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Actor and The Ubermarionette PDF
Actor and The Ubermarionette PDF
Edward
by
IN
INSCRIBED
"
save
npo
art
the
whether
is
much
serious
when
evidence
other
the
is
and
all
for
this
attack
private
all
attack
in
ending
or
best
reason
spine
the
known
On
subject
as
of
one
make
Whether
is
show
an
acting
art.
&
us
and
certain
circles
to
on
the
As
to
see
have
rule
of
is
having
followed
his
on
it
Painting.
this
on
theatre
an
of the
artist,
So
now
jolly calling;
the
their
these
Unreasonable
attacks,
that I think
literary
or
plays
gone to see
in
play
used
matter.
strength
gone
the
as
knowledge
of the actor,
into
go
their
the
of
men
very little
detestation
for
enquiry
Sculpture
in
and
enemy.
themselves.
to
They
(Constable).
therefore
and
having
never
Symons.
art,
an
rarely
very
heat,
attack
of
Arthur
method
arguments
trouble
quarterly
"
There is little to
Architecture,
their
in
is
this
same
actors,
an
enemy's rank.
of
the
illogical
no
retirement
strength
the
on
the
fill
taken
the
the
in
of
personal
so
of
all
Arts.
Acting
no
approach
it
been
must
In Seven
of thought at
any period, though there
warm
many
seldom
have
comes
to
acting being
and
to
Poetry,
amount
any
ACTORS
different,
leaders
applied
been
have
it
the
or
quite
chosen
and
against
season
who
have
have
actors
the
each
usually
for
theref
of
they
Music
displayed
reason
lives,
of
unreasonable
gentlemen
their
arts
part
minds
THE
Studies
whether
something
or
would
arguments
so
with
the
"
DUSE.
argument
that had
they
hand
for
Artist,
an
prove
the
have
The
regularly
the
to
taking
generally
are
is
disturbed
question
Those
all,
matter
actor
the
subject.
it
been
Craig.
ELEONORA
&
consideration,
topic.
at
"
considering
On
TO MY GOOD FRIENDS,
always
that this
Gordon
ALL AFFECTION
Impossible.
has
jt
they
lives,
attacks
regular
by
season
They
conceit....
made on
would
and
the
are,
actor
or
merely place
believe
and
season,
that
they
from
illogical
his
calling.
admit
these
to
of
seem
to
There
not
be
me. to
dispute
no
is
personal
irritability,
end....
here
intention
My
from
spring
beginning
what
before, you
to
mostly
seem
join
to
the
be
can
in
whatever.
&
such
no
such
any
logical facts
enmity
of
or
attack
attempt;
curious
&
case,
Acting
not
is
accident
is
an
an
is
in
The
with
person, that
the
use
accidental
an
of his voice,
for
ever
call,
he
all
of
at
are
the
him;
it
as
to
men
one
the
and
the
mercy
theatre
he
women
as
of
of
Jiis
frantic
of
of
we
artist.
an
For
Pandimonium, and
Art
accidents;
clear
is
as
antithisis
many
art it
of
the
the
limbs
not
is
freedopi;
towards
is
their
winds
these
In
&
arrives
only
may
Acting
is
not
an
art.
by
.only
work in those
the
modern
expression
them
one
these
him.
But
whither it
distraught,
carries
the
of his emotions;
as
materials.
unbalancing
or
of
therefore
he
body,
moving
dream
one
useless.
actor's
moving without
upon
in
Man
calculate.
actions
seizes
exact
the
The.
artist,
the
together
work
any
of
speak
actor
'
J?
for
Art is
&
make
to
incorrect
tumbling
tends
man
nature.
moves
- *
cap
of
bodies
round
possesses
artist.
the
by
material
as
of the
the
which
pature
therefore
is
order
*
whole
of
created
Therefore
materials
It
enemy
Pandimonium
design.
art.
is
theatre,
owing
to
presented there is of
of
his
winds which
with the
will.
own
He
swaying
is
must blowemotion
actor,
at its
here and
beck
and
there; his
his
him
passions,
to
attempt
that
to
they
reason
are
ready
with
to
control,
play
himself....
him
are
false
Hamlet's
so
at
calm
any
moment.
directions
It
(the
is
useless
dreamer's
for
not the
J>
Mantlet's
rections
garded.
logician's
directions,
by
the
way)
are
thrown
to
the
winds.
