BeULVTT uuu rruvuiiirire Honk! a musical comedy in two acts based on The Ugly Duckling by Hans Christian Andersen Music by GEORGE STILES Book and Lyrics by ANTHONY DREW] td Vocal Score Application for a licence to perform this musical must be made, BEFORE REHEARSALS COMMENCE, to: Josef Weinberger Limited 12-14 Mortimer Street, London W1N 7RD Tel: 0171-580 2827 Fax: 0171-436 9616@ Contents & Act-One . e& 1. A Poultry Tale - Drake, Ida, Turkey, Henrietta, Maureen, e Cat, Grace . ot : 2.” The Joy of Motherhood - I 4 3. Different (Pre-Reprise) - Ida . 26 e 4. Hold Your Head Up High - Ids, Ugly, Fish » 3. 5... Look At Him - Ida, Drake, Ugly, Henrietta, Turkey, Cat, Grace, e Ducklings, Matereen . al : 6, Different - Ugly...... 37 2 6a. French Ting! - Instrumental 261 €& 6b. Do Tell Mama - Instrumental . . . . 61 7. Play With Your Food - Cat, Ugly . 63 e 7a, Lost - Ugly 174 7 8 The Elegy - Company .... : 76 a” 9. Every Tear A Mother Cries - Ida. +. 80 e 9a. Goose March - Instrumental . . . 84 30. ‘The Wild Goose Chase - Grieg, Dos Snowy, Barnacle, e Pinkfoot, Ugly, Cat : += 86 11. Act One Finale: Hold Your ~ Ida, Ugly 2 10t ei e Act Two & ta, Entr’acte - Instrumental ++ 108 e 12, Te Takes All Sores - Queenie, Lowbuce + 110 13, Hold Your Head Up High Repri)- Urb Queenie Lowbute 2115 e 13a: Tom Cat Sting - Instrumental... . 120 14, Together - Cat, Queenie, Lowbuet viveeteeseeteeeteerees W2L 15, The Collage - Drake, Ids, Company .......... 00s. 0sss2vveees. BBL Se 16. Now I’ve Seen You - Ugly . wees eee . 140 16a, Pre-Warts - Instrumental . 2145 e 17. Wars And All - Bullfrog, Ug Pres Company 1. 146 17a, Warts-Off- Instrumental + 163 17. Post-Warts - Instrumental 1 164 € 18, The Blizzard - Company... co eiete eee es 165 19. Transformation - Ugly, Ida, Penny vos. c cs sses veces bills a2 19a. Melting Mogey Sr ° 182 e 20. Act Two Finale: Look At Him (Reprise) - Company... 184 21. Curtain Calls (Bows) - Instrumental : . 192 e 21a, Curtain Calls: Warts And All (Reprise) - Company vo... +. 1% « Honk! logo by Peter McKintosh e« ddHONK! Lyrics by Music by ANTHONY DREWE GEORGE STILES Act One 1. A POULTRY TALE (Drake, Ida, Turkey, Henrietta, Cat, Grace, Maureen) Pastoral /=90 4 DEAR y S => In this back-wa- ter of Eng. - land Where the pace of life i slow Uisies 6m the Ike are Brood and lush We've all liveing here in elo = ver And the © 1997 by The Matic Tonk PHOTOCOPYING THIS COPYRIGHT MATERIAL IS ILLEGALHONK! 1. Poultry Tale ( -R-A-9 ‘Sothere won'tbe cause for an-y-oae— to blush Ae ae aAAH AGHA AAPAFAF Tand tosh greenandpleavant Every tant-am,duck andpheas-ant —_If'ey had them.would be walk ing. arm in rall. freely A or our life {s good and sea-dy Till we've plucked and ov- en ready I's a sa 2D rall. slowly Steady Funk /=<.90 of folk down on1.A Poultry Tale quails, And what the Dick ens 4 z s i 5 b z . ts z HONK! VILTRRLER ORES ER REREADHONK! 1.A Poultry Tale poco acca, poco pit moss Jme96 31, ee ee There's a guinea fowl whohise - es.Then there's Id a She'smy miss ~ us So for ~ give me if I'm lry ~ ing on the smarm, [HDA HENRIETTA, TUR in forheat~ ed quack - ing To point out the sis I'm lack =. ing, t's a poul- ay. ale OF folk gown on the tam— Come on down and don't be san - f DRA Come on down and don't be str -3 e ) i i ) i £ - : ONK! D z HEED ODED GC o1n geHONK! (aN [DA Gera} havewadd-led Little chicks aremol~ ly -cod’ - ed For the Would let do themgrev ous harm He's our only sourceof wor = ry Festh- ere FF HENRIETTA ely ge to oy Wee BRAK |e of folk down on the farm Wea pouty tle 1.A Poultry Tale 1 PP MRRHEMRARAARARARAARARAAAMHONK! L.A Poultry Tale we Cool (but still funky) tat || How they THIN nTnnthHHONK! 1. A Poultry Tale feathered form ofrmat = tan : But when those Gradual accel. m4 They're de cious and 1 just_ean't get. en- ough be = As 2 fel-on who is fe ~ lie Youwill see memshe bee — line For thseHONK! 1. Poultry Tale 84, [ATREER] tencderlit = Je juie- y balls of tum =D a fia , (ee ma [Rae : - Want Wah! Wah! Wah! |(Wahbubrgobbleate) In our HENRIETTA] {BRAKE _——— c= to gett! _ Roc to poder fe ] Dopeteedetogriweir DP? ¢ fp? t ‘Want want (Giansaiegobdeee) In cur 90, Really steady funk ¢ = .90 MAUREE) 5 = oS aS . waterfowl egw - a Thee's + froorten fond ofehar = tr And a |man=darin— wih or ~ i enh av erowl gat =u Thaw’ + moorben fond ofcht = ter And a man-dar-in_—witer = iv envi a CErr 9HONK! 1.A Poultry Tale ™? ‘You find | every gase or gan ~ der Tht [course I'm rat- er grander its subp | You'll find ev~ery goose or gan ~ der 96, —= pai T= eo 6 down cae fon We my | ste some cle pot =o - —= + 5 poult=.ry te of folk down, on the farm We may sarke some clas- sie pos =e —_———_——__—__—. s s £ 99, P alt have pur-son's nos ~ Bot that P And we all have par=soa's agp = es Bot that z ~anmeananaaaaanaeaaaeaaaananeaa tAOOODODosITIII ttt HONK! 102 = mean you'll bear sag - De rev-erence ig resect - ed Blatant [fowl pay reverence it e-ject - ed Blatant fowl play of folk down onthe fam. molto rall. psalm of fk down on the fury 1. Poultry Tale a tempo a sub. f For all sub. f For all fa 2 —= ee oe P fed Ie 2 pouty ae Come on down and don't Ee be sang |HONK! 1A Poutiy il Tn our duck- yard of | free-rang | ers a our duck- yard of free ~ang | - | 3 & = " lv crescendo poco a poco 2 = f | AAA AAA ae ess We 8 tale crescendo poco a poco of poultry tle ws crescendo _poco_a poco erty Bi LannnTUCO HONK! molto rall. Very Slow . ¥, Re OF fake downon ‘the AL OF fol downan te ‘Not: Sound an hin root ofthe repested samt give a county Mavou and give the sound real ack, 1A Poultry Tale Brighter J=c.100 fam ] Beadle DIALOGUEHONK! 2. THE JOY OF MOTHERHOOD. (Ida, Maureen) (GEDRAKE: Anyway, musty Bright but steady J=114 rall, DRAKE (continues): Da: “I promised the Rooster that'd help him counthis chickens. “Well whee ele do you suppote'm going tobe?" ‘Shall se you back here?” staccato 5. atempo poco rall, ck When you're suck Sat sit-ting in the mid-dle of your nest Then Mibest You get bored 9 atempo ral. Drake On the lake I can see him trough the shes All the time fecl-ing Tm "joe ignored = a ARAAHAAAAKAARKRKAA RH FA-RMeMPuuuuouVuuyTy UCUCUTUUU HONK! 13 freely don't pre-tend hat thi is all his 0-ing— 2. The Joy of Motherhood ral. Vim a suck- er forthe bilsing and the cooing 17, 21 26 Starting steady J=.80 wien you “hear that accel. poco Jong Te had (accel. poco = a y Their Sit here mind - ing ny poco) ~ pits ter pat = ter OF ae rood. fold = en brown y The fe it doesn't mat = ter How ‘Those it = te = 0 FoF on = sant ty —————— = 3HONK! jo, (accel) pit mosso ee op = en waiting for foo = as Jen g i { & i : 4 z ORR ROMA AR A AARA® M06 i Hl q ss} O Ic ql su E — su2. The Joy of Motherhood Those lite perks tht make it all. seem__ wort - while get my ducks decked out and $0, (Dialogue over] MAUREEN: “Morning da IDA:"Moming, Maureen.” etc Sis sempre staccato F UCCCU UE3 76, 2.The Joy of Mone Stace. sempre (GE MAUREEN “al those lovely line ducklings” ‘meno mosso poco a poco Y a y (RAM RAARAMRAAHAAARAR A:MAG 1UCUUUUUI TUITE Tae HONK: 2.The lay of Maen 2 malt ral ER (@: BOTH “ike te Cat, "FE PTT FF FE Starting steady J=.80 2 mp when you hear that dib-ble dab - ble You'e proud 1 say "Hey, thar's_-my sab ~ Ble! Then 86, accel. poco a poco mf (eA CCham-pagne “Srke yout valch their maidenen Se tt me Ri HONK! 2. The Joy of Mothethood 91, (accel. poco a poco) them bed bing Re | teved, by moth = ert sob - big Re lieved, 3 95, (accel) “pit mosso ft i d=120 Twoe| it = le ducklings walking. round in “Those it~ te duck-lings walking round in & mamma eeaes OKRA AARARAAAARG&TOC at TOMO HONK! 2. The Joy of Motherhood 103 uy to do my best at bring ing up| mine tty to do ay best at bring ~ ing op 109 Those] lt de persthat make ie all seem — wont -while Woes = o Those lit=sle persthat make it sli seem—— wont -while ” Geetray 2oem met “y HONK! 2. The Joy of Motherhood get my ducks decked out and tiv = ing in BAM MOAAMMAARARARHAARAeGs [et thy ducks decked out and tiv” = ing in The egg tap again. The ite reply, Ens. Girt Fees. Girt. —_ 2 4 4 44 i 4 z ( TEPC eerr | Tercrecrr | Geer? ERerr [ERErcr eeeror 5‘of Motherhood > LLLOOORO OOP OOO Oko DaeHONK! 