COLLECTION OF GOLDEN STANDARDS OF THE 1900's THE FOR PROFESSIONAL USE ONLY 800 Pages Best Loved Music Best Collection Ever SERIES New Large Print Edition $150.0€A D ZINTHEHOLE. 2. eee ee. SO DANNY BOY 2 ee ee ee ee 57D UT SHE SWEET 6 se ee ee + + 509 DARKTOWN STRUTTSR'S BAIL . . 526 ALL OF ME og ee wee ee ee eo LID DAY IN = DAY OUT. we.» Lol ALL ABOUT RONNIE «6. e+ ~~. 640 DIANE oe ee ee eee © 562 ALL OR NOTHING AT ALL «eee 6 « hi29 DOES YOUR HZART BEAT FOR ME. 586 ALWAYS 6 ee ee ee ee ee ee SUB DON'CHA GO "WAY MAD. 6 o « 0 637 MMOR oe ee ee ee ee ee OTL DONKEY SERENADE, THE. 6. 6 425 see ee « hoe DON'T WORRY ABOUT ME... 5 632 wet ew 602 DOWN BY THE OLD MiLL STREAM, 538 APRIL IN PARIS 4 eo ee eo © « UUS ARRIVSDERCI, ROMA. + ee +. - 573 E AROUND THE WORLD oe se ee 5 568 ARE YOU LONSSOME TONIGHT .. . . 551 EARLY AUTUMN 6 ess eo 5 598 AS TIME GOES BY see ee ee ee LSD BED TIDE eee ee ee se 1B A STRING OF PEARLS + + s+ + +» 701 ENJOY YOURSELF 2 +++ e eo 597 AT LAST 50s eee ee ee 610 AUTOM IN NEWORK 6. 2 ee ee 6 H27 F FANCY PANTS os «6 81 B SINATING RHYTHM . 2 ksh SCINATION «ee 6 + 557 BABY FACE se wee ee ww wo b98 FINS AND DANDY 6 5 2 hs BACK IN YOUR OWM BACKYARD... . LL FLAMINGO ss » 662 BE ANYTHING «os ee ee ee ee OLD FIVS FOOT THO, EYES UZ , 510 BASIN STRETT BLUES 2... 6. 139 FOR ME AND MY GAL 2 6. 6 508 OAT YO ee eee ee ee OP BEWITCHED «pa eee ee ee s O13 G . oo + 698 GSORGIA ON MY MIND. . 4. , bbe ++ 513 GST HAPPY . os eee . h00 + + 503 "GIMME" A LITT see 5 532 os 605 GIRL OF MY DR= se ee, 583 eae e 9 h32 MY REGARDS TO BROADWAY | 53i wes EG 5 wees OL9 BUTTON UP YOUR OVERCOAT . . . . . 522 BUT NOT FOR MEs ee ee ee ee LOT H BYE BYE BLACKBIRD. ....... Sil BY THE LICHT OF THE SILVERY eee ee. OLS MOON. 2... S31 eee eee. dah HARRIGAN 4 ee eee ee, 565 HARD HEARTED HANNAH 2 4. , 633 c HELLO' MY BABY. 2 ee... 501 HOME... - 609 CALL ME IRR@SPONSIBLE . . . . + » 53 HOW ARE THINGS IN GLOCC, CAN' T WE BE FRIENDS .. + ee + Sk MORRA . . 57h WILIA see eee ee sere S12 HOW HIGH THE MOON 6... 578 GUEST ST BON. se es eee ee 692 HOW LONG HAS THIS BEY CHARMAN ow ee ee ee ee eo 558 GOING ON? . . , 702 eee 63 eee O55 L eee ee HIB COM® RAIN OR CO! eee bES I CAN'T GIVE YOU ANYTHING CONTINENTAL, THE 2.222 ee 2 hSD BUT LOVE 2 2 . 536 CRY MEARIVER... 2... U20 IP IWAD A HAMMER. 2 2. 2 502 CIMDLE UP A LITTLE CLOSER IF T HAD MY WAY oe ww ww SS IOVSY MINE... 196 I FOUND A MILLION DOLLAR TE ee ee ee ee ee we 638 BABY . . . 566I If THIS ISN'T OVE. ~~~. IF YOU KNEW SUZIE «s+ ee + + SOK IF YOU WERE THE ONLY GIRL . . . 546 I GOT RHYTMM. ee ee eee ee SAL I'LL ALWAYS BE IN LOVE WITH YOU... 709 I'LL SEE YOU AGAIN. . . - . + 561 I'LL SEE YOU IN MY DREAMS. . . » 500 I'LL TAKE ROMANCE 6 6 oe wo « 696 I MAY BE WRONG 2s... 2. «82 FOREVER BLOWING BUBBLES . . 641. I'M LOOKING OVER A FOR LEAP CLOVER .. S01 I'M SITTIN' ON TOP OF THE WORLD... 489 IN A SHANTY IN OLD SHANTY TOWN . 4 2 6 SLT INDIANA eee eee ee ee ee US IN THE GOOD OLD SUMMER TIME 6. 503 IN THE MOOD ee ee eee eee 483 ISLE OF CAPRI «we ee ee ee O59 IT HAD TO BEYOU... 4... 138 IT'S A MOST UNUSUAL DAY . . IT'S A SIN TO TELL A LIE 2.6 Sho I'VE GOT A CRUSH ON YOU... 4 66h IWANT AGIRL «se ee ee ee SUE I WONDER WHO'S KISSING HER NOW. 550 JUST IN TIME. ee ee ee = HTB JUST WALKING IN THE RAIN... . 667 L LADY IN RED, THE . . LAZY RIVER. LET'S FACE THE MUSIC & DANCE ¢ LSI'S TALL IN LOVE. we eee LET THE RaST OF THE WORLD GO BY. Sil, LINGER AWHILE. see ee ee 68h LITTLE WHITE LIES... ~~... 650 IONFLY STE oe ee ee ee 663 TONG AGO (AND FAR AWAY) «+ 618 IOVE SENDS A LITTLE GIFT OF WES... 585 LOVE WALKED IN + ee ee ee ee LOB LULLABY OF BIRDLAND»... ~ L73 IWLW'S BACK IN TOW. 2... 670 WSH LIFE+ ee ee ee ee ee 65k “ MAGIC IS THE MOONLIGHT... . . 590 MAKE BELIEVE » ee ee ee ee + COL MAKIN' WHOOPEE 6 ee ee ee 599 MEET ME IN ST. MEMORIES... MME... MIss YOU... MOBILE . oe MOONLIGHT BAY ss eee eee MUSIC GOES ‘ROUND AND 'ROUND MUSIC I. MUSIC MUSI MY BLUE HEAVEN... MY BUDDY. see eee eee MY DARLING, MY DARLING... MY GAL SAL... ee MY SHIP... N NANCY oe see eee eee NEVERTHELESS «oe es ee ee NICE WORK IF YOU CAN GET IT. . NIGHT TRAIN . NOBODY KNOWS Wi ° OW 4 HOWL MISS YOU TONIGHT... OH! WHAT A PAL WAS MARY... OH! YOU BEAUTIFUL DOLL... ss OLD DAVIL MOON. ee eee eee OL! MAN RIVER» ee ee ee ee ON A SLOW BOAT TO CHINA... ONE FOR MY BABY we ee oe ONE OF THOSE SONGS». ee eee ON THE STREET WHERE YOU LIVE . . OUR DAY WILL COME... ee ee P PEGGY O'NEIL see eee eee PEG OO! MY HEART «ye ee eee PENNSYLVANIA 6=5000. 2.06. PERDIDO. ee eee PLEASE WUIS, LOUIS PUT YOUR ARMS AROUND M3, R REMEMBER os ee es eee ee ROCK~A-BYE YOUR BABY WITH A DIXIE MELODY . YOU ARE Down AND OUT NOBODY'S SWEETHEART ee oe NO GREATER LOVE. se ee eee NOMOON AT ALL see eee eee PICK YOUSIF UP... eee HONEY. PLAY GYPSISS, DANCE GYPSIES . « RUNNIN' WILD J eee eee eee +540 +553 +533 589 700 499) 52h 535 487 552 403 SL3 16 619 621 480 Las 593 703 559 515 676SATIN DOLL. 6 ss ee ee eo HOS SENTINMENTAL JOURNEY . ss + « Lio SHINE ON HARVEST MOON. » « 6 « 6h43 SHOW ME THE WAY TO GO HOME. . 540 SHUFFLE OFF TO BUFFALO... . 651 SIDE BY SIDE. 2. +++ + - » 520 SMILES oe ee eee ee ee 505 SIOUX CITY SUB... 2... + 656 SOMEBODY ELSE IS TAKING MY PLACE. « « » 537 SOME OF THESE DAYS oo es + « 519 SONG FROM MOULIN ROUGE, THE. « L77 SONNY BOY. ee ee eee ee 92 SPEAK LOW. se eee ee ee LOD STRICTLY INSTRUMENTAL . . . . 707 SURE THEY CALLED IT TRELAND . S77 SWEET SUE* + eee eee ee 678 STUMBLIN' wee eee ee ee 699 SWINGING DOWN TH? LANE... . 687 SWEST GRORGIA BROWN... +. 688 » LOUIS BLUES » ee ee ee 704 SWANFE oe ee ee ee ee eo WD SWEET LORRAINE, se ee ee heh SWINGING ON A STAR... 2 ~~ 23 S'WONDERFUL «we ee ee ee b72 - TAKING A CHANCE ON LOVE... 69 THAT LUCKY OLD SUN... » 418 THAT OLD BLACK MAGIC... . » 569 THAT OLD GANG OF MINE. . . . . 653 THERE'S A RAINBOW' ROUND MY SHOULDER... 67h THINGS I LOVE, THE. «oo 6 - SOL THIS COULD BE THE START OF SOMETHING . . . 660 THOSE LAZY-HAZY=CRAZY DAYS OF SUMMER. . » . 6 THREE LITTLE WORDS... ~~ « 661 TILL THE END OF TIME... © « 436 TILL WE MEET AGAIN . 2 6 6 6 » Sh2 TIME AFTER TIME. see ee 6 hd TIS AUTUMN. ee ee ee eee OO TOO CLOSE FOR COMFORT... + 626 TOGETHER oe ee ee ee ee 560 TOO MARVELOUS “OR WORDS... 588 TOOT, TOOT, TOOTSIE... . . 523 TRY A LITTLE TENDERNESS... 437 TUXEDO JUNCTION. ».. ~~~ 635 TWILIGHT TIME. 2. ee ee S8L U UNDECIDED 62 we eee ee 627 UNFORGETTABLE 4 +e ees + 628 VALENCIA 2 se ee ee ee 59S Ww WABASH BLUES. «sso 2 2 658 WATTING FOR THE ROBERT E. 672 WALKIN' MY BABY BACK HOME. . 517 WANG WANG BLUFS 6 6 6 oe 6 > 685 WANTING YOU. 5 2 eee ee > SOL WEDDING BELLS ( ARE BREAKING UP THAT OLD GANG OF MINE) . 645 WE'LL BUILD A BUNGALOW. . » 197 WE THREE so ee ee oo 836 WHAT EVER WILL BE, WILL 555 WHAT THE WORLD NEEDS NOW IS OVE...» 457 WHY IT 'S SLREPY TIME DOWN SOUTH . . . 662 WHEN IT'S SPRINGTIME IN THE ROGKIES . » 5h3 WHEN SUNNY GETS BLUE... Uk WHEN YOUR SMILING... +. 563 WHEN YOU WORE A TULIP... 646 WHERE AND WHEN J se 2 ee 6 579 WHIFFENPOO?. SONG, TH +o 6 956 WHISPERING 5. ee eee ee 711 WHO CARES o°. ee ee ee ee Th WILLOW WEEP FORME... . 608 WISHING 2 ee eee ee ee © 582 WITCHCRAFT » ee ee ee ee 435 WHY DON'T YOU DO RIGHT... 680 WITHOUT A SONG Jee ee ee 458 WONDERFUL ONE . oo oe «© + 503 WRAP YOUR TROUBLSS IN DREAMS , eee es 70 Y YES SIR, THAT'S MY BABY , . 2 506 YOU AND THE NIGHT ANDTHS MUSIC 2.» hOk YOU ARE MY LUCKY STAR... Sh YOU ARE MY SUNSHINE...» » 188 YOU DON'T KNOW ME... ~~ hee YOU TURNED THE TABLES ON ME. 631 YOU'LL NEVER KNOW.» . 6 » 530 YOU'LL NEVER WALK ALONE . . . 629 YOU MAKE ME FEEL SO YOUNG. . 12 YOU MUST HAVE BEEN A BEAUTIFUL BABY . . . » Sib YOU'RE NOBODY TILL SOMEBODY LOVES YOU. . Lb? YOU'RE THE FLOWE? OF MY HEART, SWEET ADELINE . . 499 YOU TELL ME YOUR DREAM. . . « SLi? YOU TOOK ADVANTAGE OF ME » 2 » h06 Z ZING, WENT THE STRINCS OF MY HEART . . co cc c bbl"HERE IT IS 11" ‘The FIRST of its kind, A complete set of Musical Reference Books from 1900 to 1972 with absolutely NO REPEATS. The best of everything musical that was ever written. BOOK I - THE GOLDEN STANDARDS OF THE 1900'S BOOK I. - THE FABULOUS FIFTIES BOOK II - THE SIZZIN' SIXTIES BOOK IV - THE SUPER 70'S BOOK V - COUNTRY, FOLK, GOSPEL AND BLUES BOOK VI - ADVENTURES IN JAZZ BOOK VII - BLACK SOUL First of all, they are the cream of the crop. Secondly, the tunes in these books have been selected by some of the top musicians in the country. They are the top tunes of the 20th Century. In these books are selections from every kind of music written, such as Movie and TV Themes, Broadway Shows, Latin, Waltzes, Sing- Alongs, Standards, Jazz, Blues, Country and Western, Folk, Clas- sical, and last, but not least, the greatest of the Rock'n Roll Scene. SPECIAL SUPER BONUS SECTIONS The Complete Musical Score Of: BOOK Il - THE GODFATHER BOOK IV - JESUS CHRIST SUPER STAR At the completion of this encyclopedia of music there will be a Mas- ter Index Book, giving the book number, page number, key signature, starting note, and the year the tune was written for every song in this set, This will be the most valuable set of music books ever compiled. This reference is produced as a service to the professional per- forming musician, and is not intended for sale at profit to others.p00 GET HAPPY BEG ¢ Tune Ukulele Open strings pm Halle-lu = jaht_ Ebm fa Bye Epm — Hable-w - jah, Come you sin - ners gath-er ‘round Ehm7 Eym FA — Hable-lu = jal Malle-lu jab all you sin. - ners. a # fa — have found———_ land where the wear- y for-ev - er are Abm6 — cy7 free, come you sin-ners and just fol-low me Ey6 Bo7 Cm Ey6 . . ch CHORUS (Lively) + F — = —— —- “3 Ge, SS $ == SS 5 ‘or-get your troub-les and just GET © HAP-PY_______ You bet -ter a Be? Cm Ab Eb ByT Cm f AR AR RAE — chase all your cares a - way. Sing Hal-le - lu-jah, come on, GETBT Aaa J HAP- PY. read - y for the judge-ment day—__ ‘The sun is ‘Aye Edt Ad6. Epr a i By? Fe FA FE wet x | = 3S =s | shin - in, come on GET HAP- PY. Ab Ey? — ing to the prom-ised Cls5 FT BUT The Lord is wait-ing t/ take your hand Ey7 Ab6 ky? Shout Hal-le - 1u-jah! come on, GET Ay Ant DpT ff ff ff HAP-PY land We're head - in’’cross the Riv - er, wash your En6 Abt Dor | fA A Its all so. peace - ful on the oth-er fi Bh? Cm _Eb6 Bry iy ‘or-get your troub-les and just GET HAP-PY______ You bet- ter Bt Cm Ay Bb Boe. By? Cm t | AR = : + = ——_ v S55 + ¥—t 7 your cares a - way________ Shout Hal-le - lu - jah! come on, GET F Ry Ep_CoT_By1_ Bb | RRA at read - v fine the inde mant =e eS4o2. AND THE ANGELS SING nn + 4 BYLIO Co py Ebi piny Rha gh Bah de a uaee GRE A da PHS] —> AndTheAn-gels Sing. The An-gels sing the sweetest Smoothly We meet, . Eb Five BT Fina F7 Bir Bhs Bb ‘ a i aa wand The As 8 song ev-er heard. You a EL Bidingm ES Sl RES a ee ee Es Be . ce Sing,. or am I breathing mu-sic in-to evry word Fos Bly gb Boot ES? Bim Ea e -f = Suddenly the setting is Strange, I can see ws Bom? Eb7 Bom? Eb7 — Bbm7 Eb? ET Rbm? a | | ee EF = $ Ed moomlightbeaming, sil-ver waves that break on some un-dis-covered shore, ay Bho Br oBinz Biz Ebdim. Ey El | ———SSSS SSS then sudden - ly I see it all change, long winter nights withthe ‘Bout Eb7 Bom Bb7 Abe 07, Fm Fr Ftbs Bby Eb m7 = Fm Bb7b9 Sen Ge oe Ae ae Ge a ke = candles gleam-ing, thru it all your facethatl a. dove Yor + = = ee ee == j = a m Fmt Bi? yy Eb EL BSdip. Cm ca bt bg BR ABE BS & SS Sing a = ‘And ‘tho its403 Fm EhéinFm7 Bb7 F7 Bhy Bho FER GRR ER just a gen-tle mur-mur at the start, We kiss, &, Gaim. Fr Fm Bbdim. Fm 75 ARS BBS FBG BE Ae = And The An-gels Sing and leave their mu - sie ring-ing Abms = Dh7 ee OL Eb. Be ARE ei heart. in my We heart. From the Broadway Production“WHERES CHARLEY?” My Darling, My Darling Bo z= or? MY DAR-LING, MY DAR-LING, I've want-ed call you “my dar - ling” For ‘to Cm Bb Baim 7 F? man-y and man-y =a day, MY DAR-LING, MY DAR-LING, I a7 cm Fr flut-tered and fled like a My cour-age just mel-ted Bu Bn? way. Now all at once you've kissed me And there's D 6 ar bor > rm ee 5 =a i Se SSS not “a thing Tm sane e-nough to say Ex-cept MY DAR-LING MY DAR-LING, Get Be zw Gm7_ 7 !tab 2b used to that name of “MY DAR-LING' Its here toyor “Si Ta Pudieras Quererme” You And The Night And The Music Song is the Lle - v0" pre-so_en_ mi, air, Tel!-ing us ro-mance is ours un se - cre - to Fm to share, fidl quees pa - a ti 57 me Fao ti; Now at Ten - go 755 Gm last we've found one miu - chas Fné = an - oth - er co - sas or a - Ione. que quie-r0 de - cir cm Love like yours and mine Has Quie-mha-blar, mi_a-mor, ar de Fm the thrill-ing lo Bhs o glow of spark-ling wine, mucho que te quie - 1030. pw My ¢ . = a 2 7 Make the most of time Sue - iio con tua cm ere it = mor, pa - ra he REFRAIN (Slowly, with much expression) pmf Ca _3__ claim flown.. ar —— Sa ors mor You and “the night and the music fill me with flam-ing de - Si ti pu-die -ras que - rer-me, co- mo te Fao, sire, ti, quie-10 ya —— Gras Set -ting my be - ing com - plete - ly To-da ta vi-da te die -ra ab fire! ‘mor. mia - Cm s— You Si and the night and the ti pu - die - ras que -o—3— mu - sic thrill me but will we be one, rer - me, Por un mo-men-to fe - liz, Fao —— + Gr Gms Af-ter the nignt and the mu -sic are done? Un - til the Tui, cal-ma-ri - as mis pe-nas dea - mor El be -so_ar- Brg, 3, ts, pale light of dawn-ing and day-light Our hearts will be throb-bing gui- dien-te que pon-gaen-tus la-bios, Ha - brd deen-cen-der tu pa- Da G7 ‘2 a Fm Dr tars Morn - ing may come with - out warn-ing, And sion; Yen tus sus - pi - ros, @ - man -te, Da - oe a'tempa a take a-way the stars If we must live for the mo-ment, ras tu co - ra - 26n. Sigs queel Des-ti -no nos de - ja, 1 a3, sls mor Fm = os = Ss Love till the mo-ment is throught Af-ter the night and the Por el mo-men-to que - rer Cuan-dgel momen = to ter 8 _—————_ — Cm Gtaimz_ prt up ehh Om _Ab7 G7 om ===| have you? ‘you?