LN Henry W.Savace OFFERS MUSIC BY FRANZ LEHAR | ARRANGED FOR THE PIANO BY ty dtocs 27 , in i; 5 a a . , a a if . i ‘ ‘ 7 he OS ee aSTHE MERRY WIDOW. ‘Rew Musical Play. ADAPTED FROM THE GERMAN OF ‘ VICTOR LEON anp LEO STEIN. LYRICS BY ADRIAN ROSS. MUSIC BY FRANZ LEHAR. ARRANGED FOR THE PIANO BY H.M.HIGGS. =a 0 I i: CHAPPELL & Co.,LTD, 37 WEST.SEVENTEENTH STREET, Lonoon. New York. MeLeourne. Alt, sreserved under International Copyright Act. Public Performance of this work or of it strict! Shae rptet ere teat cei et atc a spe , etn Cig Hoo Chappe as . hapten St rt bourn. me tine see, -Produced by Mr, HENRY W. SAVAGE. THE MERRY WIDOW. it NATALIE (his Wife)... PRINCE DANILO (Embassy Attaché) SONIA GLAWARD (A Young Widow) . VICOMTE CAMILLE DE JOLIDON . MARQUIS DE CASCADA M. RAOUL DE ST. BRIOCHE M.KHADJA (Of the Embassy) MALITZA (his Wife). GENERAL Nova KovicH (of the Embassy) OLGA (his Wife) < , NISCH (Messenger of Embassy ) PRASKOVIA . cone ANENGLISHMAN . - - Firt Loo Dopo Jou-Jou Frou-FRou \ (Girls at Maxim's) CLo - Clo MARGOT Zo-Zo SAPHO Dramatis Persons. BARON POPOFF (Marsooian Ambassador) Synopsis of Scenery. . Mr, ROBERT GRAHAM. . Miss LOIS EWELL. . Mr. DONALD BRIAN. . Miss ETHEL JACKSON. . Mr. WILLIAM ©. WEEDON, . Mr. WALTER C,WILSON. . Mr. CHARLES MEAKINS, . Mr, HARRY HYDE. ‘Miss MARGARET DALRYMPLE. + Mr, J. Mo CARTHY. . Miss FRANCES CAMERON, . Mr. FRED FREAR. . Miss BLANCHE RICE. . Mr. HARRY MEYERS. ‘Miss PAULINE WINTERS. ‘Miss MARION ARMSTRONG. . Mies JEAN WARD. Mies CLARA TICHENOR. Miss PORTIA BELMA. ‘Miss CUYLER DUVAL. ‘Miss THERESA VAN BRUNE. ACT I. THE MaRsoviaN EMBassy, IN Paris. ACT II. GRounps oF Sonia's HOUSE, NEAR PARIS. ‘ACT III, Maxim's RESTAURANT, PARIs.1. 1g 3a 4. 5. 130 16. 7, 18. THE MERRY WIDOW. OPENING CHORUS. . BALL-Music . DUET (Natalie and Camille)... . . ENTRANCE SONG (Sonia) AND CHORUS In Marsovia” BALL -Music . SONG (Danilo) . SONG (Camitie) . FINALE . OPENING CHORUS AND . SONG (Sonia) DUET (Sonia and Danilo) . . MARCH -SEPTET DUET (Sonia and Danilo) DUET (Natalie and Camille) AND Contents. ROMANCE (Camille)... « FINALE . OPENING SCENE, .... . CAKE WALK. . SONG (Zoso) SIX GIRLS AND CHORUS DANCE (Fifi) AND CHORUS . . . SONG (Nisch) AND CHORUS . . . Act I. VALSE DUET (Sonia and Danilo). . . . FINALE . -“A Dutiful Wife’ + (Now ladies and gentlemen) . (Gentlemen,1 pray !We cannot tear ourselves away)... + (My Pathertand tts for th + CIE T could go with you beyond the ‘stant blue), + Chadies choice! that’s the univer sal volce). (Oh,say no more!) . ts your will?) (1 bid you walt here for aminute ) (There once was a Vilia) (Hallo, maiden! see him ride). (On, the women!Oh,the women: “Love in my heart” (Love in my heart swaking) . + (Blaha, hat Well, gentlemen, what (We are alone, there's no one here). “TheGirls at Maxims "(We are litte Paris ladies). + (Weare dear Iitle butterflies + “Butterflies”. ttle Balkan State) Jet younear) , + (You may study her ways as you cm) ‘Quite Parisian’? (Iwas born, by cruel fate,in a ““T love you so”, (Though I say not what Imay not 1 8 9 17 30 38 gesa 105 128 1871 THE MERRY WIDOW. No.l. Act L. OPENING CHORUS Words by Arr. for Piano by H.M.HIGGS, ADRIAN ROSS On Melodies by Franz Lehér Prestissimo Piano 0.6140 ‘New Rattion, Copyright MCMVII by Chagpell &:Co.. C6140Allegretto la - dies and gen -tle-men real - ly I think thet the du-tys mine, speck our thanks to our hostess, But speak-ing is not in my line, "Sf, try ‘but very brief-ly, To ex-press what I want to chief-1y,‘Three times three to Baroness Popoff, Hailher a-gain with three times three! a ‘Three times three to Baroness Fopoff, Hail her a-gain with three times three! a Three times three to Baroness Fopoff, Hailher a - gain withthreetimes three! dou- bly for your kind-ness That you 80 _heart-i-ly ex- 2 2 It makes me proud c.6140rit, vince, You hon - or our sovereign, His kind