Ol gs olKasl 28999 Sued pu 9 out 72 dali yp lS rLareirn Bb gl IS 10499 (S3s19S2590gi) galt haaye + i, bad Glass yor EES eidgal sjxy debp slags AF/A/TY Zr9e dul pune pts le Sigel Sis dali olay MIN G 292 VF dale daguae Gola!» dab» ool hye Ly Gels y Abt leh WS abate 99 (sigh Sipegsl) Gulls Ganuge 425) abou! 79,2 ea ale Lin cliel binge yalhtils dy yup Gjxy aby SI Les! G/liSly ab gel 2935 be) Gla pid Gand tnage 9 atlas layin sstsle GeyRAB SSIS gayi) lid ange M2, sy) ule aya wee dab ed le pin Gude nage 9 etal lata 2ST Giuege 098 ale Ole clacl whey MASI ot gad S52) Mali slips agua ALT cay STL cal od gags nl LM AY Cages fsb 5 ali gyl ot tind Bpis ips Sly capt &y SET a cos joe dais 39 paddy pa sdaege lle igel Spy dab ly y olRtsls abe ip 2ype 39 ILD igal 5p Aabiy log AE/AINY Grp dale epsbo sly apt soly neal guru byl palit AS hie 72 (s3ylsSjyayD slid Arig 42) Quay? sy OH spre cis dle ipl in Mab chin AAI Gye dake 30 pgel Mabe Oe ool EL Gt tal 2094 9 apa sali 9 He Biel Shes tin lst peoco99 als oped 39 Ole MEAS obigel 552) Ap Clip epee (sisbsSipapiD uli inwye Gb, Fetal laa estas gale a lal La US pp eh ge Se eb M499 eed abe shy sega aT ania a0 apt a ln ne erp seal PS capes Gb Neby od sar AE gl asin Ai hoy ages SET er cand Hn akg 99 pall yh yw ew bo age AKSlo ebigel S52 dali» sly yo ag OS Spy 2 NEL Cdjgad Spy aby chy S AT/UTY G92 dete pale Gly ly dy ace gyro 3 gal WS ghia 79 (SIlySdpayi agulid Glamye AB) yney9 Mab ag Bl bays sk Of AT ARs Cowley5! bad ( sishgSeigeg2l) gutind antge Bia ad | pled 1S 8599 IS SLasute Ban 9 days) PIE AS Sal Util I SASS (sje Sojgagl) old eye Shan? IS (sid Scie) eo diay Bd 15) st by99 abe GT lacalSin jaar 9 hese SO Kn 9 yl ange Alii sladien) 92 Sitngyy oat y stage BAS 9 1d GI Gun S Col Tle rig ob shpat cat sel a SESS y by olatal Sid as (sll I pl oles Sip 2 GIL etiaa Abel Aone CSU 5 ( sidySeigey) ced age cating 9 tind aie Capt cae 99 the lap 9p 298 tb il Cage 9 Sia SINT US clot Seeodl 9 Opp ypd Spee la I 0 pe alae gl alt, 9 O1SG GGL en y Stags IIIS olsen evye SIA IS: etl Beye a aly gli la elec Sea 3 Cage loge J Ss 9 a8 oe 2 Wad jg AS nto Hy 9 ety JS ope poe Glee enlinaye lacs cee tg Ly pla pal oS cleat lle oaye Jae 9 le on e204 lal > gd olla ns > canny Lag glad S355 »2 ange Ceaal y glee ip lal d og cal yb gh p 4) ool eee gig gm col esl tale eal ence gts aly Sag Jul Big Gab jen ay Bea aba 2 5) gal Sth Rie 49 $149 aye jaca jbyg5 sles Saal Lath oT Uytls cts PSU UN acl piece tings Liatl oul i) eladd, Le jo Mol Lhe 9 5 pling Ve, 99 Gem 9 Col GS AIDE gS JS elasl Rts po 455, gpl appgpde lo 4 cal atts aly gel eslaalbtil 99.425, oul Ldigel SSS cgay degen 9 lat 72 Sea abl 4 ab eeSiggtl y hoops ie} 2 Gtagh Aap hS pletBae cledy ys HBtta ca ld eat y Sia 8 Bay Se clots tongs ale 9 pti gpS aS cane cal cl Hale J 2990 oF age 9 Samet agtng 630 Spe 9 3, Gal le alanyy> Gre SF eg bogie pore 2) ol > al Te cnpiecensd lee laitle by oF Glas AKAD lange Body eat gs aL yg guest Le 9 pt Bt ay ol 4S 9) Oly ca 9b ale Cem hel Spree cdaygtS > gly ating Sanh np Ne clellan ly 535 & (sHasSeinsl) old eager 98 Seg AL Glee Bip AUB JS 9 0y99 Job 1 Sal iy AS grettd cal Jae PL LOY (signi) eet lenge 15 2 fold by lage Sse VOLS Spe Bab r9e08 gy? cased |y glbtoly cal pjY lid gheage Gisty dyiodhe Cpe dipdie ayy? aS ee fgg Hd, LB 8 typ Ay 299 henge ts gloat, LIS Heard, ty * el 9K y os ashe Cig Lays lle (sigyScieal)wy Glasaly g53 9 shag F ed 5 OS TT pa iy lel opie gal say lato JF sh alone sl A AS! oy She tal hr = nscale G oUles 9 8.0 eye 9 pt GLK g Gute actin cetngt/ dig lly 9 why ye 5, oil arc 9 Spit Singh CLES Nye y ohsiny EA shy Ss ign ign 99 lid age 9 1S Gon? Gueyd Bla JiSie Siow gle linge ab a 9999 Lys g bal F Shane bah Dames dq opel Lata Iyte lle 299 opel Gino Ges, eardEU uly reid p cade pole hergand lati, MLE Y cay get sal pel ay Jbl ayy ad | ta Laub 9p alice GLY act ype oy sal yiyely SDL gle Ge} 9 hese G3, 2 ally jal Gh Lage ( sighSeigeg tl) ealeh Reape $3, 45,) IW byy2 959 ES Spk 2 als pel 3 opi) cert lye hy gl AS pale asian 9 case y iotagyy QLIP ile se pal Ay col by ag cnt Ata oan t, LS Marci ly Sede IS clos OS (sil ivesl) ead 59h 9 ltsod ape Nig Lad Mae (.s3pySeigngl) skid frroge Hed, 35 J polit llocal Calps g alge ¥ Bate PDL ej ty te aye he (sig ySieyl) atid Age $d, ABI ES I 92 00p9 opel Wal aptS Ba ga AB sony pols 9S IB 2 9 eat sab opti ns Ah ipl lo yo sd oo Oi Se oh wales 9 opi] Dee Goa? ree V eps pmet obj Tp Se WS dongs hi tle Tap Al deere ss ile Fp agli digs tle 2 HIS oll y tig oly Ute eu opejl 099 Ube yo Sell iY caale Lees ole} 92 yele Holes jequ Moye tl cath alyanay tal Yooe agio 2 ge dy ag8 3) ta Taps itl lege Bey lye ety ery dss bute oI2492 Jglte t09> aad Y bland Jose I iS eda 9 (g5psScjgei) eal Seige a ages ay 9 ge Olek sh sly sha ers ey er] oe] oe ow [oe = Woe [wrote | value Voaesau] 1 ewe Puta fw fr fy [iy Tol = mfp - fw]: | - [vt | weet ry Ves sera lr | - [mtr | - [ot | are arcu! F VES leer Vos = wlr|wi rf. fy arse! 0 — wf - [rr] rt - Y Benn der htt) & 1a vadervsl| yy | = | ory | yr - Y Bee torial v Vaid ee Tad = Wiese tee pe oe a Vad wont ee | - fr fr | - [ov | ee osomeb uel) 4 VO aoe Tad wel [we | wl r | 10 Ser Teal ng 9 bye ile Gh Mae ung op ratV bylad yan SS Nae cla 9 (sin Seigegi) esc ge a, hal ons9 Iga OL slag doy shag ae hs, ee CE] oe] be | ot Waa Ae oe de fay sae | oy Wee letras po icay oer tel] + reo nette | foes. SW Fans sag | wr] wl yr y \ ger El sees | F wiryfw lr fo. [ov | aed] o (2 ie ee ee wfofwlr] | + fae amy] vy wefw ly [Lt [areola gies arene | a aY Pale ae Ba] § vor falar] ul + | FerYF Bjlend Jose AE el IS ahs 19 ( 553198 jp095) old nage Sa, SHEBI 549,9 Jgce SL slag dey sas nh sy ez) eof eae ee eS, Vein ee ETE [Sc | ait | PEs | dave tot amo lust [val = feve|, veloc ann|. ¥ dedewvsel | ry | Tory [oy Ps Y MBs sé rst in» | Kaw wet | wea | fo] 2) ra pielaseesssace| + Sitenen® NES italia |) soln emesis eto ate Jet | ae ee fe es Ger ete ice] 5 a wlatwl sta [a For tions | y aie wy op [els oT arnt | a oie Mae er ely Sapte Ae 3 gille | § ryforfowrful is [ow Fer i cll) ih GAS sap ole aol A cts At ANS bey Lia id Js bgPye juad srlecates coats? Gille g SIgej2, s(90939 oad pw 9 dolinelid (5592352 5geg2l) getind Banged) sal itd 15 899Y sooly slat pelos aly V 9 58 aaly V isaly Eos 2) rll 9 SintaSrjneg tl «stich henge & bora cpte dallas 2 hyeedilo 2b O21 Ve aban eet bs 4 Gate ool dae 9 aay GGL; & Smal tong dade eipte 9 aS LEGS 29 Sides 9 eal Avge ue SMe! Giigel + Sho L9Sejgegi 9 stich change 39 aly 1S Wdrged Higa thal yb sladolee She ed gatitlan stooges inal 9 opie BS oH! 9 Ole eal Gale de Aajbile gpl sory Sys jl oma Ms 9 oS typ 9 AB 9 5,00 240 NE chem si ctallbe © wad aad all) ghyzetils ALLS Obed 9 oS GUI IS Ope 4 Slew + sales gable Cond cP Ly oan p So aap adm pate at cle chat¥ sal stad als 9 sibs jgegil «pith dmiga & bye ye Cote dalle 39 Gb Lj A Ihe 8 LSS stl yas reall Ob & ote ol Moot 9 rE Bol & wae Stay? aad pws 9 et sige ened (uate dan i g dallhe a Gl ygraitile od peed Gly eg 92° Slay les Sil Sejp0957) ya plaibl, Uaeilia OVE 9 OS 5 ay? Gul 9 * JBS ablgd 5 eoUbl 9990 asst 9 AB 9 5,220 wet aB obj 4 ating OMe FS bed abl GMs GIL fog olbpret ALS Obras 9 a GLANS Opp HE teh SalyS I,) a oh salgintay gue Cowygd ed blog coe 9 S0 vey dab Dede a8 ae chantGeos Ly9, Y saaly sa elas daly Y 9 Si saly \ tale go5 alas AS Below ay 9 oli ty, ican ile 9 Ugo Sib sSaigegell 9 palin Haman 99 gelisdeS Lad 9 palin vig, ol ee so dap SF Bld i stils y ple Cables putind Caan gISCELA, 9 WIIKs geal b gti] sLesls Lal Lisals Julod g daslaler isysl0y8 SigSe sion os 4 elas) y SI peas alee gb pad 9 osteo FEM Gali AS 9 oS ently Se PRSED GLa Wg a yh TL alas Lt Lg panliie ido