Scribd Logo
Upload

Welcome to Scribd!

  • (B.B. King) Play Guitar With B.B. King 2 (Book4You) PDF

    Uploaded by

    Alberto Cebollada
    14 views40 pages

    Original Title

    [B.B._King]_Play_guitar_with_B.B._King_2(Book4You).pdf

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    14 views40 pages

    (B.B. King) Play Guitar With B.B. King 2 (Book4You) PDF

    Uploaded by

    Alberto Cebollada

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 40
    play guitar with... b.b. king guitar camera explained every day i have the blues lucille 10 please love me rock me baby 24 the thrill is gone woke up this morning Guitar Tablature Explained Guitar music can be notated three different ways: on a musical stave, in tablature, and in rhythm slashes AYTHM SLASHES are wen above he Stave, Stun erode in erin ingested. Round notooadsindcat shale res, ‘THE MUSICAL STAVE shows pitts ana ‘ys as ded ty esa bars ches rename aftr test seven eters ofthe aha ‘TABLATURE grapticaly represents the gtr sere ‘ingerbowrd. Each orzo he ropeeerts a sahvsting, 2nd et 158 2ndstngs open chord open ay ogee definitions for special guitar notation SSEML-TONE BEND: Ske he roe and WHOLE-TONE BEND: Ske the roe ord GRATE NOTE BEND: Sire theo and QUARTER-TONE BEND: Ske ne noe ano = = . = go et e oe e inte % Pall ’ _—=— —— ENO & RELEASE Strike the ots rd _COMPOUND BENO & RELEASE: tke the PRE-BEND: Bond the not since, PRE-BEND & RELEASE: Ge tera as Sent up as indeed. he elese back rte and bend up and dum nthe yt then sea it fdlcaled, Ske Land eease the ote back tee ogi rate inseaed tothe orga teh Pre Pre 3 + aN pee 4 ke =| it —H |p = e . LUNSOW BEND: suk he Monotes BEND RESTRIKE: tke the ote and BEND, HOLD AND RELEASE: Sara BEND AND TAP: end tno roto 28, STmatannsy and beng the lower nat up Derd as nda hen reste Me sting en ness ut hold he ben othe nto an ap the raha et whe Tote fe gee wee te spel occu. ‘hrabon of tote. sl lig the bend \WeRATO: The sting is vrted by apy HAMMER-ON: Strike te fst owen nate PULL-OFF: Pace bth fnges on tenes LEGATO SLIDE (LISS): tke he rs Teraing eng reeasro tena wih te” wihone nge, then sain erigter note tobe sounded, Stike the sl note and nate and hen se the sae fet hn re Me ease Coecstan pte teal wend. fae ip comets raed a Te Pes teat retain waeantes ones c= — ete 4 ° ° ——— BE NOTE: The speed ot any bens dct by he mus otto and tempo SHIFT SLIDE (GUSS & RESTRIKE Same TRILL: Ver rep aemate betwen he TAPPING: arnera"the et PICK SCRAPE: Thee ofthe ick is ‘legate, cept ne second notes otesindcated ay contnuousyNammetng cated wine pk had wx oe rbbod dow or pte sting, robs uk ‘onand pun of. Iida nge and pul oo tenote a scratchy snd. fret by te fet hand, é — |_ ; 2——s [MUFFLED STRINGS percussive sounds NATURAL HARMONIC: Skee rote PINCH HARMONIC: The notes ete) ARP HARMONIC: The ot rete norma [oduce yl te ethan acres ewe he e-and ity ouces he nomaly and ararmonicispodueed by anda harman is produced by gen rstng ras casera” aecomnamae — momeantaegril, teem peer yet, Fl Soho renrcen Seatvinne