___ - da - 6. rayoo You Took Advantage Of Me Paw Ey Bbm7 ca Bhm7 Rb Bom? Eb Bbm7 Douglas’ In the spring when the feel- ing was chron - ic Eure When a girl has the heart of a moth - er And my | It Fh Bom? Bb Bim? Eb Bh? EF Bhm7 Ab EBT Ab Br cau - tion was leav- ing you flat must go to some-one, of course, I should have madeuse of the It cant be a sis -ter or | ~—y ton - ic Be - fore you gave me “that? Af broth- er And so I loved my horse. But By Bhm7 Bb Bom? Eb BbmT Eb E705 Ab D7 . men -tal de-fi- cient youll grade me T've giv-en you plen-ty of ‘ hors-es are fre -quent-ly sil- ly," Mine ran fromthe beach of Ka - Gm © 765, FB Ea BbT da-ta.__ You came,you saw and you slayed me, lu-a,—_ And left “me alonefor a fil - ly,’ | REFRAIN Esttingly Exdim abe co Hhgim Im a sent-1-ment-al sap, that's all. ‘What's the use of try - ing Fm? Bb7 Fo gb b7 ab Abms not to fala have no will, Youve + made your kill_ ’Cause you407 ad BT bby ob dim Bb? took ad-vant-ageof mel Tim justlike an ap-ple ona bough eb Bbdim Fm7_BbT Fo wb Eb? And youre gon - na shakeme down some-how, So what's the use, youve a Abms Bh kbs Bb B Ga cooked my goose’Cause you took ad-vant - age of me! cm D7 G7 7 F7 Bb? Tm so hot andbotherea that I dont know. My el- bow from_ my # co} D7 or 7 ee - I suf-fersome-thing aw-ful each time you go— And FT Bb7 Bb OES Bb7 Bb Eedim Bb7 muchworse when-youre near. Here am I with all my bridg-es burned,— FE Eb dim Fa? Bb7 Fe Eb By | Jast a babe inarms where youre con-cemed, So lock the doors_ and cail_ me yoursCause you took ad-vant-age of me! me! i408 Love Walked In Eb Ebmaj7 Edim Fm Fm? G7 bbm6 F7(susd) FZ Cm Fr Noth- ingseemedto mat-ter a- ny more, Abe Fm§ _G7(5) C7+ F7G8)BIT Eb Did- sit care what I was head-ed = for, Bim? EW ___Abmaj®__Ab6 An? D7 Gmaj7__BIo Time was stand-ing _ still, Eb Ebmay? Edim Pm? pivibs)_ FT BIT EB Fa? BIO B® came & knock-knock-knock-ing at the door. Refrain airy, with much expression Fi ‘ee * Love walked right in and drove the sha -dows a - Blend) 0h? = F7 = SS ae + vp ways Love walked right in and brought my sun-ni -est Bi zB EB Ab ass. day. One ma-gic mo-ment and my heartseemedtoAlo Old Devil Moon F Eb Refrain (ceuderly and not fast) F & I Took at you and sud-den - ly, something in your eyes I F B F c7bs) F979) I's that see soon be- gins be-witch- ing me. Bomj9 By By Bbm old Dev-il Moon — that you stole from the I's that Abm? DIT ob c7 F c7 old Dev- il Moon_— in your eyes F Eb Fo D Fim You and your glance make this ro- mance too hot to hand - le. — D Dm Fe Dm7 a7 cv Bb So — Stars in the night — blaz-ing their light Car'thold a can- dle Eb F Eb F — to your raz-zle daz-zle. You've got _me fly - in’ high and wide F gb SS SS 7 t On mag- ic car- pet ride Of but- ter - flies in -au F C75) Fo F769) Bbmj.® Bb Wan - na cry, wan - na side. BT Bhm7 Bb Wan - na laugh like a Joon. It's that Abm7 = -Db7 ob co F c7 —— = 3 ———— = 4 Old Dev - il Moon In your eyes, — F Eb F Eb & = = = ; = = = Fs Just when I ‘think I'm free as a Old Dev- il Moon deep in your iF ois) oF C75) 1 eyes blinds me with —_ love,Ala You Make Me Feel So Young Verse mit titt Bh Dmé Féim m7 Fo cr cma Li Do I. seemas cheer - ful as a —_achool-boy play-iag hook - ey? i a cm? Fy Bhy Db Rho 7-9 Do I. scem to gur-gle like a ba-by with a — cook-ie?_ cmt ebm Bh BbmAbdim Gn m7 i 1 do the cause of it all is_—you. Chorus (vith tit a Fim om7 FT Bb Faim — YOU MAKE MEFEELSO YOUNG, ‘You make me feel so spring has sprung, o wha BAZ ebay oma Dma m7 Bb a hap - By And ev = "ty time Tin such oh Fai Fr Bb Feim Ce in - di-vid-u-al. The mo-ment that you speak, I wan-na goplay FoF eb Bhr__Bhraug_Ehmaj ont hide and. seck,- I wan-na go and bounce the moon, just like Bh Bhaim BT Ebdim Oma cr ry Dm ‘You and are a toy bal - Loon, Bhai Fo? Bh ma Bb Run-ning a-cross a just like a coup-le of oti413 oma Bhdim Eb Cm, on cm, or F7 Cnt FT ch Bb mead-ow.— pick - ing up lots. of for - get-me-note.— Faim m7 rm Bb aim 7 —= YOU MAKE ME FEEL SO YOUNG, You make me feel there are rma . a Soy Ha, songs to be sung, bells to be rung, won-der-ful fling to be th _vng_Paim cm " 2h bus ruin co " ——— SSS $2] Sa SS flung. ‘Ande - ven when Tin old and gray, Tim gon-na feelthe way a Diaug D7 67-9 m7 cm Fy a t do to-day, "Cause, YOUMAKE ME FEEL SO Prag 2p YOUNG. YOUNG. cs Gat cn F7_Finog Bb 14n4y Harbor Lights Words and Music b; JIMMY KENNED" and HUGH WILLIAMS f fi Refrain (stowly with expression) D-mf Har - bor Lights They on-ly told me we were I saw the Bbdim Eh gm Fm Ha part - ing, The same old Har - bor Lights Bk, Bhdim Foot BibT Be Be i FO I watcha the That once brought you to me, _& SSS SSS Har - bor Lights How could help if tears were Ebdim Be cu i _f i—— =e 3 —- | e start - ing? Good - bye to ten - der nights4S Be By ok ‘Bb7 Gdim AD ‘Bb Eb AbG @ Hi & & Be- side the fe @ i i hold = you near and kiss you just once more, Bb Fz FS ‘ 1 ers SSS SS 4 —_ But you were on the ship and 1 was on the § rat fh i = + == S 4 shore Now 1 know lone - ly nights Eb For all the while my heart is whis prring Fm aby Gaim Fm? BT & #8 Some oth - er Har - bor Lights Will steal your love from t lim 7 Vee 7m 7 1 Ba me [2 ties & 1 OR ORR fi41o MY MAN (Mon Homme) Moderato de Schottisch espagnole cost me alot, buttheresonething that Ive got _ Its myman Cold and SometimesIsay if I justcould get a-way With my man Hed go Sur cet-teterrima seul’ joie,mon seul bonheur Cest mon homme, Jai don- wet, tiredyou bet; but all that I soon for-get With my man Hes straightsure as fate, for it nev-er is too late For a man I -né tout cque jai, mon a- mour et tout mon coeur, A mon homme, Et Em, Ey Ee not much for looks.and no he-ro outof books — just like to dream of a cottageby astreamWith my man mé-me I nuit Quand je ré-ve, cestde lui De won homme Is myman Two or Where a Ce nest Em, C, pz Em BE RBEE BH cue men = ip SS threegirlshas he that he likes as wellas me, But I lovehim! [__ don’ know why I should, few flow-ersgrew and perhaps a kid ortwo,Like myman And then my eyes get wet, pas quil est beauQuilest ri-che ni costaud MaisjeVai-me. cesti-doit Im fout des coups, Em. FH ouitar Toct FIZ Guitar Tacet He is - nt good, Me is-nt true,He beatsme too,Whatcan I do? I "most for- get, "Til he gets hot, And tells me not To talk such rot Dm prend mes sous, Je suis a bout Mais mal gré tout Que vou lez- cous. omy417 eS ky = = == 2S _ as fs oe Oh. my man I lovehim so, hell nev- er know, All my life is just de- Je Tai tell'ment dans la peanQuifen d'viens mar - teau, Des quil sap-proch'cest ft D+ —_—_—_————— == -spair. but I dont care When he takesme in his arms the world is bright, all - ni Je suis @ — IniQuand ses yeux sur.moi se posat ca wirend tout cho - . oy a ae & & & % = SSS SSS a SSS = = | ? F ——™ ynatsineurtrbence it 1 ‘say [go ‘a-way,When I know Tilcomeback Je tai tel ment dansta peau Quaumoindre mot. Iim frait fairw impor -te pac le és i on my knees some day? For what-ev-er my man is I am his for- quoi. Stue-rais ma foi, Ssens quil me rend-rait in - fame, Mais je n'suis qu'un a ee Ba J pS a tien i love him cc eid ment dans la418 THAT LUCKY OLD SUN QUST ROLLS AROUND HEAVEN ALL DAY) a Tm tired and wea- ry of pain; bar? Please Lawd! for- give ome if 1 com - plain Cp in the mornin out on the job, work like the dev-il for my pay: But That Am fm c. oe c Luek-y Old Sun has noth is’ to do but roll a- sound heav-en all day. SS SS ee Foss with my wo-man, toil for ay kids, © Sweat ‘til Yim wria-kled and gray, eS SS Leck-y Old Sun has nothin’ to do by ‘While That mf Show ie that fv - er ‘Take me a-croes and wash all my troub-lee as wy, ‘Like That Am fa Dar To parc a ‘cre c ail day. ay. Luck-y Old Sus, give me noth-in’ to do but roll a-round hea419 Time After Time From the Metro Goldwyn Mayer Picture “IT HAPPENED IN BROUKLYN" F G__ce © fem endian mt. What good are words 1 say to you? They cant con - vey to you 92 or Be nae aw___Am? or 2 whats in = my_ heart. Am stead ‘The things I've left —____ un - said! Chorus ¢ atemgo Am Da? oe. Em m7 otc TIME AF-TER TIME I tell my-self that I'm So luck-y to be oS Da ET DET am __ Ant Am6 Br. lov = ing you, So luck- y to be the Eo Guo A+ AT Dm Da? G7__vet_G7 ¥ one you run to see In the eve-ning whenthe day is through, I on- ly qc En De?__7_e co or koow what I know, the pass-ing years will show Youve kept my love so young, $0 F Fac Aw6 Fm6 © a D7 Tm So And TIME AF-TER TIME you'll hear me say that Da? - oe Te 2c En luck-y to be lov- ing you. yor420 Cry Me A River cin As cme cm Fm? Gm _B.7+5 Esmaj2Dm7 07 Now yor suyyoulre Iore- T= thru, Well, you can Youery the long night Bir Fm? Pm? Om? Gdim Cres, ws Cry Me ARiv- en, Cry. Me ARiv-er,- I cried a riv- er 0-ver Ebdim Apmé Cm _Ab cms cm Fu? Gm Bir+s you, — you sayyoute .sor- ty For. be-in so un- Evmaj7Dm? 07 im OS FO Fm7 Bia Fay true, Wellyyoucan Cry Me ARiv-er, "Cry. Me ARiv-er,.. leried ariv-er $-ver 6 cmé p79 Gm One ome D?sus. D7 you. ‘You drove me,— uear-ly drove me out of my head, While Ons Cme One, vou uev-ershed tear, Re-mem-ber?— I re-member cme Daus.D7 @ Ge Dm7 a7 Cm__Ab all thatyou said; ‘Told me love was too ple-be-tan, Toldmeyouwere thruwithfmean? Now—— you sayyou cms cm Pm? Gm Bi7+5 Evmaj7Dm7 G7 Gm7_-—Gtim ons dove mey— ‘Well, just to prove you do, ‘Come on, an’ Gry MeARiv-er, 2 — Br_Fm7__ Eis Aime G7 ie Fos == => Cry Me ARiv-er,_ Teried a river o-ver you. you.4at Everybody Loves Somebody Verse ‘Gm? (aati) che P ona cat F Some-where there's an - oth - er heart To warm a heart That's cold; Gor cnp oF Des Eve Am ota an SSF —— = = a4 *TSome-one's hand is wait-ing for A Idne-ly hind to hold. tydreamer has 4 dreamThat Gtaim Am Dabo Gm Dg? rit. co mr cor ; 2 —— 2 = = SS | one day may come true. Ev -'ty one has found it so And some day so will you. Chorus-Stowly Bb D?__ Gm Eb cr EV-'RY-BOD-Y LOVESSOMEBOD-Y some-time,— Ev-'ry-bod-y falls in love some-how. ge abdim __ Gm? gy ce oF ow cr P Fe thing inyourkiss just toldme My sometime is now. Ev-'ry-bod-y Tindssomebody Bb Dz_Gm Eb cr P Abdim __Om7 some-plae— There's notell-ing where love may ap. pear. Something in my heart keeps say- ing My E Fa cm? Ey Bb io someplace is here. le “f Thad it in my power Td ar-range for ev-'ry girl tohaveyour pi _alitoh om cam Om7.c7 charms, Then.e ‘ry minute, ev! ry hour. Evry boy wouldfind what I foundin your arms. F Fe Bb D7 Gm Eb cr £ SS te ett j= SSS = EV-'RY-BODY LOVESSOME-BODY some - tint And, althoughmy dream was o-ver - due, uu F Abdim Gm rit AP oma c72F Your love made it well worth wait-ing For some-one like vou. —~ you.422 or c Ycu Don’t Know Me o SSS SS Ses You give your hand to. me. F and then you say_hel- lo, And 1 can FRdim? © ar hard-ly speak, my heart is beat-ing so, And an- v one could tell__you think you Dm G7 c D7 G7 Know ime well, but you don't know me. No, you dont oS $4 — i. know the one— who dreams of you at night and longsto kiss your lips and longs co FRdim7 Cc ar Dm 67 hold you tight, To you I'm just a friend, that's all I've ev- er been, CRaim7 SSS art of mak-ing love, though my heart ached with love for Een. fraid and shy, I let G7 Dm? G7 (SSS See mychancego by, the -_ chance ag =s oe er too. You give your hand to me abi then you say good-bye. I watch vou F Fhdim?c aq walk a- way be-side the luck -y guy. To nev-er _nev-er know the one who Dm or © F Ne a7 5 h = + Sa SS loves you so; ‘no, you don’t know me, — x You give yourSwinging On A Star 18 ‘As sung by Bing Crosby inthe Paramount Picture “GOING MY WAY” boty sno cr ent non Be ee ae = SSS SS] you like to swing on a star, Car- ry moon-teams home in a Bhebm Bbiv-s Dra G7 09 | Am C+ C7 cmt Pr Re Eb Bb Cnt jar, —— And be bet-ter off than you are, Orwould you rather be a mule? — Refrain ‘witha if Bb Be Bb Bp === == = SS =| Amulet an an} smal with long fn cy ee fe BGS RL IS Bf Boe ke as fish wort do an- y as but swim) in’ a brock, He . F — HSS 5 === = SSS r rer SSS ee wee wat Be di rn man nefa when he fant write his mmo or read & i To fool the peo- ple is his re, ons om tm . 