinavien, Finland, Island & Baliska Statorna; WarneyChappell Music Scandinavia AB,~ PENE TOWNSHEND D G A D 6 A F a Ss ts = a= = x ; E a | FINE i em fhe PRETTY Wea Bor CHIME _ OTR Ger A- WAY AMD S Ore ime tte t= foe oe pa Nee muse Ger _Our__ i “We UGHT BETTER LEAVE Em A, A t —t F = eee =a as HER BEHIND —_ wiTh THE Kis ARE AL- RIGHT “He #10 ARE AL- D A A_(aorne) f i t HEE f fe: ll G/A Tt + ere Se 9 ne a | Brey usr WROTE me Lerrer. ch gk eh ook oh [ GR ORGAN IW cHehyss C ag a iL ess hrm F : comes ——— SE jee FESS se ed 4 dd Pm Copyright © Gaze Music AB. Tyck! med tilting 99= —— E TS" SrOKEN? 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PHOTHAT S- > SSTuI5 THING CALLED AV mcANS =A may Long TURE bm / pe as, C%D ob bs Drcus Gb/pb fetes te ==] — = ban Fe prreumnn 8 main HF HAPPINESS ste WEST ON HOT 6 WHEN Ufa in Sata hass— sorctunle tise Steve ening Dean es DRoms Bec) ee ‘D> ——- = = 4 ——s- = we Rniaet wero 1 SRW Ee “vow McA OF YoiRnne IG cert Ree Him How Gb/>> Gb sus4/DP BS SS “Ge OF YOUR MWO BABY ‘cos IN THIS LAFEMINGS «PRE. etc PARDGR hw WE Gb/e aS =e jj PAPEETE Ss Lee COUR 8 Yo OWN RNORL ea ITM Beans) E ob € easy E | | AND (F THE — GLEvATORS Ries 2 BRING U DOWN @ & o é I E f Go ORF PUNCH THE tlleHesr FLOOR, G ¢ é oa 6 é I =e ' | (RHYRIM SECTION Bean's) z & PES os E E PU Oowr LiKe a in AL excite oreive’ DONT KNEW WHY Gh € € é é bSs= | a i. -- ——— ee i t ; TRKE O LOOK AROUND Pr LEAST U Get FRIeNoS U see) MY BE ITS ‘cos welke ALL ce GONWR DIE AND z e é é ‘ oS Se eae See ee SS ee o 4 ¥ RICNDI J chieaa aa a aif Copyright © Controversy Musi For Skandinavien, Finland, Island & Baliska Statera; Wamet/Chappel Music Scandinavia AB, 100SS ee aim | PEPE WOO we "BRE fi Sith wEnree come Voocn’ SH youn tA MEARE ne PO tee een oe pb (Nec. waste f = SSS = ——=| R WE GONNA Ler HE «ELEVATOR «BRING «US Dow Cor No vet's Go} CHO zc oF cee oe = ee ler's'Go GRA- 27 ‘Lers "oer Nuts vas o& é Ox mE. te, == Lok 4 THE PURE BA- NA- NA TLL THEY Pur us IN THE TRUCK Ler’s Go SSS) ES = ee COME ON Ba- py Las ca Nits 6s ee ——— yer Bi ce ie ie Spas aa bts ta et LRAYTHM _(Excerr PRe-cHt, L6r ENDING AND FRIDGE! 9 a : ; = 4 oe t-te EF TyTes SYNTH os $ +4 === I Poe leat ee Gs o & : 5 a Ee = a IMS it’) i i { | E SS parceLIGHT_MY-FIRE “ents Mh beer 5. Am(#) Fim(z) t ol — z oe os = You "Kou TAT Ir Woo BE UNTRUE. You TIME TO HESI- TATE 1s THROVGH__ NO Am Fim z Seee5 f P4- = == o 0) Fen TS Lanta? RE me ee Ewa WES cou en. Cy Love Etim — Am ein a ote GIRL WE COUUNY Ger MUCH HIGHER LOVE BECOME A FUNERAL (eS 4 AND OUR A = z COME on eat Thee am RE Come on BAe Lick my RE & S D D E at es eA a TRY TD Serre 'NioHT ON a) A = = $ =e * = | Come ON) BABY LibnT 3 om ‘BAY LIGHT My on FE saa a aha 2 aA f 7 TRY Ser tHe wi eh Re [fF Seer ef “TRY TO Ser THe NiGHT ON FIRE ‘Capyaht © 1967 Doors Music Co $pekthed wetind a Swecen Wisse AB, Steck.£ + Fim (4) +VERSE] Am Pa g ie ee ae Saha ag eet aed, FAR ACROSS THe MOON BEAMS now “THar'S WHO Yo) ARE. 1 F em SS = SN ta Be AO Re IE @e ¢ Ff @, ¢ & ff 46 Sees Se You ARE. LIke A HURRICANE cmere's CALM IN YOR Eves c. ‘ GF, aS FA Aes i pee Ss 3 | : = i Ano Om GemN LOVIN AWAY “TO somevWeRe SAFER WRERETHE FEGLINGS STRY FA Am e. — t 1 WANNA Love Yo? Bor] GeT so BLOWN) AUIAY, Lam just a dreamer, but you are just a dream You could have been anyone to me Before that moment you touch my lips A perfect feeling, when time just slips away on our foggy trip You are like a hurricane... cre /keo. ‘copy ©1976, 1977 sive File Put Co, For Standraivon and snd & Batista Steere; WamerChappel Muse Sandrava AS __ arenasLONG —TALL SALLY =e Cc? (prem) —-c7(BReAk) «C9 (BREAK t { { = { GOWWA TELL AUNT AARY AR BOUT UNCLE JOHN WE CLAMHe GorTHEMS'RYBIT HE Gor A Lom” Fon) OH FR Ct be ss ee ee SS BAY 2S BABY ow oF ER CF E=s crs Baby HAI me Some FUN “TO- NIoHT YEAW) ——_ CF ‘ eS et | we @0nNA » HAVE Some Furl TonlakT — GONNA HAVE Some Fun ToNIonT Olt! FR CH, Sear Ses HAVE Some FUN ~oNoHT | ev RYTAINGS ALL RiGkT__ , GF rt. fe ee Taina + — a Fe tt | =SB= l . [- Weve Some FUN WAVE me Sime FUN TONIGHT (we osnn’) VERSE 2: Well, I saw Uncle John with Long Tall Sally, He saw Aunt Mary coming and he ducked back in the alley, Oh baby... (SOLO) VERSE 3: Well, Long Tall Sally she’s built for speed, She got everything that Uncle John need, Oh baby: (SOLO) (ENDING VERSE) CurTAR Copyright © Venice Music For Skanginaven, Finland, Island & Baltska Statera; WameriChappell Music Scandinavia AB, 105we RED Sea oR == SSS i] =] UNIONS BEEN ONSTRIE e's DOWN ON His Lock, IT's sur THY USED-TW WORK ON THE DOCKS TTUMMY'S GOT His SiMsTRING IN HOCK Now WES HOLDING IN. WATE USED TwenREe ALK 5D F/A G/A == = f | om co 7 “Tuer 50, “Hse Oe T's Wen mn, — eet j * WORKIN) FOR HER MAN SHE, BRINGS yome wee. rAY) FOR a GMA WORKSTHE DINER ALL DAY DIMEN SHECRIES INTHE