ex-pres-sions will con-tent him, For when of = worth-i-ly I 5 re- sent him; Im Mar-so - via, here in £: Lad, Sg c.6140Nat. Syl. SHB. Noo. Cho. c.640 expressions will oon-tent him, it will not dis-con-tent him, it will not dis-con-tent him, it will not dis-con- tent him, it will not dis-con- tent him, it will not dis-con- tent him, it will not dis-con-tent him, it will not dis-con - tent him, it will not dis-con-tent him, it will not dis-oon- tent him, it will not dis-con- tent him, it will not die-con- tent him, eS For when I bid you cometo dance Un- ‘we should blessthe luck-y ‘we should bless the luck-y ‘wo should bless the luck-y ‘we should bless the luck-y ‘wo should bleas the luck-y ‘we should bless the lucky ‘we should blessthe luck-y we should bless the luck.y ‘we should blese the Iuck-y aeetitNat. rep- re- sent him, Syl. rep- re- sent -him, Pras. rep - re- sent him, Olga. - re- sent him, Cam. rep- re- sent him, had. rep- re- sent him, SLB. rep- re- sent him, Cas. rep- re- sent him, Noo. rep- re- sent him, rep- re- sent him, Cho. rep- re- sent him, ‘rep - re- sent him, P Allegro Moderato -f22~ =~ eet & F c. 6440 =8 BALL - MUSIC No. 189 A DUTIFUL WIFE No 2. DUET —Natalie and Camille. Words by Arr.for Piano byH.M.HIGGS, ADRIAN ROSS. (On Melodies by Frans Lehir. Allegro moderato =~ =~ Tre somethingI mst say to Copyright MCMVI by Chappell & Co. ‘All rights reserved under International Copyright Act. Publio performance of all or any part of this work strictly forbidden . Application for right of performance must be made toMr Henry W. Savage, W.4ard St.NY. c eM‘That, you can hear them, tho’ I ametill,I long to say them,and1 will, I will! = Bp tempo = is what Ite time this was end-ed— ‘Was end- ed? St 1 beg of you,dear, You will not tell men Alles moderato am a du - ti-ful wife, ns 4am ota at * oth - er is lord of my life, It brings but trou-ble and dan - ger To he ooo aa * SSS 2 SSS Ss list -en to love froma strang - er. My vows I.cen nev-er re-call, So what is the end of it all, But sor- row and per- if and strife,¢ eM rit. care, take care! my friend,beware! And do not playWithfire to - day! of out the brand Ere it is fanned, Or from its sleep The flame may leap!18 may be but @ child- ish game, Yet you may set your house a-flame! The blaze you =. May sear your heart! Play not with fire then, friend, Be - ware! — goes to my heart like a knife! spite of the bars that may sev - ér, I .dove you,and love you for ev -4 £ ie fy SS heart ‘Un - til I grow old in the strife, While =f 2fee# ~## .. - iE SS a Se —_ . BP - |And do not play With fire from its sleep The flame may leap! ‘Though it may be but @ child - ish Love has word to say. 0 enocone 16 love will bid you dare, And then ‘May sear your ‘The flame will start! then, friend, Take care! a you will7 IN MARSOVIA ENTRANCE SONG — Sonia and Chorus c.e140‘Tempo di Mazurka “Sonia Pray! How polite you are! Cascada, We cannot tear our-selves a-way! From our evining ——_, Rot tT fT ‘What things you say! Stop it, pray! St. ‘Were daizied ty your beauty’s ray, Groping blind - ly!19 Now, dont re-peat it, pray! Our heart-felt hom-age Jet us pay! Be-fore our rul- ing Our heart-felt hom-age let us pay! Be-fore our rul- ing Our‘heart-felt hom-age | let us pay! Be-fore our rul-ing ‘You real-ly are too good to 640us get married now,We are both growing big, My fa- ther has a cow, And your Animato moth-er has a pig.” ‘That's how it's done, you know, For c.6140There's nothing more that need be said, e640Look out for mon - - ey, dont do it 80 don't do it so o.6140mar - ried, Tell us what then? - ried, Tell us what then? wo - men and| men! | When they are| married Well whsd then ? If someone courts an- SLB. Cho. .64025 He will be shot, of course, SLB. Cas. Cho. Son. Should give a look or SUB. Cho.Son, SEB. Cho. 6140 ‘YoU could beat your wives, I fan oy!27 SEB. Cho. C.6140Tn