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catch the sign the universe is giving them, they fail to let themselves go (Chan
especially).
--You notice things if you pay attention
--Secret in a tree and cover with mud. Cambodia 1968. Monk observing him. A
plant sprouts from the hole
These two even re-enact the betrayal of their partners, and those scenes are rich with emotions
and feelings bottled up till then, almost like an exorcism, or a successful psychoanalytic
treatment; a chance, for the characters, to come to terms with their sorrowful past, and their
present. During this re-enactment, the actors even repeat the scenes they are not happy with, in
an emotional trial-and-error process. Their involvement is so deep that many times we are not
sure whether what we see is real life or just acting and, so it would seem, neither are they. We
notice this, for instance, when they meet for dinner for the first time, she is having a hot dish, he
asks Like it hot?, and she says Your wife likes hot dishes.
In the Mood for Love is full of symbols, predictions, prophecies, sentences said by each of the
main characters, giving subtle clues as to what will actually happen later in the story. A lyrical,
poetic, Art-house feature, something all too rare these days.