20 25 a0 a4 an 6s 50 62 8 80 84 102 96 105 110 a4 119 124 STIR IT UP GET UP, STAND UP 1 SHOT THE SHERIFF LIVELY UP YOURSELF NO WOMAN, NO CRY ROOTS, ROCK, REGGAE ExoDUS JAMMING WAITING IN VAIN THREE LITTLE BIRDS TURN YOUR LIGHTS DOWN LOW ONE LOVE / PEOPLE GET READY I8 THIS LOVE SUN IS SHINING SO MUCH TROUBLE IN THE WORLD COULD YOU BE LOVED REDEMPTION SONG BUFFALO SOLDIER IRON LION ZION 1 KNOW A PLACE GUITAR TABLATURE EXPLAINEDGUITAR TABLATURE EXPLAINED Guitar music can be notated three dfferent ways: on a musical stave, n tablature, and In rhythm slashes D A Dd EG oo opea ste TTT) Fa RHYTHM SLASHES are writen above he stave, Notes: ‘Stum chads in the yh diated. Reund A ralahoads seat sng nes, iW ‘THE MUSICAL STAVE stows pices and tytn {nd saved by ies tobe. shes ae Sings, famed ater es sven tse aptabet el oe 3 : TABLATURE graphical repress be guitar H = Iogear cach hort ne reps 3 7 = Sting ond each umber eset ae ql 4 sing 2tet——1S\B2nd sings openD chard open payed together DEFINITIONS FOR SPECIAL GUITAR NOTATION ‘SEMI-TONE BEND: Ske te note and WHOLE-TONE BEND: Suke he notyand_ GRACE NOTE BEND: Stik he nots and QUARTER-TONE BENO: Stik the nate and See ess ee emacs areNeaensneracs: Sau iy Fatal Be 6 a = ae 6 d | Fal % ——— + — = SEIDAREEASE site too a COMPOLND BEND ARELEAE Shee PRESENT Benes sh, PRE ENO RELEASE Sn es wanenices peacock Seetesem eae mnee (inet eeee trace batt he Seine mo Shetorge Pre Be 2. a_at AS (orf Ras vie) eet = o ~ oe ~ a Pat 7 Pe ASONIOG ee tewents_ SODERETRIE Sette ai SEONADMOAEEASE eat Hom AD Be ene an Meemonne sy, lenubancee,, meee erate! Satine * ii seats 5 a Ge = Fee —— a 1 be 7 re I oe # € ATO: The sig vse HAMMER Sek rt over te PULL-OF: Fae omg on ents LEGATO SUDE USS: ist Sendeguaresssigtercwieh te” winenege sensan erage ‘Be sunded Staats hea awa bane eae ft ag foam han Corners ing win ace togeby win png, pl be toes sande gper dows esr she feng euout pe te sexd Yoke rt Sindheteaa sock seeenanenns _ ‘— —x= 4 (pope 7 eS — — e eo ~ e NOTE: The speedo ny bends insted by the music notation ad tempoSHIFT SLIDE (GLISS & RESTRIKE; Same TRILL: Very py alternate between the TAPPING: Hammer (tap) te rt ‘legato sige exceptte second note © nolesindicated by continously Rarmerng_indated wi he pelchand index oe suc. ‘mand pling of. ‘nile igor and pul of tothe note free by be ret hand PIOK SCRAPE: The ego ofthe picks ried down (ru) te sting, rosucing a scratchy sound =_ 9 el se = Ee a [MUFFLED STRINGS: A percussive sound's NATURAL HARMONIC: Ste te note ‘rouozdby laying the ret hand across the whe heft hand sgh toch he ‘Stings witout cepressing and stikng Sting drecty over te Wet indicate, Them wie pick hana PINCH HARM normal pk aac. £ PALM MUTING: The otis partly muted RAKE: Drag th ick across the strings bye plkhand ign touching tended wrt a snl mtn, sting) jst before te bide NC: The note is ote samaly and aharmonc is poduced by dg the ege of te thumo rte tip of ‘he index tnge of he pick hae to he lop 5 LARP HARMONIC: The rte rete normaly anda harmon is procced by gory resting the pk ands index nge oct above he indieaied fet (r parentheses) wile he pick far thamb or pick asst by plucking the appropiate sing, ‘TREMOLO PICKING: Te nati picked at ‘api