7 SS SSS SS = SSS == a4 Tain ie SE. Hey pat plein Gu-ald witn stub - bom ateam nd by the bein ee He at me ee tat ko deme eh at Pes ‘on = ly thought, And though hes slip-per- y, he still gets caught, But then if ~ Bb eb Bh Fmt G7 cm ‘ [= SSS SSS Sy if yous to go You may gor pf be a dont care “a feath-er Gr You my gow up to be a at See Se GPE ala be womens 8 et we eset in corn mule, —’ Or would ju like towing on a star, far- fy moon-beams home in & ig. Or would You like toswing on a star, Car= ry moon-beams home in a ish. — And all the monkeysarent in the 200, Ev-‘ty day you meet quite a Bh Ebm Bb ors Dma__7_ a9. am c+ ot cmt jar, ? And be bet-ter off than you are, Gr would you rath- er ir, LoL And be bet-ter off than Jou are, Or would You fath- ee few, —— So you see ith all up to you. RE waale 00 a ee hn yee c 1S. 1.2. ey phoma Drs or cn = = SS SSS = Z ? B= 4 ane, ‘You could be SWING-ING ON A4a4 Sweet Lorraine ‘Tove Unvlete Words by tr Masic by MITCHELL PARISH GcrA CLIFF BURWELL Ubulete Art. by H. Ketwe cHoRUS £7 av tc 7 —A7 Siri: OB Gd Bf : Ee Sa: S54) Tre just found joy, Tim ashappy as a baby boy Withanother brand new choochootoy,- # hi 8 G8 & @ When Iin with my sweet Lor - raine; ‘A. pair of eyes That are blu-er thanthe EA <7 B7 £7 A? 07 A ., #8 eB a summer skies__ Whenyouseethemyouwill re-a-lize—— Why I love mysweetLor-raine, f@ee (im so happy,) Whenit’s rain-ing I dont missthe sus, For a 8 ff @ =f Just to think that Im the luck-y one ‘Who will lead ber down the aisle; & e7 a7 7 ae <7 FT i A night 1 Pray__ That robod-y seals her heart a - way Testeart wait until that lnppy day;— 27 & & oe G > 6 &—___-2s a i tech _@ ['Wheal marry sweet Lor-raine.fas” THE DONKEY SERENADE Diego _¢ _¢4 G7 Ay Ay. Tin whistle Ay 60 a ¢ There's a There's a light in her air, But the fair se- a0 - ri - ta, does-nt seem to eye, Tho? she may try to hide it, She cam-not_de- Dmoz G7 Dm? G7 c So Tn for the song in the Oh! the ny, there's alight in her Dey Gz Dm? G7. Dm? G7 Dm? «G7. c fa fl sing to the mule if you're sure she wont charm of her — smile so be - guiled Don Di - Dm? G7 Dm? G7 fA HH ff think that Tam just a fool ser- @ nad - ing a © = go that he rode a mile for the charm of her ra Boy pointing to the Donkey mule, —___ ‘A-mi-go mi-o,does she not have a daint-y bray?4206 Pointing beck to Mina She list-ens care-ful- ly to each lit - tle tune you play. No, 0, mi mu-cha-chi- to, how can you be so wrong? emphatically Si, Si, mi mu-cha-chi - to, whistling Si, Si la se - fo - ri - ta, & legato Shed love to sing it too if | on-ly she knew the way. But whistle Her Am Ang Gldim e Gidim Am E7 An? try as she may, in her voice thereés a face isa dream like an an - gel 7-9 E Am Ey Ant? De Rm Amé And all that the Ia - dy can But all that my dar - ling can co Dm? or c Dm Em 1g he in singing tothe donkny after all Gi (tothe donkey) Se-fio-ri-ta Dav a ¢ —__—_.— 5. 48 4 4} —-4§ 0 9 Se SS SS a mo my Chi-qui-ta, youre the one for me. me. o-16!427 Autumn In New York c7 Fr aR je = BH a = = ro = + Ss € f ===] Sa See It’s time to end my lone-ly hol-i - day—_ And bid the c7, So on this gray and mel-an- coun - try a has-‘ty fare - well. mR fh ay = SPoeaps 2S ay move to a Man-hat-tan ho - tel. chol-y day Ga fi esl = + ¥ pose of my rose-col-ored chat-tels And pre - pare for my share of fd- Gaz ong 7 r 4 F_ ia Al Fe Fa Fae = SSS = =e ven-tures and bat-tles. Here on the twen-ty sev-enth floor, ‘Look-ing r+ Ct a Bide siaide dia ae Se down on the cit. y Dez og a cr _ - ap 2 a A ae P- goes and fed me +¥- New Yor none seem so in- vit - ing? O Noe Week attests A= anh cn cnz on Pu ie — Gi aun = 2s a =: + 3 = 2S i aaa ‘Au-tumn in New York, Itspells the thrill of first night - ing, ‘Au-tumn in New York, It lifts you up whenyoure run - down, oo mn7 _ a» Pie Hy a fl — si == —— = 3 € ¥ Se $e ing crowds and shim-mer- ing clouds in canons of steel They're rou- és gay di- vorc-ees who lunch at the Ritz, wih R76 G. c+ Gm Aa. i f Fa : Hi % x = 2 se +e = = mak-ing me feel Tm home. ’s Au-tumn in New Yorl tell you that “its di - ~—vinel” This Au-tamn in New Yor! a c7, a F_ cm? Dm ‘that brings the promise of trans-forms the slumsin - to 7 A m2 ong Hite is Of-ten min-gled with new love; May - fairs Au-tumn in New York — Av-tumn in New York, Fm 7, oe i Dream-ers with emp-ty ——yorllneed no cast - les in pain. Lov-ers that bless the Fm Ab. Ds At, Di Fag Gm An, ARB ns & =e SS SS a hands may sigh for ex-o - tic lands; It's Au-tumn in New York,— dark on bench-es in Cen-tra) Park Greet Au-tumn in New York; Gmz c7, Wem SCOT I ft ial A aM it = It's good to live — Its good to live it a gain. gain,Yad ALL OR NOTHING AT ALL ith much expression) An, cs Fe Fee Fa ALL OR NOTH-ING AT = ALL! ____ Hat 8 ny hr Bho Bbss, abr - fa fa — tove nev- er ap pealed to me It ALL OR NOTH-ING AT ALL! ahr Bhs Bhs ahr Gn BS —— If its love there is mo = in be - Why be-gin, then tweens Gms om ois Ee ie fa ery for some-thing that might bave been. No, TQ rath - er have noth- ing at cml? ce we hy ab bes ae Abts a fe Re mR ee at, ——____ But, please, don't bring your lips so close_to my430 rl ab Abs abe gh ab Abes pb ab fae Aa cheek, —___ Don’t ‘smile or Tu be lost ‘be- yond re - ly Om Bh? eh bm? Eby fee ae a8 a Be call. ‘The kiss in your eyes, the touch of your hand makes me Bb? Bb? Bhms- To Fm ‘Db C7, a a ee a a San Sea ces Ee on ces a3 Fa & a 2g And it 1 felt under the spell of your call, Amz aby abe Bhs abr ae a bea fal tt T would be caught in the = un.- der - tow om cme Dm Dms (EZ, a a ea ee & So, you see, Tee got "to say: No! No! ALL aes re z y cs ————— : = ——= |" on NorH-1nc__at ALL! ALL! —___431 As Time Goes By From the Warner Bros. Picture “CASABLANCA” REFRAM per ms » a 2 Tittingly, me fa fe A ‘You must re-mem-ber this, a kiss is still a kiss, A sigh is just © sigh; on ee Be tr rer a ie fin Feet fat i The fun da-men-tal things ap - ply, As time’ goes by. ‘And Pa pxa thee ahr = mes eo Fae A Fait Soa 2S SS SSS es ‘when two lov-ere woo, they aflll say, “I love, you; On that you can ke Hy: op ee = ee No mat ter what the fu- ture brings, " cree, a ‘Moonlight and fove— songs nev - er out of date, Heas full of pas - sion, Jeal-ous-y and hate; Wo-man needs man— and man must have his mate, That no one can de & P- of ate a e Eee ny 1 still the same old sto- ry, a fight for love and glo-ry, A x b+ zh on a a Ea fa ease of do or die! The world will al- ways wel - come Bam Em hos (wep pm fan RA A Fat ERR FR _ AB i Tov-ers, As time goes by. You by.432 BLUE VELVET Slowly (with tender expression) Words and Music BERNIE WAYNE Tee ora nz rs ab cone a & She wore Blue Vel-vet, Rin-er thas vel-vet was the night, ou 7 F7+ Bbmaj7?_ 07-9 om v7 i —. aL ta fl I Fs SS Ss the thre She wore Bh Gn? Warm-er than May her tender Blue Vel-vet, —-_Blu-er than vel-vet wereer eyes, 7 Bio a i i BR lrpasionato fa ol a t , love was ou ebm i a ih 2. Like flame bura-ing Feel-ing the rap-ture grow, ig tight-ty, a mob Dm a fa But when she left, gone was the glow of Blue Vel- vet, ae i But in my hearttherell always be, Precious andwarm,a mem-o - ry through the : oo es fit | And I still ean see Blue Vel-vet through my Wage 1EBB TIDE Music by ROBERT MAXWELL = aeseeeel like the oa . aS tide with toyour side434 p82 a fi i are feel, you are love, you are real, Real - ly ée Wie aa g_E Ff g 5 (alga a= in the un, Like the tide at tte ES Tin at—opeae,i WITCHCRAFT Those fin-gers in my hair That sly, come - hith - er stare— ona 7 F cn) a a &sS5St ae ee eee errs cnc fa 8 And I've got a it What good would Fetasss) F The heat is too msi com-mon sensefor it do? nate AWITCH-CRAFTI_ Wicked Fea rows EB Baas BB & FA cu on be Ea) WITCH - CRAFT And al - though I know it's strict-ly ta - boo zr ro ames ane fl i i # ‘When you a - rouse the need in me, my heart says, ans an om ous ont bi & “Yes, in-deed”_ in me, “Proceed with what you're lead - int me to!” cr ris re ofr be fa _ Ws such an an-cient pitch But one I would-o' switch ant ae “Cause there's no than yoo_— fare i ca — nicer witch 435436 TILL THE END OF TIME (BASED ON CHOPIN'S POLONAISE) Voice ce. cm Cat mob, Baim Or De Btn T wished up-on a star for some- one To share what each day would bricg, Xen? im om cs Koa you, my darling, are that some.one Meant for me to cling to Chorus Slowly with mach expression) Ber rr ab ca © in te bine — Log a TILL THE END OF TINE, — Long as stare 5 Es Eb Pa, Or orm 7 Wheres a aping, a Died to ding TM goon lowsicg CULL THE * e = SS END OF TIME, — Long a4 f0r-e& bloom in May — My love_for Coe ee ee) cer v7 Bb Pr Bb Bb you will grow deep-er with ev -'ry pass- ing day. Tl the wells ron dry —— Co Ce ee ee) = Abd eich _moun-tain dia-ap~ pears — FAl-be there for you, to care foryou through Pn ar or ce = ens cos laughter and through teal, ‘So take my heart in sweet sur - —— Oseo-s ossar car Da A cn? ‘the one youll love and live for TULL THE T r Carpe Bh 2 ede oF SSS = J END OF TIME. | TLL THE © END OF437 TRY A LITTLE TENDERNESS HARRY WOODS JIMMY CAMPBELL REG. CONNELLY Eb Go? eb Ff? In the hes-tle of to - day Were all in-clined to miss Lit-tle things that 67 FT & Team so mich, A word, @ smile, 9 ey When a wooman over a man, Hes a eb a) . «7 Testo in ter yer, And's esto be can al-wads te, If elljust teva ~ lie Eb pEDors serytiow.tendercy BET Eb BM ca F7 gee SS iS ‘Shemay be west), Women do gt wearry Wearing thesamethabby dress, ‘And whenshesweaty, Bb7 E> ger £ 67 ‘Try ALit-tleTen-der- ness. ‘You know shel wait Just an-tic-i - pa- ting eb Bere? F2 Bb? 7 Things she may never pos- sess. While sheS without them;TryA Litle Tender-ness, its ab o7 a ce? fn <7 fot just sen-ti-men-tal, She has her grief and care, Anda word—thats soft and gen-tle,Makesit En aba eb Bb? et BM? easier to bear, Youwodtregret it, Womendort forget it, Love is theirwhole hap pi-ness. FE Bo7 Ep Eb Its all so eas-y Try A Lit-tle Ten-Wer- hess. ness440 Sentimental Journey pup Garxn tas sown Very slowly BEN HOMER: Verse c one ay Dar oo Ev'ry roll-ing stone gets to feel a - Jone When homesweet home ts far 8 - way. che__cr_aree =lone Un-th to day. take 1 SEN-TI-MENT-AL JOURNEY, Gon-ua set my heart at exse, ro Pot F maAdinor c c F Badd GC Mo? Fin F Cum c Long Tohearthat “All a-board’ ‘hath the time we leave, es crore vy, Ott, Dr __ce tin» 2 TH bewalt-li up for Heaven, Count-id evry mile of rall-road track that takes me back, Fi Ao Nev-er thought my heartcould be so"yeara-} ‘Why did I de- cide to roam? = © n Pas c Pithamar {hm Adin @7© Gotta take this SEN-TFMENT-ALJOUBNEY, SENTIMENTAL ate, saree44) WHEN SUNNY GETS BLUE Bm? Do. Bbmay7 Fmt Bea (sus) BET _Abm 7 WHEN SUN-NY GETS BLUE her eyes get gray and cloud-y, ‘Then the rain be- gins to Abm? D9 Gm7 Ghmt_—_co9 Gm? co Am7-5 fall. Pit = ter pat- ter, pit - ter pat-ter, love is gone so what can mat-ter? Bor Abt cr oct+ cove = Em@____, Bb (sus)_ BT No sweet lov-er man comes to all, _____ WHEN SUN-NY GETS BLUE, She Abm bo Bomajt Fmt Gm7 co breathes a sigh of sad-ness, like the wind that Stirs the trees, Amt-5 Abn? —b9 Gm @mt_ 9 Fmt BoT_Ab Wind that sets the leaves to sway+in; Like some vi-o ~ lins are play-in' Weird and haunt-ing mel ~ 0 - Dm? arb Cmajt Dm? Dmé Em? Ag Ato Dm G9 cio dies. Beo-ple used to love to hearher laugh, see her smile, That's how she got her Bomajt? Gm7 Bb cm? FAS Cmajt cmt Fo FT+ name. Since that sad af-fair, She's lost her smile, changed her style, Some ~how she's not the Fmt Ba p+ Fmt Bot(sus) BOT Abmt pe 3. ——— same, But memferies will fade, and pret-ty dreams will rise up Bmaj? Fmt Gm? co Am1b5 cmt where her oth-er dream fell through; Hur-ry new love,hur-ry here,— to Gm7 Gm oe Bors £46/9 E9b5. Fm? 3. r — ————S kiss a-way each lone-ly tear, and hold her near, WHEN SUN-NY GETS BLUE. 6/9 3, w/o Obs Hb6/9 robs Fat _—_—" — ——* Hold ber near, WHEN SUN-NY GETS BLUE.4a GEORGIA ON MY MIND » on ee CHORUS of fe ee a ty => 4 —— SS + = SS Geor- gia, Geor- gia, the whole da; through, Just an 2 Gm coc Fbdin Gi? crAw i a ae (Geor-gia on my mind } ‘old sweet song keeps GEOR-GIA ON MY MIND F ” Dm re i a Georgia. Georgia, a song of youComesas sweet and clear as Gm Gy Gn ee roo Dei Gem Om ay fa Re I a i Ea _, fa & - Ss # == moonlight through the pines. Oth- er aims reach out tome; A Dw Gent © Dba Gab omy gy Am atin Eb us aa Fe aa fa ERG Oth-er eyes— smile ten-der - ly; — Sill in pesce- ful deeams1 see — the coal leads back to Am, ¢7 . ” Dri cia a mi a mm Ae Be AS SE S35 you, Georgian Georgia no peace I find, Just an co i? Tia F Gu. Dm rm crate BM crag FS Be faa A AE fa ES A BB = : SS SS SS old sweet song keeps GEOR.GIA ON MY MIND. MIND..443 LET'S FACE THE MUSIC AND DANCE Yomi DICE FREE ‘There may be trou - ble a - head, But while there's moon-light and = mu- sic and_— love andro - a Bs EH = = = ss — Ss mance LETS FACE THE © MU-SIO AND DANOE— om ave Fei Sag. ef a Be - fore the 6z, fi. dlers have fled, Be - fore they And while we —still__any . 