sen tres Soe Soret eter Serene , eee oe C) x Si i PALM MUTING: The rote is partly muted RAKE: rahe pick across te stings TREMOLO PICKING: The rcte iced as ARPEGGIAT: Pay the ots o the hort bye pckhand igh acheg the” indicated wih singe ton, "apy and conuausy aspassle ested by qh ag tha rom Stag) st bear te oe Batam top ) [yume e SWEEP PICKING: Rithmicdonrstohe VIBRATO DVE BAR AND RETURN: Te VIBRATO BAR SCOOP: Oeres th ar just VIBRATO BAR DP: Sirk the rte and $ Sa fs 4 a. E 1 ‘whhar = —— —— SZ = 1 B = additional musical defini‘ D&%$. al Coda + Goback w me sgn 9) han play nt thor marked Te Coda ten sip (accom Acanuatereto (ay iar he sectan mak © Cd, D.C. al Fine + Goback othe begin ofthe song and lay he ar marked Fine eh, faccen) + Acceiate not wth eat inert oon : : weet + instrument sant eps ot * (or Ut lt = + Pept er etme rs, (tecato) + Startentine val of not ql + umn a reese scton nas tent + Dowrsvoke i. 2. ngs, ay thes encng ery he est | tine ante second een he ieee second bm ove rounty artes peace 1 The oes usted ut anew arSvatn (sch as hammer en rs begs. 2. aiote maybe ete a nt neessarly payee. every day i have the blues BY Bi be ce eG, iat Ss ea o cm? FB his 2 SSS tae 68-9 6 8 | a = BT Full % ay op. cm FY Bi Gn Verse cmt FrHsio BT Be on % : ~ Boe fy aay, evry dy (Verses 2, 18) & 4 see block iyric) Wad ib rhythm for Veron 3 8 4 ge BH ES 7 have the blues. Be. ty thy, 1 have the blues. i be * worry «in wom - an, an its you I hate lowe. BHT Fo BIT soto treble Full Eb Bi cm? P Bir Po D.SK al Coda Coda = 1 by —} — - fh 6 IE Verse 2: Nobody loves me Nobody seems to care Yes, nobody loves me Nobody seems to care Speakin’ of worries and woubles, darlin’ You know, I've had my share. Verse 3: Ev'ry day, ev'ry day Ev'ry day, ev'ry day Ev'ry day Ev'ry day I have the blues ‘When you see me worry Honey, i's you I hate to lose, Verse 4 Ev'ry day Ev'ry day I have the blues Ev'ry day Ev'ry day I have the blues When you see me worryin’, worn Babe, it’s you I hate to lose, lucille Words & mule by BB. King © Cony 108 Carr ta Mine mae erortes& og mtr aoe Rog Lede YS Si hihi Readies oprah Seer. From he recrdng How Bue Can You Get, Nectar NTRCDO1S Intro ATsust AT ATsus* Av 2ewrcamtin Spoken 4, eestor Sa he = i nf 2 Sones ete: 5 - ¢ ’ [ § f ATsust Ar a wang bulk you owt ‘You've been real good to me you know, ‘A lot of things 1 should have said, = 3 = vet Atsust ar j=) SSS \e wo-men that Tye Been 3 (8) see lock Irie) with Em(A bass) there's never been one quite Tike Em (A bass) D fo Em (A bass), 7 = * = SS pet SS eS ara a re zs eu i eeaeae You're the one 1 Em? Bm? D ev = ry bo-dy else's let ~ tin’ me down, take you ie 10 10-10 2—2—0——# 1010 —10. ce Atsust ar pl bp ul To Coda ® Spoken: “See what | mean” 2. Solo Asus ar Alsust Sing to me babe” % wiley 7 f ae AE om. a Atsusé ar Fall 2 Alsusé ar pu pb ty.) 4 Pull ull % ae 10 40 48 2-10-10 10 ZX 1510 10H) 10 pit PLE ot bs Etes eet as es -e= - Alsust ar tee oe, ftte Att ts = e e , all he susan i Atsust aT aay ¢ ——— a | ee we ee cate © Outro chorus i DF

    You might also like