NEY, TIMMY WHISPERS: GINA DRERNS OF RUNNIN’ AWAY aie SHE PIS we eer me TTA ay F go S Army F G, i Tp ES == = 4 diac waders Annet faa tre ak : a rs Love — WELL GIG IT A SHOT CAE CF an mS lous f= ty + po ease =| Ov welke MaLrwAyY THERE on Li-__vin'on A PRAYER, fm__F G ' © Fn m O(wr + = Ses 7 E See ES : ‘| “TAKE My HAND WELL MAKE tr ) SWEAR OR LI__VIN'ON A PRAYER Am ~ = 1 | LIVIN’ oN A PRAYER —__ cE G c B= Ses Werke 5 En G c £ Am =: tt + 4 a et > ou- coo Game oiore turnainareerraths Seige cep Ee alienate gee 106tar Fea Bae ee WE GeTTA HoLO_ ON READY OR __ NOT, You Live FORTHE Flow Wien It's CHORG in C miner? Com AP | Be {eb wed e f ALL THAT YOU'VE GOT Am F 6 eae (sus) fF : 2 ot eect imrenb : SHREE = ee + = 107a in opt opp ¢ £ t Fs .. § J = % | Down AROUO_ He COR NER a HALF A MILE FROM HeRE_ “100 fata f. fap f- #. os t+ f f f ee} SETHE OLD TRAINS RUNNING ANO_ YoU WATT “Them DISAPPEAR __ wmour Cmt, Cmb = Grit ! + s = + Love — WeteRE WOULD YoU_ BE NOW ' Wintour re gaol i601 = emt —— . fs 4S + : =a Ove you : a pope 9 EE = Ee SSS 1, KNou | SAW Miss LUCY DOWN ALONG_ The TRACKS SHE CU sf) = aa ag - ° 22) ee = Se: # Saat (eae eR HONE ANDER FAMILY AND swe Won BE COMIN’ Back witHour Cw Omé es Agmt = Sree =a Love — HERE WOUDYOVBE Riot NOW wiTdour obs Sup Ee et, Pb © ss f = 5 = ie a 1.2. Wel THe iezanene (eecan) Fant Get (FREAK) oA, Fant $—f—fOp ppp 1 = SS \L-LI-NO- 15 Cet 5 ANDTHE = SOUTRERN CENTRAL FREIGHT GOTT BREAK Gre (tae ek shit Gn i, ee 5 Ss E == = Keer on PUSHIN’ Max Mr "CoS You Kwow THEYRE RUNNIN’ LATE wrour, Copyright © Warner Tamertano MusieWamet Bros. Muse For Skandinaven, Finland, Island & Baska Statera; Wamer/Chappell Musle Scandinavia AB.CHORY Cn Cmé + ant + {e+ 4S ¢ SSS eee Love wier€ won Y_ BE NOW Now wow winhour ¢ ) ID, or _lign# LS al Love $$$ $$ $ $< $< —— 2 Cat S . = f = ——t ) 4 jaa 3 4 4 oa wi Gar Gut Gm? Fn? Gm7 Gut Gin Gnd Fmd a a a PISTONS KEzP ON CHAR MIN? And ME WHEELS GO ROUND ANd ROUND PND “THE ona a F Quit eae tap tt pe £ £ ¢ = STEEL RAILS ARE COLD AND HARD. FOR THE Mies tHe THEY. GO DOWN _ withovr (ZEEE) Omit ye, Gut : a ee LOVE F WHERE woud Yousé — RIGHT NOW i wink eh mh (OREAK) Cui? ix = ets Love ___ ee WHERE WOM BE NOW m7 FE AD LIB: Ger 90 Ger iT BABY, WON'T You Move IT DOWN, ye a my | 0 (Gm)_(On) A fees aa fl : . PASS Gm+ = Om ge Cn/P DF th ~ —re =f a nee 2 zBass] &F WOK, 6 2. Love me wos BA LOVE Me-Whce TONY] LOVE. me Twos GIR,2. Lote Me Owe Time cous NOT SPEAK LOVE mE ONE TINE 2 a" Ts KB) a VOX + #3 GIRL Vim Gon’ Awhy J __ or Yea mt KNEES crt — ~ TR ; S = fe E = wy oy At pean + + = vo? Copyright © Doors Music Co, “ryekt mec stn av Sweden Music AB, Stockholm, 110fee (aa ONE FOR, =nnoeaoul ONE 3uST FOR TORY LAST me ALL “THRU THE weex} fee oe aed = & # £ oe Toe (9s er z= z Zz eo vor m37 34 ras Ee = DRums PLAY INTERLUDE ae enynin!) nel pa = a re = Vm Gow’ Away—|f men pa] ear 34 Pe ae ee ’ _ Fo eas oo ae ze Et z + T b Fen 1 i T TT \ = Gato tutamoae! 34 34 SS t SSS= "beams PLAY TRIPLET RAYTHA) = se) = ie Love ie“ws TIMES vm Gow’ AWAT foes ee REPEAT Ind VERSE Tw REPEAT SIAN, ——-= Zs en eae RErcAT ad VERSE. Ken G D Ce EF Exp By REPEATING INTERLUDE +. Wice, “+ 4 St BAR OF wregwuie v T + T BASS ——{F st 4cume: & ¢ Dm G Dm Zz ft 4 | an LONG + + -: — te t fe ==] f a ee | DISTANCE INFORMA. TION GIVE ME MemPis TENNESSEE 1 = PES f fe f = t ———— | HELP Me FID THe PAR ry TRY TD Ger IN “TOVCH With ME. ste, : ¢ fe EY ’ 5 oe + # cau Nor Leme HER NUM. eee BUT | D KNOW wite ro ‘os My Et aS errs aes UNCLE “TOOK The MESS__AGE AND He WATE ON “THE = WALL Grr (sua): St ee oS] Bs 2. Help me, information, get in touch with my Marie ‘She's the only one who'd call me here from Memphis, Tennessee Her home is on the south side, high upon a ridge Just a half-a-mile from the Mississippi Bridge 3. Help me, information, more than that I cannot add Only that I miss her, and all the fun we had But we were pulled apart because her mom did not agree And tore apart our happy home in Memphis, Tennessee 4, Last time I saw Marie, she was waving me goodbye With hurry-home-drops on her cheeks, that trickled from her eye Marie is only six years old, information please Try to put me through to her in Memphis, Tennessee ea as GUITAR Q. em (re BASS G SHS Seopa Muse Com Trad stand ay poe music ab 1121 = tf = : = 4F 1 Hiab Manley, 1 TELLYODWHRT| DO, I'D GO OOWNTDWN, Buy A MERWURY 02 TWo. \'h Ar me o + === eae a ee Crery'B0uT A MERCURY CRALY ‘BOT A MERRY Vm Gonna C#m B &7 E x Perr eet BUY Me A MERWRY AND CRUKE IT UP AND DOWN The RBKO The girl I love, I stole her from a friend, My friend got lucky, stole her back again “Cause she knowed he hail a Mercury, knowed he had a Mercury I’m gonna buy me a Mercury and cruise it up and down the road Hey there mama, you look so fine, Ridin’ along in your Mercury thirty-nine