7 ; oat g & eis ais == == 5 o oe so = LETS FACE THE MU- SIC AND DANCE. Ab By Ae Eb? Fo i oo Soon . well be with - out the moon, Hum-ming a Sr Bb mi Se ee er —> diff ‘rent tune and then, ony shed. ‘There may be —tear-drops to cat a, © So while theres moon-light and mu- sic and_ love and = ro- ce, Fr Fmi Sa Br ia ee fH aH LETS FACE THE MU-SIC AND DANCE,— mance,. g Am, DANCE, LETS FACE THE us ra Ome Met og SRE ft I, fi 1447 APRIL IN PARIS Words by “Avril 4 Paris” E.Y. HARBURG Music by French version by VERNON DUKE EMELIA RENAUD c 7 c © F A-pril's in the air, But here in Par-is A-pril wears a dif-f'rent gown. A-vril est dans lair I - ci & Pa-ris La na-ture a re-vé - tue Fri Cmi Fri Gmi Ey 7 You can sce her waltz-ing down the street. The tang of U- ne toi-let-te pour son dé - but. Un bow-quet se wine is inthe air, I'm drunk with all the hap-pi-ness that Spring can give, de vinestdanstair Et tout ce bon-heur duPrintempsnous en = i ~ tre ET AT opt gt Nev-er dreamed it could be so ex - cit-ing to live. Nous i - gno-rions quil fai-sait si bon de vi - vye. REFRAIN amoroso Fai pf ae oT : A-pril in Par - iss Chest-nuts in blos - som, A-oil & Pa - Cha - tai-gniers flew - ris — —_ Hol - i - day ta - bles un - der the —_ trees. = Tout est en fe. > te sous Ia feuil - lee BY April in Par - is, A-oril & Pa - risans —— Bis ES —| No one can ev - er_. Quon ne peut re - cap - P¥maj7 Daim. nev -er knew the - te cet - te joie os te gee, Tou charm of Spring, Nev-er met it face to du Prin - temps Est un face. € + li -xir trou - blant Ami ET Ami B7 I nev - er knew my heart could sing, Nev - er missed a warm em - Mon coeur veut main- te - nant chan - ter, Et les jours hi-ver ow - ET Amit G7 fi boc Gal mi____, cag. a7 brace, till A-pril in Par - is,. Whom can I run to__ bli = er A-vril @ Pa - ris. Lair est em -bau-mé_ pry or — What have you done to__ my — Lana - ture est ré - - rel - Ite Wee E 7 heart? heart?. lee. Se lee.YOURE NOBODY ‘TIL SOMEBODY LOVES YOU 44 Oye a er en-a) FF. Dai a a ORY fe an at he a a al fre = == YOU'RE NO-HOD-Y TIL SOME-BOD-Y LOVES YOU, Youre chim, ee = 2S SSS 3 may be king, you may pos-sess the world ait <- gold) — But Base AS Am? 07 Agit Dr Dr ii tin ie eR a a z gold won't bring you hap pi - ness when you're grow-ing old; the ne i eS jas =] = am, oI oe ¢ a Ae ee cil sure asthe stars shine a - bove;, YOU'RE NO - BOD-¥ "TIL Cam. Gye hmT08) py Am 287 Am 7) Dr by . am FR a ory S55 = beeper 3 SOME-BOD-Y LOVES You, So find your-self some-bod-y to re Ebmaj.7 FO be Bre. Cmi? ce 1 ee § = = —— == love. YOU'RE love. 7“8 eS A MOST UNUSUAL DAY Chorus, Tempo di Valse eS bd re 3 Its A Most Un -u = Feel i PHL irr : + =: q SSS == throw-ing my wor -ries a - way As an old na - tive s cisin 6 cba Eal7 + QR im eS = Sj i. ¢ born Cal- i - for -nian would Most Ta - seal 7. Gaim _G Aml7 Gdia_¢ a ign of a cloud ¢ Chaim 98 - ing: Gp pai Arai I want to sing, throw my heart in the D7_Ami7_D7_¢ c_G Emi7 _Démi7 ring, It's Deir A Most Un - or peo - ple: 7 meet - ing Cmaj7 ev - ry > where Dmaj7 De ‘There is sun - shine. 7_Fmi7_ Emi 7 az. There are wreet- ing peo - ple G Gain peo - ple. D7_Ee Dy, feet air. ts a most un = ing of spring in the Gdim G___Ami7 ——<—<— = u = su-al time —__ 1 keep feel-ing my tem - pra- ture As De G cS co: heart wont be - have AZ tf my way, Well there's on - s Ani ly one thing to say tsa by Ami7 pz most un- 0 - su - al, most un- u - su - al, most tn Ami pz_'q emi Omaj7_ami7_D? 2G cmaj7 amiz > OU - su - al day. is A day.tty. 5 <== SEs SSS Ls one pos-si-bil-i - ty in view, That pos- si - bil-1- ty of may - besee - ing Re pit Dy x SS = = S fine, Tiga TL kles your lips ay i ait D7 Dar O2+ 2. 2] et SS = + + t ff — and the pounding be - comes the o-ceans roar, A thon-sand au ro ¢ Ar, oD ¢ At chin, ee 7. B c. at. i Shee Aa a Fei = Ss drums, Cantyou see its love,. canthere bean-y doubt, when there it Det a 1¢. Mme aby ‘ex Fes at Dp as N28 | BERS el Hi Day Ont.449 OL’ MAN RIVER B ay B By P sovcsouo Coloredfolks work on de Mis-sis-sip-~pi, Coloredfolks work while de white fulks play, EW a B 7 th Eb Pull-in’ doseboatsfromde dawn to sun-set, Git-tin’ no rest tillde judgement day. Gmi mi Gmi mi Gmi mi mi ™ MALE CHORU: + = — 7 tt et f ‘Don't look up an’ dont look aaa you dont dast make de © white boss frown; Gmi Cmi Gmi ee dim Gai Fri? BH + SS == SSS Bend yo? knees an’ bow yo? ead, pull dat rope ta - yore dead a 7 PIOESOLO Fe stempg 4 te 5 $ = = == BS a Tet me go ’way from de Mis- sis - sip - pi, Yet me go ’way from de ce Fmt ce B white men boss, Show me dat stream called de riv-er Jor -dan, B Ami Bw he ae SS — == == = Dats de ol? stream dat I long to ci urthenp (Ss == SSS a BP min dive at oP ama eiv-ex, He aust know more o al Bi Bio Fri? —_—=| 2 Ba == SS == j dont say Ie eit i Keeps on roll-in? = a- jus? keeps roll- in?” He450 B Al a a mi long. He — dont plant “ta - ters, he Eb a» Bb mi Fain ———_— douit plant cot-ton, An’ dem dat plants em is soon for ~ got- ten; But Bb Fri? Bb 5 a» ol” man riv-er he jus’ keeps roll- in) a - long. — Bb cdim D7 Gmi v7 Gmi Caim D7 strain, Gmié Caim Gmi vb Gmi Cain Bo - dy all ach- in’ an’ racked wid Pain. “Tote dat barge!” Gmi aim Gm *caim Gmi Fmi Bb? “Lift: dat bale? Git & fit- tle drunk an’ you land in jail. Eb mi Be ab Eb Bi? yp erese. Ah gits wea- cy an’ sick of y - in} Ahm tired of liv - in’ mi rr ry mi Vi? 37 An skeered of OP man riv-er he jus? keeps roll- in’ a = 5 Abmi Eb Fmi7 mb? Ee __Fmi7__ pb7___& long.Come Rain Or Come Shine 48 F Slowly and very tenderly ar Tm gon- na love you Like no - ‘bod- y's loved you, Come Dm or rain or come shine. High as a moun-tain And en gape fot bd Lae deep a riv- er, Come or come shine @& Cm7 F7 Bom Fm ¢ I guess when you met me Tt was just one of _ those things, But don't ev - er Ebm ‘Adim Fdim C7 Bhdim Cdim G7 6765) CO fF amet ger ts —— [ee — =: > $y + Se bet me, ‘Cause I'm gon-na be true if you let me. £ = he AL + a i 7 You're gon - na love me Like no - bod- y's loved me, Come 4b De 2 <7 4 Ss = es _—— Hap - py to-geth-er, Un- rain or come shine. hap - py to- geth - er And. ~— won't’ it’ «be fine ; ————— Sj ss Days may be cloud - y Or 7 rit _€h 4 ‘ SS or we're out of the mon - ee @ a tempo DAD a . zits) A SSS eee il - ways, I'm with (Au - gie,) Tm with me we - as) you rain or45) DAY IN-DAY OUT py a 9%. G7 cam &. nt a oa a Day Ia, Day Out,________ The same old hoodoo fol-lows me =~ Bat cr cam =O, dps a, Dp7 = == SSS = Sout The same olf pound- ing in my heart when-ev- er I think of you bro ghz Dpy gy, Dm7 OF “ as i fe GR aaeal ea i Day In andDay Out. Day — and dar-ling,1 think of you, Dp7 oy og a7, a Ont, Day In, »———__________I_need- itt tell you cam. © cme o. Day Ee Ba # oe how my days be - gin.________ When I a-wake I awak-enwith a tin-gle,452 a a a aa, ant re one pos -si-bil- i ty in view, That pos-si-bil-1- ty of may - besoo - ing Dar 97 am OR, OS pee Oe fa ES st = =—==- SSS you Come rain, Come shine, 1 g. B cain. 6 moa bre py oS ie ee fine, —____ meet you and to me the day is Then I kiss your lips B Ht ¢. aut 7 par 92+ = te — _——". and the pounding be - comes the o-ceans roar ‘A thon-sand 2 & 8 a ie == See aaa eae ; canthere bean-y doubt, when there it drama, Cant yon see its love, ee & === is, Day In, Day Ont. oe453 Gall Me Irresponsible Refrain, Slowly With A Smooth, Steady Rhythm F 7 Vidi ridin Pidsddd Phin om gn oldinsolain Oinae ome Ey | a & "Ae fa Gu ome ME. te-spon - si-ble, calle tn re- - a-ble, Oe, = a1 on pez cress cr Gar Dez ERKC Ds Om Wo & €86 88 BER RE Do = my Br cr Ceadda C7 One a9 De Dz pmz G7 HE ge RENE go he & & @ a ih TR i (3 2225Se i SSeS throw in un-de-pend-a-ble. too.______— fool-ish al - i-bis bore you? Well, I'm not too clev- er. I ama St, amt Dt Cr C+ F Fe FidimsFidin FydimaidD Fidim om ams. Ba Be HH H HE © & & fest a-dore you. Call = me an-pro-dict - a-ble, tell me tains wiaim OHlmade® Giaim Pmajt an At AD av cas or FRO = He EE Hl eS pL SSS = Tm im- prac - ti-cal, rain - bows Tm in- clined to pur - sue. cm fm Bbm DT AARC D+ Gm = By 07 C9adMA C7, ng CmpaddD q fa OB a2 eH fr - re-spon - si-ble, yes, I'm Coadda cr Call pw-0 pe -D7addB DS Gmgagd | Gm Br C7 one AIS AT AtT AT DTG D addC Baim Qm7 adc Bb7 Bbmé c7.9 Bhms it f a ae a ft & == SSS ig == true, Tm ir - fes-'pon'- si- bly mad for ist Fa? Faaje Faajr Wz Foal? Fmaj7 1 Boe Bhs Boe Bhs FP pbs ‘Bb ith ae fo fam & ‘yout.FASCINATING RHYTHM REFRAIN: 7 gh? oo oo Be Soe eS i vy Ty “Fas-ci-nat-ing Rhy-thm You've got me on the go! Fas-ci - nat-ing Rhythm I'm ell a - Bn? oF 7 Dobe Bop ‘What a messyouremak-ing! The neigh-borswantto know why I'm ee pte OF Edin, ev cm sun, (Start a hop-ping nev-er stop-ping) To find at night, no work—has been ee s Pet com 8 z In ye gat : ae a a ee aS pte al-waysshak-ing Just like a fliv-ver. Each morn-ing 1 get up vith the Be Chain et a7 ce = = a5 done. I know that once it did- n't ie ter But Bi? x Bok wo BT Bt” ow you're do-ing wrong; When you start to pat-ter, I'm so un - hap- py. BY oho? oe By oph og? oh phon? op BY vay off, And make it BT a Fm® oe cm Bb Ema? FF Ob, how I long to be— the man Iused to be! snap- py! ————— woos * row Se: ae 5 Fas-ci- nat-ing Rhy-thm, Oh, wort you stop pick-ing on & cmCome Rain Or Come Shine 1 F Slowly and very tenderly a —— ts — ts eS ee ee =] Tm gon- na love you Like no - bod- y's loved you, Come Bm or rain or come shine. ———— High as a moun-tain And long gg pat? SS == sf === j tiv - er, Come rain or come shin FT Bh I guess when you met me It was « just one of _ those things, But don't ev - er Ebm Adim — Féim C7 Bhdim Céim 67 G765) co bet me, "Cause Tm gon-na be true if you etme. & You're gon - na love me Like no. - bod y's loved me, Come rain or come shine. Hap - py to-geth-er, Un- $ SSS SS SSS + ¥ ¥ 7 ¥ hap - py to- geth- er And won't’ it’ be fine. hz = + = = Days may be cloud - y Or on rit eh —— # =| + — a # sun- ny, We're in or were out of the mon - ev Rt @ tempo BMT a7 e E765) AT oe ———= — == = + Sa _—— i - ways, I'm with you (Au - gie,) Tm with you rain or @el - “lay456 Let’s Fall In Love acra HAROLD ARLEN Words by TED KOEHLER Moderatelv gulf, 68 & 8 6 @ LET'S FALL IN LOVE, Why should-ait we fall in love?Our hearts are made of it, Lettake 8 chance— GG @ Wh & & & = — - why be Be frald. of Let's close our eyes, And make our own— Par-a- an Pits mosso We ri To be OF not to be, Let our hearts. dis - ZA ©. &@ & Ab &§ @ cor er, RT PALL IN LOVE,Why sould-al we— fall In love?Naw iste time-for itwhlle we ate “8 aes & = ae qe ES ‘young,LETS FALL IN LOVE,———— ¢—_Slepen) ff = =f Love, = Zi FALL IN4 What The World Needs Now Is Love &7 Music by. BURT BACHARACH Em? Ba? == z £ 2S] t 7 — needs now is love, sweet c Bm tae. Ws the on = ly thing that _ theres just De Ba? Em? Bu? t= tle of What the world needs now * love, sweet Em? ce To Coda @ ® ove, rot just for some, bt for y= ry one B En? Lord, we dont need an-oth - ey moun - tain, Lord, se dow't néed an oth - er mead - om, pms 3% = There are ‘eoun = tains an hill siles on there ate urn fields and Wheat = fields a cm.7 cs. by °F pough to ete; There are ° ceans: veh Tee te wim beams and o% m7 emt a ov = es © > nagh ROE gh to “eh to shine On “ie = tem a . , be Dat ® Coda othe end ut ¢————— # if yur want 6 know Wht the area 87 ce 6 Bm? a No, vot just ter some oh, but just ter ——}458 WITHOUT A SONG from the Musical Play “Great Dey” With expression ——— es eee Se ao => Ee Fs a3 ‘With-out a the day would nev-er end; With-out a — ; 2 SSS | the road would _nev-erbend: Whenthings go wrong. a man ai 01 — WS jend, With-out a — song,—__ That field of gree = HoH would be de - wwouldnev-er see aplow Thatfield of corn E & . — buthe's no good no-how,—_ With-out a se'poco a poco cresc. eee got my trou-ble and woe, But G5 ee sure as I know the — Jor - dan will roll, SSS Ss sert-ednow; Adark-ys born, Tn get a- long as long as a is sung in my soul,___ Tempo Primo fp —— ot Se + SN - vos ¥ pr B $5 a ss f= ——__——._ Il nev-er know. what makes the rain to fall; Til nev-er SSS SSH t 7 se know. what makes the grass so tall: I on-ly know_______ there ain't no =—n- rit. pS at a i ss ¢ rs Jove at all With-out a song.459 Words by THE CONTINENTAL iERB MAGIDSON ii: i 1 i ERB IMAG Ibe (You Kiss While Youre Dancing) SAMILA CARDONA EL CONTINENTAL Moderato a7 igtae + + Fm _Bbm? Gm__Kb? Fo Bh? wT ‘Dan-ger-ous rhy-thm! — TBai -le- mos jun- tos! Fm_ph? my ah? eb Cn? ah? It’ssome-thingdar-ing, “The Con-ti-nen-tal”? _A way of danc- Ya-pre-ta-di-tos, “El Con-ti-men-tal” Bien sua-ve - cm? Bb ing that’s real-ly ul-tra to por-queessemti-men- Cm? sb Fm eb } new; It's ver- y — sub-tle, “The Con- ti - nen-taly” Be-cause it tal Quie-ro bai - le~ mos “EL Con- ti - nen-taly Por-que yo rn? ah? gb ogb7 pm bm? Gm_b7 Fm _pb7 mp does what: uwant it to do. It has a quie-ro 4-blar-te dea - mor. IQue sa - bro o z Cnt in a7 } pees 5 3 pas- 01, “TheCon-ti- nen-tal? An in-vi- ta-tion tomoon-lightand:2-mance; It’s quite the ‘su-ral “El Con-ti- nen-tal? Es um es ti-lo de bai - le sin é- gual, Lle-na de ] Fm Bb? zg Cm? Fn? $7 Ks ? ‘The Con-ti - nen-ta’ Be-cause you tell of your love while you dance. 