Ell SIE ttS stl jal rtd Staal shes gy egal 415 satay, BLT kod 42 lal 18985 AS 9 oS OULEES og9, ge tlle 4 Si0 pF scilplrnl g il (ghar Sag, lato 9 Gb} Giddy 15 J¥sial 9p) 9 coale © se JV asus! Ghia Vas BSS Joel iby GUE a Gabod pl Fal 45 NSS 4s] 8 «God Tb A * -Akey 9 tba See LEA cpap basa AS Ihe guts ty Oreead Qlgmeidls (9459 Oot > © Ly bps I Ka ph 9 windgse IB bd 5 Ai 2590 Is Weld esti tyy 9 sisIDise SiN pte GOT rig) Jpol cline » shila 9 185 4 we OU Ai ye Mia la neh ge wll eal NAIA le phe dig rtd lel yp oe m33 yy 9 ele Soh? GOP 5S) wr NA ae oe ey abhi ov oty Salter heel wt lage asin vray ee SS iplle win oe CALE lA La he a al ale secs ole ne Sey SS Lae tl ee ag es al wt yva.te ei he AS pb Oe uelilaple p severed) VV ble eagle ON MSD he ao o4y TT ae alee Soke Behl 9 hy SeaSia Sat p Hel ls dalagss TAY es One ASI hae hb papa Jol TVA BHA Sy SY 5 cnn ass WHO AE SS cmos hans eltelagle ari ty) STAY Sry oe EA lean OO ple tore dry yh le Ley sey abe en tl IE ll Site Les agtore eslusn server IVA SA am ANE I onoe hats yelnlagle 9 eos slay) VA gande Bl SE eS ie te Lad Meg il ape CLS poy iy si Siieysl WHO Ay cp Migs ey PEO Slat ome bey pole elite 3 Sy sor lay AB plitile » phSuyas Whe Br 398 sala SAB Slang Hh gl ag la oll pl dang pila Bachelard, G. 1989 (1938) La formation de lesprit scientifique. Patis: Vrin, Bergeron, Katherine & Philip V. Bohlman (ed.) 1996 Disciplining Music: Musicology and lts Canons. Chicago: The University of Chicago Press. Blaikie, Norman 2000 Designing Social Research. Cambridge: Polity Press. Elton, G.R. 1987 The Practice of History. London: Fontana Press. Gardin, J.-C. 1991 Le calcul et la raison: essais sur la formalisation du discours savant. Paris: EHESS. Greco, John & Emest Sosa (ed.) 1999 The Blackwell Guide 10 Epistemology. Malden/oxtord: Blackwell. Kuhn, Thomas S, 1970 The Structure of Scientific Revolutions. Chicago: The University of Chicago Press. Popper, K. 1982 (1934) La logique de la découverte scientifique. Paris: Payot. Walliman, Nicholas 2001 Your Research Project: A Step-by-Step Guide for the First-Time Researcher. London: Sage. E\sais sur la théorie de la science, Paris: Agora.he tawga by gotiail SH Ny Ess yf spladay BL hal Laid 9 ten allie pian 9 Sia,’ 5 LN ifaleate Ul) Sad 38 589)? Lead paw St NaS 0) tt 9 SIE pa Sad Spal aldnge GINSINE y auge eat 9 SiS sal Ss allay AK dye adcald sa) Ba Wal sole else sill scl) anus a lbniga SIA Dy leans 6 B 9 bing oategstb 055 acme sc) 999 9b illanign GLKID Sy Laine AS Fret ayt stbojge) lel pb allan GUA yD onge © (ABD 5,Bted) loa gia allamige GS dy Wedge Aeb 9 sigs gle «sNl) eal 3 p> allege GLASingd y Wudnuge © Capi La Bll dL getty dasa) che 6 iT align (Oia gd ga ghuge © Aenés Arab 9 A ssl ISI la) Uy) lige GSD 9 change © Salas oul nd Abrahams, R. D. 1983 The Man of Words in the West indies, Baltimore: The John Hopkins University Press. Arom, S. 1985 Polyphonies et polyrythmies d'Afrique centrale. Structure et méthodologie. (2 volumes). Paris: Selaf. Baud-Bovy, Samuel 1972 Chansons populaires de Créte occidentale, Geneve: Minkoff. Beaudet, J.-M. 1997 Soufiles d'Amazonie : les orchestres tule des Waydpi. Nanterre: Société d’ethnologic. Berliner, Paul 1978 The Soul of Mbira: Music and Taditions of the Shona People of Zimbabwe. Berkeley: University of California Press. Brandily, Monique 1967 «Un exorcisme musical chez les Kotoko», in La musique dans la vie. Vol. 1, Patis: OcORA.Dehoux, Vincent 1986 Chant d penser gbaya de Centrafrigue. Coll. Ethnomusicologie 2. Paris: Selaf. Feld, Steven 1978 Sound and Sentiment: Birds, Weeping, Poetics and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press. Guettat, Mahmoud 1978 La musique classique du Maghreb. Paris: Sindbad. Jones, Stephen 1997 Folk Music of China: Living Instrmental Traditions. Oxford and New York: Clarendon Press. Kunst, Jaap 1973 Music in Java. La Haye: Martinus Nijhoff. Ling, Jan 1997 A History of European Folk Music. Rochester, N. Y.: University of Rochester Press. List, George 1983 Music and Poetry in a Colombian Village: A Tri-Cultural Heritage. Bloomington: Indiana University Press. Lortat-Jacob, Bernard 1978 Musique et fétes au Haut-Atlas, Coll. Cahiers de "Homme. Paris: Mouton. 1994 Musique en féte. Nanterre: Société d'Ethnologie. 1998 "Le chant et ses raisons. Pratiques passionnelles & Castelsardo (Sardaigne)", Cahiers de musiques traditionnelles, n° \1. Nettl, Bruno et al. 1997 Excursions in World Music. NJ: Prentice Hall. Nketia, J. H. Kwabena 1979 The Music of Africa. London: Victor Gollancz. Olsen, Dale A., 2002 Music of El Dorado: The Ethnomusicology of Ancient South American Cultures. Gainesville: University Press of Florida. Pegg, Carole 2001 Mongolian Music, Dance, and Oral Narrative: Performing Diverse Identities. Seattle: University of Washington Press. Rault, Lucie 2000 Musique de la tradition chinoise, Patis: ité de Ia musique/Actes sud. Shelemay, Kay Kaufinan 2001 Soundscapes: Exploring Music in a Changing World. New York and London: Norton, th M. (ed) TAY debra PR alas ys dala Ae 9 yt LSS ah Se Seng IVA ok sols MOMMTOAT slat yal gps cralilad ape I esha 5 A SOS ts JS y Giese? TAF Syke MRSA (goat pale ge codalad tage IL estan gs AUB SIS glanyS TAT Bare sagen PNR Hebel mechan) esto Sipegil igs WTO \tpase BAT AS I end ie ean Sh lp CL erent sie Scinyt NPD Alvarez-Pereyre, Frank and Simha Arom 1986 "The Holistic Approach to Ethnomusicological Studies," The World of Music 28 (2): 3-13. 3 1993 "Ethnomusicology and the Emic/Etic Issue," The World of Music 35 (1): 7-33. Arom, S. 1985 Polyphonies et polyrythmies d'Afrique centrale. Structure et méthodologie. (2 vol.) Paris: Sela. Baumann, M.-P. (ed.) 1990 ‘Music in the Dialogue of Cultures: Traditional Music and Cultural Policy. Intercultural Music Studies, 2. Wilhelmshaven, Germany: F. Noetzel. 1991 World Music, Music of the World: Aspects of Documentation, Mass Media, and Acculturation. Intercultural Music Studies, 3. Wilhelmshayen, Germany; New York: F. Noetzel. Bergeron, K. and Ph.-V. Bohlman (ed.) 1992 Disciplinning Music: Musicology and Its Canons. Chicago: The University of Chicago Press. Blacking, J. 1973 How Musical is Man ? Seattle: University of Washington Press. 1977 «Some problems of Theory and Method in the Study of Musical Change», YIFMC. 1986 «ldentifying Processes of Musical Change», The World of Music, 28(2).. 1995 Music, Culture, and Experience: Selected Papers of John Blacking. Chicago Studies in Ethnomusicology. Chicago: The University of Chicago Press. Blaukopm, K. 1992 Musical Life in a Changing Society: Aspects of Music Sociology. Portland: Amadeus Press. Born, G. and D. Hesmondhalgh (ed.) 2000 Western Music and lts Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press. Clayton, Martin et. al. (ed.) 2003 The Cultural Study of Music: A Critical Introduction. New York and London: Routledge. Harwood, D. 1973 «Universals in Music : a Perspective from Cognitive Psychology», Ethnomusicology, 20(3), pp. 521-533. Kartomi, M. J 1980 The Processes and Result of Musical Culture Contact : A Discussion of Terminology and Concept», Ethnomusicology. Kunst, J. 1959 Ethnomusicology. A Study of its Nature. La Haye: Martinus Nijhoff. Merriam, A. P. 1964 ‘The Anthropology of Music. Evanston, jorthwestern University Press. Nattiez, JJ. Qugratils Cad Sg y? aad pos AS JBiTgh sgl oabb cyl ay 9 Seal 9 SSI pale 8,6 1Sitgl gpl Cole U plus © 9 SHIT SSIS ab nt SA Age 5 ISilgl 9 alow 5 yl Cores Sigb 9 Seni SABI SLAPS yo SS lg Fo eye 9 Systane 6 N5il] {ou pth dogs SAG IE 2 AIR ppd 9 se1F5) Glas jla yale Sp VSIy] 9 SornigSl Ol! Sanh y SOAS Alinga slo Jterud 4 Syl some sObngatt) ath pak albnige SRD gS 19 5 Kidadi Altre slang by ali! rk 9 ABIES Iylie oS staoge jag (ees abel 9 Adel lar wg 5 loyab 9 S956 5,)'SiIg] 49596) Sl tye nb SLA dye LSI] 6 LSS Hag ly sldaged 9 ood b oles SISiIgh 6 SIF 5 1SiIg] WK SLagil 5, 15y| lal pL Sinan bye lati daw gepegd SALE 59) Sy KIg! dS 9B BAS patente SLL ob 59 5)LSIyf de Cay Bynb g LS FD Lolo 659) (5)1Kilgl flu gyi SA Beige U rt nb Sa Aesige sly CICS pie Aegares 3) pldsiga ly oli « sed Sacaay lal p GUA y ged 39 oS gad y0 PAS Brjlge de deat Uy ccpentycte Laatg 05d UBT Hnige Ulie GLEb glyratils © 3 ole? eal, EU anoge ole jf sae Olabs ct 5 Sg esl gal G9 Gul eb sings ASH i Y algo laSingS cla dinoge ole jl sine Sug! 9 a hi hea li ge) ib Sipe phe Bins dpe woo an B DHT AS AE pend Ube sete heed hg ell oe 8b gern cn cp pSin gl i d’une notation des monodies a des fins d’analysen, Revue de sicologie, $5 (2), pp. 172-216. w wo1973. «Une méthode pour Ia transcription de polyphonies et polyrythmies de tradition orale», Revue de Musicologie 59(2), pp. 165-190. 