t ‘The chromatic scales in this Caprice to be played with utmost clearness and peatHlike perfection. For widitional or preparatory matter of a like nature see my “Violin School, Part II, and my ‘Systematic Seale Studies, Book I and Ill, on the mastery of chromatic seales (Carl Fischer.) ‘To be practiced with and precision, besides avoi th sets of fingering. Of these, the lower is preferable,as its use enables greater clearness ing continuous shifting of the fingers. Sostenuto. Ps 5 LARS, 9 Aas bite Bias A; io 1A ALaak 4 Qs ty Nieto a No 23. 9f-seanrs = =H vb Icon ete ml Andante. va eg bee! b, = U _ .e = Ww eei ey ee ‘ = 6 f eee eee 79 ee J Saree ara wy 3 n iat fipbeiys o> =VA 7 es fo mn > pitt oss on 5 a? ~ > > No Tatar Oates, oe - ts Maytag ea — ft Rotnha siete 3 3 i iGibasncmyary. ‘wl BPA asa aan — 1 fieleiis pipergees ee ere, Oe i eros 4 v. 3] te tiers hE a 3 D.C.sino al Fine ‘sensa replica