4 “BL Con-ti- nen-tal — Quehe-ce “mi euer-po ten-blar dee-mo-cién, g i whisper, so ten-der-ly, Her eyes me lle-na de pa- sic Que ya Bhat ___phgim _oh? MP Yn 27 === . Twobod-ies sway-ing “The Con-ti- Mé- si-cqex-tra- ita “EL Con-ti- $7 1g just what yourethink-ing of; So keep on Que nos per-mi-te ‘ha-blar de wncs-treg-mor, Siempre bai-danc-ing “The Con-ti- nen-tal” For it’s thesong of ro-mance and of love le- mos “El Con-ti - nen-tal Es la can-cién de ro- man - ce y.a-mor. ab a7 You kiss ___whileyou'redanc-ing; A - mor, en mis bra- 20s, a mp Adim 7 Adim Bb? P It’s con-ti- nen-tal, 's con-ti-nen-tal. — Quie-ra.es-tre-char-te cuan-do bai-la- mos; ee Your voice is gen-tle, while you're danc-ing; sing, —— mor en “tus 0 = jos, Quie- ro be- sar-te ‘ eh? Déim ab Daim xb? fresc. yb? hab and sen-ti- men-tal. You'll know, be - fore the con em- be - le - so. Sa- brads al ter - mi + na ea ae: ara abe ee Ce That you're in love with her and she’s in love with. you, Que’ “no po-drds vi- vir sin mi quer-er — mia-mor, dance is through, nar, a mor, ps mp ah — You'll find, — Tam - bien, while you're danc-ing,. que im-pri- mi- do, ‘That there's a rhy-thm in your Se que-dacl rit- mo en tu aby Age Set? pain wb Agim BY Agi C= es 5 heart and soul; certain thy-thm that you can't con-trol co - ra-z6n;Es-tra~io rit- mo que nos con- mo-vid, ‘And you will. do “The Con-ti - Con ca-da no-ta mos un- Bh? yak ah7__ahm ebm? co? _ aK? nhm hm? dim? _ ab? Beau-ti-ful mu - si nen-tal” all 6, the time. los dos a - mor ahaha? M7 bha that? cm? — Dan-ger-ous rhy ~ thm! = “BL Con-ti- nen - tal’4ol Zing! Went The Strings Of My Heart Words and Music by JAMES F. HANLEY En? Buy B Fut Ba m Nev-er could car-ry a tune, Nev-er knew where to Ay Ftdim. BO BT By cm7 FT Bi came a-long when ov-‘ry-thingwaswrong And put a song_inmy heart. REFRAIN bright tempo Bp: ES BiB Dear,when you smiled at me — T heard a” mel-o-dy, It haunt-ed me from the start. a BAY Asm Ee Aim Some-thing in- side of te — Start-ed : By Ebme Chdim, BT Zing! went the strings of my heart. "Twas like « EB cm Gt_cm Fo or Fm Be breath of Spring,— Theard a rob-in sing — A-bout a nest set a- part, pring,4o2 co __Be Be co Be Bie a mAb Avm All na-ture seemed to be B cm EY FT BIT Bi+ EY Ab In per-fect har-mo-ny,— Zing! went the strings of my heart. Bmp Fat BT B Fat BT EB Your eyes made skies seem blue’ a-gain, What else could I Any 5 " mfx pocorit, mY Whe Ee r= a Koop re-peat- ing through a-gain love you, love you!” BT a temp: Bb B I still re-call the thrill, T guess 1 al-ways will, T hope twill co Bs mo co Be Bo. aw B nev- er de- part, Dear,with your Ay Abm BAe Bm cm BS lips fo mine — ‘A thap-so - dy di- vine. Zing! went the ‘ ——S< strings of my heart.463 CHEEK TO CHEEK Cr Fae HA = SSS — And my heartbeats so that op 6 ver A FRE HES eee ——= hap-pi-ness I seek G aug pesrsa] F 6 e HY GEE fae) BE > cum Ge 1, Bm, br oy ig :f HES GHA fy > = x = = = cares that hung a- round me thru the week Seem to van-ish like a Dei A? a, rp Hag EH aft 2S SSS SS ad ~ ese e ‘When were out to- geth-er dane - ing, CHEEK TOCHEEK. ¢ og alk aaa ei § == SS € f =e SSS z i On! I Jove to climb a moun - tain,Ho oy, s, ° Be reach the high-est peak, — But it does- nit thrill me or ¢ “2, ‘ CA Soy tf ef ee ‘dane-ing CHEEK TO CHERK. & Fo, Oh! I love to go out fish - ing Fr In a 63, “ GE But I don't en-joy it riv-er or acreel half as much Avo ‘As danc-ing CHEEK TO CHEEK. Abe Abimm Bio. and my heart beats 6 7, son, § fe ge} einaee f= gee seem to find the hap-pi-ness I o % oat He BE of Ss CHEEK TO CHEEK.Yos SATIN DOLL Dm? a Dm? a Em? an Em? ar Cig-arettehold - er which wigs me © - verhershould - er, she cm pr Asmt pH. c C#aim Out cat-tin’ that Sat = in Doll. Dm? or Dm? or Em? aT Em? a Ba - by shall we go out ‘skip- pint care-ful a-mi- go, you're Mip-pin’ cm DI Abmt pee c pe cre Cc Gmt ct Gm cn F no = bod-ys fool, so I'm play - ing it cool as can be, ; Amt br Amt LH cr_Dmt 81 (spoken) five it @ whirl,but 1 ain't for no girl—— catch-ing me, _______Swich - E-Roo-ney Dmt ar Dm Gt Emt Alem AT cmt Tel- e-phonenum - bers well you know, do-ingmyrhum-bas with u-no, And that ta" CBdim 7 De GT-9 ¢466 F NOBODY KNOWS YOU WHEN YOU'RE DOWN AND OUT vese'f# & 8 8 T oncelived the life of a mil-lion-aif& —‘Speat-ing my mon-ey 1 did = th care, & — fo-m@ & fa ie ‘Al-ways tak. ing my friendsout for a good time, Buy-ing cham- pagne, gin and wine, But 7 Fr 7 Dr Dr Gm t & ff fi a _ just as soon as my dough got 1o¥,— T conld-ni find a friend, no place I'd go,— i [ Be Bdim oo G75 07 i i es a ev-erget myhands on a dol-lar @- gain, Iimgon-na squeeze it and squgeve it_ till the ea-gle grins. by ga pr Gn Bb Bdim Refrain ff] fH & ® & & No- HOD - Y KNOWS YOU WHEN YOURE DOWN AND OUT, Tnyour pocket, { ecm Dp oo or ro a # & & you have- nt an-y. And soon as you get on your ot one pen- ny ‘Aud your friends br & Pa Gn py Gm B Baim ffi a i feet a- gain, Ev-‘ty-bod- y is your long lost friewd. Iismight- y strange,with- P eo. qs or Dy out a doubt, But» NO-BOD- Y WANTS YOU. WHENYOURE DOWN AND OUT_ fe e-8-8 ee & <= NO-BOD- ¥ WANTS YOU_WHENYOU'RE DOWN AND OUT.— DOWN AND OUT.4o7 But Not For Me (Molly) Eb Bhe P_(pessimistically) Bhm Abe Eby Gm Old Man Sun - shine lis - ten, you! Nev - er tell me, AT Ae Fm BbT Eb Cm7 BhT Eb Cm? Am? Am? D7 “Dreams come true"Just try it And I'ilstart a ri - ot == SSS SS SS oe — t Sj cer-tain Its the fin - al cur-tain, I nev-er want to Fat Bly Bi7 cme : x + : ma f == = =o fee = hear From an-y cheer - ful Pol-ly - an-nas, Who tell you c De Dm ce Be Bm Dbs Bea-trice Fair - fax, dont you dare Ev-er tell me he will care; I'm Fat Bb7 cm? Bi7 Bb oBb7 z f= SS =) fate, Supplies a mate; Its all ba - na - nas! Theyre writ - ing (He's knock-ing) REFRAIN =} BbY Cn Rather slow (smoothly) By7 Eb OBIT Ob BT Eb BMT : + x + ; = =: as SS songs of -love,__— But not for me. A tuck - on a door,_-—-But not for me. He'll plan a468 SS Bpt not for me. With love to But not for me. I know that Fidim Bb Cm bir _ i SS] 2 Ba Ive found more clouds of gray Than an-y Im puz-zled, just. the same, Was 1 the Bes Pmt rr pir ogb ahr Rus - sian play Could guar- an - tee. moth or flame? = sim all, at sea Eb BAT Cm? Br Bb Bh? Eb fool to fail And get that way: gan so. well, But what an end! BhT BT BST Eb bby FT Heigh-ho! A - las! and al This is the time a fell- Abe EMT Bhs Ab = s0, Lack-a - day! Al-though I can't dis-miss > er needs. a friend, ‘When ev'ry hap - py plot : GS === 3 ‘The mem - ‘ry of his kiss, T guess he's not Ends with the mar - riage knot, And there's 0 knot fe. 1 = = Al for me, He's knock-ing —_—_———_ for ‘me.469 SSS SS = s star = ry - eyed a gaia Tak - ing A Chance On Love. 1 fool - ing grand a; gain Tak - ing A Chance On Love. 1 the froore a: fala Tak- ing A Chance On Love. 1 omy 3 cam omy well bave Our bap-py ond-ing now Taking A Chance On Love Amstart-io' oot to win a- gain Tak-ing A Chance On Love. Vo goo-nagive my all a- gain Tak-ing A Chance On470 Worasby Wrap Your Troubles In Dreams TED KOEHLER (And Dream Your Troubles Away) Music by. and BILLY MOLL HARRY BARRIS Verse ce Dn? co cent ae De An? Dp What price hep pi-ness°What price hap - pi-ness? Who can truth-ful-ly say? But for ev- ‘Sor-fows bound fo come Teach yourhesrt to hum Bidyour trou-bles a - dieu Sitm youll. see your Dm7 b5 67 045 Cm Dm one C. o° Da? oo pay Love is hap-pi-ness! Ive had hy ‘You can ea. si-ly Learn his me © Em? a po Am? os G Dna Gr Dm? 50a. Dut it end-ed one day, Now 1 took at life a dif-fkent ways What a won-der-ful_ song, Tt" wileheer you when the day is long —— ‘Chorus Ce Am, D9 An? pr 95 CG? e When skiesare clou-dy and gray, Theyre only grayfor a day, SeWRAPYOURTROU-BLESIN DREAMS, And Dm? 67 ce cas C67 ow Pu Am ‘dream your trou-bles a way, Un. til that sunshine peeps thru, Theres on-ly one thing to do, Just bo Am? Dy Dey G7 #5 Bm? ET Am By - # 'WRAPYOURTROU-BLESIN DREAMS, Anddream your trou-bles a - way Your castlesmay ‘um-ble, thats Fd Am D7 o7 45 E7 Am 87 Ey ar Fateaf-ter all, Lifesreal-ly fun-ny that way, Nouse to grum-ble, just smile as they fall, °, Ey br c co © tiers ou Ling for a day? Soy! Just re-member that sunshine Al-Naye fol lows the | po, Dm G_OnB oss47) *S WONDERFUL Words by IRA GERSHWIN Music by GEORGE GERSHWIN . fe) tetas === SSS Life has just be - gun. Jack has found bis Jill, Don't mind tell - ing you, In my hum-ble fash, ae =e Dorit know what you've done, " ‘That you thrill me through cm m cm6 How can words ex - press When you said you care, pr B But Im all a - thrill, With a ten-der —pash. Gm BbT+S Bhms oc Your di- vine ap - peal? "Mag - ine mv e - mosh: Bb Bhdim C7 Fm c Abmo. = — = You can nev- er ss. I swore then and there FT Per- ma- nent de - vosh. Bh Dime Gh? You made all —oth- er Bh Fo Bb Fo ee = = From now on la- dy T id - sist, boys seem blah; Fr Fmt Ab BbT = Just you Refraing, ue. on Ee = For me no oth-er girls ex - ist. a lone filled “me with Aah! cr Crain 7 Chain, = ae =5 °S won - der- full *Smar - ve - lous?472. BbT ee kb Eee Eb Be be nel ——— ’Saw ~ ful nice — You should care for Bb er Chaim C7__Chdim_—add Bb Bebe to Spar - &- disel Eb cms a my life so sl ——— My dear, its four - leaf Dm a glam - 0 ~ rous You.catit blame me for feel- ing clo - ver time Fromnow on my heart’ work-ing Ft Bb B Be Eke ie be 5 — = 4 = mor-ous ‘Ont *Swon - der - ful ov - er time abr mf cm F Fm? _p, Edim Fn? — == $ == SSS *Smar ~ vel- ous! ——— That you should care —- for "gy Gm Fm Ab Gm Gm Fm7 Bb II? ey Ab qd ee Ss SS] mel ol moo473 Lallaby Of Birdland Words by B. i. FORSTER pee, Music by conn GEORGE SHEARING a e 'e HER ®W @ By al-ways hear shen yu sigh: LUL-LA-BY OF BIRDLAND — that what 1__ ae o oo Mars fF —— A a in my wordlard could there be ways to re-veal, in a phrase, How I fecit— ig chars r9 Be Ent e 403 Ly ff fa ft ft Have you ever heard two turtle doves. — bill’ and coo when they lac? yp m7 Ang Ba. oD o a oe go SS mu-sic we make with our ios — when we kiss! — Tats the Rind of mag.ie ve m9 a 4g oe a. 9. i Hh & Reh F&F ‘And thereb a weep old wil = owy— He real ly knows how to. ery! — Bs Ea9 an, Anz De bre a Br a 2 Bo Bt na low — if youshould tel_me fare -Wwell — and good bye! - Thats hie 14 ery fe my pil a @ 8 8 B Wee LUL-LABY OF BIRDLAXD, his- per low, and well £0 — id 7 27 pe a 8 |e } i all be-cause were in lovel fy-in’high in bird-land, High in the sky— up a-bove ri a 88 & & 88 & = all be - cause— were in love.474 WHO CARES ? (So Long As You Care For Me) Brightly VERSE, Freely Let it rain and ar > Dn? Gt ot Dn? ct Da? thun - der! Let a mil-tion firms go un- der} © * ob Dat Gt ct Dat chat I am not con-cerned with stocks and bondsthat I've been burned Em An it, An Gmai? I love you and you love me And that’s how it will al-ways be, And noth-ing else can c wT _bly ev-er mean a thing. 6 Who cares what the pub - lic Bim Cm GT s wo oem chat - ters?___________ Love's the on-ly thing that mat - ters. REFRAIN, (in a lilting manner) coi? Bt Be ks Fm WHO CARES If the sky cares to fall in the sea?, Dm ¢ Cain. Dat Em oc Gt Ant —— WHO CARES How his - to- ry rates a me?. Long as your. Dis Cmai? Bs Be — kiss in - tox-i - cates me! Why should 1 an > care? Life is Bs Tc Cam Dn? gt one long ju bi - lee, So tong as 1 care for you o 1 2. os ot aatineort® aly wt Dat GE —— And you care for = me———— WHO ne | oo475 Words by Fine And Dandy ‘Music by PAUL JAMES KAY SWIFT Refrain » = @mint =i =! = Pa-ris. Jon Now we're in Joe:Nowweiein the Stadium. Daim, Gmin7 cr fine and dan - dy, Sug - ar Can- You be An - dy, Nency:T'Il be An- You be Jo - sephine.wency: I'M be Jo - You be Schmel-ing Nancy: I'll be Schmel- a abr ~dy, when ve got you.— Then I on - ly see the sun - ny side, -dy, and who are you?_ woe: TH be A = moswhichyou ought to know, sephine, and who are you? Tm Na-po - le-on, You c-ll me “Nap. ing, and who are you? Joe: TU be Shar-key and Tl hit you foul Br ab on Pp - E - ven troub - Je hasits fun - ny side. ‘When you're gone— = Honey: 1 dont lis - ten onthe ra - di-o. — voe:Just the same. - NencyYou will make— me feelan aw - ful sap. — weeJust the same_ _ Here TE you do—ther’llbe an aw - ful howl. Jee: Just the same. Dam 7 r Dem, SSS =E . SSS 5 _ Sug- ar Can - dy, I get lone - some, 1 = You be An - dy; Mency:Fine and dun - dy. What _ You be Jo - sephine.¥ency: I'L be Jo - sephine. What _ You be Schmel-ing, wency: P11 be = Schmel - ing. What G min. cr Cmin.7 Pr Bb ab = SSS Se get so blue. When youre han - dy its fine anddan-dy, | But do I do? vor: Just “be han - dy to A ~ mos,An- dy, do I dov_ JorShare my em - pire and be my vem-pire,MexcpBut do 1 do? JeeCluteh your vi - tals and-claim six ti - tle, | And Pr Dm. act a, a, S555) when youre gone what can I ‘Noney: Check and dou-ble check to = Pa o7 7 ow sey do?476 CHICAGO Chorus Gr(sus.8) Cmaj7 | Dm Em? G7 Dm qr CHI - CA-GO,- CHI- CA- GO,. That tod-dl - in’ town (tod da town) CHI ~ Dm? G7_Al9__G7lsus.3)__G7_Faim Ct bass) Esdim Day G7 CA- GO,- CHI - CA- GO, Ti show you 2 round, 1 love itt c ¢, Cmaj7__D9 pr Bet your bet-tom dol- lar you tose the blues— in CHI - CA - CHI - Am? D7 Clim = Dm7__G Dm? Gr Fim Em? Bo CA - GO; The folks who vis- it all wan-na set - tle do Dm? Grud) Cm? Dem Em? ar Dar ao great street, 1 just wanna say,— Dm7 Groat Dm or Bm? E7 Am (inst wanna say.) They do things they don’t do on Broad - way, Be CG bass) Nay, Youll have the time, the time of your life, Bring all your friends, your \ids__ Em? Clbass) Ebdim G7(sus.2) Aro? Dat G7 — and your wife, to CHI - CA = GO, CHE - CA-GO my home town. . ee ee es Eimé Dm? Dmaj7c uy477 The Song From Moulin Rouge (Where Is Your Heart) Bs oon rer_bir a HEE ESE =B = =| + IF Whee ser see ks = oy tnd won - det. Your “4 mr Bb ne a B Bb, lips may be near, but WHERE YOUR HEART? Ite al. woystixe this, T wor - ry and won-der Youre close to me 8 poy Bbe_ bbe rer Bb here, but WHERE IS YOUR HEART? Its a sad thing to re-al- Ebmaj7 Es __ Pat oy cm case ize that youve a heart that nev-er melts, awe ise, do you close your om cm? rv Bb 5 eyes, pre - tending that Tm some ele? = You Pa7_ why please wont you i 8S Rammer she phy ty air Feat gz ———— tell, dar-ling, WHERE IS YOUR HEART? When HEART?478 Just In Time A Am? br Refrain. (with a sii) Bs a Be AB Just “in time "T_—found you just “in time —— Fa 7 a t 45 =| [| SSS es 2 = . -fore you came, he ————— ‘was run - ning co ~ Gur cy Gm? c7 Yr ———<—=——=—— — Lo. T Was lost, — Bio = z= = SSS 55 te — — The los - ing dice were tossed, My = bridg - es Eo all were crossed, no - where to 0. , Gn Dom > es SSS SS — Now youre here. and now I Gm? Gm Gn7?