His
limbs
refuse,
and
refuse
di*
disie-
VHE ACTOR
THE
AND
E
obey
td
again,
MARIONETTE.
the
which
heat
of
expression
Emotion conspires
against
shall
set
face.
his
instant
the
these
The
of
emotions
mind
face
the
emotion
afire.
struggling
whither
subjection,
hot
of
is
it
the
warms, while
with
As
and
his
mind
swept aside
suddenly
movement,
for
succeeding
will;... the
so
in
moment,
with
the
the
moving
face
the
bringing
it
for
few
has grown
Art*
the
through
time
and
to
changes,
to
and
it:
movements.
and
Value.
Would
is
must
be
the
is
series
material
in
of
as
taste
and
the
and
give
it
it
is
let
be
loose
in
veiled,
to
take
of
The
fit
gives
for
place
man
with
which
the
so
In
the
Such
is
that
greater
that
first
powerful
have
we
actor
the
multitude.
human
to
excite.
The
that
exhibition
is
we
not
than that
him
addresses
what
countenance;
in
how
and
birds;
god!
How
create.
animals
time
learning
will
before
the
magnificent
comes
it
the
across
that
was
held
had
Is
man
should
you
have
words
shall
speak
in
front
pointed
you
my lines
it
mind
point;....
as
have
we
work of art;
not
was
used
in
an
as
arena
between
is
the
delicate;
more
just
out
them
to
address
shoudl
You
that
really
It is
surmise.
have
sure
most
is like
it
You
resemble
which is contained
You
to be
stand
shall
,r
perfectly right.
I strike you
superb
singing of
the
almost
people.
Do
so?
to
wonder
the
to
persuaded
ever
voice,
this
you will.
as
thought
ever
44
Your
was
shall
"Is
replies;
as
Art
tussle
difficult
with
man
make!
you
noble
which
of temperament
the
that accident
tiger
man
not
terms :...
following
What
few
the
movements
eye flashes!
people
write
and
them,
And
all
like
something
your
think
I
you.
in
for
of
be
brutal,
more
outrageous
more
and
get
true,
passionate
can
not
this
not
body
of
spirit
which
to
is
the
the
cannot
follows
us,
in
emotion,
destroys.
elephant
An
is
his
arrived
gives
the
beginning
it
with his
is
is
this
that
thither,
he produces....
feeling,
of
secondly
and
all
that
emotion
the
and
crying
join
to
emotion
of
casual
it
as
voice
that
was
nothing
of
then,
excitement
an
their minds
until
So
the
the
slave
voice
his
destruction
the
which
the
desire
all
us
In
in
his
say
every
between
and
emotion,
of the actor,
to
less
creates,
then
&
for
the
there
the
That
with
produce;
is
see,
the
all
to
of
forehead
has
shifts
It
expression.
actor's
sways
avail
mind
runs
It
no
the
the
before
actor's
mercy
same
emotion,
assist
of
the
of
occurring.
first
exhibition
when
to
is
aims
we
becomes
theatre.
platform,
on
which
unalloyed.
humane;
more
mind
the
tiger
us
mind
the
the
stray
actor,
confessions.
better,
elephant
can
of
the
at
actor.
is
artist
every
accidents.
no
the
It
from
expression
works
the
continually
cause
art
the
the
the
of
the
mastered
emotion
It
emotion.
over
accidental
considered
suited
Comedy
as
his
and
lightening,
entirely
"
voice
Emotion
of
by
is
he
nothing.
true,
mind
and
admit
can
quite
chased
will!"
what
has
passion
now
the
mind.
win
to
produce;
emotion
said,
not
able
cracks
the
is
you
of
precisely
were
accident
upon
is
it
is
it
what
Instantly, like
hot
mouth;
discordant
Therefore
emotion
it
if
even
that
and
gods
the
coming
his
of
impression
of the
his
Emotion
mind.
turns,
me
is
against
conspiracy
the
to
with
nothing
the
protest,
and
down
"Do
"
lo!