and centrucusl as posse. ARPEGGIATE: Pay the noes of the chard Indicated by qu ting hem tom totom ap, SS 7 Zz e & —_ - ——— = 1 SWEEP PICKING: Rhythmic downstoke VIBRATO DIVE BAR AND RETURA: The andor upstckemoton acs he sigs. ph ofthe noe oc chris rapped 2 Specie numberof tps nym hen IBRATO BAR SCOOP: Depress te bar st before stking he rots, ten quickly VIBRATO BAR OP: Srke te note and then medially drop a specie ruber of tps then release back tothe orginal release the ba, retued tote origina pth. pic pV VY é —s = we wibar 4 ADDITIONAL MUSICAL DEFINITIONS D&.al Coda (accom » cana not (ly ude. = econ + tcmemmevergrainaty (staccato) + Shorten tine vl of note rf + ownstoke v + Upstke NOTE: Tablature numbers in parentheses mean; 1 THe noe sustained, but anew rtultion (ach as hammeron Fide begins D.C.al Fine 2 Anat may be feted but ot necessary layed = ES + Gobeck he sign), hen pay nti the bar marked To Coda © ten ship 0 ‘te soaten marked © Coda + Gobacko he besonng ote sang and play ut he bar mara Fine on) + Instruments lent ops ou. Repeat bars between sans. Won arepeated ston has ateront acing, lay the fest ending on te est {ine andthe send ending ony te send tineSTIR IT UP Words & Music by Bob Marley q- Intro a Moderately Slow 4 =74(J7-J 3) ty ty Fe A Ry Fe Get deen 7 fre F)* F)+ Fh Fr Fe fy: 1-2 eS = — = ——— ?. Fo wah ah igh [Altightsconrled and amin TAURghsVerse ‘ir I Rhy. Fi 1 times ie m/ REA, Se ee D E an Stir— i up, Stir— it up. Come on and stir it up,jag Ja) g ‘gd Vor. Fig ont y 7? 72 9 779 Pir Fy Pe = — SS SEE 4 > pr Pe Pt Fs Bs arms PR _ 7 pana sa a , ‘ =n : = gts SS c=Bag Vo. Pig. 1 Fy Ft Pos Po BP Pe SSS =a =e 25 ee ey Sa : —— iar —-— eS ¢ a 7 SS : 7 — =Chorus or Wy oy Fs es A BP = eels are = = ew. ee Ba ope sy debs. —= = = a = 7 LPs FIT A Bs A gis EEE —}— 2 = es oe tf = -—S Sir i op Come ony ba 7 Choe on and ft SI = = 2 —— — ~ : ——= tA Ie? EEE fae =a pat : pe <= Pt Ft A As Bs Fs ee 9 it — eae = = 7a ee == ¥ = = = = = — £ | — eS =Bg. Vo. Fig. 1 2tmes D. or Py 1 Pr 1 Fy Parry ire push the wood, and TU1 Fo APRs Foy Arms A All you've got % is Teepe init and+ yy (Ooh PO17Fo Fo By Farms PR — Come/on, cool me1 Bs Py Pos os Br Aarts 2 Youre: = i pe, ale Se tore Jyoat PB Po oly Ay os a eh A i Pal Pr BoP Pele ifs ret Instrumental Solo x WI Fal Pit fh Fh te i laa Py Pir Fie Pr Part foe PM bougowt 7 72 Fay Fi Pa a A oa eee Pt PT Pt Pe Plt ft Pale PP aa ire 1 Pi Aa Be A Ase ee PP i A Fa A By Pe 2 (eto PP oP I A fe PP — Ft PTT 1 Paley Ph Be a pa Sas —eP+ 73s FP? F?Ss , om rm Bs Arm ig = = = it up ee ‘tir itGET UP, STAND UP Words & Music by Bob Marley & Peter Tosh cm Intro Chorus ‘Moderately Slow Reggae J = 76 once) NCB) cm Get up, stand up Rhy Pet Ge. 2st de (ta 2) Stand up for. your ight for your righ er © Copyright 1979 Fity-Six Hope Road Music Lited/Odi Music LintedBlve Mountain Musi Limited! Stuck On Musi/Embasty Musle/Cherey Lane Musi Publshing Company Incorporated. USA 2.19%) Altightscontote by Rykomusic Limite. 