_c7 BL know just where Tin go - ing, no more doubt or fear, C7469) or cA ————SS== Te found my way, For love came co Just “in me just’ in time___ Bb cr nz and changed my Jone- ly life, that I've > ly t 1 1 7 coca oF? Bb Bhdim Bb Bhdim —Bhe day. day.479 All Of Me Chorus gi : : # = ALL OF ME==—~ why not take ALL OF MES=—~ Di = Fa +e — Ro good with - out Take my lips — T want to Br or, cE co R THnev-er use them, Tose them, — Take my arms. Your good-bye—— left me with eyes that ery; — How can 1 "fo on dear with- Se Bet x i sa ES a Tor onde part that shee wav my heart, 6 fm a 1S, cam PM Gag, 2S Poni ¢ ah bia aa GS ee why not take ALL OF ME, Me. SWANEE REFRAIN, be A Bm7_A9__p __Bnt dear old Swan-ee;—— How 1 toveyou,How I love you My Bm _B7_pi7_ AY Swan - 06 2 a9 =ZTa give the world to be ‘A-mong the folks in » Aorim ch AyD De ‘Wait-ing for me, Pray-ing for me Dowr D-I-X-1- E-vennow my Mam - my's En7_A9 Em? DA_D_AZ G__Dr Ee by the wanes, The folks up north will see me no more — When I go tothe in ET De te 2. War > he A7_Aca7 Ape? poten jm 07D Swancee shore.— (1 behap-py Fil behap-py)490 = NIGHT TRAIN that took my ba- by so far a- way, your whia-tle tore my poor heart in two, Please bring my ba - by back home to me,— ce Night Train, Night Train, oo Fo te SSE that took my ba - by 6 far a - way, your whis - tle tore my poor heart In two, Please bring my ba - by back home to me, co 1 love ber more and more ev'ry day. and 1 don't know what I'm gon-na do The Ust-ened, Now i have learned my les - son, my sweet ba by was ables - ain’, should have Fm Ite blue _Mon-day morn-ing, she left me last __Sat-ur -day re ro F night; Nowit's blue “Mon-day morn-ing, fahe left me last ___ Satur day . = D.S.al ¢ Coda ¥ fd ce ar | ‘igh; Ev-'ry time I hear trains blow__ I get the blues, — Can't sleep at night, ce cs or eee blver -~ tate48) FANCY PANTS INTRO, Unstrumental Solo) CHORUS ca? ‘ pb? G7 Gdim FlidimG 87, az (qo Sees 0? Daim pz ctz 7 ea «“eo | MAY BE WRONG CHORUS mar Bb a Ayme eee ee i ace or eteeabaiccrr es SS SSS SSS 4 Toma be wong bt T thine Youre Sueur Tike Jour m Fo style; say, T think i's mar - vel-tous Tm al-ways wrong so style; say, T think it’s mar - vel_lous But I cant seo 80 n Fa Biz Bomar how can I tell? All of my shirts are un - sight-1y how can I tellr Deuc-es__ to me areall ac - eo cz £ Fs 3 pr Gm All of my ties are a crime 1 dear in you Tee picked Life is to me just a bore. Fac - es. are all op. en cme? oo oe right - ly Its the ve - ry first time. You came a- spac-es You might be John Bar. ty. mate, You came a- maz Br a Ans B =) -long, say, T think youre won - der- ful T think youre slong, say, T think youre won > der- ful T think youre Bhe ® 1 may be 1 may be wrong. wrong.#83 In The Mood (Song) @Ghorus Who's the liv-in’ dot-ly with the beau-ti- ful eyes What a pair ot lips, Td like to tey ‘em for size— TH just tell her, “Ba-by, won't you swing it with me" Hope she tells me may-be, what a wing it willl be— 80, 1 polite ly “Dar-Tis’ Am? G ce. By Du G6 miay Tin trude” She said “Don't keep me wait-in' when I'm In The Mood” ® s First I held her light-ly and we start-ed to dance Then I held her tight-ly what a dream-y ro» mance And I said “Hey, ba-by, is a quar-ter to threeknow that rude. To keep miy two lips wait - in’ when they're ta The — Mood!"? ‘Thats what the told me ‘And when she told me In The Mood. My heart was skip-pin’ It a + + Sore => i S didnt take me long to say “I'm In The Mood now!" In The Mood. (oy joys Sort SSH Se aa Tl Te For all her kissin’ In The Mood (op joy!) Her era-zy lov- in! InThe Mood. (on boy!bes ay ] Words 48S Speak Low Music by OGDEN NASH KURT WEILL Moderato assai (stowly) Ee Guo Refrain Speak co ae when you speak, love, Our sum-mer ts Aa RA Hi @ ie ay with-ems a - way to ston, too eon, Speak B , ie AB ie — sy = SSS low when youspeak, love, * Our mo-ment is ca a ie fd swift, like ships a - drift, were swept a - part, too soon Speak spark Se. dar-ling,speak low cmp Aaa fae Hf lost in the dark too soon, too soon, U+486 co HR ae wher-ev-er I —— go that to mor-row is a near, to-mor-row is Fem if here and al-ways too so old —__ and love so brief, Fam. c+. Gap A Love is pure gold and dar- ling, were time a thief, Were late lat ‘The cur-tain de-scends, —_ev‘ry-thing «o, 3 2 es a] He me ends Fr 1 dar-ling, I soon. too ‘soon, ‘soon, T wait. oe oes Will you speak low to me, speak love to me and 7 ql if 2H Speak 8000.487 MY BLUE HEAVEN Words by Music by GEORGE WHITING WALTER DONALDSON » CHORUS BR Moderately) SSS ‘When Whip-poor-wills call_______ and ev-‘ning is nigh. T har-ry to 77 Widims om x by my bine bearer A tara to the right, a lit-te white nS te fa ain as ae = SS =e + = light F lead youto my blue heaven, Ab me 7m : smil-ing face, a fire = place, a co - zy room,_ A ae Ey ae as i 7 = = SSS z lit - tle nest thats nestled where the ros - es -— Just Mol- lie and == SSS me——______ And Ba-by makes three._____ Were hap-py in my a = tam oi a air 3 ed Feet AF FB Fa fe 2 ee48% YOU ARE MY SUNSHINE Wosds od Mise by JIMMIE DAVIS. CHARLES MITCHELL Chorus im, ie ae # =e SSS YOU AREMY SUN- SHINE my on - ly sun - shine you make me hap - py — Ea R _— when skies are gray You'll nev-er know dear how much I love you —— Please don's cr rE oo 7 BR a SS SSS SSS take my sun- shine a2 = way, 2 fh, aetoe ke 48T Pn Sitting On Top Of The World byte by Music by tewss tad YOUNG 7 HENDERSON Moderately oF Fr__Bb F a7 rm Sitting On TopOf The quit-ting the bluesof the Just Toil-ing a - long, Just sing-inga song, just roll-ing a- long, Just. sing-ing a song.. “GlorryHal-le-lu-jah;? Dm___At SSS SS Just like Hump-ty Dump-ty, T'm go- ingto fall. Tm Sit-ting On Top Of The gt World, Jum Toll-ing a - long, just roll-inga - long.4490 Put Your Arms Around Me, Honey Words by Je by JUNTE Me CREE Aupent VON TILZER Moderato B 5 wom is oS a Voice Aaa > ty Shades of night are fal - ling, thing is still, And the a Bh Fm? Bby gh op ae [ee fk —— = | SSS J OA ale a te es te ie bate Bb i, Fr Bb7 Bbdim 9m Bby Ea Fi Ryo 'y Jack and Jil, Ws just a= bout the time for mak-ing love F Chorus. FRR Bhi Rb Bh Moderately Bright Jump Tempo Fa . ach Se ae Sa = FUE YOUR ARIS a~ROUND ME, HON- EY, old me tiga, Huge ap and cute Bhdim Bir ahi Bb bbe ma — Mle up with all— your might oh on as a a a i Eidim pb ab Rb Bbdim Bb : Ee wont = Sa ‘Worltyouroll those eyes, Eyes that T just t-dol-fee— a Ebdim Bb aby Eg tay hk a ae, mpaearibe stat ty Tee The trans os cer odin Bh Bhdim Bby Bh Bbo eh 82 Ed me BROS Gea — ‘Ww itke a mo - tor boat, oh On: T never Knew 92 cp py for ophy ‘Leb Ebdim Pm BH es Wee FRA AR Fm Bd GbR ee 5 SS = = wy =—— —— = ie Uke yorBACK Ws YOUR OWN BACK YARD 4% Ae7, br voiced fi ain € ait aie ai a — - + sas te pgs Ee S to ‘We leave home ex- pect-ing to find a blue-bird, Hop-ing ev-’ry When er sing you “Look for theSil-ver Lin- ing? pi, It pis silver al a oe cloud will be sil-ver - Butwe all re - turn, dol - lars they're look- ine a will findmy friend. a oo Sic Mo ab? AS we live we learn, That we left our hap-pi-ness be - hind. That the rain-bow's end, Is somewhere a - roundyourkit-chen door. is ae cuorusis*, ce v al ath Si, ae Thebirdwith feathers of blue, Is_—wait-ing for you, ei ea voyg — © =F SS ae o road =a > é v | BACK IN YOUROWN BACK YAR You'll see your Cas-tle in Spain, D7 pie = a a =r ra «fae 5 o . a eo + 2 4 — Through yourwindow pane, BACK IN YOUR OWN BACK YARD___ Bm 5 ear Qf you can ge to the East go to theWest.But some day youll come “Ad Aa? Cm py Date G 7 a8 Geet tH Wear-y at heart bi ted fro1 th pack whereyoustarted from, fowl find your hap-pi-ness lies fe, ig eh —_ Right un-der your eyes, BACK IN YOUR OWN___ BACK i aS Ga opr Dae i Cm ith VARD.__492 SONNY BOY Words ond Masic by Al JOLSON, B. 6. DE SYLVA, LEW BROWN ond RAY HENDERSON eb, wee gay b we ff BA Climb upon my Kase, Son-ny Boy; You're mydear-est prize, Son-ny Boy, my CM Te Cn Sn eu ab Ht HORE i = SS You are on -ly three, Son-ny Boy You've no way of know- ing Sent from out the skies, Son-ny Boy Let me hold you near - er ff PRR 8s & fel == : == if = it ‘What te », Son- Boy. "Bee gles uate of TOMI oe, Senay Bey : Bhs cr Fm Fm? BAT Refrain bi Ea lf a - ie a = —— at ——— = When there are gray skies, TI dont mind the gray skies, > dim Fm? BbT & fi fi fi igh = = ‘You make them blue, Son-ny boy, Friends may for- ‘hme cr Fm int a7 cm i om aR _ SS SSS SS SS sake me, Let them all for- sake me, Youll pull meI know your worth; Youve ma a heav-en For Bms Gdim Bb a 8 # & af ‘When Tm = old and = gray, dear, me right here on earth! ang then the an - gels grew fone - ly, a gE a & fmt Bh Bhs ffl Prom-ise you wont stray, dear, I love you so,‘ Son- ny Took you ‘cause theyre lone - ly, Now Tim lone-ly too) Son- ny J Te B z ge Qe a x a 1 oh Se boy. OH! WHAT A PAL WAS MARY vaso soaerataa LAZY RIVER + re cre v * ia aan ae 1 ike Is +29 weather, ela = 2y days, Can'ebeblamedfor having la - ay ways. o Ca m i ae i Some old ln ay siv-er sleep be-ide my door, Whining 0 the mn = it shore 3 tan CHORUS ge ms a ae (Laaily) = SSS 5 ps f - ZY RIV- ER by the old mill — run, SMe gs a ae mR SSS 1 = LS la ay otiv or in the pon - day, sun. ey cr Fa gel == te - == a j tin * per in kind old tree; } 2B» at FR ES A é = == = wioal SS = a) asowy x trou bles, dream a dream) with_=me ___ or cr Sam Z sie mR ee - ‘Up a LA: Zz gy - coe rob. in's song A ales beh new morn viies ig We can loaf a long, Blue skip up a- imam A | ge me i ne Up © LA-ZY RIVER with oe.495 Indiana Words by . Musto by BALLARD MACDONALD (Back Home Again In Indiana) does P, HANLEY Moderato Guitar So to a comes BB fe fy ie = = Backhomea -gale In In-di-an by face You've got the cut-est lit- tle 7 G o ? a oe = SS SS > by face There's not an - oth-er one could 7 oe oe o7 oc Gm 47 ae “” ~ aS SEs iS 4 take your place —_ - by face pb? ctor Gt a? Da? o? My poor heart is jump-in’ You sure have start - ed some-thin’ c ar a Ba - by faco—— Tm up in heav-ea when I'm 7 D 7 Am we gt ce in your fond em brace 1 did- ot Fre Forte aT ae c aT SSS = need ‘@ shove ’Cause I just fell in love pT D5 oT c ar c pret - ty face499 Moonlight Bay EDWARD MADDEN PERCY WENRICH CHORUS —Moderato BP be gb ab Se SE =| = ; We were suiting © = tong 0s oon ane ab re 7 Bay, ror? re ph 7 ——————— — We could hear the voic-es ring - ing, They seemed to say abe ob Bb ab z ab "You have stol-en my hearh——Nowdont go way" A Sm ¥7 ab rb ph pe ‘bm ‘sang Loves Old Sweet Song,On Moon-light Bay. We were sail-ing a - You're the Flower of My Heart, Sweet Adeline : Music by HARRY ARMSTRONG. eee “— aed ‘Words by RICHARD H. GERARD. . 7 s & oo, REFRAIN A ie deg +<— == S45 Sweet A- del - ine, 7 ke nage, My A- del - ine, fa a === == 7 = heart,. For you I pine; Ins alls my = & & io dreams Your fair “Bebe beams, You're the m plasty, flow - er heart, Sweet A - del — ine.500 I'LL SEE YOU IN MY DREAMS Lyric by rt GUS KAHN ae DOREY i Be Bbme ¥ contac — Bi og = — + oe ae == iim Tiss Ti HBS S45 @ = one = took = you a a ae feel the thrill of your charms,— eal & x = = z si out of my arms, sin T teen = SSS Uigs that once were mines Teas der eyes thet 2 a of mm OS bg —_* 3 #5 § & f = ea re a shine, ‘They will Light my way to night, mnsol 'T'm Looking Over A Four Leaf Clover , MORT DION HARRY WOODS CHORYS —Modersto Bounce YM LOOK-ING O-VER A FOUR LEAF CLO-VER Gat 1 o-ver - looked be - or j= iS =e Bb Fmé_G7 = Jeaf Is sun-shine, the sec-ond is rain,— bie F Bhmé Fain =a. 7 == Bene ros - es that grow in the lane,_ No need ex-plain-ing. the one re - main - ing Ie a = Bn Be _ Cue, ; some - bo-dy [ & - dore.____ en eileen LEAF CLO- , - > VER that 1 O-ver Faasala + fore. J HELLO! MA BABY Chorus, Moderately 4 Hel- tol Ma Ba- by, Hel- Jol ma hon-ey, Hel-lol ma rag-time gal, Yr Cam C7 by myhearth on fire! e g Coe + Send me a kiss. ty wire, a Hon- ty youll lose me, Thenyoull be left a - tone, OM ba- by, Tel-e-phooe and : a. Ty a Fors jell me Tee your own. Hel- Jol hel- lol hel- ol there own.or If I Had A Hammer (The Hammer Song) Words and Music by LEE HAYS and PETE SEEGER & te = SSS SSS aif 1 Had A Ham - mer,_ Td ham-mer inthe 2(1f I had a) bell, Id ring it in the 3.