and
sways
and
out
action
out
cry
his
&
mind
muscles
the
or
eyes,
his
appearing
as
of
fill them
people
the
with
The
easier
but if
theme
appear,
the
and
art
do
You
this?
comedy
and
the
speaks
have
44
44
yourself
If
you
he
has
found
it
spoken
the
profitable,
to
say
difficulty
such
that
idea
two
or
"
it,
of
as
acted
4
yours,
hundred
suggested
wish
if
myself
it
to
replies
in
44
me.
no
to
to all
be
Salutation!
all
"
that way.
you'll
lines,
the
Is
very
it
lines;
and
but
shortly
man
agreed
commences.
the
the
as
of
speaking
man
young
it
was
an
afterwards
The
them
is
is
man
appears
lack of
and
authors
jp
before
new
idea
found
It
at
an
even
the
to
then,
advertisement
superb
original
other
young
an
that
&
actor
and
On
men.
feel
is
That
*
measure.
and
men
"
"
I could
good-natured
only
means
Salutation
lines;
by
would
and
great impression.
Salutation
in
them,
man;
you
some
benefit
might
the intelligent
says
have
more
way
no,
instinctive,
hundred
author
the
be
tempter,
beyond
of
to
one
"
shall
something
able
say
flattered
the
so
author
lines.
will
you
multitude
the
replies
"
no,
something
1
which
impression
an
No,
think
say,
be
will compose
reason,
And
and
should
idea,
speak those
that
"
excellent
answers,
that
perhaps
make
"
have
you
"
other
just
could
enthusiasm?
by appearing;
j&
the
for
forgive
time, the
excellent
thing
to
use
instrument
strange
of
picture
because
if
even
but the
ideas
would
body
indeed,
this
have
is
it
are
this
well
perfectly
be
to
ever
loved,
that what
rest of their
1
for
have
actors
form
can
of
acting,
create.
He
cries
to
he
Which
he
tfyat
work
to
has
is
of
With
who
it is
as
would
he
to
slavishly,
Wfren
Show,an
Artist.
There
is
be
wou|d
to
the
of
cannot
"
of
No
As
have
this
"
of
of
actor
and
the
depends
being;
but
them.
And
proposal
must
we
so,
when
toanotherclty.
imitate
the
style
education of
HI.
our
39|5)
of
also
we
Inform
him
that In
our
For
we
mean
to
emjjloy
soldiers.
poetry,
part
to
"
Plato, (The
aud
for
be
soul's
call
are so
life,
is
is
he
are
&
plain
it
The
artist
is
he
The
thing.
to
attempts
for
the aid
when
of
make
an
instance
of nature,
he
wants
is to
death,
and
copy
poor
but
audience,
be
Imitator
an
to
death,... and
art
poor
of the
health the
models
of
wool
rougher and
which
they
permitted
not
we
in
can
as
to
can
not
upon
prescribed
we
A better one
"
same
Imitate
art
use
you
the
cryes
anything
of
the
the word
comes to
us,
exist;
severer
here,
"
then,
this
when
signor,
him
part.
What
blood
worship
garland
by drawing
mimics
to
"
clever that
down and
set
and
flesh
no
as
and
the
his
poet
at
refer
the
or.
first
te
law
head,
we
will
when
to
not
shall
story-teller,
reader
Imi-
animal
an
made
who
Actor
audience
>
skin
under the
you
such
myrrh,
our
This
to
idea
altogether.
will fall
State
of
The
that
thought.
art such
and
not
it
"
wlyat
we
of
do
out.
now
Ventriloquist, (i)
"getting
there
am
claimed
is
he
calm
back
an
itself.
being.
possible,
as
greater
an
can
the
or
of
essence
he
Is
way
new
does as much.
is
The
tates.
and I
ears
and he
being
lies
stupid?
thing
the
of the
best
he
certain
so,
to invent with
fight,
fights....
he
spirit
with
is
heat
thinks
the
long
the
the
Actor would
rival
the
grapher
art as
his
said,
dreadfully
the
skin
It
the
kisses....
of the
life?"
of
seldom
he
kinship
the
dreams
time
picture
spirit
life;
upon
continue
in
suggesting
and
the
donkey,
will
it
of ten
know
conversation.