I'mcrazy ‘bout a Mercury... My baby went out, she didn’t stay long, She bought herself a Mercury come a-cruisin® home I’m crazy ‘bout a Mercury... cm B A ee Se E BUY ME R MERRY AND CRUWE mr UP AND DOWN Te RFAD— Ym Gonwa Cm B E a BUY MEA MERCURY AND CRUKE IT UP AAD Down—The Lond Copyright © 1970 Bug Music Inc ‘Tiyekt med tiistand av Ar Chnysais Scandinavia AB, Stockholm, 113VOXs oe Vn GONNA faa oat 4 Ett f = eS —— I t f , WAIT “TwL-THe —MIDNieHT HOUR “TWAT WHEN my LOVE CORES TUMBLIN DOWN II GONNA WAIT TILL STARS Come OUT ANOSEETAT TWINKLE IN YOUR EYES I'M GONNA f+ + ——— —— tt + f { 2 WAIT TLLTHE MIDNIGHT THOUR wien “TWERE'S NO ONE = LK Ae ROVND (im GONNA WAIT TILL THE §=MIDNIGRY HOUR «THAT'S WHEN MY Love =Be- GINS “TO oe 1m GONNA € Be A f : t = | “Thee YoU GIRL = AND HOLD YU ‘AND Copyright © 1965 Renowad 1995, Irving Music, In. & Coton Music no. (BM DO ALL THE THINGS | “LD YoU IN WE MIDNIGHT For Skandinavien, Finland, Island & Balika Statera; Wamer/Cheppell Music Scandinavia AB / EMI Music Pubching Scancinava AB, 114b E> pb e AP er pb pe Be rc : = 7 TE Ces 1 ain = = E = on Yes 1 am) o t : tons ce fy & 5 ~—t fy e: —— eS a — $ OTR. =e ease? A of Cee he pb = res + ace e ab pk : = 2 fone E . e — f i ba { 6 4 ij APTER S0Lo” WAIL ON VERSE |~ROGER WATERS ==: = way cAs__ Ze Fe " He ee =: ae GET A GOOD JOB WITH moRe PAY AND You'Re , Gee | THAT CASH WiTh BOTH HAWS AND = === = t i a? Los a ey 4 je] + z + = = a z = : t ! £ ) = z + oe NEw CAR CAVIAR FOUR STAR DAYDREAM | “THINK v'LL BUY Me A FOOTBALL |} TEAM fe P= T T v v aT aad Fm Em 2nd VERSE. Sei2¢ 1 4d tep ee OE oe 2nd VERSE eee Se : Copyright © 1973 Pink Floyd Music Publ. Li. The folio entted THE WALL which contains all compositons from the album, is available (with or whitout Gtr Tab) from Music Sales Lid.BASS/GuITAR (RIFF) ae ate Bm 3 L alae | se DR im a ee om, 2 : Se E =i 7 +37 Fam (Drums: Pray verse PRTTERA! Em ees =r cam a pe ze i iE es aye UNISON: Hr Piz — aes f f FT TTT TTT TT RIF = Sepang att 5 Heres: | ‘ a t = ynisond paghhiiiereelstitigy rE PS pies= 1 fe ate —-_ = 3rd VERSE “THEN FADE ON QiPe VERSE 2: Money, get back I'mall right, Jack, keep your hands off my stack Money, it’s a hit Don’ give me that do goody good bullshit I'm in the hi-fidelity first class travelling set, and I think I need a Lear jet VERSE 3: Money, it’s a crime Share it fairly but don’t take a slice of my pie Money, so they say Is the root of all evil today But if you ask for a rise it’s no surprise that they're giving none awaySay po a A Sees. a ci ae Sa WELL ITS A MARVELOUS NIGHT FoR. Moon ANCE WITH THE STARS UP ABOVE IN YoUREYES_. A FAN Amt = Bat Am? Bmt sv. a Se sy “TRBULUOS NIGRT TD MAKE Ro mANce ‘NEATH THE COVER DF Oc TOBER SKIES AND ALL THE SSeS aS o LEAVES ONTHE TREES PRE FALLING TD THE SOUND OF The BREEZES Twar Blow_-YEAR 'T'n pd = + — t En : Se a 0 PLEAS TITHE CAL LING OF eUR HeAET: THAT PLAY SOFY AND LOW You THE LG cs Amt Dnt Amt oO ¥ . e * 2 Tt | f FSF ea NIGAT'S mA Gc SEEMS TD HIS___PER AND HUH You KNOW THE ' aD 7) tt t fr F Moon | LIGHT Seems TO | Suive__ IN YouR Busi] —_ CAN | * EF (+4 Amt Oats AG a ae TT - a a eet eer —— Just Wave one-Remone |_-amo-on vance wma-A | You, MY Love cs Ant eee Awt Bm? osu. : ee ce a pe es £ fF +e tt —* we 7 can | |—— Just MAKE _ some-A-mote] __ -A_ RO MANE_ wim You Copyright © Wamer Bros. Music For Skandinavien, Finland, island & Baltska Statera; WarneChappell Music Scandinavia AB.set = ——— == aa mY Love | Wert | WAN- aoe terete a i Well I wanna make love to you tonight, I can’t wait till the morning has come And I know now the time is just right, and straight into my arms you will run ‘And when you come my heart will be waiting, to make sure that you ‘re never alone There and then all my dreams will come true, dear, there and then I will make you my own (PRE-CHORUS:) And everytime I touch you, you just tremble inside, ‘And I know how much you want me, that you can’t hide (CHORUS) VAN MORRISONS ENDING: Am ne iS - F. Em Dm (BREAK) Amd z (caw) 1 wUsT HAVE ONG mone OOHORMA view YOU MY. Love [Erte ennrie Jorn cepTR (= - | = = Sea | GUESS YoU BETTER, BOUGHT YOU A BRANO New MUSTANG NNETEEN - Sixty - FE = Fel eee is I 2 SLU THAT musranG Down 4 MUSTANG SAL Now You comin’ ROUND SIGNIFYING WOMAN GIRL YOU won'r Ler tne ROE rs pend aay, GUESS Yo) BETTER CF ° =: I SS Slow Tar MustaNG Down You BEAN G' = FF Sis: r RUNNIN ALL OVER “TWA OW | Guess | BETTER PuT YOR FiAr reer ct J ON THe GROUND Copyright © Fourteenth Hour Muse / Springtime Musie Ine. For Skandinavien, Finland, Island & Baska Statorna; EMI Songs Scandinavia AB,(eee CF G bp “~s# ) = St : j Au You WAWNA DO IS RE AROUND SALLY (Rive Stuy = Rte ) \ (igtite Sire | ¥ E x . at tetas = = aE =] PLLYOU WANNA Do 1S RIDE AROUND SALA (Rie SALLY RIDE ) fF (2 bat #02) —— | Alrvov