oy ed as iad S THE ENCYCLOPEDIA OF ve a= .. VN ae momen TOFTCY CAYO AY CLR ea Rta Re ete ae : , + a CC ea On ES mt ARCHITECTURE, eee nea easy NSE Os te BLENDING Peer anteCONTENTS INTRODUCTION 96 PART TWO THEMES TRANSPORT » 96 INDUSTRIAL DESIGN AND ENGINEERING © 114 FOOD AND DRINK » 124 ARCHITECTURE « 132 HUMAN AND ANIMAL © 138, ADVERTISING # 154 CONCEPTUAL = 164 INDEK + 172. CREDITS « 175, 8 PARTONE TECHNIQUES ACETATE MASKING # ANGLED SPRAYING » BASIC EXERCISES, BASIC FORMS ® CARD MASKING # CAST SHADOWS CHROME EFFECTS * CORRECT ON TECHNIQUES DOT CONTROL * DOT HIGHUGHTS + DROP SHADOWS ERASURE © FABRIC MASKING « FILM MASKING « FLAT TONE FOUND OBJECT MASKING « FREEHAND SPRAYING « GHOSTING GRADATED TONE » HALOING * HIGHLIGHTING KNOCKING BACK ® LETTERING TECHNIQUES # LINE GONTROL LINING-IN # LIQUID MASKING © LODSE MASKING OVERSPRAYING ® RULING SCRATCHING BACK « SPATTERING ‘STARBURSTS # STENCILS + TAPE MASKING * TEMPLATES TORN PAPER MASKING + TRANSPARENCY » VIGNETTING WINDOW HIGHUGHTS.NTRODUCTION If JS NOT So LONG AGO that books on airbrushing were practically unobtainable simply because publishers did ‘Hol think there was an adequate demand. However, the wed and increasing need for highly finished, Guality Nustrations in every area of graphic design has fyrought an awareness of airbrushing to a wider audi- hctpexen though the techniques themselves may still Be chisive foxmany. Using step-by.step demonstrations ‘hd the work of pidfessional illustrators, this book aims to cover the techniques esnployed. As skills improve and develop so will cach illustrator introduce new ap- proaches to his or her work, which others may find unacceptable oF inappropriate, but to the illustrator using them they may become an indispensable twctt nique in all future work. Because of this, and because there are no ules which must be adhered to, no single book on airbrushing techniques can ever be detinitiv« ‘The majority of the readers of this book, | hope, will Start by. stiidying the professional examples reproduced