1985 Polyphonies et polyrythmies d'Afrique centrale. Structure et méthodologie. (2 volumes) Paris: Selaf. Bang-Song, Song 1973 «The Korean Pipia and Its Notation», Ethnomusicology, 17(3), pp. 460-494. Cahier de musiques traditionnelles, n° 12 (1999): "Noter la musique". Gendve: Atelier d’ethnomusicologie. Ellingson, Ter 1992 « Cross-Cultural Musical Analysis. New York & London: Garland Bublishing, Vol. 5. de tradition orale et leur traitement -2), pp. 174-197. xKolinski, M. 1964 « VOOR goad BEAORY cord gale ying stella gis cyano pot chil Sei Aoaye cg gbale> WAY oe Sy Pe 9 Sin Calin IS SB ORE cae crt ohne he, Kol rep hd) o> TFT it 9 Sin Sig Sel abe hel haps clas ylaplh TaN eld onl PAOD 1 oe ual alee al coly pat elon’ gil hey IVA Psd Sin nla cbt he EL Cel line nt he abn yiespe Whe ey Se lel dey whistle WN tp aie (TV AJ He) are obit clay al ye tan aha elel SNH Bey its Lede he NE ee BW esl Uy ale shat ete tubey tlre Se 9 the de ihe nips Calf WAY ore be AE ll ei AIS dey gtlal vfelesl Tha Leptin? le lel eae oe aie nila oy sey Wal TE Faded vatle eM pe 9 Ay) helene pot ge! ce alae ele ely tind epic sleljnn sy VE WwWce she vita Ag cs? lrg pd Giled dpthone, 3 AS AeA OE splice Ban pla & ose bel eons ini ae p ubiVlgms PY seeds (TFA I int Je Sn ecb eo haley id eas TV) see IA lel hep Girls ITI Leprol ASB IE ep le ed dy yp a) tle atenge NOE SOM Yad ad flr AR ip le Seal y98 9 Atv se IF 515 gy oS copy YN (2a sobae le) Face dpa Fae a a aig tr ILE ea $e Cay hr sheep esilasy OP se 15am ol (778 Se) tare ha 2 he kal lp) tingle WAY wr scin bijaless nll obdakon iy tT FA srs IS che lies byl WAR albedo ON ude ey TAs (abated ae) igen HBS ip US hee SON ite cy real show hd, IS] Sg AE SAS 6iSye BAS MIE Ne ilo ht Shoes — Sy Iw ol Ven an wep CS p gird IW ne Babiracki, Carol M. and Bruno Nett! 1987 “Internal Interrelationships in Persian Classical Music: The Dastgah of Shur in Eighteen Radifs,” Asian Music 19: 46.98. Blum, Stephen 1991 “European Musical Terminology and the Music of Africa,” in Comparative Musicology and Anthropology of Music: Essays in the History of Ethnomusicology, ed. Bruno Nettl and Philip V. Bohman. Chicago: University of Chicago Press. Caron, Nelly and Dariouche Safvate 1966 Iran: les traditions musicales. Paris: Buchet-Chastel. Caton, Margaret, 1983 The Classical Tasnif: A Genre of Persian Vocal Music. PhD Dissertation, UCLA. During, Jean 1 1984 La Musique Iranienne: Tradition et Evolution, Institut Frangais dIranologie de Téhéran, Bibliotéque Iranienne N° 29, Paris: Editions Recherche sur les Civilisations. During, Jean et. al 1991 The Art of Persian Music. Washington: Mage. Farhat, Hormoz 1990 The Dastgah Concept in Persian Music. Cambridge: Cambridge University Press. 2004 “Vaziri, “Ali-Nagi,” Encyclopaedia Iranica, Kiwi, Edith ie Persian Doctrine of Dastga Composition. Tel Aviv: Israel Music Institute. XnKhatschi, Khatschi 1962 Der Dastgah. Regensburg: Bosse, Khoshzamir, Mojtaba 1975 Aspects of the Persian Tasnif. MMus. Thesis. University of Ilinois. 1979 Ali Nagi Vaziri and His Influence on Music and Music Education in Iran. Doctoral Dissertation, University of Illinois. Massoudieh, Mohammad Taghi 1968 Awds-e Sur. Regensburg: Bosse. 1971 “Die Melodie Matnaw1 in der persischen Kunstmusik,” Orbis Musicae 1/1: 57-66. Miller, Lloyd 1999 Music and Song in Persia: The Art of Avaz. Surrey Nett, Bruno 1992 The Radif of Persian Music: Studies of Structure and Cultural Context. Ilinois: Elephant & Cat. Powers, Harold S. 1980 "Mode," The New Grove Dictionary of Music and Musicians, Edited by Stanley Sadie. London: Macmillan, Reprinted 1995, Volume 12: 377-450. Zonis, Ella 1973 Classical Persian Music: An Introduction. Cambridge, Mass.: Harvard University Press bsln! 2272 tage 99 Sldlbe 9 SreD 5M pel) ead 0 CU iawsge Sid del sail ibe all binge laingd ball gl 2 (uty, Seg)? dad po eh Cole jJ Come sie Y Sy ad aalgh ah) Geog Slaps Sb WF u,9 gil yo ace 0018 Ajgal eteaod Sea yb 42 Gugratils GLE 9 09 8 GUE 4 ata 2 cstzhe (sli dinsd 9 W Caylee tig ze! U aagino jt lye! 9 Srted Ket Hauge apse U # We aiaws railajley gale 2999 3 edge gy ciple GLa dias jlo 9 4.55 dagho G!)99 Ageless sine; 9 W S528) AI BUSE 9 gpl Henign pea Gdantge Sig cl ded pe giao art ell Albnage GUSing’ I slGgsi payy * serge gulia Cos ad ee alee ae Shel Maal oles" YN hte Slide rlstc War talaga Sity whe wel Kalco! vor tao ley wet SOAS IE wen aly aly V9) hee elle IS ch Ulelo ahs NN nll cole hae fe lhe ed aly 4 yap lds geghedn, YN say a eld eslehs 2 gue lal clay alg 00 oemlachen MS seed ole tle rnp stead Pipl es nop ID Jes my Les Whe veceases we IT tel gaye IVE then ae Be Ae aliep oti Subs lla yb pat 2 oll Galea! VAY esilage wath hep blah SpA Sip 2 ial weap ASAD M ppeee py 9 5A Mele as! MEAT J+ gulad gta abt Sa fon yin ad ne a 9 yd Jat Ag ois antod uae Peay? VIVA w APS MT lh lad iy Ra pal hg yeah edgy tate gn Ja gle” 1TAe We lad ind pole ceiyn os dala." disrge gla ug!" GINTAY Meee chines pale diag es tba" ee Sie Jd pert 6S SS" SATAY stl fan cone fail lye dig einige ETA) panle he url eekly ip aoene tog hel 2 GES oy GINTAY sc pag eld a NTO JL UN Jy ye eee Ay 9 ui weal!” — SATAY webs epi ad bed 5m Sind CS p3 ies? Sy Lhd flo lS Ppl p osjee” OY) oo 8h lie al aep dul Henson AN se 308 lide cota git VA AI ee OB ura He oho Caton, M.-L. 1983 The Classical Tasnif : A Genre of Persian Vocal Music. Dissertation for the degree Doctor of Philosophy in Music. Los Angeles : University of California. Chehabi, H. B. 2000 "Voices Unveiled: Women Singers in Iran", fran and Beyond. Essays in Middle Eastern History in Honor of Nikki R. Kedilie. Edited by Rudi Matthee and Beth Baron. Costa Mesa, California: Mazda Publishers. Chodzko, A.B. 1878 Thédtre Persan, choix de Téaziés ou drames. Pairs : Emest Leroux. fusique et mystique dans les traditions de lIran. Paris-Téhéran : FRI. Hand Made, Pour une anthropologie du geste musical », Cahiers de usiques traditionnelles, n° 14. vyKhoshzamir, M. 1975 Aspects of the Persian Tasnif. Master's Thesis, Urbana-Champaign : University of Ilinois. Loeb, L. D. 1972 "The Jewish Musician and the Music of Fars", Asian Music, IV/l. Rezvani, M. 1962 Le thédtre et la danse en Iran. Paris : Maisonneuve et Larose. Shay, A. 1995 « Bazi-ha-ye Nameyeshi : Iranian Women’s Theatrical Plays », Dance Research Journal. Fall, 27/2 xXadel Slee hme GU Y nals ofa si oly es sylad ssldatag soles ohygd B eda olygo ET lel alge ge bled Gu,0 UY olgretil yatedl sda St? Lead pw Siaaped sage lil Usb dap stowge 595) staniga SEs Jody Lola # Cotes 1g OV god tggtlleniga le emige lye! 