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  • To Storm Bass

    Uploaded by

    Sarah Micol
    8 views2 pages
    This document contains musical notation for an upright bass composition titled "To Storm" by A. Solarino. It includes chord progressions and annotations in different sections of the song, including a coda section at the end. The notation switches between treble and bass clef and indicates tempo, dynamics, and other performance instructions for playing the piece on upright bass.

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    to storm

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    This document contains musical notation for an upright bass composition titled "To Storm" by A. Solarino. It includes chord progressions and annotations in different sections of the song, including a coda section at the end. The notation switches between treble and bass clef and indicates tempo, dynamics, and other performance instructions for playing the piece on upright bass.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    8 views2 pages

    To Storm Bass

    Uploaded by

    Sarah Micol
    This document contains musical notation for an upright bass composition titled "To Storm" by A. Solarino. It includes chord progressions and annotations in different sections of the song, including a coda section at the end. The notation switches between treble and bass clef and indicates tempo, dynamics, and other performance instructions for playing the piece on upright bass.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Upright Bass

    To Storm

    A.Solarino

    A
    #
    #
    #
    Dmin7
    Bmaj7(#11)
    Emaj7(#11)
    " ! !Dmin7
    ! ! ! ! ! ! ! !!! ! ! ! ! ! ! !!!! ! ! ! ! ! ! ! !!! ! ! ! !
    Emin/maj9
    #
    #
    #
    Emin/maj9
    #
    " ! ! $$ %
    $
    $
    $$ & ! ! !! !! !!! ! ! !
    $$ & ! !

    B C9
    #
    # Cmin11
    #
    #
    #
    Amin9
    "
    ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !! ! ! !!! ! ! ! ! !
    !

    14

    Emin/maj9
    %
    #
    #
    #
    #
    Dmin11
    "
    $
    !!! !! ! ! ! ! ! ! $ $
    ! ! !! !! ! ! ! !
    $ &
    !

    22

    Emin/maj9
    " #
    $
    ! ! $ $
    ! !
    $ &

    28

    33

    "

    #
    !! ! !

    #
    #
    #
    Amin11
    Bmin11
    Amaj7(#11) #
    '
    '
    !! ! ! ! ! ! ! !"! !! ! ! ! ! ! ! ! ! ! ! ! ! ! !"! !! ! ! ! ! !
    #
    ! ! ! !

    #
    B7(#11)
    Amin9
    " #
    ! ! ! ! ! ! ! ! ! ! ! ! ! (&
    &
    !

    46

    #
    ! ! ! !

    Bmaj7(#11)

    #
    Dmin7
    " Cmaj7(#11)
    ! ! ! ! ! ! ! !! ! ! ! !
    !

    41

    #
    ! ! ! !

    ! ! ! !

    Cmaj7(#11)

    ) To Coda
    (* #

    Upright Bass

    )
    1.2.3.
    #%
    ,
    " Coda
    ,
    ,
    $ '$ & $ '
    %% &
    + $$$
    '
    $
    %
    $
    $ & $ ($ &
    $$ '
    $ &
    $
    f

    51

    56

    "

    (&

    #%
    $ $ -$
    %
    $ $ &

    &

    ' ( $,

    4.

    59

    "

    ".
    *

    62

    1.2.3.

    &

    ,
    ' $

    &

    $ $ $
    $

    ' $,

    $
    4.
    %% &
    ' (*

    rall.

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