29 Latimer Rosd Landon WIO RA (37587 h Street, London WiD 318 (120, 20Don't give up the fight. ‘Stand wp for. your ight Verse cm |.Preacher man don’t tell — me — 2 Most Roy Fie? 2 eo ple think a heaven is un - dee the earth. ‘great God will come from the sky,a (4,3 WF, 2a 2:61 Tinow you don't know what life i real-ly worth He said all___that_litier is gold. take away ev-"ry- thing “and mike ex-'ry-bod-y fel high But if you know what life oN that sto-ry ain't ney -erbeen told. So now you see_ the light, eh. You stand up or — your right. Come ont you would look for yours on cath. And now a you see. the light ‘You stand up for yourright. Jah! a Endy Fi? Chorus Geely Rg Get up, stand vp. 2Don't give up. the Fight for. your right Verse Don't give up — the fight. 3. You're sick and tred_of your i= sm-chi-sm game, yn and goto heaven in a Jesus’ name,_ Lov. some peo-ple some - times, 23can't fool all the peo. ple all s see the light, Outro Ge iui ye for_ ur rights. standup, stand vp So. youbetter Get up, for. your Fight. Getup, standup, Don't give up the Fight Stand up for. your right Don’t give up — the fight. 26I SHOT THE SHERIFF Words & Music by Bob Marley Gm cm Eb6 Dm cm 1 yt -# . Moderately d = 96(J9-J )) we 1 fade 17 did - wt shoot no ecxcusion) but in shot the sher = Ge 24am Pa 1 fpr ey ty = in! For what, 0 me down, Tedon't know LAll a round in myhome - town, always hat-ed me. 2. Sheriff John Brown, 4 See Additional Lyriesed Ray Fig O81'0/ Ry. Pi 1 mes, se Bry he ite bm oa io oS They say they want to bring Bvety = tim T Eb Dm Gm 5 6 sm ing of the dep =u - ut See ct) now leo o i be- fore it grows. Them be - fore they grow (rAd es Ger 3D oot - oh Ob now, now, ae Read it inthe news Tt ar ee 26Pe Fed fae Fags ds t Lord knows, ‘where was the dep-u- itt but 1 swear it was in rel = de- fense,) (xh, 00h, ‘he sher = if, Lor “shot the sher “Rong vas ii TW )- Fin p+ Fr Ta b> ads JA on Totaa) 1 tet eater uf gee Waele md tey “ay ooo om To Coda &) Ty Dd fader Agdr hs A ™ pa dy ds a, eS _f y Yeah. Yeah, Yes, a self - de-fease Yeah, ~ oh, cap -i- tal of-fence.—) (ab, ooh, ooh, PDs er Phy Fs Pa Pe BB - 3.Free-dom came my.way, one day. And 1 srt = ed ot of __ town, 27(e-2-m/ REC 3ne, sale on ee Bs Dm Gm bs Dm Chorus Sek Sina sie om spilt-y, Twill pay, Bor 1 say, ~ (1 shot thesher = itt but 1 did-a’t shoot no — T did n’tshoot no dep uy mo pu yy ne cm Gm DS, al Coda but 1 didn’t shoot no dep - w= ty coh, ah, ooh.) 28Tihs ds Fiji d+ Ads Cine dr oni) ‘Additional Lyrics 4. Reflexes bad the beder of me ‘And what i t0 be, rus be, Ev ryday the bucket a- go a well One day the bottom a go dp out, ‘One day the bottom a= go dropout. ‘Chorus 1.1 1,1 shot the sheriff, ‘Loe didn't shot the deputy, no, Yeah 1 (shot the sheriff) [But didn’t shoot no depuy, yeah 29LIVELY UP YOURSELF Words & Music by Bob Marley = 2 Intro a Moderately J =132(12-3 5) NC. 1 ean You're gon -na © copyright 197 Finyix He ‘Allights controled ane 3 ic Limite Muse Lines yRykomusic Lined, 29 Lali served, nteratonal Copyrgh 30 in Musi Limited. don WIO 6.Chorus D c at pf? emia up your - self, — and don't be D G tee? G oh, reg-gae is a - noth-er bag, Ey live ~ ly up your 31{| a i Verse (2 wi if A, 3s se D c D> G D rock 50 you rock $0, like you nev-er did be-fore You dip s0 you dips, ip — through my door. (en Rite os ° : ‘ gine == Spot pep = e ~ E +f = Es = =| J www 32Chorus (Gok 6 RTC sie @ 3 oe TD TD omnia ay. You're gon-na live - ly up your - self, and doo't say n0.