9 5195 DUI ag) Biaads SAM 9 SH ate allyl laojge 39 pL! Glee 39 tlbwge 5512 nestles a sgl BIE 61592 a gedlesl ilyg9 jLET 52 hwoge # ADU cy ye had i} obra! ctewtge Jed yew # lade hewgn span sab lb Fenn did Soke dauiga © orth Ae sy) es ASI ABS a Syl 9 fate pd GAARA POT old ges jl Se gly pM GAS AINE APSA y Ae el al er Opie gis Spd tyes uRES TIF. lat CBE ol yen pe le gli led ata WME ASM 5 Al sll Ste pti yp gag Se ag Sp 8 ol se pe 959 py ets Shall Alle G3 9 SS rind MS UE ASU al apa yl god Sn cxstide oul te! Ipstal oth IS oS 5 F 1079 ysrlad Jad isebea pol aide Ug Paar tle lt A ti So beta le id Ptley ITPA soa) Sole lel eeieiye patie Galt isere ag th SE epBhA Eat aba chee pel 9 aie dine 9 8 dll tel lint se argh jf olga XOPO pe Sap aliy Spe cates or Span cut ashes Se ML ein eluate YY pile al seo) es watts Cod. 271 (2) warn, £.36b gis eas 5% chs] ba AAS Bg han FS AAT ti oS placa ey GhIMlbole OTF ywSe! ES CHS y lille ye Sh tit ot pal GMb FF SBS 2S I pea te idl yg yl olen YTV ing ad pln dane ti GB peal als yo WY Ae gee a 8 hl how) cciSingiteghe WFO Pe See Lely ig eet IAS ar pe Cay 4 chen inp sled, OP ol apt ad ap en boll oreo te NS 8 ae bbe Lee lel ceed IIT de Ok NeW ln Age dle ele pe dy gett REET 1997 “Some Features of the Turkic Branch of the Medieval Theory of Magam,” in The Structure and Idea of Magam: Historical Approaches. Proceedings of the Third Meeting of the ICTM Magam Study Group, Tampere ~ Virrat, 2-5 October 1995, Department of Folk Tradition, University of Tampere. Edited by Jurgen Elsner and Risto Pekka Pennanen. Department of Folk Tradition Publication Vol. 24. pp. 191- 192, Beliaev, Viktor M. (ed.) 1975 Central Asian Music: Essays in the History of the Music of the Peoples of the USSR. (Ocerki po istorii muzyki narodov SSSR. [Essays on the musical history of the peoples of the USSR] Vol. I, Il. 1962, 1963) First volume edited and translated from Russian by Mark and Greta Slobin. Middletown, Connecticut: Wesleyan University Press. Djumaev, Alexander (Dzhumajev) 1992 “From Parda to Magam: A Problem of the Origin of the Regional Systems,” in Regionale magam-Traditionen in Geschichte und Gegenwart. Mate Arbeitstagung der Study Group “maqam” des International Council for Traditional Music vom 23. bis 28. Marz 1992 in Gosen bei Berlin. Teil 1. Herausgegeben von Jurgen Elsner und Gisa Jahnichen, Berlin 1992. pp. 145-161 1997 “Najm al-Din Kaukabi Bukhari and the Maqam Theory in the 16% to the 18" Centuries,” in The Structure and Idea of Magam: Historical Approaches. Proceedings of the Third Meeting of the ICTM Magam Study Group, Tampere ~ Virrat, 2-5 October 1995, Department of Folk Tradition, University of Tampere. Edited by Jurgen Elsner and Risto Pekka Pennanen. Department of Folk Tradition Publication Vol. 24. pp. 27-37 Farmer, Henry George 1934 “Histoire abrégée de I’échelle de la musique arabe” in Recueil des Travaux du Congrés de Musique Arabe (Le Caire, 1932]. Le Caire: Imprimerie Nationale: 647-655, 1939 “An Outline History of Music and Musical Theory” in A Survey of Persian Art from Prehistoric Times to the Present, edited by A. U. Pope and P. Ackermann. London and New York: Oxford University Press. 1962 “‘Abdalqadir ibn Gaibi on Instruments of Music” in Oriens 15: 242-248. 1965 “The Old Arabian Musical Modes” in Journal of the Royal Asiatic Society: 99-102. 1967 4 History of Arabian Music to the XIIth Century, London: Luzac. feldman, Walter (YZ8662 Music of he Ottoman Court: Makam, Composition and Early Ottoman Cc. ‘Repertoire. Berlin: Verlag fir Wissenschaft und Bildung. na/ ~ Ze ttJung, Angelika 1989 Quellen der traditionellen Kunstmusik der Usbeken und Tadshiken Mittelasiens: Untersuchungen zur Entstekung und Entwicklung des sasmagam. Verlag der Musikalienhandlung, Kar! Dieter Wagner, Hamburg. Massoudieh, Mohammad Taghi 1996 Mamuscrits Persans Concernant La Musique. Catalogue par Mohammad Taghi Massoudieh. RISM, Band XII. Minchen: G. Henle Verlag. Pacholezyk, J6zefM. 1996 — Stifvdina Maisigi: The Classical Music of Kashmir. Berlin: Verlag fiir Wissenschaft und Bildung. Powers, Harold S. 1980 “Mode” in The New Grove Dictionary of Music and Musicians. Edited by Stanley Sadie. Macmillan Publishers Limited, London. Vol. 12: 376-450 Shiloah, Amnon 1979 The Theory of Music in Arabic Writings (c. 900-1900). Descriptive Catalogue of Manuscripts in Libraries of Europe and the U.S.A. RISM Bx. Minchen: G. Henle Verlag. 1995 Music in the World of Islami: A Socio-Cultural Study. Detroit: Wayne State University Press. Wade, Bonnie C. 1998 Imaging Sound: An Ethnomusicological Study of Music, Art, and Culture in Mughal India. Chicago and London: The University of Chicago Press. Wright, Owen 1978 The Modal System of Arab and Persian Music: A.D. 1250-1300. London: Oxford University Press. 1980 “Abd al-Qddir” in The New Grove Dictionary of Music and Musicians, Edited by Stanley Sadie. London: Macmillan Publishers Limited. Volume 1: 8, 1992 Words Without Songs: A Musicological Study of an Early Ottoman Anthology and its Precursors. SOAS Musicology Series, Volume 3. London: School of Oriental and African Studies, University of London. 1994 “Abd al-Qadir al-Maraghi and ‘Ali b. Muhammad Bina’: Two Fifteenth-Century Examples of Notation, Part 1: Text” in Bulletin of the ‘School of Oriental and African Studies, University of London, Volume LVI: 475-515, 1995a “Abd al-Qadir al-Marighi and ‘Ali b. Muhammad Bina’i: Two Fifteenth- Century Examples of Notation, Part 2: Commentary” in Bulletin of the School of Oriental and African Studies, University of London, Volume LVIII: 17-39. 1995b “A Preliminary Version of the Kitib al-Adwér” in Bulletin of the School of Oriencal and African Studies, University of London, Volume LVI: 455-478. 1996 On the Concept of A “Timurid Music” in Oriente Moderno, Nuova serie, Anno XV (LXXVD, 2: 665-681. voab bylBaad g Lal Login Gogo Y saoly slat SAB oly Eo a ange y te hat 3h ad g Leal cig Bye 99 gn 9 Sed ta ine b gant atid dan stg? Sead pe Maj ego Elasl ali ate bjgm callinage Sunsd 9 tanige pine geal cowey * oyab g elec Sind (clones de gb lng, dase del Aig) sim Jad ad ya 9 Ken gla tongs ¢ [SSU,15) sim pte dye 9 SIE aye AES 9 pent splined y0 9 SIS slags * Amol, Alison (ed.) 2000 "South Asia: The Indian Subcontinent. The Garland Encyclopedia of World Music, Vol. 5. New York and London: Garland. Baily, J. 1981 «Cross-cultural perspectives in popular music: The case of Afghanistan, Popular Music. n° 1. 1988 Music of Afghanistan. Professional musicians in the city of Herat. Cambridge, New York: Cambridge University Press. Wade, Bonnie 1971 Khyal: A Study in Hindustani Classical Vocal Music. Ph.D. Diss, UCLA. 1984 Khyal: Creativity within North India’s Classical Music Tradition. Cambridge: ‘Cambridge University Press. 