wanna DD 1s Rie AROUND Sry (Rive SALLY RIDE. na anne jopee 2 SEES ae ALL You Weawa DD Is RUE AROUWO SALLY (Ride Say RE) Gt es oRhenh- | Cb a be ee ot tot et ES f t bt = Ss | ONE OF THESS BARLY MOR _ NINGS Vm GONNA BG WIP! THOSE WEEPING — SS EYES, YEH } WILSON PICKETT. Foto: Pressens Bild= = t = D (ut) (#4) 1 Stub wee TORY om 2 i p i = t = : = SE GTR. fet elect BASS nN = STE SEH pan =e z 7 : # 7 1 SAW HER FACE WAS A Face | LIVE AND | kweby \ HAD TD RN A- VO WON HER HEART DION'T THK 10 DO. BUT NOW | “See SHES wiRgTD Him THAN Sa = St pam WAY-1- AY AND GEx Down ON thy Knees PNO PRIS AY wre @ A-wAy — SMuTHeyb BEGIN Me Ler HER GO A- HEAD. “TE His LOVE IN- STEAD AND One DRY Ste UIiLL Sez Jusr HOW-TO sAY__ E Be — $s apt == = aE BEChise OF ALL (My Hey Tats How iT Becins- + Ee + ' . =e fs rb way “caw sre wore Mmvstie iim “TWRoNe, Copyright © EMI Catalogue Partnership. Fr Skancinavien, Finland, Isiand & Baltska Staterna; Wamer/Chappell Music Scandinavia AB. 90 WING, $0 WRONGface saa oh Cie way cad | STAND-UP ND Tela tnysear Ii” STRONG Because | Stl HER TODAY ia “EF= pint - Pepin? - Ft pint = BH CE Zhan {can - Da ce FE # ae =e aes 5] — A Neenues te Pits —_ A rtauas (sus4) ctu a ome a A eae () rr EE z i { z t NEEDLES AND PINs fA SEARCHERS. Folo: Pressens Bild 123ROBBIE ROBERTSON ' - x Pe + os = — E +. ViR> GIL CAINE, INSTR, eS = rE fate ' =F = 1 Seaveo __ ON Te} DAN- VILLE TRAIN Am = : E t ‘S ‘TL STUNE - man’s £ E/E fy ==} ap + —_ =] Ayo ORTH TRACKS «AGAIN Dm Am = a el z) a IN Te wwTeR OF = c Dm ee 7—\—F ¢ === # £ + i + ee — tit We Were HUNGRY, Just BARELY ALIVE __ Ee SS es enna RICRMOND HAD Fer It's A TIME Bm D ——EF =: Ee + £ i el RE__ memeee OKs SO Wel __ He o FE may? c £ — Ee Lt SS —] Nigut “MEY DROVE _ OLD =DIK- IE = DowN__ ANO THE Fra? me Fmaj + re SSeS BeUs vleke KING IN! Te NIGHT WEY DROVE OLDIE «oun c F mai t c E J mp ytet SSE + tt Zz — ANO The PEOPLE WERE SINGIN, THe! WENT LA, LA, LA, ht © Medecine Hat Music / Caanan Music For Skandinaven, Finland, Island & Baliska Statema; WameriChappel Musle Scandinavia AB. 124Am Gsusd = Ee Ss i, le CR, LR, LA) A, LAP LA PLR, VERSE 2: Back with my wife in Tennessee When one day she called to me "Virgil, quick, come see, There goes Robert E. Lee!" Now, I don’t mind choppin’ wood And I don’t care if the money’s no good Just take what you need and leave the rest But they should never have taken The very best The night they drove old Dixie down... VERSE 3: Like my father before me Twill work the land And like my brother above me Who took a rebel stand He was just eighteen, proud and brave, But a Yankee laid him in his grave I swear by the mud below my feet You can’t raise a Caine back up When he’s in defeat The night they drove old Dixie down... (Double CHORUS)wOten NO CRY FE ce e. ¢ S ot 5 Fe et 5 m2 No = womal NO CRY SAID SAD & c rE © G ree] Ceo =] (1.2.3, SAID 1 REMEMBER — Wires) WE ED TO SIT IN “THE GOVERN YARD OF TRENCHTDWN c Gg A £ c e c SG ptt = EEFERS : AL. WuB6A HUBBA SERVING “Te HYPOCRITES fs THEA WOULD MINGLE. WITHTHE Gi Pee WE mmor 2.3. ANOTHEN GEORGIE WOULD MAK A FIRELIGHT BS ir WAS LOG wood BURNIN’ THRU THE Ni CHT” cA WB Am Ec ie Fee & $74 eee = =] Good FRIENDS WE HAD OH GORD FRIENDS we Lo’ PLONG “THE WAY “THEN WE WOULD COOK CORN-MEAL PORRIDGE OF tutti VLE ae wit You fg BP Me ca fs fata = Rat = = v Sone = * PSs poarcey mea Sas! Ea mae ae el co vc wtud en meee c Am eG cp An © G Mow + 7 - oe - EVR MGS GowIA BE ALLRIGAT wn r 4 30 ot» o/s Am Fe 5 e & SS oe | WOMAN NO CRY NO NO Woman NO WoMmAN No CRY © oe fn & © G te FS OH MY LITTLE SISTER Dont SHED No ARS NO woman NO CRY © Gf Ai £ meee eC Gusa/ahe) fr at ez = f =f t ‘Copyright © 1975 Bob Mary Music Li. Island Music Lid. Tiyckt med titstind av Sweden Music AB, Stockholm DsAval¢Am (J EB c c = St | 22242 SS SSees: =] NO WOMAN Ne CRY NO woman no cRY © Gis Are Bc ¢ a G Ge aS eee =| OW My Lirtué Dakun! | SAY DON'T S60 Wo “TEARS No woman no ce¥ YEAW (3x) c G/B Ai i i ca iC EE z + =a - =a 1d. Lime DARLIN’ Doi SEO NO TEARS 3. ieTR ———> i= ‘NO vooMAN no CRY c Ge An _F Ce ew. = } {= ts 197oou \ \ iF ROBERT JEUNEX AF De Dz Ag vo =I f = { Bee ama = Z| f z Li | EVERYTHING 1¢ COOL ano mbites Yovk FACE \S “TWRAWNG creas ano vedo) A Way You Gor THAT BlG UMBRELLA “coc THE SPRUE 1S IN MY FAG YOU TELL HER my Az D At _0F 2 co : { tt = | ; Cal GEL IS SAYIN’ HEL Hews! WELL SMucks', You TNHAKIN' wGLL OU Wie oH —__ WreAO 1S Fu oF ume Je Lio SHE SAYS BABY YORE MY KMlo oF FELLOW = = = a Gow ut S concn oN The’ Moin 00h ie YR wes Bay OPERATOR 2: oe w c G ; ne 6 Ubtter ITS MADE OF DRors Hee, DRELS Hb LY Buse CRERTOR You sayin! CROWIN' GIANT = BWe TOMATO Let's mike LOVE Arlo Ebr iT LATER, = J Ee Spa ook = HE | ' Like ir Copyright © Madhouse Féags AB. “TryeKt mod Ulstind av BMG Music Publ. Scandinavia AB,hm Ook | LIKE H-r ORGAN D (cas) (3x) E BASS AF vt At CHORUS 129asc D G A ? 