2. The Joy of Motherhood molto rall. Very Broad(way) Sf, i= We pers thatmake i all seem_| worthwhile lit Ue peeks: thatmake it all seem—wonth-while 149, poco rit. Showtime J=100 smath-er ny ducks and tiv = ing in eee ze 4 DAARMHRAAAMRAAARHAAAARAAAMAARADHONK! 2. The Joy of Motherhood cks decked pt ose ducks decked i i es F 3 viavove 25 CCCCT OTSTHONK! 3. DIFFERENT (Pre - Reprise) (Ida) (0: DRAKE: “.. wit for me!" (DRAKE & DUCKLINGS EXEUNT) (DA SIGHS) Thoughtful = J=e.70 2 What all b 1 (On = ly good for keeping egg ~ shells iat 3 ral. On the wink they hae slvet eens n= = fem — a pA = e 6 poco rall. a tempo Thisone’s dif erent act a 2 act act ast 2: if-ernt from the set mysterious (poco pitt mosso) =6.90 amma aaeeaaeaaGeAAAaanaagaaagegehefHONK! 3. Different (Pre - Reprise) poco rall. == dont believe. 8 tk -ey's egg could fall a tempo oe HH all ll co rall. B Pe a the her eggs ve over it This one's i= erent . wh a UsssdIHnHONK! 16, Fe 3. Different (Pre St g2l0 M nce ndid MARR ARARAARARRAAAATCCUU UDC Tt HONK! 4, HOLD YOUR HEAD UP HIGH (Ida, Ugly, Fish) (IDA: “Just do a8 do and you should take fo itlikead.looks at him) you should te to ™ Playful J.=0.76 of Like the most hap- py fel= i While TER? le the clappers You keep = dling with your ap-pere While Seem = ing rea ~ sng. = re tr?HONK! 4, Hold Your Head Up High 2 m oS Piu mosso (IDA (conra) 3 teem 29 ‘and stead = y, Watch that ed = dy to your sight. molto staccato = 2 4 UGLY: Danger sgn? UGLY: Fisting tine? BA) ‘Tas feh-ing line Which stan ~ gles if Et | CIF TLT aS AAO MARAMAARMRAARRAARARAANEHONK! 4, Hold Your Head Up High 39 mp (aside) tan = gles you op tight! He's a nat-ur- al in clas of his aa This ie wonder ful —— 1 am feel-ing fll grown—___ poco rit. BOOMS IIDDIITI HhHONK! 4.Hold Your Head Up High 3 a ‘As it |sfee from al woab- tes Your | back ‘Tango 37, 8 bottom in bubbles You Keep 1 ‘i PRP RRAAAARA® RALAR AMLMAMM K 61, — ke the clapspers Sort with your Mapper While] seem = ing like theclap-pers Just, ad lng with your Map-pers While seem - ingHONK! 4, Hold Your Head Up High ‘Tempo I (piu mosso) =6.804. Hold Your Head Up High Mo. dolce e legato = Fairground (FISH DIALOGUE OVER THIS) AA MAH AEAa A RA AAKAa A AKRaAKRAA A A £& G&A A f+H TUCOD DDD HH HONK! 98, ‘Submarine What agi 4, Hold Your Head Up High et 'HONK! 4. Hold Your Head Up High poco accel. 1osso J. = ¢. 86 Bul 1 want 10! go fas = ter mp Wes a sil 1 could mas ~ ter NoT'm not, I ovld CEPT TT ATF egsmus ache 130 on all day 1 feat feshas 3 dai = 59 [No they dont, ae you era = 2)? MOMARANAARAARAEA OER AAPHONK! 4, Hold Your Head Up High 96 should) stop! P ‘Wouldone lap ef the lake te 0, °K? ‘wing Cart we have one more sy This is knackoer ing! | He swims better than 37 WnHONK! 4. Hold Your Head Up High rall. molto Broadly J.=c.78 138 | it Like the fost happy fel= Ia White | down | 4 Le te mas ap py f= Whe down pal-ler Mast |beep = at ingL— tke the cap-pers Jos ler Must keep ~ al ing like the clap pers Just, OM AHOAAMAAAAAAMRRAMAnneTMI ta HONK! 4,Hold Your Head Up High = ing—— with your fap ~ per. contained excitement» ‘yah EEF EEFEEF sub. But [noth - ing can de~HONK! 4, Hold Your Head Up High IF you hold 179 Con moto RAFRARAAARAARARAKRAARAARAARE = v FOF OF onHONK! 5. LOOK AT HIM (Ida, Drake, Ugly, Henrietta, Turkey, Cat, Grace, Maureen, Ducklings) (IDA: "Drake! Don't sara hint™ Moderato : J=c.90 of DOCRENES) mp[DA] freely [Now then.child-ren, las not make a fuse 2 7 HitthH Leck at hi! ‘Are youre e's ea mp ress Family Uke-ness is - ot song 6 poco rit. Freely Sill youwon' poke fon of you must get al- ong 41 Ploeg. IssttHHONK! 5. Look At Him pitt mosso =e. 106 DRAKE: “Itell you e's turkey." IDA:“He's not a turkey, He loves the water" FAA _A_# EFEFEFEF IDA: "See he dido'teve inch! Come along all of you now, DRAKE: “Canter sauce follow me. But say close o me a al ies, or you may get 13, trodden on.” CFEFEFEF A firmly funky march d20.96 .o p And be ~ ware of te Cat (They waddle off in procesion) 'SARETY (or ad alfofbay 2, p CREE] Look it him Legs a ban dy and the nett are knocked 2 PANAAAAARAACUCUU EC UU eet HONK! 5. Look At Him a SOLODUCKEING) (BUCKERNC) Dadwas ob-vious-ly egg-bell-shocked Bet the neighbour scram and how! tf tf DUCKLING 3 “Oooh, tou” 26 mp! Whenthey se ourbrood He's thefoul-estwat-er fol Whyare you so nude? tf EF SS EF EFEFET 30, nf CRIS SOLODUCKEING) Look hin Looks a5 iP he'sjut been badly squashed Loe 3 him All is feat-ers shouldbe vel val wal Anthemic J =. 106 34, imp (Like the school eit) There's "a prob ~ lem with is face thing seems toHONK! 5. Look At Him ca 7 common) 6d oz We his beak it needs atrace | Just w keep it | sxniehe SOLOBUCKE Some- thing seems to gre DUCKLING 4: “Isnt it obvious?” ya DUCKLING 1: “Have you sen your refecsion?™ g of DORN] SSS Why don't we play wih the fish— est Be -cause you'd scare them = Lam A AAnn nen| ene bi evI “Ge HONK! 5. Look At Him (ot “6 ancy que) \U IDA: Helio, Maureen’ wah, wa, wah, wa, wa, wa, CF EF CT |e p MAUREES-o. Ht De. Whats bout Deis hho ah. Shes a (Gtop as she does) poco meno mosso J =<.96 a of [MAUREEN] Look at him Come on, 14-3 tell me what went wrong? Look at him Di you leave him io. the colla voce mf colla voce admire you for yourpluck Sct = fy olla voceHONK! S. Look At Him Atempo J e105 o MAUREEN “Wet mute ei He may be no pin-up duck if MOP MENAMAAARRARARERS "eard the children from the famouse are throwing French bead into the water, Iteounds ts chic 1 don't want to miss 00” SAFETY 63 4 Steadier Bi Lookat him -Youad-mit he is a | bit ex -taeme? f DUCKLINGS) [Now our par ents wil stat Justa varei- ation [on 2 theme 1 don't want te see my son uid bling He's a tue ly ugly sibling legatoHONK! 5. Look At Him 7, Why is that everyone hast jeer? ‘There's your eo Bp a np ETA] 7 wer dear Leck Peck! Peck! Peck! Peck hale to be pich-y But (DUCKEINGS T OTHERS) ¢f ck, Peckl Peck! looks a lit-te bit dick = y! Both Did you ever ee a £ ig with wings?HONK! 87, ‘Thereare times you have to be enkel to. be Kind rr Boch! Gobblelugh adh. TURKEY: Lineupeveyone sat one atthe font” URRY] 1 you gave the Cat his ta Lookst him is no doube Look st him Doeshe have is gible in = side out? Whatelse would ex -plhin his looks Being quite 0 rough? 