1999 Music in India: The Classical Traditions. New Delhi: Manohar, “¥ say sloas SAB say Es! dle dye & pti 2 lad 9 aang GWryyiS Gadge 9 Sed sloeuge Upbeat (pls) dan EH 9 iat calle gina s Fenty? bad pw ange CT Lal 55 9 se bjge callanige Sided g Glenge pian all neyyt * stpeb 9 tlainL Sind lndinn; neg dings das naif ajo BEE AST 5) sty SUB gatS s0dy0 9 Ses WE sla Fenigo ASH 20 9 Sas IE sia henge # Bois, P 1995 «L’anthologie Al-Ala du Maroc: Une opération de sauvegarde discographique», Jernationale de l'imaginaire. Nouvelle série, n° 4 : La ‘musique et le monde, Paris: Maison des Cultures du Monde, Danielson, V. 1997 The Voice of Egypt: Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century. Chicago and London: The University of Chicago Press. Danielson, Virginia; Scott Marcus, and Dwight Reynolds (eds.) 2002 The Garland Encyclopedia of World Music, Volume 6 : The Middle East. New York and London: Routledge. Davis, R. 1997 «Cultural Policy and the Tunisian Ma’luf: Redefining a Tradition», Ethnomusicology. Winter, vol. 41, n° 1 El-Shawan, S. 1984 «Traditional Arab Music Ensembles in Egypt Sicne 1967: The Continuity of Tradition within « Contemporary Framework?», Etimomusicology, xxviii/2. Ezgi, S. 1953 Turk Musikisi. (La musique turque). Istanbul: Hisntitabiat Basimebvi. Feldman, W. 1996 Music of Ottoman Court: Makam, Composition and the Early Ottoman Instrumental Repertoire. Berlin: VWB, Verl. fir Wiss. Und Bildung. Hassan, Sh. 1995 Le magdm irakien. (notice de disque). Paris Lagrange, F. 1996 Musiques d’Egypte. Paris: Lambert, J. La médecine de Vame. Nanterre: Société d'Ethnologie. ob, B. Viusique en fete, Nanterre: Société d'Ethnologie. B. Inedit. ité de la musiquelActes Sud. rak, Musique savante de Bagdad, notice de CD, La musique arabe savante wet populaire ; congrés du Caire, 1932. Paris: BNF & IMA. Reinhard, U. 2002 «Turkey: An Overview», The Garland Encyclopedia of World Music, Volume 6 : The Middle East, edited by Virginia Danielson, Scott Marcus, and Dwight Reynolds. New York and London: Routledge. Reinhard, U. et K. 1997 Musique de Turquie. Paris: Buche/Chastel. Rouanet, J. 1922 «La musique arabe dans le Maghreb», Encyclopédie de la musique et dictionnaire du conservatoire. Fondateur: Albert Lavignac, directeur: Lione! de la Laurencie. Paris: Librairie Delagrave. Shiloah, A. 1991 «La voixet les techniques vocales chez les Arabes», Cahiers de Musiques Traditionnelles. n° 4, ‘Touma, Habib Hassan 1977 La musique arabe. Paris: Buchet-Chastel. WA9 Ep Shel Feige y 628 oly 695 do cmgn UY gall sjleiaing SUBS 9 535 92 sel SUaygS edge 9 Sew dIS (std chewige UL glagratils sep debe npll dasha sdawign Ell aled lan plimiga Sind y Ania pias leat puyy) pb y elaal Sad slates dae b lagty, daa SURE 9 5350 chew] hbo ldytS Goda 9 SoS Ghee * secleiates lle Courad che oul 8 ie pl cap rt Ma» hee Bu tet asl ate SINIVA Piso pal ng sta ire gne Se ne pling > IVA Balisidiq 1993 Meykhdndldr. Bakou: Bakou Yazichi, 1999 Ravayatli meykhandlar. (Les meykhdnd narratifs). Bakou: Shirvannashr. Beliaev, V. 1975 Central Asian Music. Translated by Mark and Greta Slobin, Middletown, Connecticut: Wesleyan University Press Danielson, Virginia; Scott Marcus, and Dwight Reynolds (eds.) 2002 The Garland Encyclopedia of World Music, Volume 6 : The Middle East. ‘New York and London: Routledge. Djumaev, A. 1993 "Power Structures, Culture Policy and Traditional Music in Soviet Central Asia’, Yearbook for Traditional Music. XXV. 1996 "Migrations de musiciens des villes de Transoxiane et développement de la science musicale en Inde (XVle-XVIIle siécles)", Cahiers d'Asie Centrale, n°1-2, During, J. 1988 La musique traditionnelle de I'Azerbatdjan et la science des mugams. Baden- Baden, Bouxwiller: Koerner, 1998 Musique d'Asie Centrale: L'esprit d'une tradition, Paris: Cité de la musique/Actes Sud, 2001 «Hand Made, Pour une anthropologie du geste musical», Cahiers de musiques traditionnelles, n° 14, Eldarova, A. v4Feldman, W. 1996 Music of Ottoman Court: Makam, Composition and the Early Ottoman Instrumental Repertoire. Berlin: VWB, Verl. fir Wiss. Und Bildung. Imamaliev, R. 1993 Absheron meykhanélari, (Les meykhind d’ Apchéron). Bakou: Boz Oghuz. Imani, R. 1999 Azarbdyjdn musiqi tarikhi. (Lihistoire de la musique de Azerbaidjan). Vol. 1. Bakou: Baki-Elm, Isgandar, 3. 1998 Jdndi jdnim hijr ila... Bakou: Azarbayjn Ensiklopediyasi. Lambert, J. 1997 La médecine de lame. Nanterre: Société d'Ethnologie. Levin, T. 1993 "The Reterritorialization of Culture in the New Central Asian States: A Report From Uzbekistan”, Yearbook of Traditional Music, 25. 1996 The Hundred Thousand Fools of God, Muscial Travels in Central Asia (and Queens, New York). Bloomington and Indianapolis: Indiana University Press. 2002 «Central Asia: Overview », The Middle East, The Garland Encyclopaedia of World Music, Volume 6. V. Danieloson, S. Marcus, D. Reynolds (eds.), New York and London: Routledge. Lortat-Jacob, B. 1994 Musique en fete. Nanterre: Société dEthnologie, Nabiev, A. 1988 Elnagmalari, khélg opunlari. (Les airs t les danses populaires). Bakou: Azarbiyjn Dovlat Nashriyati. Naroditskaya, I 2002 Song from the Land of Fire. New York & London: Routledge. ‘Nurjanov, N. 1976 "Tajik Folk Theater and Puppetry", Asian Music, VIL/1. 1989 «Hifezdn-i Mawrigikhin», Akhbdrdt-i Akademiyd-i Fan-hd-i Jomhuri-ye Tejikistdn, n° 1, janvier-mars. 1999/1378 _ "Tete sonnati-ye Tajikan", (Le théétre traditionnel des Tadjiks), Faslnameh-i Honar. Hiver, n° 42. Shushinsky, F. 1966 Seyd Shushinsky. Bakou: Azerbaidjan Tédtre Jam'iyyati. 1985 Azarbdyjén khalg musiqichilari. (Les musiciens de !'Azerbaidjan). Bakou: Baki Yazichi Zohrabov, R. 1996 Shifthi an’anati dzarbdyjén profesional musiqisi (La musique professionnelle, orale et traditionnelle de I’Azerbaidjan). Bakou: Azarbayjiin 1999/1378 Musigi-ye magdmi-ye Azarbdyjén. (le titre original : Mugdm). Traduit en persan par Ali’eddin Hoseyni, Téhéran: Sorush,Lol Bnd sie 9 Ed tage ¥ sao staat eaipehes She anya Yip ell Bad ate g Bd Bge 19 ade 9g SoS SA dawige Uy gligauitilo (oli! aban Hay? hed pw aad sl Ba Capi 9 Bc Big Alantge Sad yb g tga ee nal gutsy # rab 9 olainL Sind claian; apy Uaeiy, dase dap lS deja chaiga Eli] CF Ady 9 Sew WF sla ewgo # SpA deal Bd pe adn 9 SendIE Wales valle tga laoags lajle 09,5 bly util « ot Brinner, Benjait 2008 Music in Central Java: Expriencing Music, Expressing Culture. New York, Oxford: Oxford University Press. 1998 Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction. Chicago: University of Chicago Press. Gold, Lisa 2005 Music in Bali: Expriencing Music, Expressing Culture. New York, Oxford: Oxford University Press. Arps, Berard 1992 Tembang in Two Traditions: Performance and Interpretation of Javanese Literature. London: SOAS. Becker, Judith 1979 “Time and Tune in Java,” The Imagination of Reality: Essays in Southeast Asian Coherence Systems, edited by A. L. Becker and Aram Yengoyan. Norwood, New Jersey: Ablex Publishing Corporation. 1980 Traditional Music in Modern Java. Honolulu: University of Howaii Press. Perlman, Mare 1997 “The Social Meanings of Modal Practices: Status, History and Pathet in Central Javanese Music,” Ethnomusicology 42: 45-80. 2003 Unplayed Melodies: Javanese Gamelan and the Genesis of Music Gamelan: Cultural Interaction and Musical Development in Central Java Chicago: University of Chicago Press. Popular Music in Contemporary Beijing: Modernism and Cultural Identity,” pian Music 22(2): 45-65. aWitzleben, Lawrence 1999 Music in China; Expriencing Music, Expressing Culture. New York, Oxford: Oxford University Press. Wade, Bonnie C. 2004 Music in Japan: Expriencing Music, Expressing Culture. New York, Oxford: Oxford University Press, Robert C. Provine, J. Lawrence Witzleben, and Yosihiko Tokumaru (eds.) 2001 East Asia : China, Japan, and Korea (Garland Encyclopedia of World Music, ‘Volume 7). wS5hgK2 590951 59 og Cole ¥ saa saa SB tly E93 Sih Se jgagil clea, A pliade, 9 lh aniga 99 Cokes 9 Oleg igo LY WW oy Fagie Le gbiyr utils ot Ida 152198 9 Saj9 Olas Gwolall » (559135 jgngiil Fay? dead pw SLB 9 09 -F OLGA Ay diy 55g gSujgogtl ate Cole iI Cove sie Gayo Gul a ® ate 0319 Gsjgal daaod Sle yo 92 glgrecuils BL; tat ge pal ts yt Shige y Tempe Cage y Giwige © 99 Rye ali 9 heya aan 9 henge (08 9 Eawige sroilisd esige 1s GLa pL «ys a tlenign (spine yy QUSE § Heiga da 9 lange Fe lege al Gyh ali iler RL Sg (olalli sy Oph 9 Mead ye iets aie cs ea abl IY ages yn aba ih Lily dle age VIVA IV aga pin deli MSAD eal gaye dango Whe Adorno, Th. W. 1941 «On Popular Music», (with George Simpson), Studies in Philosophy and Social Sciences, n° 11. 