6-0 cond. Sim ) poate G aa a= : 7 74 ot a MOVE YOUR SELF “YOU PLWAYS Live Youk LIFE NEVER -THMKINe OF “Te FU “Tur SAY You Dow wna CHANCE IT Youve Beal Huer so BE-FORE__ = b=] _ ba [eed | +4 . PROIE YuRSELE YO) ARETE Nore OU MAKE “TRKE YOVR CRANES (8ul 06 UGE BR WATCH IT NOW “The eRoLe I THE SKY HOW HE DANCIN! ONE AND ON LY SCE YORSEL. You nee THe Stes You TRKe. YOU ANOYOU Aor “He ONLY WAY NO Nor FoR Firy's SAKE Theres Wo Rem Kensal 10 BE LONE LY You Use Yesat SS 7 ery + SHAKE eee Yote GERY MOVE YO) (MAKE Some ST___ KY Goes — youesers GIVE YOR FREC WILL & CHANCE You GOT TD WANT TD S¥EZD Se Owwee OF & LONELY HEART OwneR OF & LONG HePRr MCh Bettee tuAN AN, ; A__6 © D>-(freAk_w/ rinsee sunel) = se a= 4 OWNER IFA BROKEN HEAT OWNER OF R LNA Heer? TAT TE FP on o/s A = c/a fr A | a j = uN ER OF A Loney ener ) (ou conti Sim : $5: = E& == ;¢ as Pe INDECISION “mtEY CeNFiKéD Me SO. MY LOVE SRO wen s ae APTER fRY OWN II SOONER OR LATE, EAU CONCLIKION Wh 0G CEs LONELY —— NEVER QUESTION YR WILL Pr ALL ww EW Yoi Gir-T) GO LOOK BEFORE Yu LER. AND y AT Whe BX CIT IF WILL DELIGHT rr WiLL GIVE CoReAk 5 Abia (DR. ts ois ——— Don'r you HEsi- TRIE Ar PLL No NO Copyright © Uniorgetale Songs Lis. /Tremander Songs / Chis Squire / Can Music Comp. Atamis/Aftratve Musl. For Skandnaven, Finland, land & Baska Stalera; WarnedOheppel Music Scandinavia AB.sa Bs 5 Fh oe tis ao 3 SS See & D es — ls oG Ak oe F ee. $ tr es A Bence ser DONT D- che Wie WL AY AL Donir Decent YOULFRECWLL AT ALL DONT De- CRURING at VER6 GUAR PA ERE GE + ke Ve = ; an 7 ‘ 1+ = - feaCOME HERE ‘VOX es ae a = = + = E ee sister pro in THe kee PIT “00 MRM AND DIG THIS CRAZY cee Not T0 He ter pascruf wens TET pRIINS tes ome Won Pas 5 Be t St = = ‘B0uT, ANT NO Bin Te One sre a'r NO BUT | CAN OIG THe newt Pun'y NO AVS Liked THhiG HE'S Domne THe Ay ety DAY = EvERY NIGHT THe Shs 3 — t t Te FS By Az (BREAK) BF = f + + = Ss iF = 1-3, DRAG PrhpR’s GOT Pr BRAND | 4, THING'S Lente aoone'] RANG EF 3 ¥ ss £ Sa f + = se = = a= 7, JERK eS ODM THe] FLY Dowty Par Him ICEAR “cos You Kaw Hee N's] SHY He's Downe Te x ze z er = ; 2: a $ Sag ey {oe + = oe - MONKEY — Tween PO steels JUMP BACK J JACK sez Yo LATER ALU-] GATUR — 3. COME x Zz Fe - Wren. Bae cave of (BEDE) Copyright © Dynatone Publ. Co. For Skandinavien, Finland, island & Baliska Statera; WamerChappell Music Scandinavia AB,JAMES BROWN. Foto: Lome Resnick/Pressens BildPeGey SVE —_J, ALLISON B. HOLLY Met Ee ley eee Dc |e ee ; STE s A D A = = ome 4 € iE Beh recey 30E xi fe ey ae Se ae Laie me "Cove “ou recov Sve ve" On D < Abe D ae TEGoY, (epuT toy ,PECuY Sue 12.3,08 weir | HEe-oy Y Pe- Heé-ay SVE + + Le yo) GAC 11. ves 1 LOVE You PEG GY svE. 3, AND | = WANT You Pea GY Sve fase eI = a PEGWY Sve — PEaoY Sve — PRETTY PRETTY PRETTY PRETTY PEGGY SUE OW tay Do A ‘ D. A i Fr { £ = ze PEecey NY Péceves/e = a OH WeLL 1 EF Dt fee D A — i +e ro Y LOWE You BRL AND L wANT Yo) PE6_GY SUE eND By REPEATING LAcr 4 BARS! Copyright© poermusle ab. Tyre mest standEm 6 G gee PeorLe GET ER __py-THeke’s A TRAIN A- COM__. ING, You Em & G G Em eee HES => —S DONT NEED NO BAG onc, 00 Just Ger ON BOARD ALL YoU ween ‘5 a TO HEAR THE 2S a ea G © ae 85 Em Am YD G E * ees } + Z fl DiE- Secs HUM mine Dvr Weed NO “Tek — ET, WoIEY “THANK THE LORD Gee, foo BS E = + Te Laas Pi hi t People get ready for the train to Jordan Picking up passengers from coast to coast Faith is the key, open the doors and board them There’s room for all, among the loved the most (Guitar melody, 8 bars) (Double INTERLUDE, 4 bars) There ain’t no room for the hopeless sinner Who would hurt all mankind just to save his own Have pity on those, whose chances grow thinner “Cas there’s no hiding place from the kingdom's throne (Repeat VERSE 1) [RY cxmine J SXAMPLE Copyright © Warner-Tameriane Music / Wamor Bros. Music Far Skandinavien, Finland, Island & Baltska Staterna: WameriChappell Music Scandinavia AB,eweclematers + y a Lérr A Goo 08 INTHE CITY WORKIN FORTHE MAN EN'RY Night ANO DAY + ¢ Baas | t t t 1 ¥ AND | NEVER LOS ONE mi NuTE OF SLEceInG woken! ‘sourMe WAY THINGS CouLo weve Been) E Fim a): Se a =A t Eaihess v § * Big wHeas Keer ON Wenn Frou meaty Keer ON BURNING Row- A SS ¥ Senin Rove RoLL— In ontwE RWER ___ 2. Cleaned a lot of plates in Memphis Pumped a lot of pain down in New Orleans But I never saw rhe good side of the city Until I hitched a ride on the river boat queen Big wheels keep on turning... 