He tells the
the. artist
donkey;
looks
and makes
Book
claim
of
genus
child
any
third
This,
The
<?
as
they impersonate
exactly
of
have
and who
themselves
and
so
as
way
that
is,
a
for
and
of
be
which
which
is Romeo.
donkey.'
artist
nature;
facsimile
is
impression
kiss,
convey
copy,
out
all
draw
inscription,
never
flashing actor,
theatre pf yours ?
away
He
he
to
This
the
to
Juliet.
kissing
the
of
impersonates
imitate
intelligent
photo-machine
of
not
stage expression
getting
it
whole
creating.
is
to
the
as
poetry
it,
is
the
reproduce
of
artless
and
"
of
by
an
were
actor
to
what
actors
the
none
To-day
and
interpret;
of
author;
his
alive
exodus
create
Tragedy
very
servitude;
offence.
by
R-
not the
an
is
of the sweeping
aware
and
growth
must
the
in
long
to present
reason
are
an
loop-hole
of
being
thing is
instance, he
it,
is
its
against
shown
unintentional
prentending
For
it
and
ten
creates
photpgraph.
dreams
This
under
of
life
upon
which
that
fully
who
women
They
proceeds
show
painter
write
child
the
tries
think
ypu
this
if
photographically....
Cleverness,
pfily
for
impression
convey
to
have
monasteries where
see
and
now
Iam
give
To-day
he
indicate
proceeds
as
shapes
rival
never
just
will
then
looks
He
and
OPtch
and
actor
he
then
befween
music.
$pd
is
and
the
he
claimed
that
ears,
creates
j>ipture
and
and
so;
am
as
be
ACTOR AND
MARION ETTE.
has
He does it
actor is
was
still
symbolical gesture.
represent
me; I
actor
would
the main
in.
are
returu.
may
Watch
"
announced
signs
The
"
and
so
Art:
difference
style
as
But
they
must
they
means
love,
one
certain
do
bondage
the
that
and
continue
consisting
in
Jopg
aiiough
its
the
the audience
tytyy...., why,
development.
By this
pretending
&
hinder
will
whole
THE
the
however
dead words
the
if
art.
an
theatre
have
view.
will revolt
The
of the Theatre
Art
instrument,
we
and
time,
lest
not
public
the
and
Life
even
and
men
said
here is
world, driving
interpret; to-morrow
nnd
said
be
the
from
escape
must
the
THE
the
nature
mind;
concerns
elsewhere,
to
years
1 have
in the
it
as
more
written
some
and
statement,
his
material for
all
and
with
be) and
his
that
them
to-day
so
the
thoughts.
aside
Therefore the
do. &
as
of
of
stops
And
to
person
But
invests
compose,
slave
is
charater of
class
to
it
push
cannot
should
his
that he
(true it
the
and
himself
become
good
the
&
to
nothing
of another's
to
not
useful.
reason.
will
man
no
thoughts,
he
to
not
were true
which
exhibits
vanitywill
in
him
forth the
give
mattered
knew
they
they found
time he
same
nature
and
another's
for
because
medium
or
matter
medium
last, the
may
slave
grave
the
he is flattered, and
world
made
content to
man
It
Although
and
him
instruments
as
men
creature.
given
the
buoyant
human
was
could
they
and
handspme
we
The
allow
lead him
who will
began
the
Republic,
Photo-
THE
ACTOR AND
THE
IJ
in
when he
Conversation
Actor,
and
sician.
it
of putting
life into
of
out
of
the
not
some
art.
The
painter
different
rather
something
means
to
suppose
this
the
to
join
actor
and
will
matter
alone;
mine
tired
with
to
of
the
their
&As
actuality
to
opinion
on
44
painter,
by
I
the
the
of
of
sense
of
love
going
Iam
musician
the
decry
my
delusion
of
work
the
of
and
theatre,
is
development
to
attitude
My
the
towards
It is considered to be my attitude,
pessimist, grumbling;
let
best
as
from
he
all
We
the
and
let
the
actor,
shall
these,
speak
listen
him
musician, the
silent.
remain
beautiful
by
surrounded
are
who
one
artists
other
may,
the
conversing,
Nature.