tet you beat me, o.s14029 BALL- MUSIC c.614080 MAXIM'S No.4. Song Words by Arr. for Piano by H.M. HIGGS, ADRIAN ROSS ‘On Melodies by Franz Lehar. Allegretto Allegretto moderato My Fa-ther-land, it is for —_ thee, T ought to work from one to three; Though as there is-n't much ta . Copyright MCMV by Chappell &Co. ‘All righta reserved under International Copyright Act. Public performance of all or any part of this work strictly forbidden. oO ‘Application for right of performance must be made to Mr Henry W. Savage, 144 W.48rd StLNY.at on-ly come at half = past two! But work-ing so ex-hausts Ped sleep to put me right, And that’s why I82 With all the girls and flat - - ter! Lo - lo, Do - do, © 6H0catch and kise them neat - Animato - ly,—Lo - Pdear old Fa - ther-land. Then I a And look in-to the Ia - dies’ eyes, foe they and I are close al - lies! So in a glass of gold-en wine, An en-tente fp © ao85 sort —_¥ I al-low the love -ly sex, To wear my arms a- round their necks, give the wai-ter at the door => > > > > ceo- ter, I laugh and kiss and fiat - lo, Do-do, Jou - jou, Clo - clo, Mar-got, Frou-frow, For sur-names do not - ter, And, then the corks go pop! zee > © eoThe 1a - dies amile so sweet - catch and kiss them neat © 60HOME. No.5. Song. Words by Arr. for Piano by H.M.HIGGS ADRIAN ROSS. ‘On Melodies by FranzLehér. Be- yond the dis- tance blue, Copyright MCMVI by Chappell & Co ‘All rights reserved under International Copyright Act. Public performance of all or any part of this work strictly forbidden. Application for right of performance must be made to Mr Henry W. Savage, 144 W.43rd.St.N.Y. ~eHo‘That is the ma - gic that care what the wea - ry world may do,pid lento ‘ + # == =| An, that is all to live for tru - ly, Cen hap-pi - ness te found else -at It is the home, It is our home, and heppi-ness is there, yes there! Allegretto42 ‘Tis but a cas-tle in the The world is oold that we have to wan-der through,vapor dy 4 S55 Though youre the world to me, and JOU ene —— © eM“” FINALE.~Act I. No.6, BALL-MUSIC Cho. Thatsthe u- ni-|ver-sal voice! | So, Madame, may | 1 de-mand The ‘Thatsthe u-ni-ver-sal voice! So,Madame, may > = = Cho. high-est hon- or |of your hand?} One dance—just|one a-lone | To call my | ve-ry own! high-ost hon-or of your hand? Onedance—just one a-lone To call my ve-ry own! — as 3 ~. fee se . te .6140oe Supreme-ty | hep- py I should | be If you had | cho - sen | mo! wupreme-1y _ hap-py I should te If you hed cho- sen mel nf Gen-tle- men, ‘Tho’ of course I like to dance with a - ny, What_am out the dance, Give the oth-er girls a chance. There are part-ners here c.et40climate (aside) Not with millions,eweet and twenty! ‘Theyre getting ve-ry pressing now, I must le Choris Cho. a dance! |On-ty one! |Just a sin-gie |dance! Just a dance! On-ly one! Just a sin-gle dance! > fi, StB. put them off some-how— Yes, Ii put them off some - how. fas fu sae = > > St.B. Pid lento ‘Theyre like flies «a - round the hon - ey, Pia lento P c.et40c.st40 a7 ‘Tempo di Maréia Modto Cag. Pp you do not dance,what are we to do But go off and blow out our brains? & | St SUB. wo-men go in for a vote, theyssy, And want to be e-qual with man; >SLB, now that to night is © -lec-tion day, You wont give a vote when you can! Cas ‘Then pray re- Then do not spurn me! E-lec-tor! May I ask your vote and E-leo-tor! May I ask your SEB, voice? Give your vote te Saint Brio-che! Cas. voice? ‘Mind and plump for Cas-ca- da! a. c.640SB. serv-ing your choice! serv-ing your choice! Mind end plump for Cas-ca-dat cho. Dosit you vate for| Donlt youplump for Cas-cn-dat de-serv - ing your de-sery - ing your de-serv-- ing your de-sery - ing your casoc.e140Thave to think before I give my Now in what di- reo - tion Shall I make se - leo - tion? c.640Son. par - ty de-sery - ing my choice? Now in what di-rec-tion Shall I make se- B, Look