Se nfo SoS OS Casi de Alemos SSD PUBLIC ype. CONTENTS ASQ ay a COLUMBUS bAGa SSeMTy — ADIOS A CUBA (Farewell To Cuba). _» —— ALMENDARES (Almendares, Cuba) AMEN (Amen). . AMISTAD (Friendship) ‘CRI-CRI (Cri-Cri) DECISION (Decision) . — DUCHAS FRIAS (Cold Shower) . “~EL VELORIO (The Wake). . GRAN SENORA (Great Lady). 48 HOMENAJE (Homage). . . 22 ‘= TLUSIONES PERDIDAS (Lost Ilusions) . (-) IMPROVISADA (Improvized). ( INTERRUMPIDA (Interrupted) . INTIMA (Intimate) ..........5 ~ INVITACION (Invitation) LA CAMAGUEYANA (The Girl From Camaguey) —LA CARCAJADA (Laughter) . —LA CELOSA (Jealous Woman) (LA CORTESANA (Lady in Waiting) . : —LA ENCANTADORA (Charming gi LA GLORIETA (Little Gloria). . . (2 LEJOS DE TI! (Far Away From You) —LOS TRES GOLPES (Three Strikes) . — MENSAJE (The Message) . NO BAILES MAS (Dance No More) . NO LLORES MAS (Weep No More) . NO ME TOQUES (Don’t Touch Me) . PICOTAZOS (The Fighting Cock Attacks) 4 — POR QUE, EH? (Why, Eh?) “PST!” (The Whisper). . . SEFUE Y NO VUELVE MAS (The Departed One Who Will Never Return). SIEMPRE SI (Always “Yes” . TE QUIERO TANTO! (I Love You Very Much) += TIENE QUE SER (It Must Be)... UN RECUERDO (Reminiscence). -* ~VUELTA AL HOGAR (Return To The Hearth). 31 ZIGS-ZAGS (Zigs-Zags) ........- seeeee8 NO ME TOQUES (Don’t Touch Me) I. CERVANTES 3 unacorda \ # 3Y tre corde >i e : —_—_ 4 Patompoy esas se BNI tempo § se rit. a tempo poco rit. are | f b:UN RECUERDO 9 (Reminiscence) L CERVANTES Adagio 2-84 > oe I Am PTR? A 8 i pit forte WY tre corde erase. a a onl"0 LA CELOSA (Jealous Woman) : I. CERVANTES Ritmo de Habanera 4 =72 5 ve lee 2 oe 2 3 3, 43 p con clegansa |p sub. teberamenteEL VELORIO a (The Wake) I.CERVANTES is 4.307 aS $453 feeerm sete Vererr Mi ere | arer = Allegro :02 S || con passione controllata > 7 1 Teperr | areer | ever | 7a dim > | p a piacere oreso. mf . 2 AAS simile — dim. | ~atompo2 MENSAJE (The Message) I. CERVANTES: Allegro appassionato — ——— = 108 A S223 erese. 5 3DUCHAS FRIAS 18 (Cold Shower) I. CERVANTES Allegro giocoso J=120 7 1 B === ——_ | == meno mosso Ima tempo 4 ta. 2 jer 1 Boas s* * Sin Ra14 IMPROVISADA (Improvized) I. CERVANTES 54 Allegro d= 16 % za 7 et giei1 gee 1 = 2D 4 gg gttto8 i Abb fo” De SOS apiahia appassionato we 2 = tl 2465S -PICOTAZOS 6 (The Fighting Cock Attacks) I. CERVANTES ye —_———} 2 ip . Tats 4 et senza pedale s —_ — OS \ con grasia16 DECISION (Decision) I. CERVANTES 7 S 3 245-3 a! 8 iggy 3 Andante malincolico 2- as 20, S432 7 a 7 no LA AA z ae cs es eet = =| mf —— | $84 rubato |atempo cantabile set = CF“pst!” 17 (The Whisper) I. CERVANTES p sostenuto ——— 2B late h —T~43333 § a2 riidi 3 ‘ a rete_| p af pp sostento_— —| y Retass TIENE QUE SER (It Must Be) Lento d= 62 I. CERVANTES 24 95 3 Sea ia & ro wos $io> os. 4 4 mad io. + ina corda. 