CK REVIEW 3 eee ec hn as keen of i cad toc efor tr if ie eit get es Cabin | gaat wah he pace for pec cra arog se ro innn on pace aeee | venue of trees ished drawing ee eo ice oo } ne ae oe eae oe ese ay red mar of oe apeee J cere dela rect 1 fo indivi owe are Jou an the cen te wen the dante : iy So gly spl mas give ‘Eaten ge Sof bron, “in gol matinee ‘Dade the, {The wanishing pone icin the comer of ‘the wene and thease of es eas The aye dint 9 i. Bond the foal ‘poi he dca es ae indicated With igh shaded mars, Adding deal the coat foutar ofthe eon asthe hte ae nfl 4, J miei paper vee the ig oe aoe ‘ley mars gen ‘ine, al are Pid ine de Uf roping Il ret ance in he feo Look atthe negative space betwee the de rank belp potion shee cacy \ rie pen pie 2 stl ‘age ce fl fame 108nt perspective in pract cl avenve 50 Perspective, Inthe same way, a row of suet lamps | To fnd he angles of he converging ines, old your pencil out non of you so it matches the angle of ‘ach fine in tra (s82 page 17). Thon ey the pen Yeu will notice jn many diferent places hy to | geist your drawing at the sme eng os a gle for drowing the porspctv ines Poin ao mune. Then che Ss seen at 1 more oblige angle andthe po lines fan out more steeply tae si Ache same tine, the ts on oh Ataliow angle a the perspective Yoon we. sph of the te avenue, with superimposed eel line (he “sNeus poner easeecre 104ingle-point perspective | ill he familar withthe visu effect that dissance has on objects Things nagar horizontal line that rns across the Subject at your eye level (even if he samme size appear staller as they get farce sway, and parallel horizontal you can't actully sce the hosizoa). Your eye level depends on how cll you 5 appeas to converge as they recede inear perspective is simple systema it enables you to mimic these effects of Your eyes. La single-point perspective there fre and wheter you ite siting or standing, bur i's always sraight in oat fone vanishing point a the your drawing and create the optical lusion of three-dimensional form. To center of vision on the Horizon line at which all dhe seceding parallel lines in wy anything n perspective, you aust fist establish the horizon line, an dhe subject appear to converge Hina in oe lee I SINGLE-POINT PERSPECTIVE WORKS ou lok athe fone af box straight on he il fines the face yo retain paral, The lel Hines on ce sides of the box however werge in the center of vision —that i, ight a oat of you an the hoxton of 27 ine The poine where they converge it el he raising pone ANGING THE VIEWPOINT IN CLE-POINT PERSPECTIVE i move the box othe eto ight our center of isi, you wl ce one oft Here again the pra! lines of side of the br converge tthe ishing pon at she enter of vision ee that lines above your ee level 1 down, while shoe below your eye Slope up, Ver lines emsin ical and parallel crn J re See Hore Fine oye eve ~~ veiching point (comer io) ~Ynishing pine comer a 00) hn oe iar ln mig be, yo ele lan Becrvn fte e ev a ge oe aad your eye fev it Tigi nso we, cafe onof si | Hoven ine] | esi pi | : bs ten ie ashing sin [- (cero ie Horo ie a f ra eS