3. If you come down to the river Bet you gonna find some people who live You don’t have to worry, ‘cos you have no money, People on the river are happy to give Big wheels keep on turning... a Pin at t ma) I Vales! oS me, © Ele & mie sé DC A is ta vs =~ VY ; = Ze Copyright © 1968 Jondora Music-Co,, USA, ‘oyekt met istand av Prestige Music Lisi sy ROBERT Jays At b et =—— ae + =e Pao | Gor RAMBLIN ON mY MIND \ Got Et, f Pp —— Ramen! tL GoT RAMMBLIN' ON (HY MIND Hare TO Bt At EL (32) f © x pax SS ey LEAVE MY Baby But SHE TREATME 90 UN- KIND \ Gor 2. I got mean things, I got mean things on my mind (2x) Hate to leave you here, baby, but you treat me so unkind 3. Runnin” down to the station, catch the first mail train I see (2x) 1 got the blues about miss So-und-sv, and the child got the blues about me 4. And I'm leavin’ this mornin’, with my arms folded up and cryin’ (2x) Thate to leave my baby, but she treats me so unkind (Robert Johnson also sings a fifth verse, same as second verse!) Gurenk/PrANO ~ nan Copyriht © Gazell Music AB. Tryckt mod tlstand,1) E465 ON-ME ROMO YOUR AWK UP oN. THE wel 2) BACK HF-e ROHMNOUS “ne? Go sont BUNGALONY — ~ a an t : et ee St =e i EES ONTHE ROKD YOUR HANDS UP- ON THe WwHeEL Back Ove RonoHSe = THEY GUY Some BuNen ows — f—t» = t t GoIN' “TU-THE RomDHOVSE GONNA HAVE REAL — a “War's FOR THE PEOPLE who LIKED GO Dowel SLOW E == { = i a, ™~ See t ; : Ler ir ROL BA- BY ROLL ver \T > we ct = SSS BA- By Ro Ler it ROLL ALL NIGHT LONG — VERSE 3: Ashen lady, ashen lady Give up your vow, give up your vow Save our city, save our city Right now! When I woke up this morning, I got myself a b When I woke up this morning, I got myself a b The future is uncertain, and the end is always n Let it roll. (CHORUS to ENDING) Gopysgnt © Doors Music Co. ‘Tet mea istind av Sweden Music AB, tocknotn, eer eer ear 138ROADHOUSE BLUES- vhythm =e 5339 FF | FRE wv 3 ~ 1 o ee ws EF =—t = = m FFtt$e Hs uy CL = & pas — G *) 85 ae fe EES a a ee ae is feet t im At B7 Ct, 8F om - z Bebe eke ie oe 3 Seat SME ( - oe et = bits VS, Oo igROC p p RO Jimmy PAGE / IANS, et x t eas | At TR a =F sinus D+ At es Az ox ESS) p= = BEEN A LONG TIME sine 1 Rook AND ROLLED I's ty — Sees SS Been A LONG Time Since | Dio THe STROLL —__ on rae | Fy Ee cers LET ME GET BACK Ler me Ger BACK Lor Me Ger BACK ‘BABY WHERE 1 COME, = ; fs = =e ‘Copyight © Supetype Must For Skarcnavien, Flan sland & Baska Statema; WamacChappot Music Seadinada AB. 140 wal gat oat oval carina ont si a a ait: som naaarer’,et ba (BREAK- pRUMG CONTINVE! ) 4 # + i aa 4 Ee f SS { SSS | +2 VERSE 2: It’s been a long time since the book of love I cant count the tears of a life with no love Carry me back, carry me back, carry me back, baby where I come from, vh It’s been a long time, been a long time, been a long lonely, lonely, lonely, lonely, lonely time Solo: 1 chorus 12-bar blues with intro riff I chorus 12-bar blues with this backing, also played during verses: Wy ——— Fi ee t o 7 } Pe vz VERSE 3: Seems so long since we walked in the moonlight Making vows that just can't work right Oh yeah, open your arms, open your arms, open your arms, baby let my love come running in It’s been a long time, been a long time, been a long lonely, lonely, lonely, lonely, lonely time VERSE 4: Yeah, hey Yeah, hey etc. It’s been a long time, been a long time, been a long lonely, lonely, lonely, lonely, lonely time. = gis peg — = ee ==! : {eS Just Ler me HEAR Stme OF THAT ROCK AND ROLL music ANY OLD WAY YoU DR At Chom Ir ITS Got A BmcKBeAT You cANY Lose IT ANY O10 WAY YOU USE IT Et he At e+ AZCBREAK) Gort BE Rock’ N'RaL MUSIC — IF YOU wR DANCE WITH ME, IF YOU WANNA OPALewiTH Mell BIT NOKKKAGAINST-A AND LOSE THe BEAUTY OF THE (BREAK) THATS WHY | G0 FOR THAT took my loved one over cross the tracks So she can hear my man a-wail a sax Tmust admit they have a rockin” band ‘Man, they were goin’ like a hurricane! That’s why I go for that... (CHORUS) Way down South they gave a jubilee The jokey folks they had a jamboree They're drinking homebrew from a water cup The folks are dancing till they're all shook up! And started playing that... (CHORUS) Don’t care to hear them play a tango I'm in no mood to take a mambo It’s way too early for the congo So keep on rockin’ that piano! And let me hear some of that... (CHORUS) Contant © are Mase C ‘Tek ed tnd av possi ab, 142 PRL Ter a eeJIMPty De KNIGHT ne ROCK AROUND THE CLOCK usec + ; $5 $0 rsl 4 fame 5 6 Wor | 3 o coc REE \ s= = f T bass,omR, Sax \ ~ SSeS SS t i——$ a Wo UicLocKT 12. o'cLocK RECK WE GONNA FROCK §— AROUND “THE CADE “TONIGHT Por YouR! pelt | — S —! + t t + t a : = See Se Gum RAGS ON JOIN mE HON! WE'LL |HAVE Some Fun) wher THe | cuveK srenes 2, We cenwh HENORSAY E is ea ee — at S GurmaRs| -- Bas = a oe = 1 —_! DRUMS = SS ee $——— Py + E, + se ROCK AROUND “THE Clock “Tonioity We ConA BOCK ROCK Rock TILL BRORD DAYLIGHT UE Gown @ ROOK, Ae Rodd THE CLOCK WNiGiE___ When the clock strikes two, three and four, if the band slows down we'll yell for more. We're gonna... When the chimes ring five, six and