7 3 S.Look At Him No-to=dy would He's an ug ly one there Gobble ugh a ib oa . How on earh will gour-met cooks PRAM AAANMRARARRAHRAAAAHRAARELUUCCTC UII HONK! ‘5. Look At Him ; (DUCKEINGS + TURKEY + HENRIETTA) poco accel, 96, f ook athim.tok a ws, See the | ast erence SF. [BlLook athim.took at us, See the difference 109 of TSRETT Lookat him, look at us, Where's Some-imes we find nf TRE $ Lookat him, look ats, Where's Sometimes we find * F 403 rall, some cess neve et [hack | Cats-Now THAT'S what | Teale oak! | ieee! 49HONK! 5. Look At Him Cool & Jazzy - colla voce J=c. 80 107 | mp (cat) Lookat him Still a ducking but there's so much moe! ‘Look at him Finest eat-food that 1 S <— 5 Bet-ter sill he won't be missed From the things they say 13 rall. Tempo Te accel, J=110 May-be tey'let me at sit Potting him aw ay x of ———$ —— t 11g BYIBHELY rupacey:-Now,in a moment you wil be evened to Her Gree the mon dsingised Duck onthe ke. EFo wit, PAMOMAARANRAARHAHRARAMARAMAAAHRETHAI nTAh att HONK! 129 5. Look At Him She was once paired witha Mandarin snd you will sie that he has a ed band of loth round he eg.” DRAKE: “Should it not be EF 12 ritard, orange fora Mandarin? You know, Mandarin Genter Orange.” TURKEY: "tats the greatest itinction a Duck ean enjoy. It means that she ny Istooked up by both men and animals.” Slower mp 86 IDA: “Now, doa’ tum your oe in jst bow your hands politely and say “Quack!” rall, a tempoHONK! 137 nf (DRAKE. TURKEY, HEN, MAUREEN] Look a him t pesling i = mf Now he's m= ning our [phot ~ Mote Nature must have| had ‘Atel-atcion one shold] sever Look at him A ret [at = jon one should Lok at im Na, ns, aaa, 9, 9, m8, al 5. Look At Him fea Bist imag = ine how he's tough ih away he's quite ap - Nasa.naoa.nana, ls PHHHOHHAHRARARAHRAARARARKeHONK! 5. Look At Him i pe Pocorit He is gew- hy in what -Jev= er he does oh He ome — in wt = fore er he don ot avon wry ff my son and Tbe him Do you seewhatyou've done? You're 10 146 of 33 T. iG 2 = c = mE = E rm = = 4HONK! 5. Look At Him molto rail. 149 [Many angry gobbles/luchalquacks et at everyone ejects I's theory) a Broadly Jme.86 152. p (GEN. MAUREEN TURKEY, GRACE DRAKE) Look st him. ‘And be thankful tat be’s| not your kid Lf (CRS, Bound © go the way the | do - do id Ani he's worse than an= = = = = = 1 HONK! 5. Look At Him Bo-dy work de-signedto shock Prospects pret-ty im He should form (nnocenty) La a, la 199 _p TED Look stim, Lookat me, 1 You'tlag-ree ‘An=yowbereyoo look will be less ey mp of o = (= Look st him, Lookat me, Lok at you, You'll agree Tame} here you look will be Tess edHONK! 1622 56 ff [rian pimpse— OF tis| wimp of wimps mare | an glnpse OF this | wimp of wimpe His neckjostmade to wring Presto J=120 Lento 5. Look At Him DIALOGUE CAM MANAMOMMHRAMRARARAANECUCU ODUTO TTI ItN HONK! 6. DIFFERENT (Ugly) UGLY: “Was wrong witha? Qi HONK! Qin Qh Qan HONK! Colla voce J=80 nf =p they knew — just how dearly T would love to qu-HONK! a o™ P é poco rall. Gently J=c.90 poco rit a tempo: ‘mp ick the knack im juet iff erent en just Ba, 1° sempre sm, itt erent from theres And who can blame tem seanting m&— To Sind another nai? 7HONK! 6. Different i poco rit, itt-ernt ie nave - 97 Different is-a't bad. So why should bering different make me uF pitt mosso poco rall. atempo Tm just di erent ‘won - der they make fun of me Life's hard - er when you're odd But different isen't sear ~ ’ y poco accel. poco rit. 21, eA Ditf-erent is no. test ‘And though U'm sill their broth = er— they for get 1 ain't AANMHRAAAMRAARHRAHRAMAAMAAREHONK! 6. Different 4 pitt mosso hoose (0 Took this way I didn’t want to be un-ique I don't ike these grb-by feathers And 1 27, hate my stub-by beak Theresa runt in ey — ‘ry litter One Black sheep in ev = "ty Mock 5 F 30, ral. a tempo rall. more resolved of when you know it's you Some -bow your ego takes a knock Vm just it~ erent 4 have a sense of pride My looks may well be fun-ny— But 1 hurt the sate in-side TUstwoIItttht hhhHONK! 6. Different Different cnt spite ~ fol Different font wrong So why is i sohand to get a AAARAAR D poco accel. rit, Broadly I oncly want 1 get al = ong. mim ARAM M rit. Slowly “4 e Ditt-eeat n't hat-fel Different couldbe swell. —— ) ge | ! i> POR HAAAReAD wu molto all, tenderly Dit ern 60 ‘SHORT DIALOGUEHONK! 6A. FRENCH TING! (instrumental) (UGLY: “1's uppored to be really nice, is French” (CAT: "Manmmt A orange!” ‘SHORT DIALOGUE 6B. DO TELL MAMA (instrumental) Qe UOLY: “Wet iyou're sre" CAT: “Tim quite sue” Fast 4 J=c.144 ary closes} -—————— RounD &RoUND.@ —————. Pers. mp (to come out; GRACE: "an apology is inorder from you two.” {DIALOGUE OVER: ‘TURKEY: “Why's called cros-on."] ROUND & ROUND.) —— ROUND & ROUND f 5 c= we : ro Ooo TO ooo IDA: “Wait a minuewhere's he gone? He was right hee a moment ago. Where's he gone!” [DIALOGUE CONTINUES) Q1o come out: GRACE: "And I'l co-ordinate La 8 ROUND & ROUND inf of = = orHONK! 6B. Do Tell Mama Spooky J=c.110 operations from the accel. poco a poco 8 grainstore,” oJ wo 12 (@ecel. poco a poco) Madly J=180 LIT AN, Sy SHORT DIALOGUE oe MPORHRHAAHMHRARANMARARMRARAKRAKRAAKREHONK! 7. PLAY WITH YOUR FOOD (Cat, Ugly) (9: CAT: Not my mother though, she was diferent Do you know what she uted sy to me?™ pn a You can scratch the an = tque form i-ture. to shar~pen up— your claws You ean colla voce throughout verse lac e- mie the eash-ions if you're ev- er shut indoors ‘You can dig up all the flow-ers from the suf (With via 28) “ee Freshy plant ~ ed ede ‘And with amie les of clothing i's ©. Ko pull somethreads But 1 re= 68 TA 0 ReeHONK! 17. Play With Your Food fo colla voce (Quis music box fe —__ ny a deliciously dangerous J.= 130 play with. your... food. be-fore you wy your chow before you chew ae a OE eda Pay with your ee ee ee re ee rarTUSTIN HONK! 25, e ‘You can play with your food before you bite it jt 4 _ a sempre simile vey with your tuck. before the crunch You can ply with your a2 ——-.. =F poco pits mosso J.= 146 Wea cra-ty lit- te game called 7. Play With Your Food fooa_ why iad Con moto /-= 156 CAT "So tell me, Ducky, what would you like to play? Itee ee ee = 0 HONK! 36, won't tell your mother” Presto J= 140 paddle in the puddles Dab-ble in the mod Chase the pol~ Iy-wogs in the shal = lows. may-te 9 and sy a i her's time Go Arageon = fly Watch wat = er bost-men race To sty that cate are dangerous 17. Play With Your Food rall. UGLY: “Anything? ... Well..." slid=fng in the slime To the march where you find marth mal= lows. fds 2 ~~A ma maneaMAaAHRA@RARARARARAAHRE |POCKMNDDDITTIIT ITI HONK! 7. Play With Your Food rit treet 56, ¥ raibver play a game t's sharp and witty Atempo J.=130 $1 (deliciously dangerous) preferably with some-thing in the tety— You can Ply with your food before you ef staccato You can jest with your join. before you slice play with your food Bat dont aHONK! 7. Play With Your Food You can play with your food. before you gulp it pw Iesewith your meal be-ore you munch ‘You can ply with your food then pulpit 6 pitt mosso J.