TH) I Got Rhythny, “One Wormansinai *bandin back man? 1J022y and Broaduayish slyrics include ttle Old Man River one man with Cealy, aeep voice Singing sometimes With chorus ; “instruments (0 background slyries mndude HHe Wcross Raod Blues (Alternate Take ) sONe MAN Singin sone tay © 3 accompaniment El the Banshee “Creepy Slidin String Sounds »mMan Says HHe at very beginnin “Creepy pluckin Str ry bounds g + From Girl Crazy (1430) + By George Gershwin * Sung by Ethel Merman in +he role of Kate, CosIno entertamer * Expresston of relief after misunderstanding Ared up with her husband “USES Word-paintin: *Mixes Tin Pan Alleysand jaa “Song form: 32 bar form’ (aaba’) People borrow its harmonies (rhythm changes) 3 “From Show Boat (10271, inspired by 1a2%enevel by Edna Ferber + By Jerome Kern *Sung by Paul Robeson in the role of Joe, a ddckworker _ Sern Natchez, Mississippt +Song form of Chorus ! AAba? «Verse-chorus Form + Does not rhyme because Joe is uneducated * Uses “river” motif, word Painhng, inversion 0€ Cotton Blossom, Counrenmerody -Bass singer +Spiritual-like +By Robert Johnson in (436 «Johnson isthe sole performer, improvised in Studio free approach, *Uses AAR vyame Scheme, but measures have asymmetrica) “Country blues Jrourngs of beats * Uses bottleneck. guitar technique “By Henry Cowell around 1425 "Character piece + Performer touches Strings of the PIan> direct * String piano «Tempo Rubato, each performance is different «Kinda has rondo structure -Trtro, refrain episode, refrain ©pisode, refrancodaSSring Quarter, \931 “Multipte stron iste a ng cae Sor iS Rhapsody in Bice + Piano and othe 1{A22'8ANA instruments slistenfor either Melody or piano a Praise the Lord and Fass the Ammunition! “Multiple singers, Men and womes “band in background OS WEIN OS by ITSelF *\yrics ndude tHe, BSurmey with the Fringe on Top *Cither one manor one woman “By Ruth Crawford in 193) . alnened wn Cowell’s journal Mew Music +Uitramodern, Two eee ee eee eet + Four movements following fast, Scher20-like “Two Part contrapuntal texture with first Violin as Voice TL ona other tree Os VoiceaL “Serial uses ten tones + Quasi-palindromic,Starts on Ab ends on A + Shitts tndommance between Voice T, 1 Afemare?, And Voice IL, her male colleagues, “be George Gershwin jn 1924 +Originatiy for 2 pianos, asranged by Ferde Groté for piano concerto * Gershwin ployed piano *To22-like, but no Tera vieo Hos citornello (retucmn in, Stvi shuffle, and love themes, Bt + Resembles Sonata style. TAG Motif From "The Mon T Love” as transihons +By Frank Loesser 1m ANZ “This recording ey Kay Kyser and his Orchestra W0s #1 Tin Pan Alley ee “Title phrase attributed to Captain William A Maguire durin CSOs ' , * Howell M. , another shi aplan also yeskcear® ues + Clergymen did not like song + Son ras Saco . al tempo #120 minute + Uses Scorer Sha ate + Countermeiody Cobbiigate) by women + Plagal Cadence (IZ-T) Ot end \mitartes estamt hyms *From Oh/ahomal (1943) + By Ricnord Rodgers “Sung by Cowboy Curly to farmgirt Lourey igton son Soe Noman! swyging, + Band wn background \eeenonior form (o-b-a-) 2 Ua scene piece, has dialogue, *Sequence word pamt A toh Bho in achoreg | wing Sha eco +b" Chorus follows Q-a-b-a>WI the ood , Ratvmic,brass tum Orie deurn® tg Boogie Woogie Budle Bo i “Multiple Singing * Band m background * Sometimes Solgsngs qui Chie fogether Fanfare for the common Man "Starts with gongs Rerpicsoundin brass instru S some drum beats ana gongs interspersed, American Salute instrumental with woodwind, brass,andstrng *Listenfor “Johnny Comes Marcning Hore” tune *By Joe Garland in 1434 “Peootied by Glen Island Casino in 440 + Billboard Cnart 28 weeks, #1 for 13 weeks * Most welkknown suaing Teco, : * Garland copied soxophones? \2-bat blues MF, but copyrighted it extended Use OF TIFF, cuncopated ACCEMS * opening fanfare arpeggios (G-B-D-G) * Gorland’s original version was 400 Long ail: So Miller used fade-out" gimmick with * From Buck Privates (\a4\) + By Dory Raye and Hughie Prince “Ranked #0 In 2ooI "Songs of the Century” “Boogie-woogie style “Trumpet plays bugle songs "Taps" and “Reveille” sHormony follows 12. bar blues, not rhyme Scheme, *Text expression of snaredrum four-stroke, TUFF in “Company jumps.” + Patty Andrews Sings solo at Chorus. and XZ . +Smaers employ jars stylings « Andrews Sisters became most Successful Female Group in history to fnat point. *By Aaron Copland m (Q4a +For 4 homs, 3 trumpets, 3trombone s, O tuba, and percussion Consisting oF tmpani, bass drum, and tam- tar, (gong) * Uses free tonany for chords + Uses Quartal or quntal harmonies * USES "bichordal” harmonies + Ternpo (S eh Detiberarety™ * Embedded m Copland Third S penphony (446) + One of eigitteen Goossens fanfares + By Morton Goutd In 1443 “Variations of "When sonny Comes Marchi, Hore Again? by Patrick Glmore 3 *Seored for Full orchestra feduced to doncert bang -Gilmores melody has four phrases: abe. + Entife Ensembie plays first two bars + Gass darmet and basson plays First Variation «Gould Produced *he Song under a rusheg eadINe by his (Adio ucer,Concerto nest MVE for Orchestra, rInstrumental piece “Sounds weied, but {Nvolves wind and TASS ANd drum as ellasetning Ts like onect those. Classico preces you Ne out to © Quartet forthe End OF Time, Mvt-Ly “Uturgie de Crista” "Sounds realy Modem. ~ + listen for piano to distinguish +Kinda uncomfortable * By Béla Bartok in bb By +Calied “Concerto” insteas ea every Play er becomes Q Soloist : Naemente iO fastimoderoiesstovl moderate] ‘Os: NIMING, An "ArGn™ “Follows a Program where each Movement 1S Psychologcr (journey “Uses Sonataform + USE Quarta harmonies (nanve to pu ~Lowstrings have "eaging-Fourths, mony, then muted high stri Herolo eases *Theme I Contains 2 motifs: a, hesixtee Note ascent usitheiahthnote, and b,the Four ees pattern » Ever buil ing tension * Bartok is 3 Most performed Jom century Ofchest ta Com poser Pfeymphony' because «By Olivier Messiaen tn (G40 in an ine Grcerahon CAMP, Stalag ZOLA *Title refers to the apocaiypse described b Pavone In Chapter lO of the Book of Reievation “Eight movements, each wnstruy (ay Sy rnoverents ; eae a “Quarter Is Violln, Cello, Clarinet, piano Daybreak scene Where blackbird (Claninet) ood Pioningete Wiolnsing preety * Fang has strict patterns, *snimmy 9 HS AI Patterns, "sn of sound’ = Catia Ring poten "halo of trills lost iGh iN the +tees” playin an anneal harmonies \ 3 PPP and “Cello has S-pitcn series (CED FF BY) 19 SB note palindromic rhythm + Clarinet plays Comme un oiseau Ly like Otwd. *Songis simple m its parts