1994 Introduction & la sociologie de Ia musique. Genéve : Contrechamps, Baily, J. 1981 «Cross-cultural perspectives in popular music: the case of Afghanistan», Popular Music, n° 1. 1988 Music of Afghanistan. Professional musicians in the city of Herat. ‘Cambridge, New York: Cambridge University Press. Brailoiu, C. 1973a/1956 "La rythmique enfantine", Problémes d'ethnomusicologie. Edité et préfacé par G. Rouget. Geneve: Minkoff-Riprint. 1973b "Sur une mélodie russe", Problémes | dethnomusicologie. Edité et préfacé par G. Rouget. Genéve : Minkoff-Riprint. eynett, A. Popuilar music and youth culture: music, idemity and place. London : cmillan Press. 03 Rack Musi Styles: A History. Boston, New York : McGraw Hill. weDanielson, V. 1997 The Voice of Egypt : Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century. Chicago and London: The University of Chicago Press. Frith, S. 1981 "The magic that can set you free”: the ideology of folk and the myth of the rock community», Popular Music, n° 1. 1989 «The Industrialization of Popular Music», in James Lull (ed.), Popular Music and Communication. London: Sage. Hall, ET. 1984 Le langage silenciewx. Paris: Seuil. Hamm. Ch. 1975 «The Acculturation of Musical Styles: Popular Music, U.S.A. », in Bruno Nettl et Ronald Byrnside, Contemporary Music and Music Cultures. Englewood Cliffs, New Jersey: Prentice Hall. Horkheimer, M. et Th.-W. Adorno 1974 «La production industrielle de biens culturels», in Horkheimer, M. et Th.-W. Adomo, La dialectique de la Raison. Fragments philosophiques. Traduit de allemand par Eliane Kaufholz. Paris: Gallimard (1944). Manuel, P. 2001 «Popular Music: I. World Popular Music», in Stanley Sadie and John ‘Tyrrell, The New Grove Dictionary of Music and Musicians, 2™ ed, Middleton, R. 2001 «Popular Music: I. Popular Music in the West», in ‘Stanley Sadie and John ‘Tyrrell, The New Grove Dictionary of Music and Musicians, 2 ed. 2001b «Pop : |. Introduction», in Stanley Sadie and John ‘Tyrrell, The New Grove Dictionary of Music and Musicians, 2" ed Ottaway, H. 1968 «The enlightenment and the revolution», Alec Robertson and Denis Stevens (cd.), The Pelican History of Music. Vol. 3: Classical and Romantic. Middlesex: Penguin Books. Paddison, M. 1982 «The eritique criticised: Adorno and popular music», Popular Music, n° 2. Cambridge, London: Cambridge University Press. Santos, J. 1987 "The Gangster Reformed. A Study in Musical Parallels", Musical Traditions. n°7. Shepherd, J, 1982 «A Theoretical Model for the Sociomusicological Analysis of Popular Musics», Popular Music, N° 2. Skoff-Torgue, H. 1984 La Pop Music. Coll. Que-sias-je? Paris: PUP. Tagg, Ph. 1982 «Analysing popular music: theory, method and practice», Popular Music, n° 2. Cambridge: Cambridge University Press. 1987 «Musicology and the semiotics of popular music», Semiotica, 66-1/3. Amsterdam: Mouton de Gruyter. Tenalle, F. 2002 Le rat: de la bdtardise d la reconnaissance internationale. Paris: Cité de la Muisuge/Actes Sud. Vega, Carlos «Mesomusic: An Essay on the Music of the Masses», Ethnomusicology, X/1 ttctewge BIE 49 of29 Cole Y saaly slasd ’ aun Challe 95 L8G LG gLodins 92 Wold Coley opal ole 9 abel ange 91 pat L danege 2,089 elatal Sin, io ded Show 58 92 beard GLEE 9 05,5 CLIK ay diay ij Coke jI Cone aie oy, Gil 92 © 29a 0919 Gigel ners Basin 59 a ey Sol lly pe tcl iudiga eis aly @ Peat Old tpl alee Aamige 92 Sibpdon Olathe feYbel lye 9 obialy bi ete BA38 9 28d y Cat Ble 58h SF tye lla deste Oed 23g) Barker, Andrew 1989 Greek Musical Writings. Cambridge: Cambridge University Press. Farmer, Henry George 1934 “Histoire abrégée de I’échelle de la musique arabe” in Recueil des Travaux du Congrés de Musique Arabe [Le Caire, 1932]. Le Caire: Imprimerie Nationale: 647-655, 1939 “An Outline History of Music and Musical Theory” in A Survey of Persian Art from Prehistoric Times to the Present, edited by A. U. Pope and P. Ackermann. London and New York: Oxford University Press. 1962 ““Abdalgadir ibn Gatbi on Instruments of Music” in Oriens 15: 242-24 1965 “The Old Arabian Musical Modes” in Journal of the Royal Asiatic Society: 99-102. 1967 4 History of Arabian Music to the XII1th Century. London: Luzac. Feldman, Walter 1996 Music of the Ottoman Court: Makam, Composition and Early Ottoman Instrumental Repertoire. Berlin: Verlag flir Wissenschaft und Bildung, Jung, Angelika 1989 Quellen der traditionellen Kumstmusik der Usbeken und Tadshiken Mittelasiens: Untersuchungen zur Entstehung und Entwicklung des sasmagam. ‘Verlag der Musikalienhandlung, Karl Dieter Wagner, Hamburg. Massoudieh, Mohammad Taghi 1996 _Manuscrits Persans Concernant La ene Catalogue par Mohammad Yt The Science of Music in Islam. Series in several volumes. Frankfurt. aPacholezyk, J6zefM. 1996 Siifivina Miisigi: The Classical Music of Kashmir. Berlin: Verlag fir Wissenschaft und Bildung, Shiloah, Amnon 1979 The Theory of Music in Arabic Writings (c, 900-1900). Descriptive Catalogue of Manuscripts in Libraries of Europe and the U.S.A. RISM Bx. Minchen: G. Henle Verlag. 1995” Music in the World of Islam: A Socio-Cultural Study. Detroi Press. Treitler, Leo (ed.) 1998 Strunk's Source Readings in Music History. Revised Edition. New York/London: Norton, Wade, Bonnie C. 1999 Imaging Sound: An Ethnomusicological Study of Music, Art, and Culture in Mughal India, Chicago and London: The University of Chicago Press. Wright, Owen 1978 The Modal System of Arab and Persian Music: A.D. 1250-1300. London: (Oxford University Press. 1981 “Abd al-Qddir® in The New Grove Dictionary of Music and Musicians, Edited by Stanley Sadie, London: Macmillan Publishers Limited. Volume 1: 8. 1992. Words Without Songs: A Musicological Study of an Barly Ottoman Anthology and its Precursors. SOAS Musicology Series, Volume 3. London: School of Oriental and African Studies, University of London. 199Sa_ “Abd al-Qadir al-Maréghi and ‘Ali b. Muhammad Bind’t: Two Fifteenth- Century Examples of Notation, Part 1: Text” in Bulletin of the School of Oriental and African Studies, University of London, Volume LVI: 475-515. 199Sb “*Abd al-Qadir al-Mardghi and ‘Ali b. Muhammad Bind’t: Two Fifteenth- Century Examples of Notation, Part 2: Commentary” in Bulletin of the School of Oriemal and African Studies, University of London, Volume LVIII: 17-39. 1995¢ A Preliminary Version of the Kitab al-Adwar” in Bulletin of the School of Oriental and African Studies, University of London, Volume LVI: 455-478. 