= 146 em ay lit~ te game calee— cia 2 Presto J=140 ishing. ia the rsh = et Dashing down a dich Find kindof place where its 6 PRAPMRAAARADRRAMARAAAAMKE |97, J I t 102 17. Play With Your Food ‘Then make 2 lt-e camp tht is see-ret-ive and. damp For me and my mate the S and join our games rit, promise fix To sop calling me names help you 9 for~get— the way they scold -ed_— Jost 25 soon as I hve got my nap kin TUT GIO 8HONK! 109 Prestssimo (in 4) J= 220 Produces . de eset Slower - spooky J.= 110 a mp sempre siac. 17. Play With Your Food PRAMAMAMARAHRAM ARAMA DAEHONK! 17. Play With Your Food play with your food before you est it You can chiv-vy your chow before soo chew You en 1HW ( HONK! 7. Play With Your Food Piny with your food you cant bet. oS a re RAMRaAan ae a a Ja f eck ysduck= rece sick y. dak yet me py wih you Yo can Play with your food be- fore you PRAM A MAR Ae Swing it : sudden rit. J. = 80TUCUIoUih OTT Te eu HONK! 7. Play With Your Food ee ral. molto rall, 4. *cm- ay lit- te game CAT: Do you like oranges? UGLY: 1 don't know. ve never tried one (CAT: Well suck on tis. (CAT saps sie of erage into UGLY"s nou) ¥ Prestissimo a Is] ~~ — ; Fe = “rads die) DIALOGUE 3HONK! PRRARAAARAARKRLAARARAAATES 1A. LOST (Ugly) UGLY: Ob no, hey coming in. (areca Allegro J 140 SO¥SUOISE-s00gokiece, Wet hneto potouh te wn.” UGLY:"Oh ot Pty Four tims [eset forthe CAT's aie disappears) UOLY:"Now, was Ht fight atthe Cow Shed and um eft s z oe = A eee Eiecee gota bend P leHONK! 7A. Lost the Heabouse, of... oh no, we passed pig's ough, has right, 1 remember the smell, and dere 2s was a waterbutt be woulda’t let me swim in, and... no, T'm sue it was left past the Cow Shed.” a4 44 16 be Fe Ee Ee Fe Ee Fe = wv pad = dle in the pad - dles ~ Dab-ble in the mud [a DOG Barks FEROCIOUS. UGLY RUNS BACK) 23 ‘Chase the pol y= wope In the shallows SHORTDIALOGUE 75 CURR u Ur roieHONK! 8. THE ELEGY (Company) GEDA Now off roost” Adagio J=76 — A [WOMEN (Rosy) 2 An ce = ie mood des -feends the farm » CREST An ce = sie mood des ~ cends the farm Ne seems so svange-ly qui= et The rall. Peo Cat has had More froush-age in tis | ai = 16 PHPMMAAAARA TORO MAAR MengeGUCCI ou ro niiitiihihtms HONK! 8. The Elegy (Sops have melody) featr~ ers have though he was an [v= Ty bird (Men have melody) though he was an ue Wy bird feather have Pod 19 : ‘MAUREEN: "I don't mean tobe rue, In the pus a's lt = ¥ sight- ed In the pus = sy's lit, ~ Ida, but he deseriton!. "DIALOGUE CONTINUES] 25 — <= z teHONK! 3, 37, 8 ipa: "No. he's out here somewhere, probably ontis way back ght now.” gloom = y But | Jook-ing on But look-ing) on a tempo ve, he fad it th = TP (sen nave melody) We find ath 1 has our sym-paies Iwighi-er side wight er side t fe |i eat ee diff eat TT sy con-fol = ing say consol = ing ‘She Tooke 0, 4d and ‘She looks 0 sad and rom = y- = ‘ings ‘hinge 8.The Elegy » PRR MP AAAARANHRAARARAA AMESHONK! 8.The Elegy 47, (Sopshave melody) 5 cr fF = ly | Dack-ting sleeps Be 4 neatran an - gers [wings igh the Up = ly Dvck-ling seeps Be = neath an an - e's wings p22 2 rit pp tempo To hight the Ug ~ ly Puck = ling sleeps Be P To -night the Us - ly Duck -ling sleeps Be = po —atiy| rall, Slowly wings 8D © | g | > DEAD SEGUE NO. 9 npHONK! 9. EVERY TEAR A MOTHER CRIES (@:DEAD SEGUE FROM :8 Andante J = 100 yi, 5, p BA Bvey tim—— T re call my name But i's your voie 1d ‘um a ound (Ida) Poco rall. Tex - pet you wap - pear var 1 hear Every mo = = . iment that you're Every tear a mother ef PORAARMRAARAARKRAR AM ALARTOTTI IITTIIITH 2 poco rall. Every diy, wil seem tp be—more emp ty 9. very Tear a Mother Cries than the last 81 peu Loo.“7 fee ee CUTE Vu auaug z fl tie i 5 $ 9. Every Tear a Mother CriUUGeUuuuuu uuu HONK! 9. Every Tear a Mother Cries SEGUE NO. 94HONK! 9A. GOOSE MARCH (Instrumental) Slow March Tempo J =80 ar cS Ff. (DOT AND GREVLAG ENTER} (DIALOGUE OVER) GREYLAG: “Now where have they gotto?™ [DIALOGUE CONTINUES} = EEF HF F |e ie faadg ad a . i 3 RAMA AAA ARAMA LE TMP Pe AAHON 9A. Goose march 7 [DIALOGUE CONTINUES] 3 staccato sempre 20 [DIALOGUE CONTINUES AS MUSIC FADES OUT BY ROUGHLY - GREYLAG: “Ba! Very well”) DIALOGUE 85HONK! 10. THE WILD GOOSE CHASE (Greylag, Dot, Snowy, Bamacles, Pinkfoot, Ugly, Cat) Q:GREYLAG: “and I know you will give of your very best. Goodluck, men.” Allegro marziale (swung quavers) 4 =148 L pg | tenor nen I qutd = ron will show no fear eof and 0 matter i AI = OTR te mind opps THs cS PPR ARRRARARAe AAA * AA ALF10. The Wild Goose Chase np CREA {0 find your home Run = way's clear Pre-pare for tke = of legato r eyr ™ staccato fear his cab in lights we rath = er dim UUUUIeuoooee aTHONKY 10. The Wild Goose Chase rissa Por i fon de ‘And our simple miss- jon pot= it~ fon the t F sempre staccato wheres a touts of your | faim hese 8 bows lbiown n= to king-dom [come won't be hack un-al we've found less we're blown ia 10 kingdom come We won't be back unt we've found your it 4 1 . PPMP HAAAAAAAMRRARARARRALASEHONK! 51, 10: The Wild Goose Chase DOT: “But we dont know where his fam dest, How are we going 1 plan the roue?™ * ene $6, GREYLAG: “Don't wo, navigate.” DOT: “That's what Iwas staid of" nf sempre staccatoHONK! 10. The Wild Goose Chase 7, on 3S os fav = ing 8 pand= er For what ‘ould be grand er than ‘AWOL missing ducks? 33 3a i Lr BARNACLES: “Excuse me, si. Bulushessdvancig rom the rear.” GREYLAG: “What? I think we've spoken befor onthe subject of your specacls, Bamacles. Get em checked, Bulrshes do not advance, One of he things they are most famous for is being rooted othe 5p.” 75, (Gaaztarat) ROUND AND ROUND UNTIL Q CAT: “Hello Duchy thought I'éost you" GREYLAG: “Stand buck or I'll peck.” CAT: “Ooh be stil my quaking legs -I'm going tobe AMM MAAAMAAHHHRAAHAHAARETWIN Ati HONK! 10. The Wild Goose Chase UGLY: What are you doing hee?” CAT: “What are friends fr! I've come to tke you hme, your mother fe carying on vmething feat UGLY: “My mother? ... you've sen my mother?” CAT: “Of oure. She sent me wo fetch you. Special envoy." ‘GREYLAG: “Listen here, Ca, 'm in command around here snd my squadron has taken personal charge " of te Ducklings safe retir thie mother” CAT: "Well wouldnt try flying athe moment Havent loco tripe you heard he guns?” GREYLAG: “We will commence manoeuvres 8 $0002 he shosting party is over” SNOWY: “It's their pany but 100 wel ly fe want to, ba, TF BLT 2 SNOWY: "Link joke sic” CAT: “Maybe lox be of assistance. 'l go over othe shoot, then I wil lt you ow when they are packing up forthe dy.” m1li HONK! uy GREYLAG: “Very wel a5 nd 0 nny busines. Lknow several ‘waysto skin your yp." min 10. ‘The Wild Goose Chase (CAT: Is Hke taking candy from baby.” mo oo 2s Poco rall. 15 p SOD ONE] 120 92 ‘a tempo Were oft ones) fous can perform this Sempre staat bon You may think it were oy that a squad Soch as andwe'll prove that's | SHOMnaMAHRHARRARAARAARAAHe ‘off andwe'll prove that'sTU HONK! 10. The Wild Goose Chase av [oid ~ ing e ack-sck We't | search. for this quack-quack And 129 GREYLAG: “Company presen paper Company presen comb!” GREYLAG: “We ae sbout to fae our most perilous mizsion to dst. need hardly tell you tess aseved oof the ultimate price sat we 135 mp SQUAD MENS WOMEN) ily have 1 poy -_ S Date uke GSR ut Gr du dtr {Comb + paper med tumpet ound %3 Lok LiHONK! 