Patricia Simons The Hidden Wonders of A Cabinet The cabinet of curiosities, also known as wunderkammer (German for wonder-room) during Renaissance Europe, was a encyclopedic collection meant for display. The wunderkammer was usually a room rather than a cabinet where travelers, scientists, artists or aristocrats would collect a variety of rare objects. These collections were considered a representation of the complexity of creation and a way to demonstrate individual understanding of the universe. Ownership of naturalia and artificialia was a way to assert dominance over the natural and human world, showcasing their intellect, experience, and taste through the variety of objects they possessed. In these collections, naturalia included any rare object obtained from nature; exotic plants, creatures, fossils, shells and geological oddities, while artifialia included any kind of man-made object; instruments, weapons, and artworks from a variety of mediums. Some objects that came to be part of these collections began to blur the lines between what is natural and what is artificial, creating a duality in both the origin(or making) and meaning of the object. Nautilus shells started appearing in Europe after the 1400s due to importation as both a material and rare object from Indonesia. This is why nautilus shells were able to make their way to wunderkammers in more than one physical state. Although many collected them in their natural state, others collected polished or inlaid nautilus shells that were part of more complex works of art. These works contained additional components made in silver or bronze gilt and included representations of a variety of mythical creatures. The final artwork combined an admired object of nature with remarkable craftsmanship. Although many of this items were designed
Lorena Paola Hernandez
Abstract: Meaning in Making Patricia Simons One example for this issue is The Burghley Nef, a salt cellar made in France during the 16th century. Drawings of anatomy, rare creatures, and natural locations were also found within these collections. These artificial representations of naturalia, also bring up the duality in meaning through appropriation or recreation.