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Iranian Studies
original articles
Fictive Layering and Inversion in the Paintings of
Ali-Akbar Sadeghi
bor: 10.1080/0021¢862.2015.1062251,
ds Feroutan
Publishing models and article dates explained
ubiebed onines 06 Oct 2035,
Abstract
Inlran surrealism is spoken of by artists and crtics as aliving element in art, long after its
popularity In Europe and North America has wened. This arucle explores key features of
the work of one of the most prolific contemporary Iranian artists, Allkbar Sadeghi. While
‘Sadeghi says that he thinks of himself as a “surrealist,” his work is distinguished from
many self-professed surrealists in Ian: whereas the latter are concerned with
representing metaphysical even mystical, meanings, Sadeghi cess his art as a kind of,
intellectual exercise, presenting a dramatic theater in which the viewer engages in
epistemoiogical interrogation. Though Sadeghi's paintings are full of apparent references,
to surrealist themes and tropes from the past, here it fsergued that his work is not 30
much a storehouse of surrealist content as a series of puzzles fer the viewer to solve.
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