in my di- Im up for e- lec - tion! Cho. Im up for e- lec - tion! a. —f Son. do- serv - ing my choice? a SB. do- serv - ing your choice! Cas. F de serv - ing your choice! ow do- serv - ing your| choice! . D de - serv - ing your choice! RB 6140Allegretto Sons Well, then, gen- tle- men, = sonttimato Danilo. forings in ladies) cast! Help has come to me at last! Ladies. (off) a La-dies’ choice! Ladies’ choice! ©.6140- gio...... charm en-threll - ingl.. To its ring-ing ond sing -ing You > >> > 7S lift your feet, Fol- low the chime of the time Of the waltz -’s beat! atempo Oh, come a-way, a-wayl Mu - sic is play - ing,... Lin-ger not, vain > z a e ze 225 oS > > af «tempo choice is free!\Son. thrill of the strings, Like the beat of the doves with their wings,. ss No de - lay! Let us dance while we may, For our plea - sure will - ners dont de - lay! > > > c.e4087 ‘Son, Dan, SLB Cas. en - thrall - ing!.... Dan. en- thrall - ing! SLB. en- thrall - ing!.... Cas. en - thrall - ing! en J thrall - ing! Cho. en-| thrall - ing! cbs 600Dan, SEB, Cas. Dan, SLB. lift your feet, Follow the chime of the lift your feet, Follow the chime of the Lift your feet, Follow the chime of the lift your feet, Follow the chime of the Lift your feet,| the |ohime of the lift your feet, [Follow the |chime of the the waltz’ beat, the waltz beat. the waltz's beat. the waltz-s beat, the waits beat,| the |waltz-s beat,|SEs of them must haveet to try some clev- er Nat, (with Gaynille) May = «I pre - Oh,jcon-found! = An- ceu0the pol - ka, Tre tried him..and I know; stu - died the cake walk, c.6t40Nat. sim - ply with-out a-ny faults, So pray re-tum him, Breveenssneosen epurn him! But kind-ly Jet him have your vote and voice! © Wont you plump for Nat. Jo-li-don! Give your vote to Jo-li-don! He is the part-ner de-serv - ing yourNat. SEB. Cas. Give your vote to Saint Brioche! ‘Wort you plump for Cas-ca- da? Doxt you vote for |Jo - li- don! Dent you vote for Jo'- li- doa! ftStB. now ex-press my thanks, Is worth at least two thou-sand francs! rf c.61405 —_ If youll give two thou-sand franos to me For chari - ty! (to St.B.) But for a dance?(aside) It on-ly needs a lit-tle tact! gracious la - dy, what I say! Tfs sim-ply sil - ty! Its sim-ply | sil- ty! c.6140C.6140And you are free, The last is gone,72 ©.6140(He dances round her) > > # c.6140End of Act I. ceuo75 Act II. No 7. OPENING. CHORUS and SONG: ( Sonia) “VILIA”c.640c.640Cho.Cho. c.640AlPtto moderato Sonia. Now sing dear = Mar- -_ . 33 =a Se, = r a ~ |= ——— ze €e 2 3 | Fe —=—— + ©. 640ViLIA, Song. Words by Arr. for Piano by H.M.HIGGS , ADRIAN ROSs. (On Melodies by Franz Lehar. held her @-ldne as she stood. The spell of her beau - ty up-him was laid; He look’d and he long’d for the mag - io-al maid! P sighed as a hap-less lov- er can. “Vil- ia, O Vil - ia! the witch of the wood! Would I not die for you,dear, if I could! C.6Moja, O Vil - ia, the witch of the — Tn 22 28 Would I not die for you,dear, if I could? — ft aD rit, Rn Vil - ia, my love and my bride!” Soft-1y and sad-ly he sighed... a —3 — — oor N e+ fle P “=~ i” |©. 6140As be-fore her feet She van-ished in the wood vain-ly till his dy - ing day! Pp —_ “Vil - in, © Vil- ia! the witch of the wood, Would I not die for you, Vil- ia, O Vil- ia, my love and my bride!” © 6uoP Soft - ly and sad- ly he sighed, Sf. witch of the wood, >. t= BP $000 lento 2 Vil - ia, O Vil - ia, my love and my bride!” Soft- ty and sad - ly he a *the Cho, c.640Cho.o1 THE CAVALIER. DUET— Sonia and Danilo. No.8. ‘Words by Arr. for Piano by H.M.HIGGS,, ADRIAN ROSS (On Melodies by Franz Leni. Allegretto Lf ta * (Sonia) . Hal-1o, maid-en, See him ride! See _—the horseman prano - ing! oS = Look up, maid - en, mark him welll a ta ota * ta * te * Copyright MOMVII by Chappell Co. ‘All rights reserved under International Copyright Act.Public performance ofall or