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Last updated July 14, 2016
Stage #0: COURSE APPROVAL
Jeanne Nipper
Stage #0:
Course
Approval
Page 1
Program name:
Program
overview:
Course number:
Course name:
Course overview:
Course Approval
PROGRAM INFORMATION:
Which program will this unit be a part of?
Jeannes Art Glass
Course offerings include stained glass techniques (copper foil, leaded)
and hot glass work (slumping, fusing, jewelry).
COURSE INFORMATION:
Which course will this unit be a part of?
n/a
Stained Glass Basics
Course covers safety, tools and materials, copper foil technique followed
by leading and completing hands-on projects for each technique.
Time length of
course:
Name of unit:
Time length of
unit:
Unit overview:
40 hours
UNIT INFORMATION:
Tell me about the unit you plan to teach.
Copper Foil Technique
20 hours
Course covers safety, tools and materials, copper foil technique and a
Page 2
WHY:
Tell me why you picked this unit? Why is it important to you?
I picked this unit as it is what I love to do. I recently started selling some of my art glass at the
request of a local business owner. To make my business more viable when I return to the
states, I intend to both create pieces and teach classes. Thus, creating and developing this unit
of instruction will take me several strides closer to my goal.
Page 3
Stage #1:
IDENTIFY
DESIRED
RESULTS
Page 4
Arts
Stained Glass Basics
40 hours
Adult
Stained Glass, Copper Foil, Leaded, Art Glass
n/a
Jeannes Art Glass
Public School Private School
Charter School
Other: Private Company
Page 5
UNIT SUMMARY
UNIT OVERVIEW
Give an overview of the unit in your own words (use simple words)
Course covers safety, tools and materials, copper foil technique and a hands-on project
completion.
PROFESSIONAL ORGANIZATION(S) FOR CONTENT
List all professional organizations that would have competencies, standards, or requirements for this course.
Professional
Organization
#1
Professional
Organization
#2
STANDARDS AND/OR COMPETENCIES
Standards are like the building code. Architects and builders must attend to them but they are not the purpose of
the design.
Code
STANDARDS AND/OR COMPETENCIES [C]:
What content standards or competencies will this unit address?
VA:Cr1.1.Ia
VA:Cr1.2.IIa
Page 6
TRANSFER
What does the student need to be able to do in the future (perhaps in their career) in an environment that is
different than the classroom without the support of the instructor?
Code
TRANSFER [T]:
Competency
What kinds of long-term independent accomplishments are desired?
Codes
Students will be able to independently use their learning to. . .
T1
T2
VA:Cr1.2.IIa
VA:Re.7.1.II
Ia
MEANING
An understanding is an idea that results from reflecting on and analyzing ones learning: an important
generalization, a new insight, a useful realization that makes sense out of prior experience or learning that was
either fragmented or puzzling. An understanding is not a fact (though it may sound like one) but a theory in the
broadest sense; it is the result of inference- the developing and testing of ideas by learners, with teacher
assistance, as needed- culminating in an idea that seems useful and illustrative to the learner (Wiggins &
McTighe, 2011, p. 14).
Code
ESSENTIAL QUESTION [Q]:
Competency
What thought-provoking questions will foster inquiry, meaning-making, and
Codes
transfer?
Put in the form of a question.
Q1
Q2
What is art?
How does art influence the world?
Code
UNDERSTANDINGS [U]:
What specifically do you want students to understand? What inferences should they
make?
Put in the form of a statement. Students will understand that. . .
U1
U2
U3
VA:Cr3.1.IIa
VA:Re.7.1.II
Ia
Competency
Codes
VA:Cr3.1.IIa
VA:Cr3.1.IIa
VA:Cr2.1.IIa
Page 7
ACQUISITION
In the short term, our aim is that students acquire knowledge and skill. Here, you state the key declarative
knowledge (factual information, vocabulary, and basic concepts) and procedural knowledge (basic know-how or
discrete skills) you want your students to learn by the units end (Wiggins & McTighe, 2011, p. 21).
Code
KNOWLEDGE [K]:
Competency
What facts and basic concepts should students know and be able to recall?
Codes
Students will know. . .
K1
K2
K3
Students will know the tools and supplies needed to create copper
foiled stained glass pieces.
Students will know the different types of glass.
K4
Code
Know =
S
SKILL [S]:
What discrete skills and processes should students be able to use?
Students will be skilled at. . .
S1
S2
S3
S4
S5
S6
S7
S8
S9
S10
VA:Cr2.1.II
a
VA:Cr2.1.II
a
VA:Cr2.1.II
a
VA:Cr2.1.II
a
Competency
Codes
VA:Cr1.1.Ia
,
VA:Cr1.1.II
a
VA:Cr1.1.Ia
,
VA:Cr1.1.II
a
VA:Cr2.1.II
a
VA:Cr2.1.II
a
VA:Cr2.1.II
a
VA:Cr2.1.II
a
VA:Cr2.1.II
a
VA:Cr2.1.II
a
VA:Cr2.1.II
a
VA:Cr2.1.II
a
Page 8
Stage #2:
DETERMINE
ACCEPTABLE
EVIDENCE
Page 9
Page 10
K1, K2
K2
K1, S3, S5
Accuracy of responses
Accuracy of responses
Safety procedures are followed at all times,
proper tools are used for type of glass and
desired shape of glass piece
Grading Rubric
Pick one of your critical assessments and develop the rubric that you will be using to evaluate it. In your rubric you should list
the criterion that you will be using to evaluate the assessment, the levels that you will use, and a description for each
level/criterion.