"
all this!
this
my
eyes,
He
How
44
Life.
stirring...
nature
of
to
seeming
get
invite
revival.
distinct
upon
Therefore
mountains in
towering
sounds
how beatutiful
turns
and
case
extraordinary
an
this
here
art
an
long
own
something blatant
reproduction ?
because
way
it.
sit
We
first
his
support
of
enough
their
break
they speak
absurdity
and
the Theatre.
in
when
who,
better
copy,
talk;
this
in
essentially
actor who is
any
theatre,
be
to
represent
talk
delicate
to
of art.
who
in
many
seem
actor
the
the
assist
attempts
matters
here,
innumerable
us
who
let
to
courage
had
be
preposterous
as
before
in
is
ould
actual
an
spoken
that
the
me
have
have
failing
is
make
with
belief
quarreller
myself.
hills,
and
his
here
realise
something
lifelike reproduction,
it
If there
to
speak.
and
that
say
him
aim
is
them
which
and
and
sit
should
motives.
of
stray
thing
make
actor
mean
the animal-stuffer
or
actual
some
reason
misunderstood
actor,
we
curving
different
is
and
painter
that
this
can
hopes
force
the
bring
whole
is
revive
mean
Let
my
ventriloquist
altogether.
an
trivial
of
because
and
such
the
part
he
that
us.
from
Mu&
that
for
which
belief
work,
is
the
of
by
way
his,
it
his
actor
their
that
skin
of
painter
only the
is
appeal,
its
raise
Their
idea
of Life in
speaks
spiritual;
in
Artist
the
MARIONETTE.
between
with
relation
the
"
beautiful,
says
is
attitudes.
of
The
&
He
central
in
meek
in
of
we
out
unusual,
artist
is
art
truth.
and
of
his
shall
not
for
that
the
truth,
skinned,
that
before
actor.
of
as
we
**
that
can
can
After
exhibit.
of
importance
so
we
our
upon
rises
to
his
whatever
to
and
part
to
at
look
the
text
take
it
and
we
as
facial
feet
do
then
practice
little
and
and
with
as
is
paces
to
emotions,
us,
feel
the
feel
and
sympathise
distance
and
in
all
them
fact
"
&
he
the
less
and
they
all
the
also
suitable
we
the
they
here
only
looking
not
44
is
it
true
ybu
answers
the
gather
the
emotions
as
mueh
audience;
feel,
actor
character
criticise
it:
the
the
friends;
good
the
those emotions
we
are
mean,"
you
with
the
that there
about
For
painter,
of
professed
which
and
firmer
consider
we
in order
will
to
to do
our
hold
expected
could
what
emotions
before
With
He had
that
the
As
emotions
close
we
and selected
reproduce
fro.
before
mind
to
depends
in
from
art.
an
asks
interested
many
understand
it
in
to
something
fellows,
"
Tell
must
to
"
me,
proceed
it for granted
believe.
good
to
expression.
and
all
it
necessary;
bodily
44
&
they
no;
call
to
which
are
wish
really
encloses
learn
to
by the
nonsense.
we
us,
for
take
us
considers
he
all
work.
wish
and
from
we
let
to
atom;...
littie
sentimental
stupidity,
yes
able
be
of
But
they
you
other's
form
why
blows.
properly
the
44
there
are
and
there
stand
unheard
the
we
once
would
almost
natural
at
gaze
us
is
of
&
main
the
she
attitudes
for
dangerous.
picturesque
which,
that
musician
that
fear;
sigh
rest
musician
the
and
speak
to
well,
the
feel
must
first
we
whether
shall
that
box.)
and
painter
nothing
give
and
the
the
highest
square
actor
and
Oh
have
from
the
but
act
can
the
of
have
they
character;
the
all
and
interests,
the
little
his
actress
an
to
on
personal
and
thing,
herself,
taken
imagine
us
little
that
matters,
and
We
let
to
and
her!!
having
other's
in
tightly
representing?"
are
be
the
consists
you
and
in
most
panorama without
little
movement,
is
representing
as
course
him
around
inward
an
across
superb
and
is
is
which
himself,
Of
but
audience
made
here,
strides
the
is
She
mind-selfishness,
and
mince
thin
that
of
which
that
actor's
attitude.