seven, we'll be rockin’ in seventh heaven, We're gonna. When it’s eight, nine, ten, eleven, too, 110 be going strong and so will you. We're gonna. When the clock strikes twelve, we'll cool off and, start a-rockin’ round the clock again. We're gonna Copyright© 1953 Myars Music. Copyriht © 1953 Edward Kassner Music Co. “Try med tlistnd av Reuter & Reuter Féxtags AR, StockhPIANO Bass = SHEE be a a — soe a F s SSS eee we Go GHORYEQOND— AND A HUtrIN The RORD QuERE WE ey EAE Cae Pate ad wreee’ Some Yom A ic fz. t i ete Rockw! ALL O_ VER “Hie Worle = F gee f Ee + ‘ pe Likert LiKE TY ot ote ret LIKE iT 1 LA- LA-La& Live it LA-LA-LA LIKE (7, eRe We C G es © tien = = 2 = jl 8 7 z Go ROCKIN ALL 0 VER THE word Vm GOKWA TELL You MaMa WHAT Yo) GoNWA DO COME ON OUT GET YouR DANCWG SHOES HERE UE GO... Copyright © 1975 Primeval Lid/Wenaha Music Co. “Tryckt mod tilstind av Swodon Music AB, Stockh,NEIL YOUNG D 6 Em D Ee = z =" + | aaa | COLORS ONTHE STREET REO WHITe AND BLE. Pema ae INTHE NIGHT Wr A BABY IN HER Pano THERES Any (SAND Pants 6F Lice For The “Homeutss~~ MAN We oer A 7 e+ = ‘SHUFFELIN’ THER Feer PEOPLE LEP’ IN THEIR SHOES THERES AL Lg, REET (Ligh NEAR " GAR- BAGE CAN NOW Rito - GENER INCLINE GUN HAND we'cr BE- Wipeaine, Sida) on Tie, FORD "aueAD, TwMReS, A LOT OF Reon SAIN! WED OE Bere DF Denp, DONT, [> THE Kid AWAY AND SHE'S GONNA G& A Hit, Se HATES HER LIFE ANO WHAY SME's OoE TD IT, “THReRE £ ‘Pres Mean Staves” And “Poke “Parcels” oor Steoronih Since Kotte on” Zone UAtCR, Gore ~ te = z—+t = f + mone wpa i Bia teen Shere “Ge WER ALO Ble ue ma adie reoas SANS Weer Hore Aue cer tie, TO Bubs) Sor — + = veer ON ROCKIN’ IN THhe Feee WORLO 4 4 _ 7% T en 8 De ce G Dp tttetete [+eeessse - ——_ SS Gm Copyright © Siver Fidcle Music, For Skandinavien, Finland, island & Battska Statema; Wamer/Chappell Musle Scandinavia AB.Mut A DA Nic. (8va_basse ) voxs 2 # aT % 4, weLL Ve Beal G eee L 1. LOOKIN’ REAL HARD AND I'm “TRyiN'R FIND B JOB, Bur IT Um KEEPS GETTMGTWUEKER ENERY DAY Bort D A = 3 pS epee} Gott Do ty Par, ‘cos, 1 KNOW IN mY weeee, GOTTA PLERSE Iny Smeer'N BABY, Yer ‘2.WELL | AIN'T A wal thes SD t rs f i: 2. SUPERST) THOS AND | Dow cer aise Cloo§ BT my wamaNlis A FRIEADOF aE PAD 1 Know S.PHOGAKARIZONA, Ruths UIAYTD TROD — MR, “PRILR- DeLeviR,Pr- LANTR, Ly A, D A a eed ee cote ~a f oe “Ter TS Thue Tar A TC THONGS THAT VILE COME BhcKT MEIN MY Sweet NAME 3p Kee? ON MLS reece nie GR. Ate wkn $0 | END Be wT ny SuCeT BBY EA G i Rocuw’me BR BY KEEP ON ROCKIN me BA____ BY Kee? ON ne = s al 7 wir FRO ROCKIN me ORY By our, 7S ON ICKIN' ME BR BY A “Tiyekt med titstnd av Gazell Music AB 1465 —— —- + Wert | RoW AND | “TUMBLE CAxco The wine AF can WELL | — a Se = ~SS2 55S es SS a ee ee Es Rou AND 1 TUMBLE ‘caleo THe wine fy WHEN | Nigkt LONG Et SSeS Seay WOKE UP “THIS MORNING DION Kaew) RiGkY A Cwete 1 WRONG Well I roll and tumble, cried the all night long J. When I woke up this morning, didn’t know right from wrong Well I told my baby, before I left the town I. Well don’t you let nobody tell nothing bad of our love Well if the river was whisky, and I was a divin” duck ./. Well I would dive to the bottom, and I’d never come up Well I could have had a religion this very old same day ./. Well now whisky and women would not let me be GUITAR (w/ slide) == a Eee ass At Dt £7 Sas eae T v T DR ony © 1960, 1980 watengons Music /Admiistre by BUG MUSIC. ‘Al Rights Reservod. Tryckt med tistand av Bug Music Scandinavia AB, Stockholm.2 g Be: \ z CHUCK BERRY Gir, D(eREAK) Din p(BeAK) + = i + ; 6 (Band) = 2 pee a a ue Ae f 0 ttt Hbes Es We mA D G e200: sma Ss raat fe Ve WATE A LITTLE LerteR GONNA MAL IT TD My Loc. 0. J, Yeni tenes A & = D a te s z= ute’ Linnie RELOAD tua MW. JocRey TO PLAY —— ROL O- ey) 4 P 2 VER BéerH0_ VEN | GOTTA HeaR Ir AGAIN TODAY you KNow MY D S c ~D ie => = 7 = i: | ¢ -Tempesnme Ri _siN’ “Te JUKGB0x BLOWIN! A Fuse — chy Br ROCKIN PNEUMONIA | NEED ASHATUE REYTHM AND BLUES 1 cavowT THE, G Dd = iF * 7 ‘HEART BEATIN RiyTW AMD My SOUL Keer A-SINEIN THe BLUES — A ROL O- ROU ARMR- Ine sittin! Down AT A RAKIM Reve Ae ROLL O- ae = D + == et fez VER BeeHO_ VEN “TELL TeHAIKowsky The NewS, 3. 1 GoTTNe VER BEETHOVEN “they'te Rockin’ IN “TWO BY TWO smck: weLL IF YOURE ES + # tof FECUN' LIKE (G0 eT YOUR Loveh THen eeL AND ROCK IT ROLL Ge IT Oven, THEN D =e = al + MOVE ON UP JUST A “RIFLE FURMER Peer AND Rock Wit ONG ANOTHER, ROL 0- Copyright © Are Musle Cor/peermus ab. Tryekt med ttn. 148A D ~ ~ ( = yr petite — VER BeeTHO_ VEN Die THEse RiYnIM AND BLUE S__ 2. Ba) = cs 4 F VERSE 4: Well, early in the morning and I’m giving you my warning, don’t you step on my blue suede shoes Hey, diddle diddle, I’m a playin” my fiddle, ain’t got nothing to lose Roll over, Beethoven, tell Tchaikowsky the news. A-ROLL OVER, Beer) VERSE 5: You know she wiggle like a glow-worm, dance like a spinning top She got a crazy partner, you ought to see them reel and rock Long as she got a dime, the music won't never stop HO-VEN__ Ar ROL OVER beer HOVEN — AERO O-VER BEEY- ca < > eae = fa: = att SS: B HO- VEN A- ROLLOVER Beex- H0- ven A-ROLL 0_ vEéR Beer- A A ae). Sp Jay Ne ot SSS HO-VEN Dig “THESE RYNIn AND Blues :ROUTE Gt = BOpBY “TROUP (Rous stones) A . 