10. The Wild Goose Chase (ase for Solo Comb und Pape) GREYLAG (cont'd): “AS we fly ono gory, wan you to know how very prod am of this squadron. My done | SR anrsuncae oddone dohe due de ap SRR] ag. 8##02 if opper beak, men, and remember our moto "Semper vicerum non pte fis re” Dube dune dune date | aot aut aur utr Jane DOT: "Grond aflernann ie and eenemen, Minami tm srsninr sh anendon an HabnlPat ante Peat Pl 15) pp SQUAD) (Sono voce-no com & paper now.) PAAR AAAANRARHAUUUUNUEEToUeC ETI HON 10. The Wild Goose Chase 4155 Ske to weleome youths terooes igh rom Boggy Mantlnd wo some farang fam, We willbe ening at an aliade tom tom a bom tom ts bom bem ba bom bom bom ‘sempre staccato ‘of several fet and fying in a rather atactve Vomation, In th vlikely event of an emergency landing, 159 3 oo ‘we as that you observe the safer procedures that we have Been through so many, many times before 164 3 I ‘bom ba bom bom tom bom — bom ba bom tom bom Bom bom a5 I ‘We hope you havea pleasant jumey, and thank yu for choosing Goose Air, "The Fy Skies 168 Broaden tom os ‘ a : \y 5 5 g i z f i f ose Frere 2 seew 4 95na HONK! 10. The Wild Goose Chase in f fuck ~ ling ie mot x0 fi_ft Sf fff pit mosso 176 (CAT: "The const is lear ‘won't, be back until we've found your. (P stace. (except tp line) fof ALA ff ‘Theyre pong away ter guns.” GREYLAG: “Are you sure?” CAT: “On ne of my lives” GREYLAG: “Good. Alright men. Fina check 180 <@-—————~2-———~a 2 Oh, andhere’s parachute foryou." CAT: “F...forme?” GREYLAG: “Vou don't think I'm going to leave you herewith the Ducking do you? Ohno, puss, you've coming wih ws B85 Sa 72 rr > { (Pause oly | 96 PRR PAM HARAAHONK! 10. The Wild Goose Chase CAT."Oh.cat_ (SQUADS GREYEAG + DOT] my a of, ; 1 ow wings ae spread Our] excess bags are|stowed a - way Ive ms So don't delay 7 tineaHONK! 202 ae Dambusters J=118 ‘They're off 10 ty and find the|turm Andwhen they've found the Sf BES poco accel. With 2 hap ~ py end = ing im-pend — ing IF With © hap py end = ing. im-pend -ing IF 10. The Wild Goose Chase farm, they find my mum And we wil ZSaeamnenaaeaRhRRMRAMRARAaaAanRneHON 10. The Wild Goose Chase 20g. (oe0 accel.) Jers0 TH bewait-ing| come bye, wodele=pip old 20, pis mosso 2 Wel won't te back! Wel wort be back un-t of We 99 BCR Hh |29 Con moto J = 146 HONK! 10. The Wild Goose Chase ‘won't be back un-til we've| found. SF aan os SO (ERO ot Fovnd VERY SHORT DIALOGUE Semana HAHARAARAARAARAREHONK! 11, ACT ONE FINALE (Hold Your Head Up High - Reprise) (ida, Ugly) UGLY: "He dhe people ad pave hi gus Sh Mama, whe sou do now?” Andante flebile J=96 Ba JHold yourhesd up P ee not Slwaysso ea sy to Hold cola voce 7 poco pitt mosso J = 104 ‘And ap ~ pear bright and bree = ay When n0 smat-ter where you are sty ~ ingHONK! Poco meno mosso I rit, DIALOGUE: DRAKE and {DA} your voice {wil seatch every pond 1 will seachee=er| stream tt I willearch every pond Iwill searcher-ery sweem—— 11. Act One Finle ———_ ROUND AND ROUND until @ IDA: "Try to understand, dear mother knows." (Allow LH, tafe) OR ARMAMAanRAMaannaannananUR HONK! 11, Act One Finale ‘And the broadest of tays Tn the widest of | likes most ‘And the brosd-est of buys In the wid-est of lakes must 3. of While you are miss ing. of ‘While you are miss-ing. from my 37, ral. Withf out you 1 feel | ose Without you 1 feel bot Li L ia)HONK! 11. Act One Finale Broadly J=108 \ | i G Poco rit. | Mi fs ee = i _—_____ ‘And all the or 4 Wu rt a tempo ——— SSS = = } eee |e Ieee Me estoas Le = ~ a ii eae vend tg. feact-b gt hep pad ho _—— = PHMARAMMRAHMRHHRHHRAAKHMAAKREHONK! 11. Act One Finale 55, rall. Animato!=120 ” fs 8 dream thats washed a [Ewa i 2 E isSUUUEU | Fs Ib 11. Act One Finale oe Will lp me HONK! $9 URBUUEUEUES | web € 5 q rit. vé@HONK! 11. Act One Finale Brisker 55, rit, high wa igh Threatening J=s8 (We seein the doorway the looming shadow of he OLD WOMAN} 5 6 poco rit. z wf 3 valid END OF ACT ONE E C t - i — = o = =3HONK! Presto J=c.150 Act Two 11A. ENTR’ACTE, (Instrumental) QRAFrAANMANANnNnnannanaAnanneTUUCU UU at HONK! 1A. Enacte VOICE OF THE OLD WOMAN: “You two goon indoors I'm going i sweep up the leaves fom the font path” of UGLY: "Oh 90, people person!” (QUEENIE and LOWBUTT enter) ‘OLD WOMAN: “Ill be in Inter to give you a dish of eream. (QTOEND: "I fancy brown oe, wih speckles” [DIALOGUE OVER} a & DIALOGUEHONK! 12. IT TAKES ALL SORTS (Queenie, Lowbutt) (Q LOWBUTT: “Queenie and are domesticated, you se.” ‘iso d= (QUEENIE +] Allegro preciso /= 170 anes mp Towbut ve lower if posible) ® lakes all sone to make a word ‘mp sempre staccato 9 takes all sons to make a world Bul We don't want “em here 0 PRARAANANAAAAAARAANAARADHEHONK! 12, It Takes All Sons rood and ibe er al Pill sostenuo fakes ll son “to shake a word e's mrs: ‘py, QUBENIESSo,you shouldbe ra that we re eenbthring to eer into converton wt iff like yous. You see Low. ‘so named because of an obvious deficiency in he leg deparment,.Lowt ie manna mos particular about whom she chooses to speak 0 26, | | mw =o == = =_3 == = = ==HONK! 12. IeTakes All Sorts LOWBUTT: “And might tel you that Queene is downright snobish when it comes o soil intercourse with poultry. 1 count myself most 30 34 2 34, forsunate that our common interest in needlepoint has rendered us such close friends.” ox 2 Fo = = sempre staccato ou - ven riche Our per ~ feet niche is here onthe set = tee ow - 2 rrr mmmsmmmmmsmmmmmmmmmmmmmmmmmmmmmme PHAARAANAAAARHAAMAAAHARAESCee eT uuu UCU uuu yaa HONK! 12. It Takes All Sons 27, LowauTy) vide the world keeps chang ~ ing legato 51 rall. poco a poco oes - n't suit dom = es - tie “folk Ws best left for you ducks = ore iL ay ~ atempo 5s wor takes al font to make & takes all sons us (==HONK! 12. It Takes All Sons $9 3 2 2 , 63, Ft vaste in good and | ib-er-al Our [views are well ex | pressed | onmmnannaaennannanannanne me edad Hed On mas e-em a fee ee ad es? «3 of pitt sostenuto 5 | F staccato <> Tes ju chat jase that 24 i na SHORT DIALOGUEHONK! 13. HOLD YOUR HEAD UP HIGH (Reprise) - (Ugly, Queenie, Lowbutt) (CeLOWBUTT:*... i's asm as you can dt get your pope.” Say: "Coy Con brio J.=76 To [splashing please Look at ue all a-stad = stead - y watchthat | ed - dsc your] nigh (coxmur| T think may be he's had too snuch sunHONK! 13, Hold Your Head Up High (Reprise) 10, nf Dan ger ign Thats | ish — ing tne ERE my | RBUT A ng This is mak - ing me que - oy don't find it m0 en = oy Cet LES Tee ee etee peeeey seang-tes it Jang ~ tex youup figh rap (QUEEN) This is hard—ly what 1 would eal fon 1s un-satur- al » I he Should vis it the vet nf UG Se This is woneder ful 6 SPMAMAANRNARHFAAABRMAARAMRAAACGOogagoua 1 } UUCCUUUUITT HONK! 13, Hold Your Head Up High (Reprise) ae ite best tobe | wet me Mind the molto rit. slightly broader 27, way F and Vivo i der-ens of rinenles and 2 bee | way |= Tan) 7S ce = <= Thovgh f+ fering my ppl Keep pd dingHONK! 