— i eo You live ly up your — yal You live - ly up your - self, — anddon't be 90 wenn i 6 D = ———> =p fee fStop peters You live - ly up your - self, ‘cause reggae is a ee ft 33Verse Gen) RAA 3, ii > wonder why you act D 34Chorus (Ge 2 w/ RfC, 14 Bens cy D G D o mig Voctigt EndBigh Veer 2 Live = ly up your, ‘your_woman in the morning. time,. (Live - ly up your + seit) ip Vecsey 3; Interlude SHIRA. ey Po her, take you, take you, take live = ly 35Guitar Solo oe 36(2: Rie Chorus ‘Bg Vo Fig. Gee 2w RFC tT meas. cay 6 D DG 7 Set Om a. (2: Aes, Saxophone Solo D a 37Verse wre i AR ie si 38D, «. D : ny cttcese/ ap aaa eee ee) ct LD site Outro (er! a RC en se D G D G what you get 39What you got in the other bag you got hanging there? rn § ff Eo SS = : : rn : Ae : = 7 : 40ROOTS, ROCK, REGGAE Words & Music by Vincent Ford - ra er - ce v Ino Moderate Reese’ 3-6 (FID) ener ain )* Jey : —— — Qe ae & et + —— v neyo Elie lh oe SEES etsy eine ad Fg 1 a reg-gae mu sie (Dis-2 egg) Play 1 some music, [nos a> He se Bm Em Bm Fim? Bm Roots, rock — reg gas — Roots, rook, eg - ga ey) cere Poy Taam oe Pay) some mn ToCoda 1 ToCoia2Q Verse En Bm Find Bo Bm sy.mp2 eee ee Parone 1 Ry Fi 2, 3s Bm Em Fin? Bm Em a a Pipe _* ape a = = 2 = + swe sounds ood fe. Tanto fase Bm Em Fin? Bm En Bm I aa fpr SS te z & 5 * 3 7 f wae Feel lia dane = dance ‘cause we tee. © caren 4 iyi Hp aa ene Haneda Maine Allright contraleé ana by Rykomusie Li Latimer Roa, London 0 6RA "A RghsRerevedIernaional Cop were. 4DS. al Coda! Em Fim? Bm Em Ba Em Fem? — Fel tke dane = come dance with me. ‘QCodal Verse Ge Ry sme ‘Bm Em Bm Fim? Ply I on the R, and By whoa, want all my poorple to see. (Boo doo doo doo.) We 2 (eka) igs Voc w Ve. Fe Bm Em Bm Ft? bwd-bl- in? on ike (he top one hun = jst 8 mighty dread. nd A hg Vou w Vo. Bm Em Bm Fim? DS. al Coda 2 igh Voc woe. Bm Em Bm Fim tbob-blin’ on the top one hun like a mighty. dread, 42®Coda2 Chorus ‘1 Ry Fig ce Bm Em Bm Ft Bm Ply 1 some omy (Disa reggae mu - sic) Phy T some Verse Em ‘Br Pim? Bm Em gd oes w! Vo. Fi 2 wi REA Bm Fem? Bm Em Tmy people to see. We're bub-blin’ on the top one hun dred outro Blga Vou w/ Vor. Fi gd. Ve: w! Voc. Bm Fem? Bm Em Bm Jost kee might-y dread Pay 1 some mu — sic, reggae mu - sic Fem? Bm Em Bm Begin Fade Fade Out igs oe: w Voi. igh Vc: w/ Vor 2 Bm Fh Bm Em is 43NO WOMAN, NO CRY Words & Music by Vincent Ford com He EE fee aicieunere ot cn An : - : « ; (gu & ro) ‘eine troabone ‘Two ge a foro @ 7 Le eng trouout Beg voe tine oy Chorus ‘ir w/ Rhy. i 1.2 nes, sie c cB play Sime — © c cB =e 2S aes ee = No. woman, m9 en. — Now woman. 2 eS Bae lear — a am F cgi a © 5 tS — 2 Se Bane) : oe ars Son shed 0 tea consm moo oF Some © copyright 1974 Fity-sx Allright controled an "at Musi LimtedOdnt Musi Limite rerved Inernatonl Copyright Secured 44(be 1 Rt A, ese Bverse (G20 Ry Fig 2 ney se c op Am F c cB —— = L.Said, 1 re ~ mem - ber when we used. 10 2ASaid "1 reemem - ber ‘when we used. 10 = in the gov-em-ment’s yard in st in the gov-erm-ment’s yard in ~ Sieh town Ota o-t amv = ng te typo ates as ey Tien: And ten ag fe” wot mate aa, ae RS c ce sa F c oo ap Bn x $ - ft ae =o = f = at el = oS re would le wih he good peo = pe we at Goal fiendwe tad, oh Tapa ee ea