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(22)B (23)

(23)B (21b2)


A not
e onfrag
ment
aryutte
ranc
es


IDO Shinji

The present note discusses the possibility of developing a model for the production of
fragmentary utter
ances. It criticallyrevi
ews e
xist
ing a
naly
ses o
f fr
agmen
taryutte
ranc
es, w
hich
typ
icall
y ide
ntif
y fra
gmen
ts assen
tence
s inwhic
h el
lip
si
so
cc
urs(
orassm
al
lc
la
use
s)
,a
ndpo
in
ts
out that such ide
ntification is arbitrary
. Th
e fir
st h
alf o
f th
is pa
per a
ddre
ssestheprobl
em o
f
arbitrariness by devising and testing out a
n exploratory model for u
tterance production that
places strict constraints on what forms fragmentary utterances can take. The model adopts
the view that fragmentary utterances are formed bottom-up (thereby keeping the involvement
of syntax inutterance production toa minimal) and posits sim
ple principles th
at ma
ke c
ertai
n
predictions about what morphemes necessarily occur in a given (fragmentary) uttera
nce. The
latter half of this pap
er consists of analyses o
f fragmentary utterancesof several different
types (c
orrections, question-answ
er pairs, etc.). The anal
ysesdemo
nstra
te th
at t
he fr
agme
ntary
utterances a
re in exact accordance wi
th the predictionsthatthemode
l ma
kes.

1

s
e
nt
e
nc
ef
r
ag
m
en
t
s
fra
gmen
tar
yu
tte
ran
ces
f
rag
men
ts (
b)

1
a
b

185

N
o.
40(2
01
0)

(
2)a. D
i
dy
ouh
i
th
i
m
?
b. No. He me.

(
va
nD
i
j
k1
9
8
1
:7
7
)

3
aHa
r
ri
e
th
a
sb
ee
ndr
i
nk
i
ng
.
b
Y
ea
hs
c
o
tc
h
. (
C
ul
i
c
o
v
e
r
J
a
c
k
e
n
d
of
f2
0
0
5
:2
6
5
)



2
.

3



K
rif
ka (20
01: 290
)Cla
pp (20
05:
120
-121
)Bar
ton (2
006
:19
)C
ul
ic
ov
er
Ja
ck
en
do
ff (
20
05
:
26
1)
Mer
cha
nt (
200
6: 75)
W
ho did sh
es
ee.
p
John

(4
)

F
P
/
[
D
PJ
oh
n
l2

F
'
/

F
c
E]

TP>
l
s
he s
aw

John TP TP John
Merchant John she saw John
J
ohn she s
aw John

n
oo
ne b
ut Joh
T14
per
son who sh
es
aw was Jo
hn
Me
rchant
5Prog
ovac (20
06)

- 186

N
P6

(5)

Joh
n tall?! / I'd never have described him that way.

I
l
(7)

This a bargai
n?! (I don
't th
ink so).

(8)

DP

This

D
a

o
.

M
erchant
(s
mal
lc
lau
se)
7

Cul
ico
ver
Ja
cke
ndo
ff(20
05)
in
di
re
ctl
ic
en
si
ng

(i
bid
:2
64)UIL
NPOR
PHS
AN
TNP
TA
RG
ET

187

N
o.
40(2
01
0)

(9)

SANT

N
P

Au
x

VP

H
ar
r
ie
t
ha
s
be
e
.

(
N
P
T
A
R
GE
T
)

d
r
in
k
in
g

UIL

(10)

I
n
t
e
r
,j
a
.
t
i
o
,S
:
,
I
:
O
;
P
H

Me
rch
ant
Pr
ogo
vac

Cul
ico
ver
J
ack
en
do
ff





3.

(
11)
8
a (
foc
us)
b l

1

n

188

2 (l
lb)


-(
a)n
a-k
ere
ba nar
-ana
- -(
a)n
aky
a
-(a)zu
- nar-az
u

3 (l
la)

4
B B-A {xlxGA
/ G:B}



4 C
ulicove
r
Jac
ken
dof
f 1
0
4
3

4.
4.1
Wh

(1
2b)

(12)a
b

(
Kri
fka 20
01
: 28
8)

(1
2a)
1
1

(1
3
) a
. Ax
[
le
(
E
a
t
in
g
(
e
)& A
g
e
n
t
(
e,
b
)&Th
e
m
e
(
e
,x
)
)
]

(13a
) B

1
2

(1
3
) b
.p
i
la
f

189

N
o.
40(
2
01
0)

A (
13a) B
(13b) (13a) (13b) 4 B
(11)
B-A
pilaf 1
3 (14) pi
laf

33

(12
a)

(
12
b)

(1
2b)
(1
2b)
(13
)
pil
af pa
lo'
v

4. 2.
Culicov
er Jac
kendoff (2005)
match
ing

(
1
5)
a
d
r
Z

b
Y
ea
hs
c
ot
c
h.

(15a
) (
15
b)

(16) a. Ze
(Eatin
g(e
) & Ag
ent
(e,
b) & Th
eme
(e,
x))
b.
e(
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ti
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g(
e
)&A
g
en
t
(e
,
b)& T
h
em
e
(e
,
sc
o
tc
h
))

190

16a) (16b)14 4 B B-A


Th
eme(
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co
tc
h15

(
15a
) s
cot
ch

(15
b) ye
ah n
li
1
6

4
. 3.

(18)a
b

(18a
) B

(19) a.

Aflf(2e(Restarting(e)&A
gent(e,a)&Theme(e,life)
))]

bA
p
[
-i
p
]

B
-A p[
-ip
] en

(18) -e
n -ma
s- 1
7
-en -m
as- -ma
s-en

4. 4
.
va
nD
ijk (1
981
: 77
)

191

No
.4
0(
20
1
0)

(20)aDid
yZfZP
b1
b2

(20a)B2
0b1
(
20b
2)

.c.
_
]l

lf[f(2e(Hitting(e) & Agent


(e,b) & Theme(e,c)))]
/lp[-ip]
e(Hitting(e) & Agent(e,c) & Theme(e,b))

me (21a)
B p[-l] p1p
rio 20b1

21
b1
(2
1a
)
(23)

Af[f
(2e(Hitti
ng(e)& A
gent(
e,b)& Th
eme(
e,c))
)](p[--p
])
= 1 ecHitting(e) & Agent(e,b) & Theme(e,c))

Bhim
C
CB
B

(21b2)

Ze(Hitting(e) & Agent(e,c) & Theme(e,b)


)

meh
em
e

18 4(22) B(23)

m
e
(23)
D
(21a)21b1 m(21a)(21b (23)(21b2)

5.
3

19

11
2

3
M
a
tt
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w
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20
0
7: 3
64
1
19
)s
en
t
en
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ag
me
n
t
4 con
gr
uen
t ans
we
r(
Kr
ifk
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1: 28
7288

p
e
rs
o
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h
es
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n
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W
S
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f
5

6 N
SUS
ar
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ner
at
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Sa
ndS
ma
llC
la
uS
eS
Wi
t
ho
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en
Se
th
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ta
re
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t
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fo
rm
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nt
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ll
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nt
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C
2
00
63
9
d
I
v
an
i
s
f
a
i
th
f
u
r

193

No
.4
0(
20
10
)

(i
bi
d: 44
)
L
7 C
ra
ene
nb
roe
ck (2
00
8: 26
5)

8 i
ff
1
m 2

9
K
ri
f
ka (
20
0
7:
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)

A pr
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rt
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ofan e
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ig
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ar
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te
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(i
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B
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10
(
di
sco
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lat
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ns)

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11
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(199
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195 -

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