every
her
faces
sense
He
regards
his
in
And
interest;
work
is
to
God
about
painting;
what
she
other.
somewhat
he
nature.
of
the
scene.
himself and
the
all
general
and
collected
each
question
circle,
The
ground.
that
of
generally
man
enjoying
good
conveys
of
all
the
upon
value
spiritual
as
really
know
she
are
finding
half
we
us,
presence
the presence
So
in
only,
the
picturesque
rest
gazes
thing
unconsciously
thing
one
and
earthly
the
faces
is
figure
sweeping
actress.
full
musician
himself.
of
he
yet
canvas,
The
the
conveying
his friend
control
his
to say that
face,
features,
it had
nothing
voice
and
all,
just
"
if
as
But
his
has
head
to
there
there
that
his
body
be
"
impossible,
much
to
as
and
there
painting,
or
lines,
hundred
possible
the
1
as
that
material
will is
if
nothing
when
And
destroys
it
is
and
thing,
it
is
casual
and
The
haphazard
its
highest
may
be
have
said
it
mind,
better
of
shall
beyond
the
He
sometimes
and
the
here
are
who
his
to
result
is good
such
before
are,
but
with
art
believe
my
you
you
he
at
1 see
happen
it
is
what
to
ideas,
be,
to
have
to
be
the
afraid
he
of
flings
than
not
come
you
"
to
do
laughs
You
into
are
the
say
bad
you
are
gaily,
that
1
how
an
you're
rather
an
the
to
at
is
is
To
so
"
&
are
abominable
exception
what
and
me
of
all
such
man,
reason
But
we
actor
applauding
it; nothing
design.
or
44
the
entirely
like
my
of chance.
your
in him, the
doing
me
art.
every
applaud the
we
Work
of
(and
in
pull
it
Work
intelligence
ideas.
I appear on
artist.
1 wish
say
willingly.
telling
it.
gaining
all caution....
he
always held,
conceive
calculation,
before
am
actor;
44
44
standpoint
forget that
or
about
is to
body
we
the
statement
contending
pay
make
work of art.
body,
goes
of
own
my
shall
which
though
with
art,
actor
they
and
doing
question,
very
imagination;
is
He
not
must
with
to
that
spirits,
he
are
will
Artist.
be round
subject
out
the
in
said
have
you
my
science....
all
for
we
the
mean
result.
away
and
what
wisdom
things which
the
excellent
let
The
the
extraordinary
beautiful
body
my
overboard,
some
two
audence,...
nothing
mean.
because
you
bit
for
my
is
driven
stage
select
Having
That
fact, your
lies in having
mind
creature,
you
commences
the
as
absolutely
friendly
applaud,
we
me
between
things
personality
all,
nice
body
have
in
other
to
the
on
thought,
my
In
complete.
value
fine
throw
centaur;
spirits
idea,
seems
not
is
like
talking about
You're
But I
He
What
say,
dilly dally
other.
too
44
will
there
and
not
trifle
spoil?
to
to
which
long
as
statement reaches
work
your
That
bring about.
instances
many
fine
to
in
is
njake
to
parts
very
nature of an art.
make
you
it
and
intelligent
an
four
or
the actor.
therefore
And
art.
possible."
haste, trouble,
line
perfect
been ever
is
have
intelligent
the
the
but
wait
square
is
between
When
not the
that
replied
it
during
this
fine
has
nature
by
to
seem
work
%i
the artist,
difference
of
"
as
has
wave; it can
can
is
who
lines,
place.
thing,
That
thing
which
their
be
44
consider
as
be
always
possible,
as
acting
impossible.
actor
an
almost
four
straight
will
change
no
most
work
chooses
in
there
of
of
Perfect
called
prepare,
it
or
make
to
curved
the
statement
has
wish
replies
The
your
emotion
conceive
does
personality...
do
actors
"
UBER
that it would
times
such
and
these;
Salvini
actor
even
that
in
are
straight
work of chance.
they
extraordinary
an
makes
permitted
Yes,"
becomes
intelligence,
the
exhibits
44
not
control
against
one
is
through;
actor.
is
each
which
mind
my
my
play
an
yourself)
Some
altogether.