13, Hold Your Head Up High (Reprise) | RAR ARAN AAA DAT A AAA . the clap ~pers Just keep pad dl- ing with your fap -pers While seem = ing i poco rall. to be | dram ing. Gently - sweetly Cae 47, (QUEENIE & LOWBUTT avin” wit UGLY) again \ usPEER eee eee HONK! 13, Hold Your Head Up High (Reprise) $1 Madly a } of PELIF IY rkigs Big and splashy 5 ngHONK! 13, Hold Your Head Up High (Reprise)/ 13A. Tom Cat Sting [QUEENIE @ LownUTT _athr thei remaining igi. om a Allegro J=c. 160 ® st sone to make a | world ay SHORT DIALOGUE 134. TOM CAT STING (Instrumental) QUEM: Dit once Tm Cal” Sultry J-= 0.70 _— of VERY sHoRT DIALOGUE 120 PRA NMAMAHAAATHAAAAANKANMKEHONK! 14, TOGETHER (Cat, Queenie, Lowbutt) Q:LOWBUTT: “Oh nol There wil be ters before bedtime!” = €. 80 (guide) Free and raunchy me (guide) Madam, 4 be hon-oured Though I'm colla voce mp we couldget to = gether Maybe share 2 ish of ik LowavTr 2 mp GEE a (@ UUGCTU Uo atHONK! 14. Together Tempo di Puss on Heat J=c.120 n of the tee. we will to 2 RO np To - + ter PAPAAAAHAANMAAAAAAA ANASTUU UU UU UU UU UU uuu HONK! ‘You'll te towing up fr balls 14, Together14. Together witt cud ale fora | ean we will cud te fork eae Animato J=c.170 You could a vivo ~ in Sempre molto staccato 4 | mp un Mire yes forgot = ten der? The cin hee contined ‘That they can ft you ig be i, Youmeed fo be dewormed And wih your stat ay You al -most filed a pack SS SS SS = EEE = 4HONK! 14, Together 54 mp 7 ‘So. may be you should go Wes on-ly fair 10 soy Thatshe is ath - er prone eee RN ‘To-canry par - acsites Her fur is not berown And. onthe hy ~giene front To be both frank and blunt mf Ws term te you don't know — AL ~ though 1 don't wish to Vette . to CI J]HONK! GA mp hee: 14. Together RHRAHRAANAHRAKRKRHAARARAARAANE |COUT UUT UI UU UU UU uua) HONK! 14. Together Desperately J=c.170 op XETT fess You have to help me out imp Ws Tookeing pret = 9 grim What will be = If she should go with him? be $9, = She's gone all goo - ey eyed And Tam ter - fied Shell awe me onthe shelf 127HONK! 14, Together 95, ft = Oh dear, a= las, a lack The duckling has e5~ caped He won't have got that far IF you str mak ~ Sag wacks You're bound to hear tbe Jo of ‘And exch bin for your self ‘Tango di partire 103 Very grandly J= 120 Jee 140 with in your 128 ,HONK! 14, Together (The CATIolds QUEENIE 13 suspended ashe decides... He dops her...) ge ee Lento doloroso J=«.68 pos 2 me tee we wil ov-er-come this hean = ache To. ~ sempre colla voce IS, = = == 129 VUUUUUUUUUTUUUUUVUUUITIHONK! 14, Together pp of To| ge = ther ifnothing real-ly mf ther we've the strength 19 see it through To ge - thes ifnothing really By . mp a . we wilsay.ay, ay. To} ge - we will suy.ay. ay, To- ™p . 2 Fo- ede we wilaayey. aj. To~ ge = GE we wl ay Toe g < Eee be of i oF ja¢ Molto rall. By ‘Tempo di Puss pe wwe wil sty as me aed | sou 2 ther we will sy 38 me and you ow | Se ce | e € e e. € e& € eq Ee e e& e« | & Se c Ee é € 130 SEGUEUUUUUUIII CUCU UU UU UUUCU HONK! 15, THE COLLAGE (Drake, Ida, Company) APPLAUSE SEGUE FROM 114 rae, Moderato - swung quavers J= 110 legato - an old racklblues [Bas = Rhythm ony] mp My: mistake Was let-tng her go search ing— for my optional repeat — Yeah that one! = 7 ve spent weeks Filing. beaks Hear ing “Dad ~ dy, Dad - oj, Dad - 3)" Tm de = =HONK! 15, The Collage presied Roundthe nest Day and night — [BIALOGUE SCENE PLAYS HERE: DRAKE: "And what son of tne do you cl WS?) {gTO CONTINUE: DRAKI don't ake al the water ig enough” Pe Straight quavers When Ide asd she'd go Thad wo et “er ‘A. shame,be- cause this apron. suite her S a7 Tale Laconically J=c.94 Where's the 10 be done ‘Then when you think you've seen RA PRAARAAAAHANHKMKRRARARARARAANEttibthunntnithheah HONK! 15. The Collage You find in ac ~ ual fact you'e back a square one Trer’s m0 in motheer~ hood Or there is, HS something | just ean tetr, Grete 2 Slowly ei Yet d= a somehow copes with all of thin And then. on top of hat she pus up with DRAKE: “Now what?HONK! 15. The Collage With tired determination (still J=c. 110) 1 will arch everypond I will earch every steam Ev = ey v= | ARAN AAS Andthe brood - est of Bays ia the widest of kes mutt, Ra [Bass drum ony] + 4s, rall. molto rall. who's feeling ost,CUUUTUUTUUIUUUUUUuUuuUud HONK! 15. The Collage Slowly J=c.78 pp WOH) 9, ‘Look at her It's ashame thatshe won't} face the fect ‘Look at her Can't she see the way the pp (as) Look a het_— Ie ashame that she won't face the fac Lok at her Cant she see the way the s 32 ‘TURKEY: “Well have you heard anything from Ida yet” DRAKE: “Yeah the pigeon dave se sacked? sxe sacked? note hit morning jst says Tm ere, Prat’ Botom’ I duno if thar's plac a if she's jus being cffensive.” SAFETYHONK! 15. The Collage $8 mp Look st hei— Noth ig. shakes her trom er [song be-liet mp (EN ‘Look at her Nothing. shakes her strong te= IDA: “And he's about high with 2 $0, ‘ther characteristic hork.” Look at he W's Fo hard to come wo fiers with grief Look hee GREYLAG: “Sounds like that squaddy. He sho trough while ago. say he shot, ‘rough. twas ws who were sho trough Practically brought about our Trfalzar” DOT: “I think you mean Waterloo. dar: 63, SAFETY jh 136 AAA ATARATANAAAAAAAMANMKEHONK! 15. The Collage WOMAN] a (SoLo So con-vineed she's get ung So con-vinced that she ie get = tng near She's a lit = te Shemay be a litte Ite we fear LOWBUTT:“And how do we know you're tu Cat?” IDAs“ your srdon?™| accel. poco a poco il fear LOWBUTT: “The lant Duck who come bs bet, tryed out tobe 3 Tor Catone 2 ose nasty tasfetheresHONK! pitr mosso J=¢.90 74, (accel. poco a poco) (QUEENTE: Sadly there's fi Sed ly there's (Common sense 15. The Collage would PRAARRARANANRMAARAARRARARANEHONK! 15. The Collage TDA: “And he was last seen traveling inthe direction of Moorland Farm.” CAT: “That's Nonh of herent?" IDA:"V¥es" __ ‘SAFETY ‘SAFETY (CAT: "How very ineresting.” IDA: “You!!™ Cat-a-clysmic J = c. 140 6 = Finp oi) PENNY rit. Help mel DIALOGUE 139 BUR eu uuu uuu uuuay tH # HONK! 16. NOW I'VE SEEN YOU (Ugly) (@; PENNY: "Goodtye and thankyou agin, won't forget you." [PENNY hugs UGLY and exis] PENNY (offsuage) Honk! (UGLY doubletakes and Tooks confused} UGLY {OVER THE MUSIC: “What a wonderful creature, What a wonderfl beautiful eesture. "| Gently - not too slow J=c. 110 J wd ra —— |imp —e all ql We seen butterflies on bluebell Drinking nthe dew Cobwebs in the BQ sempre si, sunlight Te seen woodlands in the Lm MMM aAnnnnaARAAAHAAAAanneMCCGDODCUUICCC UU uuuue HONK! 18, umn Fall=ing leaves of ca = ding Spackling in the igh =F fom mom-ing sil = ery shade and hue poco rit. you Mae i 16. Now I've seen You quite free 1 thought knew what a tempo Ve seen waterfalls eas ™ Be. sel fies that dance their “CL rain -bowsreach-ing 141HONK! 16. Now I've seen You shy = ward Pais tet-ween the clouds then fade from view 1 thought 1 knew what ppd De? poco accel. pit mosso 4, mf beau = ti ful was But now T've seen you And though T've sean the will -ow's weep-ing ——— The mis= ey momming aie A clear and sary nd a tempo - rit. molto rit, but a little broader 22 > night. Hasnoth-ing 10 com pare ith _ you Te seen seathows inthe RRANAANHAAARARANAAAA ARSWUUE UU Ue UU eUUeuuuuuuuuT HONK! 16.Now I've seen You 46, al 3S aa == aS if rT oF roe e poco rit. atempo Ss sist Oveer the hor = ¢ 4 stringendo mp ue 1 thought 1 knew what beau = = fol wae But sub, mp H i i 3 4HONK! 16. Now I've seen You « ov Fit. poco a poco you fo mR al él) alk oF —= == —y, (rit. poco a poco) Crestfallen PP E z VERY SHORT DIALOGUE Wi ai us| PRA AHRAAHMARHHAMARARAMRAAAKREHONK! 