any part of this work is strictly forbidden92 He = may like you, who can tell, If > Pe ‘And she meets the horseman’ eye! Not a word she says, but still, > E >rit, Sil-ty, sil-ly horse -man! Ride up-on your course, man, Sil-ly,.sil-ly cav- a - lierl Sil-ly,sil-ty horseman! Ride wp-on your course,man,Sil-ly, sil-ly cav-a - lier! © e140con * (Sania) Hal- lo! —-Here_he comes a - gain! @ love-lorn swain, Beg-ging and ap - peal - ing! > © e140But the maid -en, calm and cool, Sings and does-nt care... now! (Danilo) So fs the horseman laughs, “All right!” “If you wort,why, then good night! 2P Pret -ty maid-en, now good tye,— Take an-oth-er, e > f © otoPid tonto Sil-ly, etl-ly cav- Pid lento rit, Sil-ly, sil- ly horse - man! Ride up-on your course, man! (Danito) Clev-er, clev-er horse - man! Thats the pro-per course, man! ta et ote . e140Silty, sil-ly horseman, Ride up-on your course,man, Sil-ly,sil-ly cav-a - lier! Clev-er,clev-er horseman, Thatsthe proper course,man ,Clev-er,clev-er cay- a - lier! mp rit. Imgf tempo Si-ty,all-ly horee-mant Ride up-on your couree,mant Sil-ly,sil-ly oxy - @ ler! rO. > > a St ¢ 6t4o‘WOMEN. MARCH—SEPTET. Words by ‘Arr.for Piano by HM.HIGGS , ADRIAN ROSS. ‘OaMelotics by Prans Lakir. St te a0 * Copyright MCMVII by Chappell & C0. ‘Allrighta reserved under International Copyright Act. Public performance of all or any part of this work strictly forbidden. ao Application for right of performance must be made to Mr Henry W. Savage, 14 W. 48rd St. N.Y.An Au Dan. Pop. Pop. ‘wo men— Winning women— For their lovers—Hows it done? Thatewhat no-bo-dy di All, Dan. cov - ere, Not e-venanEd-i-eon! | With one you have to flirt and flatter— z. 1 All Rp. So and so and so and eof And look un-ut-ter- a - bly at her— eS > SHB. and so and 80 and sol An - oth- er likes you when you blus -ter— 5 P if100 All Cas. So and so and 80 and so! ‘And: while ‘you beat her you can trust her— > _ of a * Al Day. So and 60 and so and so! One asks for ten-der- ness un-flagging— a * All So and so and so and sol An - oth- ers al- ways rag- ging, nag-ging— 80 and so and so! An-oth - er likes in - ces - sant laughter— co 610101 All rit Don. all. And - oth-er things they ask for af - ter— a REFRAIN All rit. a tempo a Tempo I. (Gpoten) Obythe womentBless the woment te (Gpoken)On,the women'Hang the women! © 6140108 Courting girls, girls, girls, girls, girls >> > F aa (Gpoken) On,toe women: Dasiing women! fair flaxen hair, eyes of blue. She's a long way too know- ing for (Spoken) Obytbe women! Blow the women! She is dark, or shes fair, She may smile © e140(Spoken onthe women Blas the women! ta * (Spoken) Onno womentHang the women! Tt is deep - er than div - ing for © oto104 Courting girls, girls, girls, girls, girlsl. > > > > = ta * (Spoken) On,the woment Darling women! flax-en hair, eyes of blue, ta * (Gpoken)On, the women! Blow the women! imow - ing for youl...... She is dark, or shés fair, She may b, smile or may frown Nev-er mind, you will get done —brownl.... hy zz 2 = ¢ 601085 No.0. Duet.(Sonia and Danilo) Allegretto . ——.,., abe Piano c.6140106 C.6140107 | = fee, Pees $f tat re PF = c a5 eee = sempre pil animato et cresc. > z c.6140Dan, Allegretto . £ = =I # ¢ SS] Hell take you to Max- = rt = i PP i=3 3 INGE : ps fun and frol - ic beams! es: c.6140109 Moderato ‘Tempo di Valse Moderato ——. a> t wd contin P eeuoTempo di Valse (Closed tips) ‘Tempo di Valse c.6140i12 Duet. (Natalie and Camille.) No. fit. Natalie. Camille. Its time to mar-ry and for-get me! This ve-ry night your of-fer must ceo18 And when it4 You should not have askd me! For- give, for-give me dear! c.6140<5 LOVE IN MY HEART ROMANCE= Camille, ‘Words by Arr.for Piano by H.M. HIGGS. ADRIAN ROSS. (0a Melodies by Franz Lehér. Allegretto. Comile ight MCMVII by Chappell & Co ‘All rights reserved under International Copyright Act. Public performance of all or any part of this work strictly forbidden. 