that
mistaken, that
body
your
hold
be
undergoes
rather
44
it
form
change
your
is
it
statement.
statement,
possible
conceivable
end
haphazard
or
ACTOR AND
THE
never,
perfection
was
excitement,
course
alter
or
can
when
of
say
44
can
free from
both
now
one
an
may be
choose
lines:
the
(and
move
make
to
is
44
simple
as
first
can
so....
line
be
been
consist
may
place
which
can
The
finished....
which
to
am
44
actor,
will
relief.
make
arts
the
admit
called
be
permitting
never
hundred
quickly,
our
may
1
choose,
will
wish
it
of
never
music which
of
artist,
say,
together....
work."
my
fear that
"That
that
though
you
in
state
control.
no
ready....
possible
was
is
wills."
it,
THE
body from
England,
impossible;
could
asks
of
you
sense
has
one
there
Then
is
which
control
the
state
own
my
my
there
in
lines
that when
or
one,
his
mechanical
Kean
sometimes
actor
which
there
piece
to
is
which
on
any
except
under
and
choose,
in
the
44
it
with
times,
positions;
That
then
these
put
laws
certain
that
it;
fact
can
entirely
curved
it
also)
his chair.
emphatically,
of
repeat
asks,
But
acting
answer
without
been
state
and
here
actor,
of
continues
perfect.
alter
in
nervousness,
in
choose
can
trained
so
actor
Edmund
almost
ten
or
such
course!
have
the
says
mind
to
rises....
piece
The
instance,
it
has
mind
must
mind.
artist
of
architecture,
"
all
twice,
For
44
of
his
of
reached
perfect
been
"
reply,
placed
can
like;
of
make
to
lines;
piece
for
picture
who
"
No,
his
The
he
once,
has
who
Why
was
never
be?
44
44
them
&
and
actor;
will
they
"Undoubtedly,"
44
the
never
"
&
performance
never
44
artist,
workings
"
slave
call
describe.
there
There
evening?
his
the
Surely there
this ?
the
Duse,
you
cries
say,
spoiled
not
as
the
actor
an
absolutelyr
perfection?"
of
state
done
been
Eleonora
such
actress
asks
awaken?
to
has
has
to
answer
as
who
was
Italy, Rachel,
or
would
never
"
actor,
an
into
MARIONETTE.
much
million,
of ten
never;
it
so
even
been
instrument.
an
were
never
foot that
emotions
out
body
art's
the
art!
stage and
Well
on
no
yes , you
the stage,
should
say.
The
brave actor.
THE
ACTOR AND
THE
heard
have
atmosphere
*'
Some
IFS.
"
in
seen
into
body
in
you
which
is in
and
aside
that
Jbaws
of the
the
Art
Theatre.
No,
laws
at
would
"
to.
to
that
than
Photogra-
phy.
had
the
silent,
sinking
that
see
to
world
44
in
his
and
tones,
and
that
that
an
it
actor
an
all
his
art?"
asks
combine
or
co-mingle
them
then
have
theatre,
with
to
thing
my
as
that
I
as
the
life
join
part
we
made
see
to
has
am
out
yon
yet
with
soon
that
has
are
you
to
the
on
find
search
This
into,
or
to
high
give
road
it.
It
blood
out
ever
by
so
art.
towards
As
to
in
not
except
world,
bad
sign
why
have been
Anyhow,
all arts
can
which
many
forcing
arts.
arts
the
Things
of
so
their
to
the
get
years
means
process;
cannot
You
find in nature
can
to his
thoughts,
art.
For you
new
conversation
as
it
is
world,
to
us
even
all
The
ended.
be to
compete
entirely
opposed
not
something
of
success
Only by this
in
understand
How
course
give form
the
notes,
all
Oh,
the
popular to-day.
so
theatre.
creating
in
musician,
be?
the
But
conscious
My pleasure shall
aim
art
rather
it
&
44
out,
our
44
jokes,
are
by getting
he would
Was
has
then
"
art,
playwright?