(f 1 had ap song, Td sing it in the 4(Well I got a) ham’ - mer,_ And Ive got a Eb \ = ~ — = Ee ==. SS = — morn - ing, 14 ham-mer in the = ev = ‘ning— morn - ing, Td ring it in the ev - ‘ning — morn - — ing,— Td sing it in the ev - tring — bell, And I've Kota ‘song BH ahr 4 SS allo - ver this land; Ta ham-mer out dan - ger,_ allo - ver this land; 14 ring_ out’ dan - ger,_ all o - ver this land; Td sing. out dan. - ger,_ allo - ver this land; Its the ham-mer of jus - tive, ay a Td a warn - ing, Td ham-mer out qa ring out’ sa) warn - ing, Td ring out 1a sing out, a warn - ing, Ta sing— out Its the bell of__-— free - dom,. Its the song a - bout Bb Bir Eb Bb Be love be-tween all of my brothers, All © - ver this love be-tween all of my brothers, All © - ver this love be-tween all of my broth-ers, All o - ver this love be-tween all of my broth-ers, All o - ver this ras 7 Eb Ab Eb a EB Eb Z land. 2 1 had a land. 8r Thad ok land. 4.Well I got a land,WONDERFUL ONE 508 pe e Ae Daw ev? ay My won- der-ful one, When - ev-er I'm dream-ing,Love’s lovelight a-gleam-ing, I see, —— 7 ee ae F~ pp? eb? HS —— My won - der-ful one, How my armsache to hold dear, To cud-dle and foldnearto m Den op Daim ev FI —— Just you, on-ly you, Inthe shad-ow-y twi-light, In sil-ver-y moon-light there's none = Dome Eb?» AR ct em abn Gee =p? eres oo Like you, I a- dore you, my life I live for you, My wonder-ful,won-der-ful one. IN THE GOOD OLD SUMMER TIME D? Gm cr F? Stroll-ing thro’ the sha- dy tanes, With your ba - by mine; You Bb Bb? Eb Bb hold her hand and she holds yours, And that a Ye-ry good sign Thatshes your ‘CHORUS Bb Bb? Eb Bb Inthe good old sum-mer time, In the good old summer time —_ yo Bb D? Gm or FP i Bs Bs toot-sey woot-sey in the goodold sum - mer time. In the time. __S04 If You Knew Susie ( Like I Know Susie) By B.G. DE SYLVA and JOSEPH MEYER red by Bob Cutter mo Bright tempo J.120 fa ER Array at You Knew m a ee Hi Sus-ie, Like 1 know Susie on, Oh, ti a Eg i On what a girl! nice ight dress-es cn? a Ho ly Mo + ses, what What a fut- ure she a chassis! We PO. ses - ses! Out She did nt balk Back from Yon - kers How she can yawn 1 ee SS I'm the one who had to. walk! You would think the par lor Susie, LikeSmiles J. WILL CALLAHAN LEE S. ROBERTS REFRAIN-Moderate Bounce D7 An?_b7 ————— There are smiley that make us. hap - py, there are smiles——___ that make us blue;_________ There are smiles that, Em ar m7, AT steal vay the tear - drops__ as the sun - beams steal a-way ine SSS dew, Thereare smiles that have a ten-der mean - ing—— fe —— that the eyes of love a-lone may sce. _and the Addin. e - D7 Ant + SS aS ‘smiles that fill my life with sun - shine 0 the smiles that youYes Sir, That's My Baby ae BER by, No, Sir, yy, No. Sir, ye bby gy — Yes, ma'am weve de - cid - ed Well well, “Jookit” that ba - by ne naam, we wort hide tt, Yes, Bb dogt say ‘may - be’ Nell's Fa ER BGA youre in - vit- ed now. q By the wont she cause some row. mA my, Pret- ty = = ge i Fe fac + se = a + _%— By the way When we ooh Pretty soo WE reach the preach-er Til Says Cath feeling) hear that Lo- hen-grin tune, (in sayin) Eb aa ae Yes, Sir, Thats my Ra - by, Ne Sir Who for ‘should she be sit, No dont mean “may- be» Yes, Sir, That's else but «ome sir, Yes Si 7 Thats my Ba - by me Hae Ee — eae a507 wy, By the way When we ‘soon Pret - ty soon —— ‘We will fi Bi reach the preach-er Til Say Caith feeling) bear that ‘Lo- hen-grin tune, (ie suyine) Ey Bodin Bb Yes, Sir, ‘Thats my Ba by, No. Sir Who or should She be alt, Ne one dont mean be’ else but me sir, ‘Yes tas aE 1 5 i | i§08 wivttee For Me And M msste ‘RRAY GOETZ Prom ths Motio-oldwyn-Mayec prodectica”For Me And AN C55 Vere a i Shee vi alon of on a Be seat ob . wedding ar - ray —— TAS the famlies “u - nite ‘Hear him sail Gatti matesthe boy proud As he ays to ora) s “The bells are t= —— oe me aed my gal, The bisds are sing - em = And far weeks they been Morw - ing, — Ev-ry Susie and Sal, —— Theylocon-ere-gat ~ ing — mo ie __ dala — for me and my gulp ————— The Parsons wait - ing for me and my gal. oR 8k _% ee (tee SS] Love - land for me and my” gal.” “The bells are gal ——$04 AIN’T SHE SWEET Words by JACK YELLEN VERSE ‘Medium bright c ott ar VOICE ‘There she isl There she ist Tell me where. Tell me where ccf cousc rec Am a Am FT AmDmt AmDmOAm G7 ‘Theres what keeps me up at it.-Oh,gee whizt_ Oh, gee whiz!_Thereswhy I cant eat a bite.Those flam-ing Have you seen one just like that? 1 de-clarey- I de clare,That sure is worth look-ingat—— Oh, boy, how a Gmo_A7 G DTG Em Av Em Am? _Dr-8 G7) Da? Ga? G7 yest That flam-ing youth sweet! Those lips must be! hy Mis-ter Oh, Sis-ter Tell ine the truth: Gaze un it! Dog-gon-it Now an-awer mel REFRAIN © ims Da7__G? cine Dm? G7 © zr AIN'T SHE SWEET? — See her com-ing down the street! Now I ask you ver -y Ate po G7 S738 g Cime Dat 9; con-fi'-den - tially AINT SHE SWEET? Aint she lee? Look her Dm? G7 ATM%S__De_G7 over pace or twice, Now I ask you ver-y — con-fi-den-tial-ly Ain't she ares in her di - rec - tion Oh, me! Ob, my! & ctme pm? chm — Aint that per = fee - tion? 1 re + peat, dot you think that’ kindof De? G7 Can 4 € neat? And 1 ask you ver-y Tae Ams pear ¢_par S48 ce am con~fi-den-tial-ly AIN'T SHE SWEET? SWEET?Slo FIVE FOOT TWO, EYES OF BLUE (HAS ANYBODY SEEN MY GIRL?) Music by Ly by SAM. LEwis and RAY HENDERSON JOE YOUNG Moderato Chorus, Moderato a aT + + + SS SS Seas Five Foot Two, Eyes Of Blue, But oh! what those five foot could do, Has - = = = E an-y-bod-y seen my e————— ; : = == = SS SS Turned up nose, turned down hose, Nev- er had no oth-er beaus, Has & ee = => 3s] an- seen my gurl? Now “if you ET AT Em7 Av Fim Ab7 AS == ee =| run in- to a five fort two, cov-ered with fur, __ pT G7 Dm? SSS in + i Dia-mond rings and all those things, Bet-cha’ life it is - n't c EY ar D7 could she love, could she woo? Could she,could she, could she coo? Has an-y-bod-y G7 Gog “LC EMim Dm? GT. 26 BC & Es SSS ae =I ween my gil? + girl?BYE BYE BLACKBIRD Words by ‘Manic by (MONT DIXON RAY HENDERSON Moderato CpoRU: ApS ys om Dm P phase Ant Ye , ro Pack up all my care andwoe, Here I go sing-inglow, BYE BYE omt cr om, Bb Am Gmé Gm co am BLACK - BIRD, ‘Where some-bod-y waits for me, sweet, Fra? so is she, = BYE BYE BLACK - BIRD. No one bere can Gu Bbw PGB Jove and un- der- stand me, Oh what hard luck sto-ries they all hand co Bhaa? Co Make my bed and light the light ru late to-night, suSth Does Your Mother Know You're Out Words by CECILIA HERMAN RUBY Slowly Ee Ast Gain (CHORUS geet P fe ie Masic ty DAVE DREYER Does your moth - er k CE- CI Doeth your moth . er ix The - thiel Dg 4 7? Ei te Does she know that Im - out to. steal Dogth thee know that . Im oe - bout 7 to ‘thtgpl ea fy fg ALS ay 6 SSS SS oh, omy, when leek fe gor en — on, my, when ly look oe your a Oo en SPE? cain Caine SF rth aS re ah at ghana Some L 3 thing feel te. 8 me you and I should get - you know tho un - ant ctia, Daz if Hz aap a to-geth - ery neth - the-tha - ry, 6, we a it tle kiss CE- CI How a-bout = a tle kith The - thiel : yuh, Da? G7, Gace, 0 ‘Am, ang, An7 i ny Just a kiss you'll nev - er miss CE - CI = LIA, Jutht a kith youll nev - er mith The - thiel - yuh, ae mM, opr f 7, g He Gi Hien i Sp : = Se SSE do two keep on wast-ing time, Oh, | CE-CI-LIA. do two keep onwatht-ing time, Oh, Thethiel-yuh ous Abe bar co, ' 2 cid ay ER Ge ge ap * ee == = = ‘say that youll be mine. thay that Soul be mine..Bill Bailey Won't You Please Come Home Hughie Cannon c G G G 1 2 3 4 Woilt you come home, Bill Bai- ley, wor't, you come home? c DL prop? 6 7 She moans de whole day Yong; Mm do de cook = ing, dar Tn pay de rent, knows Ive ry 15 16 7 18 done you wrongs "Mem - ber dat rain- y eve dat c G o cE Am 19 20 22 2 1 drove you out, Wid noth - ing but a — fine tooth comb. c Ar G - I knows Tse to aint data ar S 29 a a2 Bai - ley, wort you please come homer___ 513Si4 YOU MUST TAVE Der BEEN | BEAUTIFUL BABY REFRAIN cS cal fe fl ab, 7) = _ Goith a hilt) You must have been a beau-ti-ful ba — by,— You must have been a won-der-ful child, . Ps e (Fe Ca? adn Fo Abmal.7 Prey Aba. ao oti ei if Gas Z Z —— ——————_ When you were on- ly start-in’ to eo to kin-der-gar-ten, I Eb maj.7 Cam 7 Br |G? c Dar c él ie ff “bet you drove the lit-tle boys eer $8 Bor ro af wild, And when It came to win-ning blue rib- cur Cer aldy Ei + if if Rea Kc = Fa oo the judg-es eyes as they han 5 » tft Cdn iii s ‘You must have shown the oth-er Kids how, Ss T can Bes el SS you the prize, 1 b fi car bet you made the out-est bow,_ 4 cr ff i ces, cr. a a + Oht You must have been a beau-t/-ful SS ba - a = by. Cause Fe nee add Ht eb gz Pa d= eS baby look at you now. ==} ‘YouSIS Rock-A-Bye Your Baby With A Dixie Melody te = ss ce ¢ Sas: ; Mam- my SS your lit-tle rol'-in’ stone that rolled An-y — time I hear a mam-my sing her babe to sleep, SSS as v— strolled a - way, Mam:my mine, your rollin’ stone slum-ber. deep,_ ‘That's the time the shad ows round my heart be - 2S SS Ss home to - = eS gin to creep. and I weep. Won - der why oT cin? + et j “ T a “wel - come” sign; ? a fool I've been! eb ehéim Fa” bm TG o Gdn? _ te bee - = x & SES - = 4 fond em - brace, Lis-ten, Mam-my mine When I'm in your = gain Take me back to In your arms a yes-ter - day, CHORUS Tenderl % g& Céim atc? @cdim_ ROCK © A - BYE YOUR BA-BY WITH- A DIX-IE MEL-0 - F c Am G9 Geim_o® Dm? a Lu o be = (ps poise HF croon a tune _— from the heart_._ of DY; When you cron,(a SSS = SS Dix - ie Just hang my cra-dle, © Mam-my En? Hight on that Masson = Dix - on And swing it &e b @ Dat e og from Vir - gin = ia to Ten-nes-see with all the love that’s in ya © @ crim G6 céim _Dm?_G? G? 6? Gin 6? Dar “Weep No More, My La-dy:” sing that song a - gain for me, And Det? Dat a r 2 “Old Black — Jos just_as though you had me on your Do cm ew hei At A knee. A’ mil-lion ba-by kiss-es I'll de - liv - er cam og 6? cein + ca > 7 +. +: ——e = & SS = SS SS t + e ¥ iF =e the min-ute that you sing the “Swan-ee Riv - er;” Rock - a + bye your SS SSS 7 rock-a-bye ba - by with a Dix-ie mel-o - dy dy.s'7 Walkin’ My Baby Back Home Words and Music by ROY TURK and FRED E, AHLERT ET AT Hi [ve an a-gree-a-ble ba - by, Gee! but it’s greatwhenmy ba - by, ED Ar D bz 6 Gm tf A fi Likes ev - ‘ty - thing that I do. Dane - es most ev - ‘ry night, Tells me she'll see— me that night. IT look up roads to go or ors bo on Ed Ey Mov -ies are her_ de -light, I sort-a go— for them too. That no one else wouldknow Un-der the sil - vry moon - light Tho’ your Be Emé Dn P+ Bb Fmé G7 or Dm P7ad4D Be Ab dim Bh7 Hin OB a HEAD mov-ies and danc-es are done, That'swhen I have real fun hik-ing on Sun-days ¢ - kay, We hike at night, and sav! B 6 er Bis RT Bs Po Refrain i 4 8 Hf becky =e tS" Gee! It's great, af-ter be- in’ out late, Walk-in’ My Ba by Hack Hore. Gee! Its great. af-ter be-in'out late. Walk-in’ My Ba - by tack Home Fn Gm pm Pe? Gm By Pm Gm BHT B7 Pm? Bt # aH Armin arm, o-ver mead-owand farm, Walk-in! My Ba - by Back Home: ‘Armin arm, o-vermead-owand farm, Walk-in! My Ba - by Back Home. S i Be wa fe = pee a = -——¥ ¥—t + — We go Tong har-mo - niz - in’ a song, Or I'm re-cit - ing a We go ‘long = har-mo - niz - in’ a song, Or Tm re-cit - ing a Bik= Owls go by, and they give me the eye,— Owls go by, and_ they give me the eye, RB on i zh gis Rly a Walk-in’ My Ba - by Back stop for a while, She Walk-in’ My Ba - by Back Home. She's ‘fraid of the dark, So 2 nz ons Ant pr tH 4 =S55 +h = SS SS SSS gives me a smile, And snug-gles her head to my I have to park, Out - side of her door till it's o 8 & ee start in to pet, And that's when I get_ Her tal - cum all says if I try To kiss her, she'll cry_ I dry her tears ne Bin a By Bs fa HH eI ca Ea E o-ver my vest ‘Af-ter I kind- a straight-en my tie, all thru the night Hand in hand to a bar - be-cue stand, Bay re Fn on Fm fi fl Fa AH She has to bor - row my — comb: One kiss, then I con - Right from her door - way we roam Eats! and) then its a fm? Gm Pm? Gm BHT fe a7 fava oo a Rl tin-ue a-gain, Walk-in’ My Ba - by Back Home. Plea-sure a-gain, Walk-in’ My Ba - by Back HomeS/d Some Of These Days cH jORUS AD Fee re : Some of these You'll tel. so lone - ly ey “ _ i me SS 3 = You'll miss my kiss = ing—___ —— Youll “miss my — huge - ing. GF — Youll miss re hon = en When you go a - way. « = ee 3 — 1 feel so tone - ty Just for you on - ty. = Amt — For you know hon - ey Youve had your way. a ita ES FRR — Fz —=. = SSS 4 SS — Andiwhen you leave = me_______1_— know ‘twill grieve = i Eg — Youll miss your lit-tle ba - by Yes some of these i justar tacit a rier ae OM = SSSSao Side By Side By HARRY WOODS B May- be were rag-ged and $s Fs Side. ——— Dorit know what’scom.in' to - | mor - row, May.be its irou-ble and F c a Dr F c 2 & > ie g ‘sor ‘Tow, But we'll | trav- el the road,—— |Shar - in’ our load, — Side By Er Ar £ = ss b i =e a oe rs = Side Thru all kinds of | wea the, What if the sky should . Dr Gham. as were to | gether, It | docs- nit mat-ter at a c F Fm © =I GOT RHYTHM awit i Pesto St Es Bee cm? Be Fr Be Cham 2 Bh ie ia Soo oe so could ask for an-y-thing more? oe 1 get my 2 ome Edin p= SS I got dais - ies * Oe me RR ie & Dees Dw ne Troub - le, I dont You_wor't find him_ a i @&a Ae Ee Pa Edin a SS 2a = J "Round my door. 1 got star - light, 1 cm? rr me cn7 7, Bim 2 ia Ek AR sweet dreams, 1 gor my oz 77 i or cr SSS Ss =$ more, Who could ask for an-y-thing more?