1, ALWAYS mUNK : NOONE IS WATCHING US. How tEPROUS 1H ve WARN wnND, REG A CATHOL, 1 712 WORRIED AROUE vs oe tas ne ni 0 ‘bkomeen HLAMEHOL CHRD To FAY OF THs WORLD 17 BOHN VIL. AT TREMENDOUS SPEED WE APPROACH A PLANET 8 THU ALR) {Pays TE FACE OF THE EARTN Is TUL COMPOSED, MY HEART Tren fon Coma fn at / THREE FRAGMENTS when ate word Bad ed ye plat hea a all “eraunngcnrre hereof eer alee {2'Souan gg anchor mand igh nly tolewed pe rods pew an om res ‘panda ae aly epi egne corns nee wd anne ine ‘wwe tsi pa the seveath lhe I ohare a man equating ona stone latin Fn hands he eldewo goblet snd mixed drink andthe dink was Yer ‘and be poured the contents ofthe goblets incessanly fom ca th ‘other et without losing a drop as he did so and alvin thin oh ‘om hn on acount of the tink which was very strong ony hah stood unnrerrapedly by is knee /however edi nt lok tb vg iret occupied with his ink which di ot dims writ hi down because ike peeision/ soy t> ta Beside mea I ida’ cas Kim sway om the eontary he prcorng back ikea fy and sang ahd before but his vise ste lod nde obra omy een when a Viel me he gre fa edi eat aed grew hi fen however "Stone by the stones how Jp oul tae having hat oy ebserve dT chased him aay bot one day 8 th plat beneath ou fea rong ight appeared who source was Iho tn the boy outed afer me asf he could not ee me went #0 ALABAMA SONG: (ose ‘oho ue the way to heme whisky bat ‘ohedon ask why, 0, don ask hy Fon wens Bad the next whisky-bar Iowit we dat ind the next whisky bar oll you we midi Tel you we mus diet (Ott Moon of Alan enous mat sy good-bye Wee ot or good od mamma ‘nd st be whisky (0 You know oh. ‘ow a he way othe next prey Be ‘oes why, oda ask why Fon wera find he et prety Fit we do Bd he nse prety ge Hey we us di Tell you we mst ie ‘Ht Ms of Alaa ‘Wen type Wels ono ann ‘fmt a OH You kn(Oh, show us the way tothe net like dollar ‘Oh, dot as why, ob dont ask why ore mus Sind the next ile dolar Forif we don't find the next lite dol Tell yoa we must de! tel you we mast ie! bt Moon of Alabama We mow mus ny good bye We're lst ou good old mamma ‘And mat ave doles (Ob You now why. Dec's pot achive waa cin both ett sd Palcal manean ht of hs beer now feu oe pi ‘sl hel workings. (Motor Cage and Tracey Ope prota the mow een peered fhe |In ecass nny plr—baed on “he nl tart ma ott tnerpelig the word bu f caring helped hi ee re pate whch, whe refuig ay tin afar fra, ‘hap Dus pos Expres ot major fi, ‘lar por forme: Toshis“echnigoe’ fVreman(= clos ‘on dae cous othe Risa Pore one) [led te eapeton of abendened greeny hl op sons chr yes, ting they ola ERC or pli cue fr lala tet Cini ‘nore orallnguge centered rtp atone. olcal conte ae wace-combned wih had ‘leet rr aera eal atin ret hou ser tt crime Rec eae ey Ertl”) Ses mone toward an sure vt sh orkotar 8 ate wel "A pols ele ori thier pr ist a any bee rere (i) Cameo et, he [formany yearned ee por expences xray a ke tha ef any oh causa) baer de a stmgh rm eine Pete preston Of har pace Brecht open ended factional oti, Peter one wre odoin pow for rch a ot he les nd ‘vetiony tava br te incomple, oan ercle Sst Woke eres ong as hey arene comple andre ge “Lenton by thowe hol bane cen’ The won inceineal goe. couse, Brecht Melvin B. Tolson 1098-1966 ea Tun nanken canuentsBo0K tHE exéaon Hideho Heighs and I, Uke the bins of ld ovched at» Sepulbered able Z opagge vin in Carats marhle— agicked the habs into praying Afcon gras on the walls ‘estas mais ad walters, icky sl terres ‘it A cae ene