16A. PRE-WARTS I (Instrumental) Q.UGLY: “Buti the does. why would she want to have anything 1 6 with me?™ Presto J=<. 190 7 PEt [DIALOGUE SCENE PLAYS HERE lo T0 CONTINUE: [BULLFROG: “Do you mind if hop off and come tack on again” * SHORT DIALOGUE 145HONK! 17. WARTS AND ALL (Bullfrog, Ugly, Froglets, Company) (Q: FROG: “But you mark my words one day “ugly” willbe a” Jaunty J.=¢.190 of 5 np TORY Wf you jut sit ght on your “how's sb-out your what si” For fish fon is POMARANHAAARKRHHRAAMARAMAAA Cd Toe U UU UCU uu : rall. 17. Wans And All nf Anepoco pi mosso. J.=.. 180 Though Tm. 17. Wants And Al FEAANANAAARA AKA ARAA AMEWUUUUUUIIOE HONK! 17. Wants And All ome time 10 find ‘em— When you do you'll have a fr oot ‘here some here Some = one's gon-nalove yer $5, UGLY: "Do you relly tlieve that.” SAFETY ‘BULLFROG: Qe move on ‘Tm teling you Feather..." SAFETY = poco pitt mosso J.= 200 sun sie of heHONK! 17. Wants And All So why not et your "tet= ter ptt shine font BULLFROG: 7, “Thats the idea..." 6, mp (GOLF) Hes — al 3 od a a er Soe Bee be They med ee ie 150 PRA ANANAAARBUUV EUV UU UCC CCU HONK! 17. Wants And All yen some pot at - It’s bubbling - but the lid’s still on J.=.¢. 176 an im ling yo. Fester” maf ou there some ~ one't gonna love sempre molto staccato BULLFROG: “Now you're 90, ‘raking my language!” Some = one's gonna love ow thee in aud dy podeHONK! 17. Warts And All — Som = oneness 2 ext ‘Though the chance is 102 d=186 may tke—some time to find ‘em When you do. you'll have a tall re = - ee ER 152HONK! 17. Warts And All / ‘ere tome where Some] = one's gonna love ‘here some where. Some Ps gonna love ~ 2 . “Start to wind it up’ = slowly J-= 0.190 FROGLETS) ene 1g BULLFROG: “Tell ‘im kids Somewhere out = = = = =_ = = = =17. Warts And Alt =e.194 1 f sub, mp ‘They'e gonna love yer Wars and alll 13 —————— f = Some— will find me sex = yo im mys way Theyth find you RAM ARANNAARADAHONK! 17. Warts And Al Vv When you do you'lhivea— ball may tke rome tne 10 find ‘em- When you do you'llhaves— ball Thowgh it We know you're gon d 4 4 subs WUE STUYHONK! 17. Warts And All ral. F RRA IAANARATARAAARAAAARK 156eee eee eee eee a ee ee HONK! 17. Wants And All Broadly - the lid’s off | /-=c. 176 198 pf (BULLEROG. UGLY KES] oT ow the some -one's gon-na |love +f CTT) vip i in awd) pad = dtp Wane and all Some -where out there We ea ty —- - stot 157HONK! 17. Wants And All The chance is doable gs q 176 One. ee) roost = ing onyVUUVVEUVUUUUUUUUUUUUUUUUl HONK! 17. Wants And All ie Trough may tke ___ sometime to find“ Though sometime to find.“ you do you'll have a tall We know you're gon = na have a ‘bill, oll, Ball. ball, 159HONK! 17. Wants And All 188 ‘here some-where some| - one's gan-nalove there some-wheresome| = one's gon-nalove there some-where some = one's gon-nalove fome one's gon na} love ow some where fome-one's gonna | love [TWOMANTFROGLETS te] Pf WOMAN mi & bouom hore e& e& e& = eHONK! 17. Wars And All Teoria. J bd: and 161 = = = ~ = = =vUuUUV eu Beuvuuuiuseay A SEGUE NO.17A 17. Wans And All HONK! 205 162UUUU SEU HONK! (AS APPLAUSE PEAKS FROM #17 Presto 4-=¢. 190 s & 17A. WARTS-OFF (Instrumental) Going home ‘SHORT DIALOGUE 163HONK! 17B. POST-WARTS (Instrumental) (@: FROG: “Well nope you fad “em alright. Stay warm, sa cheerful. See yer, Ribit ii” Presto J=c. 190 DIALOGUE PRAAARANNAARRARRARAARARAARELHONK! 18. THE BLIZZARD (Company) Q:CAT:“Remember this wy at east [ovER PAUSE] You get to see your mother sgn” FARMER: “Well eure tie cream ‘ony epmfiakes he's escaped!” 2 Moderato J=«.90 = a poco rit. a [FEMALE] 10 p [S010 The sun is cold and wate er~ y Te ponds are deeply frozen S be ROUND & ROUND) Tie thie snow all the times for wav=el-ling cat asa WUUEUUUUUUUCUTUUUuua eeHONK! 18, The Blizzard a =) ‘The shies are grey and |men-se-ing ‘A bliz-ard would sem cer - tain And] ev-en Good King [ALTO- oper [TENOR - mi ce MinmAh Minmah Mma Maman mp 7 Minn Wensees= Ins Would | not daw back hie Maman Ah 4 UGLY: (showed) “I cant ee beyond the end of my Bek.” 3 Faster (in 2) J=c.70 F (WOMEN) (CAT: “Keep going It must be close now B B RRKAARANAARARRARAARAARAAAAS18, The Blizzard nybody out here” IDA: “Hello. Are you ou there? 5 ad CROAAnnonanngnnnngeagg. HONK!Digging In J = 120 18, The Blizzard | PAA AAANnANMAAANAAAAAAHsHONK! 18, The Blizzard poco rit. T wind eit fe - tor | tends keep The| temppert- ure sub -] ze wind chill foe = tor tends 10. keep The temp-era ue sub - er es poco meno mosso Be ing cold (ECATRUGLY] The ewidl = ing snow 6 169SUUBUUEBUUUBEBKEUUUHbUEES £ Ee 18. The Blizzard HONK! 170UOC UUU CUCU UU ue eideea HONK! 18, The Blizzard Tempo primo J=c.90 . cos SOLO WOMAN] 16, ? ‘The |wind bas blown The [snow in ests Too Jbeas i= fol for ‘The wind has blown The snow in rite Too bea ti-fol for words PT oT for cas and did) DEAD SEGUE mmHONK! 19, TRANSFORMATION (Ugly, Ida, Penny) (@; DEAD SEGUE FROM t18 Frozen J=c.96 ADA covers) pp (Gaiar Fie] (DA wakes up) IDa:"Hones? 08,20 ry baby? (Shecries) No, not like this. Not fe al this 9, Jit Die wa - a1 = | epassionato_ = bebe Re |S ‘ime, You poor thing” (SWANS enter) IDA: “Wht was il for? What was the pa of your ile life can't end like his rall. (t6 fit cue) poco pitt mosso_J = c.106 € ‘mp (warmly) 3 3 3 3 Wean’t.." SWAN I: "Nor will, my dear.” IDA pauses ashe acknowledges presence ofthe SWANS) IDA: “But he's dead. My baby is dea nis. m2 PRAAAAMANNARANAAARAARARARAALHONK! 19. Transformation Ws all my faut, He wandered away from the est lst spring I should have gone after him but had his ther nd sisters to rea, 3 Jai 27 Tix. 1 couldn't ust ave them. And now, now I'm too late." (A female SWAN comforts IDA) SWAN 2: “Cry. Cry. my deat, For the warmth of ‘mother's tears an thaw the stoniest fost IDA: “Oh ifeny I cold tlieve that” SWAN'3: “You must. For what do we have if we don't 31 rall, . HOLD UNTIL ave hopeT™ (DA considers, walk to UGLY. and hug hin) IDAHASFAILEN (UGLY tows gga) 35 Very slow TOTHEGROUND ig r Fr stringendo WVUUUUUUUUU ECU UUYHONK! 13.tatomain OH (stringendo) (UGLY sands \ \ [AS NEEDED] a UGLY surveys his new self) Maestoso + =c.110 50, - — } Sfrecky by 5 FF OP Fs ?-———_ OLY: “Tonk” {UGLY sees DA) molto rall. UGLY; “Mama!” Ao S efeceee? f id fel, poco pit mosso J =c.120 «= # iP RROAAARANAAAHKRARARAAAMARAATAAMHONK! 19, Transformation th yg 2 —$—<—<—— sv = = = . And mow wee eo = n- i [ewan hold omy bg nf & = = SS And now were we = uni ek 1 on hold WUUUUUU UCU eeeHONK! 