CRITERION
1. Glass
cutting
2. Copper
foiling
3. Soldering
EXEMPLARY
5 points
Pieces cut
precisely and
fit pattern. No
shards evident.
Grinding only
to smooth
edges.
SUFFICIENT
4 points
Pieces cut well
and fit pattern
very closely.
Few pieces
have shards.
Some grinding
to shape
pieces.
Foil is even,
Foil is mostly
smooth, and
even and
flat. Borders
smooth. Some
are invisible.
borders are
slightly visible.
Beading is even Beading is
and smooth. No mostly smooth
NEEDS
REVISION
3 points
Pieces cut and
fit pattern
loosely. Many
pieces have
shards.
Grinding used
to shape most
pieces.
Foil is uneven
and not
smooth. Many
borders are
visible.
Beading has
some
NO
EVIDENCE
0 points
Pieces do not
follow pattern.
Most pieces
have shards.
Grinding used
to make pieces.
patches or pin
holes.
4. Craftmans
hip
Project beyond
requirements.
Finished piece
has excellent
fit. Detailed,
clean, and
display ready.
5. Creative
result
Spent class
time efficiently
and effectively.
Worked
independent.
Creative goal
achieved.
with few
smoothness
uneven patches and many
and pin holes.
uneven patches
and pin holes.
Some copper
foil shows.
Project
Completed
completed with project sloppy.
care. Finished
Finished piece
piece has good has many gaps
fit with a few
and is loose
small gaps.
fitting. Needs
Clean and
more cleaning.
display ready.
Spent most
Artist
class time
distracted
efficiently; few
easily and used
distractions but time
stayed on task. inefficiently,
Creative goal
mostly off task.
achieved.
Creative goal
may or may not
have been
achieved.
uneven. Areas
are not tinned
and beaded.
Project sloppy
or unfinished.
Piece has many
large gaps and
does not fit
together. Dirty
and not display
ready.
Artist did not
complete the
glass piece.
Creative goal
was not
achieved.
Page 12
Stage #3:
PLAN
LEARNING
EXPERIENCES
Page 13
Page 14
Page 15
E= EQUIP students,
help them
EXPERIENCE the
key ideas, and
EXPLORE the issues.
R= provide
opportunities to
RETHINK and
REVISE their
understandings and
work?
E= EVALUTE. Allow
students to get
formative feedback to
improve their work.
Page 16
T= be TAILORED
(personalized) to the
different needs,
interests, and abilities
of learners.
Carol Ann Tomlinson
(2007) felt that
teachers can
differentiate
instruction in four
ways (1) through
differentiated content,
(2) through
individualized
process, (3)
differentiated product
and (4) through
personalized learning
environment.
O= ORGANIZED
(1) How will the unit
be organized to
help your students
develop more
effective Habits of
Mind?
(2) How will your
unit be organized
to allow your
students to
develop more
effective
technology skills?
(3) How will your
unit be organized
to use technology
to analyze student
data and interpret
the results to
improve
instructional
practices?
CONTENT:
CONTENT, PROCESS, PRODUCT, AND ENVIRONMENT:
How will you tailor your content, process, product, or learning
environment to tailor your unit to the different needs, interests, and
abilities of your learners?
1.
2.
3.
Page 17
UbD RESOURCES
Many schools and universities are now using the UbD process. To develop this template, I
have incorporated bits and pieces from several resources. Here are some of those resources:
1. Understanding by Design Professional Development Workbook.
by- Jay McTighe and Grant Wiggins
Association for Supervision and Curriculum Development
Copyright 2004
2. Understanding by Design
by Jay McTighe and Grant Wiggins
Association for Supervision and Curriculum Development
Copyright 2005
3. The Understanding by Design Guide to Creating High-Quality Units
by Grant Wiggins and Jay McTighe
Association for Supervision and Curriculum Development
Copyright 2011
4. The Understanding by Design Guide to Creating High-Quality Units
by Grant Wiggins and Jay McTighe
Association for Supervision and Curriculum Development
Copyright 2011
5. Understanding by Design Guide to Advanced Concepts in Creating and Reviewing
Units
by Grant Wiggins and Jay McTighe
Association for Supervision and Curriculum Development
Copyright 2011
OTHER RESOURCES
Here are some of those resources:
1. Tomlinson, C. A. (2007). Ministry of Education. Differentiated instruction teachers
guide: Getting to the core of teaching and learning. Toronto: Queens Printer for
Ontario.
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