Be ah rene wll cook om = nc am F : oe =] == 3 ood fiends we've lost — Jong —— the way. (ea) or - ridge, — fof which PHT share ith you. (Och —) © ow Am F Tn this bright fu tre you can't for = get your past My feet ismyon = ly riage —_ To Coda a+ tome 5 : GaSe a SSS a a ms 45Bridge NEO com) (am © ee eS = SSS ——— = ——— 7 —= z >= SSS 4 Se = == 3 = == — SS = Beet © (cm ® apap pgp = = ftp SSS SSS By. "rything’s —gon-m be al vit yean Ev. tyshing’s—gon-na tea ght ky = - Sees ~y ae ats SSS eo f= == 5 = == seennenn z + we + re 0 + ee ta) + Chorus ‘Gash m/Rby Fig 1,2 ie eS =- wom-an, no ary © — _ Ob, my ft de sis — ter, don't shed no tears 46etieg oetant fue fan 2 1 1 1 ay arDS. al Coda c F C__aeeennnnns, @ Coda Outro ‘Gu 1-w/ Ry Fig, Sts, se No, wom = an, no ey. (Oh, my ‘it le dar lin’, say don't shed no tears, — No, wom -an, no ery. EN 48Lit de dar fi dont shed no tears, “JAMMING Words & Music by Bob Marley Bm ET G Fim D Bri" om am fm He Eee Bare og ro Ta a IE CoRR a Chors Roy Pet oe ret pa We're jam. ming ox 24ce0) (comin) (© copyright 1977 Fity-Six Hope Road Muse Limited Muse Lied Blue Mountain Musi Limited Allright controled and adriisared by Rykorusic Limited 229 Latimer Road Landon WID RA, "A RightsReserved. Internationa Copyright Se 50Ba = « Fm hope you lke jamming, Ain't no rules, - vow pe > bm > ¢ —— or Prt 2g fre wb prt pra for »? rs — ain't no vow, we can do T and Iwill see you through. "Cause ev-er-y Ge Sarkis ‘bm D Bm D Gc a day we pay the price. We are the liv-ing sacrifice, jamming "dl the jam is trough, — 51ane Brit ET ow Fim? ‘End Ry msn es oy Ave Axe Prt prt pret fxr pfrdrt po f f f f f f f f ‘To think that jamming wat & thing of the past. — Bm 2 o Fam7 jamming, hope this jam is gon-na Verse nae a D Bm D G bul-lete can stop us now, we neither beg nor we won't bow. [Nei ther can be bought nor sold, — 52all de fond the right, Jah Jah chil-dren must ~ nite, Eni re 3.2 "am (am- ming, jam-ming in the name of the Lord, (3: RCA, 13 measly is e A _ 2 —_s = ft __»5— oe aa Z # oe _ oe ies = : = $ a: = rm" : j 53Interlude ony Bra prt Derk pre Dra py com a) fy Mount Zi = Jah sit-teth in Mount Zi = on roe 283 = S f sry atar! Chorus ‘ie Ry. Fig 112 mea oly (iw Rhy. i 1 2mes (Gr 3:01 Ret A at men oly Geese . ‘Bm B ‘i crea tion, Yeah, we're, we're jamming, Bop.chu-wah:wah wah. We're jamming, (Bop - chw-wah) va(Bop - — chu- wah)bmm, 4 ¥ jamming, (jam-ming, jam-ming.) And jam down hope you're jam-ming, wo. oe? P Verse Bm ET Bo BD 6 Fmd knows how much I've — tied, keep you True love that now ox cant re = 55Ge Sw FI2 9 Chorus jam-ming, 56Fam Bat rope pr tk pr? a? jam-ming, we're jam-ming, we're jam-ming, we're jam-ming, we're % 6 Fi ? igeaa? prt prt fret vtopy f f f f f f jamming, we're jamming, we're jamming, we're jamming. Hope you likez Kora pra Barr prr par pa L 7 a jamming, we're jamming ‘We're jamming, we're jamming 1 want 1 want, am ming, jam ~ ming, jamming, T want to jam "it with you) = Fim Bet B t pre erent tees een ieee cea amen) et meee want to jam with you now. We're jam ming, 58hope you like jom-ming, 1 want to jam it with you Gam-mung) (Gam-ming)a hae pra pra Picea aay) et eae aiken waaey eve ecee) Uy fou lke - a jamming, 0, 1 ike, 1 hope you, — 1 hope y 603 5 a : rt par pars cote ‘1WAITING IN VAIN Words & Music by Bob Marley Abmaj7 Dbmaj7 hig” v Mderately Stow J =78 SSS —=—— = > => f Spoken: One, wo, el to, thyee Abmai7 Domai? Abmaj7 Ry. Fi ———— (3:8) FLT Dbmai7 Abmaj? Dbmaj7? nd RITA, iy © Copyright 1977 Fity-Six Hope Road Music LimtadOni Muse Linied/Blue Mountain Musi Limited Alirighte controled and wéminitered by yor 1229 Latimer oa London WID GRA, 'Al RightsReserved na pyight Secured. 