If you
to
than
nothing
has.
is it with
man
life, lovely
again
one
might
even
knows
is
their product.
new
statement.
shall
on
is
that
in
not wish
musician
speaks
he
mean?"
then
with
only
is
He
he
it
can
begin
level
crest-fallen,
it
44
right
and
cries
used
material.
last
and
old
created
create
name
Ido
art
an
believe
"
How
some
revenge;
yet been
artist's
flesh
new
her
that
and
that the
the
can
have
was
joke....
one
on
of the
here....
or
you
44
make
have
never
do
of you
time, and
intellectual
and
personality.
art
of
he
personality
actor,
an
of
may
has
you
what
name
placidly.
only
believe
not
photographer
it.
but
can
that
in
is
hardly
indeed
Yes,
fellows
you
some
it,
sort of
for the
as
musician....
which
together,
she
which
by
strenuous
it,
which
that
it.
see
at
do
And
being
success
nature to bestow
cry
one
say
can
found
For
and
Well,
It
art?
born.
materialy
you
44
noticeable;
44
over.
he
Scale
"
side of his
when
except
be
search
of this generation
musician.
language,
our
and
became
success....
law
winks
towards
he
is
he
44
not sure
representative
a
of
"
must
the
Yes,
direction
am
by the
in
think
&
and
immediately
actor
to
"
high i
less
spoil
terrible
44
work
is
arts
musician
whisper
been,
blunderingly
one
natural
ever
new
great
make
and if she
whereas
the
this
It
and
go
for
intelligent.
have
yearnings
replies,
art be
new
had
centuries to ask
many
can
would
"
was
our
much
so
there
the
at
matter
we
you
perfection;
ever
Surely
up
and if
place
our
must
knows
is
more
is
that
unintelligent,
mustn't
we
musician.
he
and
by
slowly,
out
the
"
combined,
but
man
comedian,
turned
the
the
that
so
talking
because
just
hardly
who
composer
he
is
us
the
you,
exact.
The
laughed,
that
He
musician,
this
life
excellent
all
it,
of
been
remark
fact, somewhat
another....;
means
What
rest
hold
remark.
all
they
envy
wonderful
as
musician
foolish
fellow,
in
is,
the
nteet
you
such
the
of
root
painting,
you
have
deeper
Why,
Well, that's
the
fact
half
not
who
which
some
dear
He
in
and
which
at
greater the
the
when
"
My
music.
to
that's
make
manner.
At
In
Do
&
is
44
obey
us
Too
for
before
"
it
44
get at
you
discovered
and
you
"
will
you
before
indeed,
deeper
vent
given
air.
"
lead?
44
&
could
without
you
desire?
"
it
your
audience,
44
Laws
are
you
make
executed to
find,
you
then I
"
the
all
you
it,
would
in
better I
No,
Leap
it
of advancing,
joy
fact
absurdities.
and
don't
hope.
1st
photography.
up
new
44
44
live
opens
something
was
"
to
you
me
remarkable,
could
time
actor,
give
told
so
if
strange
have
impossible
there
as
bring
air.
been
intense
photography? "&
games,
had
photography
would
the
he,
is
for
just
in
44
it
it, is
and
after
the
have
you
the
make
time
sighs
That's
talking
air,
before
to
able
if
clay,
as
was
"
that
me
Theatre,
where
know
the
future
the
wall.
continued
splendid
there
sat
to
we
in
....fly
go;
do
of
be
it
repeated
Ah,
you.
mastered,
talking wildly,
suppose,
have
but
How
"
what
44
that's
actors
give
such
to
what
do;
you
added
that
form,
our
away
Art
and
44
in
which
be
could
to
and
would
you
prove
to
me
the
found
the
bring
then!
have
if
would
invented
time
of
only have
not
that
material
space
farthings.
two
for
of
entire
and
clear
of
piece
Poem,
You take
not
roots
which
Arts,
but
the
the
executed
You
me.
that's
no,
had
you
artists.
as
for
and
III;
thing;
have
you
distinct
dead
Richard
whole
which
so
into
or
between
as
ourselves
thought,
which
before
picture
its
that
play
the
over
Shakespeare's
you.
difference
of
in
movement
every
put
and
would
you
spread
play,
machine,
could
44
the
consecutive
so
how
me
Would
you
MARIONETTE.
have
tell
you
is
for
me
not
conventionalized.
&