19. Transformation poco rall. Joyful (pits mosso) J = c. 160 f | aanneanne eR PENNY:“Il's him! Ishi, aes, The eget old you abou, the one who saved my life.” (To UGLY)~Do you remember me? (Pause) molto rall. Slower 4= 130 € a € (Oh, come on, sy you remember me!” UGLY:“OF. of sours remember yu. € ¢ € € € € € € € é simile 176HONK! 19. Transformation ow could I forget you? You'e the most beau thing I've ever seen PENNY: “Well, you should take a look at yur own reflection.” poco rit. So —— 8, sky ~ ward Pass between the clouds then fade from view thought knew 85, : = = = . é = = beau = sinful wax But [now tse sein yout And hugh tee ween oe uithows weepeing | — Willows weep = ing ; Really strong back beat SS Ss 1 AUUCU CUCU UCU ceo dHONK! 93. signe The mit-y moming ai 3 Hae noth = ing 10 com | pare Has noth PRM NANNAAAARARARARADHONK! 19. Transformation SWAN 1: "Well now you can come with us and lam our ways." UGLY: “And my mother? Can she come oo?” IDA: “Ofcourse Ica’. Simpl; poco rall. Simply 109 io a Jee.t44 im jst a baggy od duck UGLY: “But you taught me to svn?” ‘can’t teach you the ways ofthe swans." IDA: “And fom what remember that neatly 105 ‘nish me off t's hardly surpesing realy fancy me teaching a swan to sim.” ror UGLY: But want IDA:*I cant come wit you, my place is back on he ake with your father, bless him, They sty bind of feather youtwcome” should flock together and your ple i withthe swans now - an think know someone who i her keen that, Mn meno mosso J =<. 130 you should go with hem.” UGLY: “But I've only just found yu. I'm not sure I want eave you sain $0 on, re IDA: “Of course you do. Now goon, before geal tearful nd unecessary = but you make sure you come back and ad py Stalin te cya, Tose female WAN) Look arbi ome wo’ ou SWAN 2:"Goadbye ny et Tht see ad gs i | - ; 179 = =. =. ote == adHONK! 19. Transformation for you but promitehe'llbe safe with us.” IDA:“I'mrorehe wil, (She hugs UGLY) Well, goon then! Let's see you My.” poco rall, (ADA watches UGLY and the SWANS lesve- an continveso shout encouragement) IDA: “Go on you ean doit!” Con moto e poco pitt mosso mp AA AHAAN AAA F IDA:“Take a ran ait That's the way!” allargando Seu F ra all die] (UGLY fies we watch , 136 NOURIDA'2) molto rall, iT] Slower £= 6.99 é $$ 32 s .$ €2 \ SF, 4 a Tl. p calla voce 2 244% |= = is FOF 180 RRFAANANAAARAPNA ff |HONK! 19. Transformation it-eren from the vest. OF course he cant be-long with me Tow, T should have goesed ia poco rall. e a He wasn't mine 10, ear Ans oth ec dteam gets washedarway An wasn't mine to mother ‘Thoughtful ream An otter mothers tear othe er WITHIDAOne., THO, Tver DIALOGUE 181 eeHONK! 19A. MELTING MOGGY (Cat) IDA: docs’ ear inking abou” UGLY: Wat a mine Spooky J~c.120 (The CAT thaws) a UGLY: “Tve jst goa ide JP obiisined bisiness.” a = a (Ge shakes for bests) = = = WIN RAEAMARANAAARAHAARAARARRANAL REBT AS FOLLaWs [CAT iD Du. Samy? ny? (Ae) Snes yea gh How Hae yo vee] Insanely (unaccompanied) J = ¢. 250 You can play with your duck un= a you goose it You can chick-en your swan un il you ether We could frie as ee your mo- o-ther ts 8 182I9A. Melting Moy HONK! 1g Mossy a crazy Wins 2 cmnzy ——laTheweath-er's tuned out nice again CcaT Tait 1 ee Taaendert Pe bec (car Ext) wot ar asi” * " Presto J-=220 be a GP. crazy Uitete game called... APPLAUSE. DEAD SEGUE NO. 20 183 =» +e == =—s =s =» =» = = =. =8 =—HONK! 20. ACT TWO FINALE: LOOK AT HIM (Reprise) (Company) (Q:DEAD SEGUE ON APPLAUSE FROM 1194, rit. Fanfare J=c. 100 (Yet of mss ULY. IDA & FEY re ae 4, Bright but not too fast J=6.98 yi Did you ev= er see a 7 DRAKE + DUCKLINGS| Finer bird? Honk Hath 3 him “Cos his honking i the best we've heard 186 mon annnannaenHONK! 20, Act Two Finale: Look At Him (Reprise) ‘We areferiing.rath- er small | In this wholeshe -bang May-te you'l for - give us all nf RB ‘We are feeiingrath- er small In this whole she ~bang Tor ~ give us all LF CF tf UGLY: "OF our forgive you, Faster 4=c.110 3. —$—$ —_—_——__————_ ff ‘And we hope ‘With enough — sft soap ‘With en-oush— soft soap rm just happy to see you al asin ‘Andi inaduce you to someone, This Pa.” PENNY: “Hello” GRACE:~Welsome home, my dear, T've Been hinking. I'm geting 6 ee molto rall. Slower / =c.96 185 = == +e == = +e i =HONK! 20. Act Two Finale: Look At Him (Reprise) ‘ey lon inthe bill an 1 Fete sme ight ferme to relinquish the Red Band” (Applause from ALL) ‘Went wit rie, my dear foryovam indeed te fies ic teak -as Know Ins inimy ay” (Apple fom MAUREEN) Sy 20, {optional repeat) | [optional repeat) ‘And lett be known tat fom this day forth the Red Band sal be known a the Cygnet Ring!” CEC oes Set new tempo 23 Ff pf Look at him Laokst See Look at him, Lookst us, See 4 4 186 RANMANMANMAARAAARAARAARRA ALEHONK! 20. Act Two Finale: Look At Him (Reprise) 30 accel. 5 ever tink eve er tink was blessed oereg TURKEY: "Oh ys, yes. ves, se. yes COMPANY: “What! TURKEY: “I made ittvough Chas 35 allargando a BUUUIUUUUE Ue ee eeHONK! 20. Act Two Finale: Look At Him (Reprise) Grand march /=c. 84 oe Look at him All the sien dour of 2 ff TRS Look at him AID the splen =dour of 2 nob= le Look st im We won't swap him for an = From a éock-ling 8 pars a ARRATAHRAMAHRTRARAAARRAANAECOUT see UU UCU uuu uaa HONK! > Now that you're back on 20. Act Two Finale: Look At Him (Reprise) (eRaca You're tack on the lke Promise you won't Prom= ise you won't the lake Promise you won't leave Faster J=¢.98 ve sub. p ———— te et = = oe Your ex-anrple's ere to uke | tatteinve ——Inyourse’ | Don't be tet Cn te set sub. p ——— eS iz SSS = = Your ecampesiioe to ke | dastteciee yours | Duwi te it 6 = SSS SSS = — Your ex-am-ples there to ake Saree ingen Dowite ch Oni tet Sa === " eee es sb p | a = aS 3 = —3F = - = ne 2 v= 2 1s9HONK! 20. Act Two Finale: Look At Him (Reprise) 2 Sf Feeling tat all ope is dead and [gone Feeling that all hope is dead ‘and. [gone a Feeling that all ope is dead and gone yourown way oc FARANAAAAHAARARRARHMRAMRAMAAAMHRANHALKVOU UU UU UU Cee ec HONK! 20, Act Two Finale: Look At Him (Reprise)HONK! ON APPLAUSE FROM #20 Steady funk J=c.90 21. CURTAIN CALLS (BOWS) (Instrumental) PR MM HMAHMHAHRHFHMRAAARAAANAALGUUGCCUUU UCU CUCU eee HONK! : rall, very slow maestoso 21, Curtain Calls SEGUE NO. 214, 193HONK! 21A. CURTAIN CALLS REPRISE, (WARTS AND ALL) (Company) Broadly 4-=c.175 Fe the ff BONEN RID Some ~ one's gon na don't know 198 RFAANMARMAAAMHAKRRAAMRAHRARANARUHH HONK! whee owt there 21A. Curtains Call Reprise (Wans and All) in amud- 4y| pat ‘Though the chance i see jane | Ly | Ke = —— me - o SSS = te eo : « = 7 FS E 195HONK! 21A. Curtains Call Reprise (Wants and All) One. day yout be | roost = ing ‘seen Th 196 PHAR MHAMAHMARHAHARAARRARANALCUCU P UU UE: HONK! 2A. Curtains Call Reprise (Wants and All) BULLFROG + MEN) mate! ‘may take] sometime to find ‘em— [WOMEN KIDS) you do you'll ave, 2 ball = sou do you'll hve a We know you're gon- a have a, th, thHONK! 214, Cuntins Call Reprise (Warts and All) . pull back to Showbiz ‘Bump & Grind? tempo 4:=96 3 [company Bow} Doppio = 192 37 ff (QOLROO OTHER MALES) ou tre rome —where ff Oa om tee foe -atee Ht | WOMAN7FROGLETS - 109] | wr litoxtan asd en fF 198 RAANANNAKRKRAHRRARRARARAANAS199 23 y — lis 5s i = ¢ ¢ x A wk _t lh 3 | 1 E “ Nw ‘ wi y Wie = | y we i | ! a 4 ! ‘N 18 iw eI iis , i b 2 | i i 7 Hea || liA11b 6 y bs H ite p Nee HONK! PPAR A RAPA AA TAR RAREHONK! 200 21A. Curtains Call Reprise ~s2 as ea ama emanmnnmnwaaananannanananant