6.6140 Application for right of performance must be made to Mr Henery W. Savage, 144 W. 43rd.St.N.Y.rit, csoa7 Cam. birds that greet c.e14018. Allegretto Nat. Oh, Ca- mille! Nat- a - lie! mr Nat. pt SF 2 ee) 1Nat rit No, not here! Tt can hear a kise and will ‘When we bid a lov-ers .6440120 ie nothing there to c.6140to the lit-tle ar- bor here. light light # .6140122 to the lit-tle ar- bor here— There is noth-ing there to 4 ——s .128 FINALE.— Act II. No.42. Piano Son. Dan, men,what is your will? © Ha! Son-ia and Camille! ‘Thenwas I blind? I sawher here! Dan. 7—+ # rie =e B. Son - ia and Ca-mille! My ve - ry heart atande etl == = = | ES = # a + i = + c eu0Nat. ‘What's go-ing on? Id like to know! Dan. Ha! Son-ia and Camille! nothing wrong! Be still! a la - dy in there just before— Yes, thro’ the125 Son. You are a sly Am-bas- a - dor! key-hole of the door. I hardly could be-lieve my26 sworn it was my wife, you know! > zs > Although it saves... me, Although it saves... her, ‘With rage and jealous-y my heart I cant be-lieve.. it! Oh, nol c.6140127 Pid lento since the Am-bas -sa - dor sees fit Tb... list -en and epy at the ar-bor door, Pray tell them all the whole truth of it, Re ~- peat-ing whatyou said in PP there, just be- fore! Com. Your Ex-cellenoy,as I have to obey, All that I told her ——— wt ow 4 f c: eté0a eta * Tit,Nat. Cam. Nisoh, He thinks the song Nat. “He looks at her ly sold! She flirts — > bs ee, 0. 6140 of withNat. Nis. Khad. - ble Prince, I think Nat. song, whose ech-o ‘hard - ly is ring - ing Like birds that greet the Nis. min - He has wooed and had, glad my wife —— ————_—.‘be = fore you've done! .. po-ble Prince, Ive fair - ly > be- fore "tb well_ be And ing, say omy ve. is all, And we are sim - ply By neat-ly wing - itg Him with sword182 Nat, Nis. ta * Sonia,(Spoken) Now, ladies and gentlemen, you shall know what was arranged in the arbor. (aride) Wo neck or nothing! Now I play my trump card! a = Sp> 4183 gaged you see... be-fore you! ©. 6140184 Nat, Pop. Anl|what a piece of | news! —S |te- See eee Se552> =e> =e> >See ee> [RRs Allegro thought that bit of news would do! “1 ©. 6140185, He takes her for her cursed mon - ey! Hs got a-way with all our money! Congrat-u-la - tions Congrat-u-la - tions! Cam{to Son.) That goes too far! I real-1y am surprised!Nat. ‘You real-ly mean it? Oh, no! why should I raise ob- I wont al-low it, nor the Prince!‘What do you think? Love when you Mazurka moderato sel-dom, Mar-ry not at all! ‘Tho? marriage in the old-en way Is whol-ly out of date to-day, And as our friend has told us, dy. aN z a Yet if the la-dy mar-ries me, 4 ”A mod-ern wed-ding it will be, We make a lit - tle change of name, err) P i _o4 4 In-stead of two, we have the same, ~—— rit. a rit, But when the oer-e- mo - ny’s done, Wher-ev - er ts > pp rit. ¢. 6140You won't ex~- pect - - —_—— ade the = SSE as asia SSA fact, youll find it safe —_—to state,We are a c.6140140 6.6140141 Vivace fo a-head and please my-self, Quite in the mod-ern style! a a : no, no, no, no, mo, no, no, no,no! La,la, la, Ia, la, Ja,la,la,la, lat Syl. Olga, tra, la,la,la, la, Ia, tra, la,la,la, 1a, tra, la,lala, Ia, 1a, tra, la,la,la, la, Ia, Novi. tra, la,la,la, la, Ia, tra, la,la,la, la la, tra,la,Ja,la, la] la, "FSNovi. Cho. 143 Ja, la, la, 1a, Ja, la, la,1e, 1a, la! tra-la- la-la-la-la tra-la-la-la-la- la tra-la-la-la-1a - le tra-la-la-le- le - Ia tra-1a-la-1a- 1a-} la tra-la-la-la - la-| la ‘may come and men may’ ‘may come and men may may come and men may may come and men may may come and men may may come and men may may come and men may may come and men may may |come and men mayNat. Syt Olga. Pras, Novi Cho. 0.640 go, 0, 4 ‘They will not break my heart. —_——<—$== ~ They will'not break her heart, ‘They will not break her heart ‘They will not break her heart —=—— ‘They will not break her heart ‘They will not break her heart ‘They will not break her heart ‘They will not break her heart a ‘They will not break her heart ‘They ‘They |will not bresk her [heart148 ‘Tempo di Marcia Nat. ‘Son. when you mar- ry you will live Quite in the mod-ern style; Son. Nat. free - dom you will take and give— That is the mod -em style! if your hus band goes a-stray, Then I shall on - ly 5 ‘Son. rit, tum his lead when youve to play— Quite in the mod - ern style! 