2 Vox: #3 a a z ES ee = 4. We IF At OF he a.) You EVER PLAN TO MOTR Uew TRAE 2. wins FRom ca CAG) to Le. one: Them 3. you Cer HIP TO Ws TIMELY TR ‘WHEN You F o —— bt eer My way THe Alewey THATS THe aa GET YR Kicks “MOYsANO ohlLes Pll THe WAY. Make “THRT CA Li- = FOR- WiA TRIP Et eka a vt y =F = = : E : at : z ON Rourme Six-ty- Sin ZIT Benge: IT AF BREAK ——— 0? BREAK———r AF BREAK ———___________,, eas f t OES TMU ST LOUIS. JOPLIN, = MISSOURI OKLAHOMA «CITY 13 OH $0 PRETTY = YOU'LL Aa vat SEE, A- MA RILLO AND Aww, New mexico Et a a FLAGSINFF ARI- 2ONA, DON'T FORGET wir NONA, KiNG MAN, BAR_ S10W, SAN BERNARDINO, WELL IF _(wverse 3) Copyright © Chappell Music Co & Li. ‘Tye! mod Wotan av Eaton Wiel Hanson AVS, Képenham, 150~ ROBERT GUIDRY ! 5 Spe t = i 1 WEA | SAW mY BABY’ UIALKING wire florHER. MAND DRY WELL Sew mY Baby AF ‘ er 1. = =] Se 7 OALKNG vii ANOMER tna! “TO DAY WHEN 1 AED Wen Wis THE “BF e I | ty “TANG 1S WHAT | HEARD HER SFY See YW LATER ALLI~ Bd = GhrOR (sunRsRiFF) AFTER wMile, CROC” DILE SEE YOU LATER ALLI- aka - =a ¢ s fay Ee = + Ha, we ee ATER WRLE CROW-DILE CANT YOU SEE YOURE IN MY BF ° E+ — Peee See peetert pte ra: ' f ee + = tt - = — + way he DON‘ Yo KNOW Yeu CARIN? hy STYLE 4 2. WHEN. I-Tovele OF WHAT SHE. 2. When I thought of what she told me Nearly made me lose my head (2x) But the next time that I saw her Reminded her of what she said (CHORUS) 3. She said, "I'm sorry, pretty daddy You know my love is just for you" (2x) Wont you say that you'll forgive me And say your love for me is true (CHORUS) 4.1 said, wait a minute, ‘gator, Tknow you meant it just for play (2x) Don't you know you really hurt me And this is what I have to say (CHORUS) Copyright © 1955 & 1956 Are Musle Comp. New York Tiyekt med tlstind av Reuter & Reuter Fériags AB, Stockholm.Ze EE ~ tots = =m = SE = i SME G i - + ses = Pa o= AS = | \ WALK ALONG WONDER WHAT West WRONG WITH E E (usigon _RayreM ) et eS =: | OR Love A uNe-wr was ond OO OY OD oo Am G - + = Sea AND AS ot STILL WALE On) | TRINK «OF = THE = THINGS Weve DoE © —TD- z i 4 E "cemen WHILE OUR HEARTS WERE |, oe (ap 6 PRE-CH 4 A : f¥m £ fpf re eae { et r tay 7 ——S Tm A WALK’ IN TRE RAIN TeAks ARE ru AND 1 FEEL A PRIN. A Fim =< eae — SES { S =] A-wisnin You WERE HERE BY me TT END THis MISe- RY ‘AND | =, te St ee Ses 4 WONDER Wo- wi- Wo- Wo- wow DER bord: 2 ¢ Y (simile) 152& Fam mate { re = Ea zt lg ese wiy- wi4- WHy~ WHY WHY SHE RAD A- WAY Axo 1 — 2 5 a WHeRE SHE UALL | STAY —___ my LITTLE A 0 A € SSS ep RUNA- way RUN- RUN RUN” RUN RUNA~ WAY LO na G : Be Nee ee et (eee onc E. e. -% +} aa =e peer = tr eS G Am tet ees 4 a en, See jee BASS in verses (Unison w/ tenor sax!) An & BS = = Seas t anal ¥ : BASS pre-chd: p pre-en2: A chorss? DRUMS in pre-ch2: Copyright © 1961, 1989 Mole Hola MusitBug Music. “Tiyckt med tilsténd av Bug Music Scandinavia. Adm. Air Chrysalis Scandinavia AB 153— DAVID PIRNER, —————— By ley Prep Ge = l I CALL YON UP IN te MIDDLE OF The Niger CAN YOU MeLP ME RE- MEMBER How TD SMILE Like A MAKE Tr olga) ALL pS SSS FIRCAY Wit ovr he Useur— Seem WoRTMW KLE SSS =] =SeS2s= = “Yo Wee THERE LIKE A BLOVTDRCH «BURNING. Y WAS fe Keri COULD WWE A LITLE “THENING FROED How onl ARH DID! = Ger $0 «JADED? Lies MYSTERY sean “50 C/B i sae -= BES cr ised So DRED Tuer | — COULONT BIEN siege, St MANY sockets 1 cOULONT Keer __ (CAN GO WHERE — NO OME BSE CAN GD | KNu) WHAT NO ONE ASE INOW _ Am SS SSS —— 7 — PRonisep MYSELE t wouLpwir weer ONE (MORE PROMS | COUNT Keer IT seens Here | AM JUST Roun! IN THE RAIN Wi Toker FORA RUMRWAY “TRAN G Am ae — NO ove cAN HeLP_ MG Now IM IN TD DEEP Theres NO__ Way our TH ‘RYTHING — séems COT AND DRY DAY AND Nigit CARH AND _SKy_ Some = oS | i “We | WAVE EemL LY Le) mise Aa How 1 JUST Dont BELIEVE IT = se — Ht | =f = — + RUNAWAY “TRAIN NEVER GoINe BACK WRone WAY ON A ONE WAY RAC Am G Bee eee fF 1=ee? SEEMS Like | SHOUD Be = GETTING SOMEW REE SotheHOw) VW) NEMHER Copyright © 1982, 1996 WB Music Corp. & LAF Music. For Skandinavien,Filand, Island & Baliska Siatorna; WamerfChappol Music Scandinavia AB.BRIDGE, c. c/8 £ £ ss G=pEeS SEES == Bout e Ticker FORA = RUNA-WAY TRAIN LAKE fr MADMAN) —_LEWGHING fr THE RIN Am G === ess See LITTLE OUT OF THICK LITTLE §=—INSRNE. ST asic “THN DEALING WITHTHE PAIN sere roe: aa KE) (AND Dismered Gurren cxtorus!)

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