1996 On the Concept of A “Timurid Music” in Oriente Moderno, Nuova serie, Anno XV (LXXVD, 2: 665-681. ayne State University ayAevge 92 Soeld oy IF ¥ sal shag (eee slg V 9 Sp daly 1 20 M9 Eg! ails hag swap bead aw MS Office 831515 ta,J;8)o 5b tis] + Hel aie Ayal eage GNSS 52 WIT 2S 9 5 WKidaid Saja Y ald! Sibelius ahenige ed 9 5153) SWyI Hos k whol © SNyel tela 9 AMY 9 Ul sige GLU bs sta ile sb ths] olan SW Gtngy, 9 SAS giT Olle UL la jiloIU alist ASTOR wists yale Ob di FUEL GS gol l sl ws dS jl litle ceca Microsoft Office Finale Sibelius Soundforge SIL FieldWorks BTE SIL FieldWorks SE SIL Language Freeware HyperRESEARCH Ethnograph Solo Explorer Amazing Slow Downer Transeribe! ‘TwelveKeys Music Transcription Software Brook, Barry S. teglogy and the Computer: Musicology 1966-2000: A Practical Program Proceedings of meetings of the Greater New York Chapter of the Musicological Society, 1965-66 (New York, City University of New 70), 275 p. tvBoggs, Beverly. "Analysis of Ethnomusicological Transcriptions." Computational Musicology Newsletter, volume 1, number 1, October 1973, p. 14. Abstract. Csébfalvy, K. and M. Havass, A Direct Computer Processing of Folk Tunes." Computational Linguistics, volume 9, 1965, pp. 125-129. Ferentzy, E. N. and M. Hayass. "Human Movement Analysis by Computer, Electronic Choreography and Music Composition." Computational Linguistics, volume 3, 1964, pp. 129-188. Hickerson, Joseph C. “Computer Machine-Readable Cataloging at the Archive of Folk Song—Library of Congress: Summary of the Feasibility Study Report." Association for Recorded Sound Collection Journal, volume 1, number 4, Summer 1969, pp. 8-9. Reprinted in ‘Computational Musicology Newsletter, volume 1, number 1, October 1973, p. 20. Stone, Philip J. (ed.) General Inquirer: A Computer Approach to Content Analysis, Cambridge, MA: MIT Press, 1966, pp. 569-588. Lieberman, Fredric. " Computer-Aided Analysis of Javanese Music.” In The Computer and Music, edited by Harry B. Lincoln, Ithaca: Comell University Press, 1970, pp. 182-192. Rhodes, Willard. "The Use of the Computer in the Classification of Folk Tunes." Studia Musicologica, volume 7, numbers 1-4 (Journal of the International Folk Music Council, volume 17, part 2), 1965, pp. 339-343 Scherrer, Deborah K. and Philip H. "An Experiment in the Computer Measurement of Melodic Variation in Folksong." Journal of American Foiklore, volume 84, number 332, April-January 1971, pp. 230- 241. Shamos, Michael Lan. "Computer Investigation of Highland Bagpipe Music." Computers and the Humanities, volume 5, number 5, May 1971, pp. 311-312. Abstract. Steinbeck, Wolfram. "The Use of the Computer in the Analysis of German Folksongs." Computers and the Humanities, volume 10, number 5, September-October 1976, pp. 287-296. Suchoff, Benjamin. "Barték, Ethnomusicology and the Computer." Newsletter of the NYU Institute for 5 Fae Research in the Humanities, volume 4, number 4, December 1968, pp. 3-6. “Colnputer and Bartok Research in America." Journal of Research in Music In, volume 19, number 1, Spring 1971, pp. 3-16. tA"Computer Applications to Bart6k's Serbo-Croatian Material.” Tempo, volume 80, 1967, pp. 15-19. “Computer Applications to Béla Bartdk's Serbo-Croatian Material." Computers and the Humanities, volume 2, number 2, November 1967, p. 88. Abstratct. "Computer-Oriented Comparative Musicology." In The Computer and Music, edited by Harry B. Lincoln, Ithaca: Comell University Press, 1970, pp. 193-206. ikis-Freibergs, Vaira and Inants F. Freibergs. 'Formulaic Analysis of the Computer-Accessible Corpus of Latvian Sun-Songs." Computers and the Humanities, volume 12, number 4, 1978, pp. 329-339. "The Sun-Songs of Latvian Folklore: A Computer-Accessible Corpus." Journal of Baltic Studies, volume 9, number 1, Spring 1978, pp. 20-31. Wenker, Jerome. "A Computer Oriented Music Notation Including Ethnomusicological Symbols.” In Musicology and the Computer: Musicology 1966-2000, edited by Barry S. Brook, New York: City University of New York Press, 1970, pp. 91-129. aAtoige 92 Glad 54 Olllhe Y roly alas 67 2 ly Eg5 syle syle setlidol, qgulidiprye qqulidalds qguliighs Coke b gyrate wild! ius thnald 9 glial class les ym 79 gpets GLBW 9 0996 OUIGA 4 ij Cole 9 il 9292 ead ps ot ays ok SAE ghd sayeth dye le Se ata idenige Ue gl dbl) 9 usta aye ° SEA 92 USE orl OIL 9 ond 9 ASE Al F,58 ale sell seetlad Benigaegs et ahd able tye twee U ol aly 9 stad g Geilbighs + opposition phonologique aly Jii5 iF | 345 «Jylae aio uslss) 15 u3L0 abe A SSL tid lege Ug) BLE! y (ob 9 Aaiad 9 taille Gldygre ar tlheaigags,> Clele,N) Gauge ulidaiLds CK 9 padlie l lope 9 el Sol el Salbe enige 22 olen 9 sagt lint; tho b lial i glmige dindB 9 lista; # stiles Opened 9 Sa ASE L 9 ings CAL ;D ty bye lie Cole U calil i dnige uli, © watlayo sige ohay Coe 1 S03 Waal 92 Tega yaya 2 danke Sind clay play te role U Lidl yiige Guilidunle nb 9 CyNaB jap dadn oh jlg5 S50 (6 Udey I « dewige Is jgel So ned olay ats AYN ojled cly pte eager dolilad 5 vied pdb dap "le Clif g la Coals 1b 9 henge” onde by all var nied; ae GIT all 6 Saat hal 9 dated pulifprye Sad WAP sh hi clyall teal 5 lie Syl had 3 leigh sey Nyt lh Se ty yale sles JY old pale herp coded eae aliitele? ou rel aS ww ebb unt OE ithe BS Mend weer eb olieg? TAY oat als vray chest yao a al"lieage dy." TAT reba eee wbyltlslog iy acu gt—YT\ SoS Tg pale riage ptr KAaLaol igh y Ay ay AY ators SOAS ip Sa dazyS aye ate WA Sh oh a IV gs lad i pil cong of Meld abl lala dans "lenge ppl” TAY SE ple here os dad ai ‘Adorno, Theodor 1994 Introduction d la sociologie de la musique. Paris : Contrechamps. Agawu, V. Kofi 1991 Playing with signs; A Semiotic Interpretation of Classic Music. Princeton University Press: Princeton. Amaud, Jean-Pierre 1990 Freud, Wittgenstein et la musique: La parole et le chant dans la communication. Paris : PUP. Bourdieu, P. 1965 Un art moyen: Essai sur les usages de la photographie. Paris : Minuit. 1979 La distinction. Paris : Minuit. 1995 The Rules of Art: Genesis and Structure of the Literary Field. Stanford University Press: Stanford. Bryson, Bethani 1996 “Anything but Heavy Metal”: Symbolic Exclusion and Musical Dislikes”, in American Sociological Review. Vol. 61, No. 5. 1997 « What about the univores? Musical dislikes and Group-based Identity Construction Among Amercians with Low Levels of Education », in Poetics. No. 25. Busoni, Ferruccio 1962/1911 Sketch of a New Esthetic of Music. Translated by Baker. In Three Classics in the Aesthetic of Music. Dover: New York. Cooke, Deryck 1959 The Language of Music, Oxford University Press : Oxford. Culler, Jonathan 1983 On Deconstruction : Theory and Criticism after Structuralism. Routledge: London. Dalhaus, Carl 1979 The Idea of Absolute Music. Translated by Roger Lustig. University of Chicago Press: Chicago. Eco, Umberto 1976 A Theory of Semiotics. Indiana University Press: Bloomington. 1990 The Limits of Interpretaion. Indiana University Press: Bloomington. Bijek, Koen van 2001 “Social Differentiation in Musical Taste Patterns”, in Social Forces. Vol. 79, a\1960 Music as Metaphor : The Elements of Expression. Greenwood: Westport, Conn. Geertz, Cliford 1973 The Interpretation of Culture, Selected Essays. Basic Books: New York. Hanslick, Edouard 2005 Du beau dans la musique. Paris : Phénix Editions. Jakobson, Roman 1963 Essais de linguistique générale. Paris : Minuit. Lévi-Strauss, Claude 1955 Tristes tropiques. Paris : Plon. 1962 La pensée sauvage. Paris : Pion. 1974 Anthropologie structurale. Paris : Plon. Lombard, Jacques 1994 Introduction & Véthnologie. Paris : Armand Colin, Malinowsky, B. 1968/1944 Une théorie scientifique de la culture, Traduit par Pierre Clinquart. Frangois Maspero. Mead, M. 1964 Continuities in Cultural Evolution. Yale University Press: New Haven. Mercier, P. 1984 Histoire de l'anthropologie. Paris: PUF. Miller, D. 1987 | Material Culture and Mass Consumption. Basil Blackwell: Oxford. Monelle, Raymond 2000 The Sense of Music: Semiotic Essays. Princeton University Press: Princeton. Nanda, S. 1998 Cultural Anthropology. ITP : New York. Nattiez, Jean-Jacques 1987 Musicologie générale et sémiologie. Paris : Christian Bourgois. Peterson, R. A. & Kem, R.M. 1996 “Changing Highbrow Taste: From Snob to Omnivore”, American Sociological Review. No. 61. Ruwet, Nicolas 1972 Langage, musique, poésie, Paris: Seuil. Shepherd, John, and Peter Wicke 1997 Music and Cultural Theory. Polity Press : Cambridge. Wardhaugh, Ronald 1986 An Introduction