“BUTTON UP YOUR OVERCOAT nail A HL e But-ton up your 0 - ver-coat— ‘When thewind is free But-ton up your 0- ver-coat_ When thewind is free ce Gr Daa -— HOB ii ft ee —— _— care of yourself you be-long to me! Dout sit on om | a & eross-ing streets Oo - ool Dorit oat meats = sol Cut out sweets hor-nets! tails Oo - oof Or on mails Oo - oo! Orr third rails aoe @ fie & = ia your tum-fum! ‘Keep -way from = in Your. tum-tum! Dorit go out with we Be @ eS wa act boys Warmed sot spe eee Bie & S$ arg———, fof Ee Bee SS seer oik go o> =523 TOOT, TOOT, TOOTSIE! y GUS KAHN KCOOD BYE) ERNIE ERDMAN DAN RUSSO. TED FIORITO Chorus & Medium Bright eB “TOOT, TOOT, TOOT-SIE, Good - Bye! —_____ Toor, TOOT, e a & om tar ae Oo TOOT-SIE, dont ery, The choo choo train that takes & Dmi7 Ovaue bain Dmg me, A-way from you no words can tell how sad it makes me, i i hf a 5 ge 7 i fa 4 == = Se = =] i$ reise ais 555553 Tit nev-er fail, — If youdont get a tet-ter then youll know Im in i ft i dort ery, = Tut, tet, Teot-sie TOOT, TOOT, TOOT GIE Geed - Bye!”Fa4 THE MUSIC GOES ’ROUND AND AROUND Moderato ‘ 355d eter clin ‘through here; ‘The Music Goes’Round And A- round, Whoa-ho - Dm? or e Dm? ar = it comes up here. —__ 1 c Dn? Cdim. c Dm? En? Caim. push the first valve down ‘The mu-sic goes down anda - round, Whoa-ho - Chaim. Dm? 7 c Rr De? = ho ~ ho and it comes up An Br An Eg? An Ey puch the midvdle valve down ‘The music goes down a- round on 87 Am By 6 Dr — be- lov be - ow, be = lo Dee-dle-dee hu = ho = ho, or Baim. Em or © Dm? Cai. © Lis-ten to the ja-azz_ come out. IT push the othcer valve down, ‘The c Dm? Em? Cdim, Dm? Ctdim, Dm? or Mu- sie Goes ‘Round Ani A- round, Whoa-ho - ho- ho - ho - ho, and it comes outsas ERNIE ERDMAN, BILLY MEYERS and ELMER SCHOEBEL Nobody's Sweetheart , =| ean Moderato De gr Bat cuvones Ey eI no = bod-y5 fa de a ee Neet-heart now, —— Youre They dost bab-y you some Ae rm gt BT dim oF ea imme i cee i a ah ae ra Fan - "ey hose, _silk-engown, Youd be out of place din ay B® aim pig PEO. Dm fa ae fin Aan GR GRR Gan et a o> + =a gy BOT en in your own home town Whe: jou walkdownthe Ay =e nue, ay Fm as re aw Aa ar aim 2S ai , BER A i ust cant be = lieve that its you, = Paint-ed lips, — paint-edeyes, i «ay At ey Ama PT 6 Bm Dm ET BET py a i sa Gut n= fee Ss = = 2 = = ba a font Fifer oui io - bodys sweet-heart now, Youre now.-526 The Darktown Strutters’ Ball Words and Music by SHELTON. BROOKS Moderato c, Céim Day G7 Cdim Ed ae ae a oa += Tye got some good Well meet ‘oor, high-toned weigh - bot, i af & wt ame frock tail coat, You wear your Pat gown,and your new ilk shawl, There® for - eign land, The class - ic, back and Se. and ‘the wood-en clog: Well + Om a+ Rb ° faa a537 ¢ a, bo cuonus fil of Til be down to get you in a ‘Tax-i, Hon-ey, You betterbe read- y a-bont half pasteight— & & . SSS Sees ‘aem-ber when we get there, Hou-ey, The two-steps, Tin goia'to have ‘im all,_ Goin’ to morrow night at the Dark-town Stratte’Ball,538 Oh! You Beautiful Doll A. SEYMOUR BROWN 4b NAT 0. AYER Moderato aro? ab ey ont you beau. f = ful doll,— you great big beau-ti- ful dol Bh by Bh Ebay Bh? Let me out my arms a-bout you I could nev-er abe? ahs yb ar oY ah ful dont live with-out you. Oh! you Beau-ti- ful doll, You great big beas- Bb Lad » ev = er leave me, how my heart will ache, I If you want to hug you but 1 ftar youd break ‘ont ont Fn Fm? abe ey Ty eb ha? goo Vy aA ee A ‘ont ont Oh! you beau ti- ful dollt dott!SAF PEG O°’ MY HEART Words by Music by ALFRED BRYAN FRED FISHER Refrain, Slowly bhooom co oo o cat owe Poy O'MyHeart——__1 love yoa,bor ts part, __‘I fove you, I al-waysknew, Peg O'My Heart love soulWel "party 1 love yous Dear litle giely” atom; cnt " ub Bomai_Bhéim | 47 Bhim FT Bf snus ei eR =: 5, = = = ISS pid Mould be you, heard your iilt-ing laughter, It's your 1- rish heart lim af- ter Peg O'My Heart. — eviittle dir Sweeter than the Reset Eins are your Wining ses endear i:fee O'My Hearts : or a CaS SS aa = "Your glane-€s cibke snyheart say. How’ chances?” Came,be my own ~ Come,make your hume In my heart.$30 From the 20th Century-Fox Picture "HELLO, FRISCO, HELLO“ MAgE GORDON YOU'LL NEVER KNOW HARRY WARREN ASAP. ASAD. Diz Gm Chorus (tenderly) 4&2 YOULL NEV- ER KNOW just how much — I miss you, Gm Gaz, Fg D a if 6 NI it moc! care. 4, And if 1 tried, I YOULL NEVER KNOW justhow much I . 3 deat glee hy Gm Gm cre Gm Gara if iif a fh GAR Ait tillcould-nt hide. my love — for Youought to know, forhave-nt 1 told you seta the Sky Te-fase to shine, Tae from mer” its no funto bes oe, a, oy nym # g a_i Ee 50; mil-llon, or, wore times? 4. \You went a tone, when eee oot Tom HBeS?S1¥ou went a -way andmy heart went with you 7 Ama_bgin pr cm Gna " h sgt? Ha ae Pa g — HH mn di SSS i eS = SSS Y T’ speak your name in my ev ty prayer If there is on Bbm eat fn, 0 Gm ie sh fe aR = comectherway | to prvethat 1 loveyou,1 swear I dosthnuw how, YOULLNEVER KNOWifvou 4 6 cr, por. Fim —— Cag —¢m7—5-- Die. 7 F 1 : fe fae oft i oS know now53! By The Light Of The Silvery Moon . 4 ag Refrain Ff Ei Hi By the light Of thesil-ver-y moon. I want to oy, Gein, 7, ee Hon-ey ‘spoon, To my hon-ey I'll croon love's tune, aay Bo A, De fa Ae OR a moon——————__ keep a shin- ing in June, Your sil-vty a ee ee SSS SS SS SS SS Seed beams will bring love dreams Well be cud ~ dling soon, & bist ‘moon, —____ By the532 “GIMME” A LITTLE KISS tl “Ya"-Huh? Will “Ya? Huh? By ROY TURK JAK SMTTH sod MACEO PINKARD Moderately slow Chorus ¢ a tempo o —F on Boy: “GIM-ME” A LIT-TLEKISS, Willtyay huh? What are*ya’ gon- fa miss, Boy: “GIM-ME" A LIT-TLE KISS, Will‘yap huh? Must I goon likethis, Girl:“Gim-me” a Tit - tle coat, Willyay_huh? Sa- ble or mink or goat, RC Cimaj?) c ote) F a Dp _Dm7 Will “yas Gosh! oh gee! why do you fe-fuse? Will “yal Once a - gain a plea Tim gon - na make, Will “yar My poor wrist is hare as it can be, Gr G7 (45) & Céim | Dm? GF al Gaim 1 cant see what youlve got to lose, Aw, “gim-me” a_ lit - tlesqueeze, Tell me when do I get a break, Aw, say thatyouregiv- in’ in, Wort you buy a gold-en band for me?’ Aw, “gim-me' a lit - tle car. or cy zoe E7 Am An? will «yay Why do -youswan- na"make me blue? 1 Will “yay An- y-thing that you ask Tl do. rn ‘Will «yap Thatwould be might-y nice of you, An Fs Dm Dm _67(6) would - nt say a word if I were ask - in’ for world, But take you for a lit - tle ride where we can be a- lone,’ And aer - “o-plane, a mo - tor boat, some pearls or dia - mondrings, But c 6765) G C dim Da? G7 what's a lit - tle kiss be-tween a “fel - ler” and—his' girl? Aw, once you kiss me, you will nev - er think of walk - ing home. Aw, hon - ‘ey if you feel youcant af - ford to buy _thosethings, Then ———_ Sdim__7 “cIM- ME" A LIT - TLE KISS, wit " “GIM- ME” A LIT - TLé KISS, Will “yay buh? Or TL “GIM- ME" A LIT - TLE KISS, Will “ya? = bub? And TL bz, a 67448) Ayo G7 7h) 6 give it right back to you. steal a= bout ten from you, give it right back to you.533 IMI @ Am7 D7 sus. D7 Mi - mi, You fun-ny lit-tle good for noth-ing e D7 @ Mi - mi, Am I the guy?. Mi- mi, Am7 D7 D7 6 By sun- ny lit - tle G 7408) or © gy —_ Tm aim-ing high! Mi - mi, 2 Em You've got me sad and dream = —y, You could free— Chim. 6 — me, If youd see me, Mi - mi, Am? Dz e You know Id like to have a lit - tle son of a Am? co FB gt n fi a = SS sy Mi534 Give My Regards To Broadway . Words and Music bj Brightly CEoRGE M COHAN . ber hate cor thas ia Refrain fo fia GIVE MY -RE-GARDS TO BROAD - —WAY, Re - = n t Bs Baim ra a #& & 8 @& & ee SS SSS mem-ber me to Her - ald Square;, o> & Der has ’ co r Cia Dm fi fi fi ff & ff Tel all the pang, ak For =v Second Stretch on oar amt ce 2 thet on Al OR Lt 1 will soon be there & 88 & tne n cnt fi Ey Whis-per of how I'm yearn ing to mingle with the Pe » Bimajt ee or fa fA OB fa SS SSS ot tae Gm nye fo 6 wf Bw Sy a. s 3 oe ees ———_ fi &@ ‘hh #8 SB — = = = ey there, e'er long. tong. "535 (Put Another Nickel In) Music! Music! Music! ‘Words and Music by STEPHAN WEISS a.9¢ AP BERNIE BAUM Moderately in, in the nick-el - 0 -de - on— Put an-oth-er nick-el G7 Gre cr E > > ee = SS eee ee olen x + ty ———— ——— ges = SS SS SSS an~ y-thing youd want me to— Td do any - thingfor you- o ons oe & kissing you’ and = MU-SIC! MU-SIC! MU- SIC! Al I want is The ni - cest Clos - er, —___ my dear, come clos part of an-y mel-o - dy_ is wheny wredanc-ing closeto. mes So, pat an-oth-er nickel in, in the nick-el - 0 -de - on lowing you and MU-SICIMU-SIC! MU-SICI All I want is536 I Can't Give You Anything But Love Words by Music by DOROTHY FIELDS JIMMY McHUGH Chorus @s m I cant give you an-y thing but love, Ba - by, mn ‘Thatethe on-ly thing Ive plen-ty of, Ba - by, Dream a-while, scheme a - while, ‘Wee sure to find, Hap-pi-ness and I guess AIL those things youke al - ways pined for, Gee Ti like to see you look-ing swell, Ba - by, Dia-mond bracelets Wool-worth doesnt sell, Ba-by, 7 é Till that luck-y day, you knowdarned well, Ba - by, I cart give you an y-thing but love. love,537 By DICK HOWARD, ene 808 ELLSWORTH Slowly «with expression) ‘and RUSS MORGAN & & =e SSS = Ss Somebody Else Is Taking My Place Sweet war te sunt of the wo. ay Of ove with My toreh ns - peatil bua) le And gue Tom » o ae Ea a fe le hap. py end We had a mo - ment of glo- that is gone My heart for- ev - or is ye D cain cy Cain cy Fe A ie a ae ae ee ry And now youre not - veo @ friend, For: ec ce econ fe . ae a os Chorus gia on i se ae SOME-BO-DY ELSE IS TA- KING MY PLACE Some - bo- dy else now a Bh Bb, BB o ee lires your embrace While ‘Tam trying To beepfom erying cain 9 . es __ “Baa ge a es —_ fe gee a fa ie Lit = tle you care how much I have paid My heart is aching My. heart fs Do o, ote te Sf Gh Go Gee Ga cd ode fia BRE HERG Bie AEG eo breaking Por SOME - BO-DYS TAKING MY PLACE. PLACE53% Down by the Old Mill Stream Vy mbote for Guitar, Chords for The or Banjo Andonte espressivo Words and Masi «TELL TAYLOI My darling Tam The old millwheet is tom pr e ie Hf & fe =r SSS Al of the days gone by, When you and 1 were sweet-hearts, . be- and has fal ~len down, The. old oak tree has withered, and wr Sm ur Com. oy 1804 Fi REAR SI = ae +S a= SS feath the sum-mer sky; Your hair hasturmed{o sil-ver, the gold has fad Sed lies there onthe ground; While you and I are sweethearts, the same a» days. of » Pee Me cum. te ft = == ss So} f i SS = 003 But still 1 will re- mem-ber, where 1 first met you. yorey ‘AL thoughweve been to = geth ery for=ty years or more. OL old all whin your eyes ham ‘oo, It was, it of there 1 knew, Youwere six ~ stream, Revel flest met es dressed in ging tw that you my vil-lage queen, —— stream Down by the stream.539 rrom the 20th Century-Fox Technicolor Musical “Three Little Girls in Blue” On The Boardwalk Lyric b ( ic Ci Music by MACK GORDON In Atlantic City) JOSEF MYROW Verse leith a tit) maj? o Ant Db Bm? = = : SS] SS SSS 5 Good = bye lit Ue chicks, we are leav-ing the sticks, We are catch-ing a 0 amt br o 07 Oaug train at a quater to six, And if = amy one_____ should ¢ Gaim o Daim Ana Dy drop 4 + round, Won't you please tel them that we can be found Cuorus o ore, ¢ ba ° " ON THE BOARD-WALK in Atlan - tie Cit-y— We will walk in a dream__ D2 6 Gre dim Ant Da — ONTHE BOARD-WALK in Atlan - tic Cit-y._ _Life will be peach-es and o on c o br cream, ‘There, where the salt wa-ter air brings out a la dys 1 © cm o Em ‘charms, There, on a_—sroll ~ ing chair, hell roll right | in- to your 07m, Da 8 arms, Cin-der = el - la youwilll find your fel-1a,___some-one that youve wait-ed o Am 7 Am cm 2 In ro ~ man-tic, en-chan-tic At -lan-tic Cit-y,— Down onthe o Am? ba ee ooririr?7r > old New Jes sy Shore. ON THE Shore540SHOW ME THE WAY TO GO HOME. by IRVING KING, REFRAIN p-¢ G Show me the way to go home, Tm tired and Iwant to go to bed, I at pr had a lit-tle drink a_bout an hour a _ go,And it's gone right to my — hei Where c or c BT prog On land, or sea, or foam, Youcanal-ways hear me 4 2 pr |¢ ataim pr Gp ¢ 1) may roam, Em ee aT singing this song, Show me the way to g> home. home. MEET ME IN ST. LOUIS, LOUIS REFRAIN- Tempo di Valse c Meet mein St. Lou = is, Lou- is, = Mest me atthe c o c PY fats, Don't tell me the Tights are ehin- ing as oy D o? Pag? go prs? ” 1 wit Place bat there, We wit o the Hooch - ee Kooch.ee, be your toots - te woots-le; Meet ome in St. Low - Is, Ooo ce o o c o c Lou-is, Meet. meat the fate.54 Sung by Gene Kelly and Debbie Reynolds in the M-G-M Picture “SINGIN’ IN THE RAIN’ YOU ARE MY LUCKY STAR Lyric by Music by ARTHUR FREED NACIO HERB BROWN e Chorus, Moderato (not foo stor) FR You Are My Luck - y ‘You Are My Luck - y Star == Two love - ly I saw you from a - far If Gar- bo I saw you from a far eyes at me— they were gleam = - ing, Beam ing is a glam-or-ous crea - ture Youre F Bh 2s fi r cr ‘ e a f es =] I was star . struck You're all my luck-y four - star fea - ture Though you are nev - er = charms I'm luck = y in your arms seen Up on a mov- ie sereen din. phe Bhms i Hie You've o-pened heav- en's por-tal here on earth for this. poor mor- tal You are my Shear- er, Craw-ford, Hep-burn,Har-low and my Gar - bo F F an FRR FF rad im‘ —— a You Are = My — Luck-y Star. You Are My Tuck-y. Shesoe TILL WE MEET AGAIN Lyric by Music by RAYMOND B. EGAN R.CHARD A. WHITING cuorus fe i ‘a tem Smile the while you kiss. sme sada - dieu, a yz” Dh ate When the clouds roll by I'll come to you; Then the Dimg At rr Ben skies will seem more blue Down in lov = ers lane my dear - ie; © Wed- ding bells will ring 80. mer- ri- ry So wait and pray each _~—onight_ = forme e iS ie # i 4