7 ete 3% oe LANG COTCO————)\——+———! tre corde 23 * 4 OE g LAR 3 54, 131 ah2sy Arey = 22, dime rit. 2-7 una cordaILUSIONES PERDIDAS 0 fos a Lento malincolico d-63 I. CERVANTES 3) 2 det et fp 2 a 3 sae 8. a 24192 dime rit. |a tempo 7 /Fet® 23 ‘sensa pedale i234 3. gaa i i 2 i cresc. rit. z 7s nA af NF dna corda_*_=*"" 40 LOS TRES GOLPES (Three Scrikes) Allegro J+ 96 I. CERVANTES —= , 5 So> 5 5 a I marcato it eed ® cer it 6SIEMPRE Sf a Moderato 4 (Always “Yes”) I, CERVANTES loderato 4-63 a sid ———~ hs ~ 3%5_ aS 2 : —— 3 4 5 34 934 134 3 (Pre fe | cantabile con || clegansa . + L — i Ta 7 trangustto 4 sss i 8* HOMENAJE (Homage) I. CERVANTES Lento 4:rn NO LLORES MAS oe) (Weep No More) I, CERVANTES Lento e molto teneramente = 54 ee . Ss a 4, 2 i—ie 524 POR QUE, EH? (Why, Eh?) re I. CERVANTES nto d:s6 SS ay 3; 2 5 = 5 =— 34 7 [eresa— BP con clegansae sensualité tropicate a Jew 5 ret. ef aPGL Ly 2 £4 tempo] secco ? ve er Sa ZaINVITACION 2s (Invitation) I. CERVANTES Moderato agitato molto ed appassionato J = 76 5 OTN i 33 3 i mM, 8 2\P we 3, 3 P14 aA 2, = sa Star er ss Ie Jat 4 — s = 3 a Bs ey Eee Si == s 54 32 3 Yat Sunaninsma 34 3 al tranguilld rit.e dim mf |a tempo: a le | 3: 3 | 4 a2 is 1 BAG HE => — f L 1 4120 LEJOS DE TI! (Fat Away From You) eee Adagio tragico ¢-ss 3 ‘cresc. ¢ ———_rt.| a tempo 14 3 43 2 cantabile Wn es 4 LH A__4 Note: change pedal on each 2) pulse except as marked. 7TE QUIERO TANTO! a7 (I Love You Very Much ) rs Allegro appassionato J = 92 oa 33 2 at —==_ > 4 3 2, con passione gs29 LA CARCAJADA (Laugheer) Allegro risoluto 4:76 I. CERVANTESLA CORTESANA 20 (Lady-in- waiting) 1. CERVANTES Allegro d= 126 aS = 4 2 5 ¥ wil tranguillo Yopassimnato —— fz Sensa pedale _—_»— a 3 3 fz ft [3 =ritlnf con passione alee Pri i im. ala tete 2 —, 4 rs set ge zz: ar 5 3 38 _— 5 f@ fm tf fa fa fa AL AAIso ADIOS A CUBA (Farewell To Cuba) I, CERVANTES Adagio tragico dest, ——~. 4,4 —— simile cantabile a tempo Ao fo emipo a crese.¢ acced. | pf >a a tempo poco rit. 2 <\_ poco crese. A, dime rit. a tempo =oe AMEN! (Amen) . I, CERVANTES Allegro moderato deciso 4 «76 co ie 5VUELTA AL HOGAR 88 (Return to the hearth) Allegro (4:88) L CERVANTES 3 334 4 i a 3, aN ee ss} am 2 te t ty} " — t AA a 133 2 P To84 CRL-CRI (Cri-Cri) Moderato (d= 94) I, CERVANTES 4 3 sets es 433NO BAILES MAS! 35 ae I. CERVANTES rae aoa FF Allegretto (d= ss)86 LA ENCANTADORA (Charming girl) Allegro giocoso (#11 I. CERVANTESLA GLORIETA oa (Little Gloria) I. CERVANTES Allegro moderato (4-84) co bi38 ALMENDARES ‘Almendares, Cuba Moderato (¢ - 80) a d I. CERVANTES13340 INTERRUMPIDA (Interrupted) Allegro (é gua" 5 I. CERVANTES espressivo 433AMISTAD i (Friendship) I. CERVANTES Allegro moderato (#= 84) arrears 45432 a4 ate 2 3 3 4 i ee 232 1258 1304 $3213,“2 SE FUE Y NO VUELVE MAS (The departed one who will never return) 5 I. CERVANTES Allegro (¢=ss) 2 343 D.C. al Fine 43344 ZIGS-ZAGS (Zig-Zags) Allegro moderato (d=84) 3 1. CERVANTES aos opi Sn ES 3s EB ieNTIMA “6 (Intimate) I. CERVANTES Moderato(4 98) as 3-7 T2i8 4 F Da , - — a4 433ae LA CAMAGUEYANA (The girl fom Camaguey) Secondo I. CERVANTES —_———. Allegretto (d : 92)433, LA CAMAGUEYANA (The girl from Camagiicy) Primo. Allegretto (4 + 92) gva throughout @& 3 a as a 4 zee $3 2i\a a7 I. CERVANTES a4 2 3SCs “e GRAN SENORA (Great Lady) Moderato (J: 80) I. CERVANTES 133