to Sociolinguistics. Wardhaug: Oxford. Weber, Max 1998 Sociologie de la musique: Les fondements rationnels et sociaux de la musique. Paris : Métailié aySiaayadz0 ghawige 39 silallbe Y sdaly slant Sp Oly Es Bd 8 Ses) hte Eli S9 Y ol lal g siaand ye aye Radu, 9 WS529 Uy celil aban lesa! SW ns 9 8 CIS 59 U albell jai 9 mya yo henige 4 by pe slo Ui (ad 0 SSB S09 99 hesge Es! Gil GAB g AW Aen 2 oll 99 Ainge ye Gli RS leg tap dad pe deh sald oalo Sigel yj Cole 99 a) clang Sbared Sy Gb oS G0) Gul > stad StS niga W ol BSI 9 ye 9 ding ad pe linige (5 SIS es eeemige 9 cg Se FT cesedge 9 Sew sctge abe ply 4 byz0 la bi + Ms og 8%, BU) ssn Arion E95 Ke Samy 9 Sid sq jf tinged ye nad ge Henge Y asi 9 it abestl ole alyl, ¢ Sad 9p SEY) rab yee GIRS 9 allawige GUC g Sayadye gheatys {aihaygls linge sre Shaw sHawge col Jged yew 9 Usted) elyil 9 Weenie pe sola! sinryedy0 Fuge © stg Sing jl tle a tye yee srleety oul i ® ae fs A cee Sh abe atlegeel lyst TEL het spl cS val iS esl slags OY ob aes Sid wad whe! ial obo! Wor Fire le tbe eli oly lee WON tite alter 5 Oban 9 I Sy) had whol > vzli TVA dtd onl ale tole eel ale abe coh rast slang ile] kay VD cred slo ne NS send le ple mip cedeltand gyal sypee 5099 jal Syed pow 9 Sas A> ley) ails sighs ie Ne elt etl fs is et abl ayKids apblal hag ubB pat yo hel cibele ylad! — \WAY edaiTeple I Ste 9 ES ety Ay SDE pope Uy 9 eared de Ua TAY Xs eselad stint pale he abl AY g NY cst ala oiBh 9 Gtimat ppl gedepe op doll Meloy U digo jl wejaa” — Whe We ajlad eating aspale cedign of dolad." sage glo cog!" GINTAY Washes alin) pale einige og dela " gan Cos Joos 9 edges, 5,5 JSS" LYTAY capt eheige og Aol OVNOV ls Hist J abel aay ye cage Oy y Halls LF Galo" — WAY. hmige estelibed omar lene ch obelidew Gell YY) eke stan so hdl ch lyatat igh TY eS et nS rgb oho Whe Bennett, A. 2000 Popular music and youth culture: music, identity and place. London : Macmillan Press. Blacking, J. 1981 «Making artistic popular music : the goal of true folk, Popular Music. N° 1. Bourdieu, P. 1979 La distinction. Paris : Minuit, Caton, M.-L. 1983 The Classical Tasnif : A Genre of Persian Vocal Music. Dissertation for the degree Doctor of Philosophy in Music. Los Angeles : University of California. Charlton, K. 2003 Rock Music Styles, a History, Boston, New York : McGraw Hill. Chehabi, H. E. 2000 "Voices Unveiled: Women Singers in Iran", Jran and Beyond. Essays in Middle Eastern History in Honor of Nikki R. Keddie. Edited by Rudi Matthee and Beth Baron, Costa Mesa, California: Mazda Publishers. Chodzko, A-B. 1878 Thédtre Persan, choix de Téaziés ou drames, Pairs : Emest Leroux, Danielson, V. 1988 «The. Arab Middle East», in Peter Manuel, Popular Music of the Non- Western World. New York, Oxford : Oxford University Press. 1997 The Voice of Egypt : Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century. Chicago and London : The University of Chicago Press. J. fusique et mystique dans les traditions de I'Iran. Paris-Téhéran : IFRI. ‘Hand Made, Pour une anthropologie du geste musical», Cahiers de iques traditionnelles, n° 14. atEl-Shawan, S. 1984 «Traditional Arab Music Ensembles in Egypt Siene 1967 : the Continuity of Tradition within a Contemporary Framework ? », Ethnomusicology, xxviii/2, Frith, S. 1981 «“The magic that can set you free : the ideology of folk and the myth of the rock community », Popular Music, n° 1. Gammond, P. 1988 « Musique légére et de variétés », Dictionnaire encyclopédique de la musique. (Université d’ Oxford), sous la direction de Denis Arnold, Paris : Laffont. Hamm. Ch. 1975 «The Acculturation of Musical Styles : Popular Music, U.S.A. », in Bruno Nettle et Ronald Bymside, Contemporary Music and Music Cultures. Englewood Clifis, New Jersey : Prentice Hall, 2003 Putting Popular Music in Its Place. Cambridge : Cambridge University Press. Horkheimer, M. et Th.-W. Adorno 1974 «La production industrielle de biens culturels », in Horkheimer, M. et Th.-W. Adomo, La dialectique de ta Raison. Fragments philosophiques. Traduit de allemand par Eliane Kaufholz, Patis : Gallimard (1944), Khoshzamir, M. 1975 Aspects of the Persian Tasnif. Master's Thesis, Urbana-Champaign : University of Illinois. ; Lagrange, F. 1996 Musiques d'Bgypte. Paris : Cité de la musique/Actes Sud. Lull, James 1989 Popular Music and Communication. Sage: London. Manuel, P. 1988 Popular Musics of the Non-Western World : An Introductory Survey, New York, Oxford : Oxford University Press. 2002 « Popular Music : Il. World Popular Music», in Stanley Sadie et John Tyrrell, The New Grove Dictionary of Music and Musicians, 2" ed. Middleton, R. 2002a(1990) Studying Popular Music. Milton Keynes, Philadelphia : University Press. 2002b « Popular Music : 1. Popular Music in the West», in Stanley Sadie et John ‘Tyrrell, The New Grove Dictionary of Music and Musicians, 2" ed. 2002¢ «Pop : I, Introduction », in Stanley Sadie et John Tyrrell, The New Grove Dictionary of Music and Musicians, 2" ed Nett, B. 1975. «The Role of Music in Culture: Iran, A Recently Developed Nation », in Bruno Nett! and Ronald Bymside, Contemporary Music and Music Cultures, Englewood Cliffs, New Jersey : Prentice Hall, Paddison, M. 1982 « The critique criticised : Adorno and popular music », Popular Music, n° 2. Cambridge, London : Cambridge University Press, Rezvani, M. 1962 Le thédtre et la danse en Iran, Pari Ch. style classique, Haydn, Mozart, Beethoven, Traduit de ’angiais par Mare ‘ignal. Paris : Gallimard. Open Maisonneuve et Larose. dd1995 « Bazicha-ye Nameyeshi : Iranian Women's Theatrical Plays », Dance Research Journal. Fall, 27/2. Shepherd, J. 1982 «A Theoretical Model for the Sociomusicological Analysis of Popular Musics», Popular Music, N° 2. Skoff-Torgue, H. 1984 La Pop Music. Coll. Que-sias-je ? Paris : PUF. Tagg, Ph. 1982 « Analysing popular music : theory, method and practice ». Popular Music, n° 2. Cambridge : Cambridge University Press. 1987 «Musicology and the semiotics of popular music». Semiotica. 6-1/3. Amsterdam : Mouton de Gruyter. Tenaille, F. 2002 Le rat: de la batardise @ la reconnaissance internationale. Paris : Cité de la Muisuge/Actes Sud. Vega Carlos 1966 « Mesomusic : An Essay on the Music of the Masses », Ethnomusicology, X/1. oNF roaly shaa 9p? BS edt aie AS Redes 8594 Sy 2 gretil MSIF DLS sla glilgy 9 CLEWbI de gers canoe dan wt aly (18 2,90 B59 99 ante 6 UI,! 4) arin snp) aad as NS Sn0S 9 CdS sEgebge Cel 03 AU QUE Yo Canal 9 0499 org abo eal © Appt ule, Waa bls 52 sul AF AS Jpol ade eles of Y elite dali ghy pp als BITS SMe 9 tinge Gil Fleer Gils Ula, 49 9 Gaulite Ess JS Eqige Prize sUetinns 92 Sly 22 evlind Armige Hea, gloaqeaS 9 Wj ls U LLY, 49 jai 9 greta 2390 0055 git ogy Bjge 4215 ug) 9 old Wyle Gules 59 9jgyy ym Cou! iV al Lad ait, 1, slesbisedl old y yates dae go3ls 41,3 ued 9 Coy ILS Floste 5,135 geecia Laial, tal Al g Mab GLL Easy caw jos Bed IS Nee gg abd gy 9 tity ated 6S slbge be BS Aig Slater Eqdge 12 25 IF OLE! g gulie Co gd Intl Logs bitee Gb Lita 12 eqign Cul a5Y elo aS 9 AS Crab pang ly © bie Bebo sg, WS HY, dell ali ypeo 49 9 990) JSS y Clad apie at Aled legreatild ald Bigg 99 AjY OLS) j} GeAod slgtoee 9 cantail,| JBL g 2 pd nr GIA oS GANS V olyod lide abla 9 grils dguicga dle ssulad atl ogb IF Binns SIGS aLaul aby ye (sloaalicnsl Gb 0597, glad byoei g jglite g laial, falta! OUEaiT GLndien; 4 Led] 9 099051,15 9 Gio glolinal j} GRAVIS Glrmdils aleial, 9.055 lyge GLE] 2 yylteg Leia, glotiool y gqnige lsc! sud salad onli! oj9n Eqdge SJL baal gUl Bebod Naat, Eb g pb plasl UL gd Sle fUETU las Joa y A511 292 Slams GLY U Slam aby yo fale! alaal, ov