MTC 429/598 Assignment 11-Stretto, inversion, augmentation

1. Stretto in diminution. Compose a fugue subject in Bb major, 3 measures in length in one voice that will work in stretto. (The subject should cadence on the
downbeat of measure 4.) Use half-, quarter-, and eighth-notes only. The second voice should enter by the downbeat of m. 3 with note values halved from the original
subject. Demonstrate how the stretto works by writing the subject out in the second voice.

#4
& #4

? ## 44

2. Stretto in diminution. Compose a fugue subject in f# minor, 2 measures in length in one voice that will work in stretto. (The subject should cadence on the
downbeat of measure 3.) Use half-, quarter-, and eighth-notes only. The second voice should enter by the downbeat of m. 2 with note values halved from the original
subject. Demonstrate how the stretto works by writing the subject out in the second voice.

# #4
&#4
? ### 44

3. Stretto in inversion. Compose a fugue subject in C major, 3 measures in length in one voice that will work in stretto. (The subject should cadence on the
downbeat of measure 4.) The second voice should enter by the downbeat of m. 2 with an inverted version of the subject. Demonstrate how the stretto works
by writing the subject out in the second voice.

3
&4

? 43
26"