2 a ©, 6140C.6140 eet— tra - la-la-le- la - 1a! Vivace —— eye a Fa, = > dat - est— tra-la-la-la-la- 1a, > Do what you like, but dont no, 0, m0, n0, no,no, La, la, la, ta, 1a, 1a, 1a,la, le, _—_—_—_._ La,la,la, la, la, 1a,la,la, 1a, lal. tra-la-la-la-1a- ta! tra-le-la-la-1a- la! tra-la-la-le-1a- lat tra-la-la-la -la- lat tra-la-Ia-la -1a- tal tra- la-la-la-la - la! tra- la-la-la-la - lat {tra 1a-Ia-la-ta-| 1a! > UpPras. Cam. Novi. Cho. c.e140 Ja,le, la, la, Ja, 1a,ta, la, la, ta. tra-la-la-ta-la- le tra-le-la-la -la- 1a, tra-le-la-la - 1a - 1a tra-la-la-la -1a-| taNat, Cam, no-bod-y will mind, —_———_— no-bod-y will mind, ———— no-bod-y will mind, Novi. n0-bod-¥ will mind, —= 1no- bod-y wit mind, Cho. no-bod- y will150 dur- ance! I will speak! c.6140151 c.6140162 THERE ONCE WERE TWO PRINCES’ CHILDREN. SONG—Danilo. Words by Arr.for Piano by H.M.HIGGS, ADRIAN ROSS. (On Molodion by Frans Lehr. _¢ ¢ ; 4 > _, _ Tempo di Valse lento ‘There once: were two Prin -0es’ chil = - # aa But nev-er were hap-py to-geth - - er; Its P x * an a 1a just as the po-et has sung, ‘The Prince nev-er told of his pas-sion, —————__ : om ean aes Waa ‘Copyright MCMVII by Chappell & Co. ‘Ail rights reserved under Internation Copyright Act,Publio performance of all or any part of this work strictiy forbidden. Application for right of performance must be made to Mr Henry W. Savage, 14 W.Ard St.NY. oouo158 Be- cause he would nev-er speak out! —_ ee oT then the Prin - cess was 90 cru- el, © 6Mo154 “Most gra-cious and beau -ti- ful wo-men are faith -less and fic - Kle, Valse But do you sup - pose I am sor-ry? 2p c e140158 IT shall not go dreaming a- bout you,” oa * aa * ta ‘That’ what the Prince said, and not I! —_—_t Te finished with you!”Tve done with lov - ers’ < -¢ » ~~ The girls will laugh and greet me, They will not trick and187 loves me Iin ‘sure of it now. C.e140 Clo - clo, Mar - got, Frou- ——————<—~..640159 —_—-~ Son, no! Lala,la, la, 1a, la,la,la,la, la! Ja, 1a, la, 1a, _——_" Nat. Lajla,la, 1a, 1a,le,la,la, la, lal... - > Syl. tra-la-la-la- 1a - la! she'll tra-lada-la-la - la! il shel tra-la-la-la-la- 1a! tra-la-la-la-la - la! Khas. tra-la-la-la-la - la! tra-la-la-la-la,- la! tra-la-la-la- la ta! i: comoJa, 1a,1a, 1a, 1a, Ja, la,la,la, la, tra - la-la-la-la ‘may come and men may may come and men may may come and men may tra- Ia-la-la-la ‘may come and men may ‘may come and men may may come and men may may come and men may ‘may come and men may may | come andmen may ‘may | comeandmen may — so comoNo they willnotbreakmy heart, .. they will not breakher heart, oh, ‘They will not break her heart, oh, ‘They will nottbreakher heart, oh, ‘They will not breakher heart, oh, ‘They will not breakher heart, oh, ‘They will not breakher heart, oh, ‘They will not breakher heart, oh ‘They willnot break her heart, oh, ‘They will not breakher heart, oh, ‘They |will not breakher |heart,oh, They | willtot breakher [heart, ob, como End of Act II.162 Act Il. No.43. OPENING SCENE. eee a —= ers i Cem tk *CAKE-WALK ‘Tempo di Marcia | > ‘00.0 ib. = be zee > ©. 