62Verse Abmaj Dbmaj7 Sa = LFrom the very first time 1 placed my eyes on You, — ——— ‘Abmaj7 Domai? Nomai? aS: + SSS SS Tow. through Bat 1 know now that Fm bmg? Dy —— 1 E = Sa = —— way down on your tine, — but the wait «ing feel ie fine, — Aba? Abmai yy SS SS “eause I know how 10° do my (SSS = at So don't ueat me like 8 pup-pet_on a Sing Domai? Abmai? = Dbmai? T. i SSS Se thing Don't tak fo me a8 you think Vm dumb, Abmai7 Dbmai7 geree: He ae . nd igh Von Fi —S 4 5 ef # @ tose & ———: + of BRL ck oy wi Bags oe Ft Dbmai7 oe — Te your. love don't wan = nawait in vain for. your ove, “ease if 63Db Bb cmt Bb? Db sb mst wait ing — there — ~ ter is here, Guitar Soto Gr wi Rby Pe, 20m cm bm? ‘Abmaj7 Dbmai7 sill wait "AbmaiT Dbmai7 ‘a 64ene sivas kta bm Ava SoS =a z Se SS ? BS TE bem. de yeas. sce Pm tng on your do aed | sl can aoc ome Dbmaj7 Abia? Dbmai7 is i fem Table, Tanto know now, Abmai7 Domai? Abmaj7 to knock some more? Dbmaj7 there's lots of rie. but. your love is my re + lief Tears. Abmaj7 Domai | Abmaj? in my eyes — bum while 'm__ walt ing, while I'm. walt ing. for my_ 65Outro Chorus Dbmaj7 abmai? Dbmai7 T don't wanna wait in yain_— Yor” your. love. ‘abmajT Dbmai? Tor your love teh Voc i. 1. 2men ‘Abmaj? Dbmai7 | 1 don't wan = na wait in vein for your ‘Abmaj? Dbmaj7 eee ee a a SSS, don't wan-na, 1 don't wan-na, 1 don't wan-na, 1 don't wan-na, I don’t wanna wait in vain, — No 66Abmaj7 Domai? Ed Big Vox Fe? ene — — Taovtwarcna, Iedovt war, ramet wanet, dow wan, 1 dovt wan wat la vai. fey SF Fe 24. — — — 2 Se = 7 ‘kg Vow Fig 2. fade ‘Abmaj? Dbmaj? i ——— S aes * Begin Fade Abmajt Dbmaj? de — — , a — — ove that I'm — wait = ing on, — is my Tove haty Abmai7 Dbmaj7 Fade Out Jove that T'm waiting on, — its my love thatyou'rerun-ning from orEXODUS Words & Music by Bob Marley Am Intro Slowly J = 66 og. Am ae Has po Trae (0.1 2m Rhy Fg, 1A 4s, se (Movement of Jah peo hy. Fig A (© copyright 197 Finy-Sic Hope Road Music Limited/Odn Music Linitea/Btue Mountain Music Limited Alrights controled and administered by Rykomusic Limited, 29 Latimar Read. Londen WIO BRA “ll Rights Reserve, International Copyright Secured 68ple) Verse (Gi w/ Rhy. Fi 1, ces se (2 wR. 1A, 3a Am 1.Men and peo-ple will (ity mu a Let me tell you if SI alight, (cn esate fight you down. Tell you're. not wrong, then why? yeah ‘me why. f through the roads — of crea (Wen you © pen your eyes and let me tell you this, see Jah light) Ry. FL (Well, ev -“rything is al - right.) (2 w/ Ry Fig 1A, 27 dies, ia, ba, ha, ba, ha, hal So we've gonna ' on We te pmer- on, te ny, Chor +p t = PS = rs = SS SSS tet wags gear snag TUREGN OME hte ton Be eS “amb 6, Dao jm (3a fh — = = = = SS (Move - ment of Jah peo ple) (On, yeah, aaa + cinerea = = = ag ———— # == = = . mmees i ' ote <0 = Go jae “9