6140Boaad lib.165 THE GIRLS AT MAXIM’S No.14. Song ZOZO— Six Girls and Chorus, ‘Words by . ‘Arr.for Piano by H.M.HIGGS, ADRIAN Ross. n Melodies byPranz Lehir. < Zoso ‘When a fit of blues at-tacks him, Dance with us, if you are a - ble, Se 3 ——— Come and look for us ches Max-im, Or well dance up - on the ta- ble, — > +. a= are here to com-fort you. Trip- ping, trip- ping as we pass, and out a - mong the spoons. Sing- ing, spring-ing to the band! > > = =< (Copyright MCKVI by Chappell & Co, Allrights reserved under International Copyright Act. Public performance of allor any part of this work strictly forbidden. cow Application for right of performance must be made to Mr Henry W. Savage, 14 W.4ard St.N.Y.Sip- ping, sip-ping in your glass, Trip- ping, sip- ping, sim- ply rip -ping, ‘Swing-ing, cling- ing to your hand! — Spring-ing, fling- ing, glass-es ring - ing, = oso Come with us and take your lass. We can sing and tell you sto- ries, Just as long as we can etand, Here is mu- sic, here is danc-ing, > > > > r e Pret- ty, wit - ty, oft - en true; We are Max-im's great-est glo-ries, Play- ing, sway- ing, all night through! We “are Max-im's girls en-tranc-ing, All And we're here to wel-come you.We'rethe lit- tle Par-is la- dies, And were here to wel-come you.Were the lit- tle Par-is 1a- dies, > > tf c oo167 Zoao Lo - lol Do- do! Jou- jou! Frou- frow! Clo- Lo- to! Do - do! Jou- jou! Frou- frou! Clo- elo! Mar - got! Ja,la, la, a,la, 1a, la,la,la, a, la, clot Mar - gt! = t > Ja, ta! Ri - tan-tou, zy > > © 640> > La plus belle de aS = © 6140yo BUTTERFLIES. DANCE—(Fifi) and CHORUS. No 15. Moderato Piano. ceHo170in Chorus in Unison 1. We are the dear lit - tle but- ter - flies that hov - er men - try to cap-ture us and net us. ——== "Ft And for beau - ty none can match us! We are ve - ry hard to cap - ture! ge Se ee ee ee ee ee See Won't - you come af - ter us and catch us? If you should kiss us, oh, what rap - - ture! es ¥ F 7 fee + bg —_— =: = + a= = = HE ¢ om172 — Ss > erty SS >> Cir * Dance pis Lior Ph aS © eMo178 ¢ exo174 QUITE PARISIAN. NoA6. Song. Words by Arr.for Piano byH.M.HIGGS, | ADRIAN ROSS. (On Malodion by Franz Lehi. iit ete ote te T == ul - = Ht In a lit - tle Bal -'kan State, © Where wo na - tive land out East, Up-on good black bread we feast; With a born, by oru-el fate, Copyright MOMVII by Chappell &Co. Allrights reserved under International Copyright Act. Public performance of all or any part of this work strlotly forbidden cau mlttonfor right of performance mest be made to Mr Weary W. Savage, i WAsed St. NY, __4175 seam hia ot a8 hime *# al ig ‘a es Fi gs ft a~ ih ll ol mM E~ Ih TATI Ht we Mine ba i" aa aa tm W af ie i im ES he Hp » #3 ie ATS | my shi- ny toe, Quite Rue de Pim - li - stuff, Tarte & la fomme de... to » i i § i 3 i dress; From my Lon-don hat ‘mite, And is the cut for... me — Give me su-prime de cea, ThatA most dis - tin-guished man, A most dis - tin-guished man, far a -bove the oom-mon mob—Je get ten cours-es for one bob—JeA most dis- tin-guished man, He A most dis- tin-guished man, He tries to look as En-glish as he can. Yes, dotes on sau - sage & ia black and tan! Yes,178, na - tive danc-es are no-ble sport— Done in skirts that are wn feu court, But the lit-tle girls in France, Are the ones all 80 ohio and the der --nier ori Kick - ing up lin - ger - ief © 6H179 == E SSS SS Quite &-fa-tant; oh;— what? 4 Rapp = REFRAIN aa Cest — jo-li-mentCHORUS A most dis -tin-guished man, a - ny - one oan see he can can-oan! Yes, het a‘They kick his top~-per off his nob, I est —trée DANCE, Allegro182 “I LOVE YOU SO.” VALSE-DUET No.17. (Sonia and Danilo.) 6140may not Let —_—. way c.6140 Ev ry touch . what I =— a ta ‘Yet the== PoP a4 true, You love me wo! ‘And to the mu- ics lips may say no word, Yet in the hearta wice is heard. — —— ” —- 640¢..6140 185for . 140FINALE; Act Il. Sonia Poy Novikovich Chorus Oh, the women! PIANOFrou-frow, Clo-clo, Margot. (Oh, the women! Blow the women! (Oh, the women! Blow the women! On, the women! Blow the women! ‘On, the women! Blow the women! (Oh, the women! Blow the women!: z Rey ower ? Noei. Cho. ©. 6140 189 girls,. girls, >190 c.6140tei c.6140o 4