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DESIGN

FOR

STAGE

SCENE

GORDON

CRAIG

k-riw

II

HOLT.

THE

THE

THE

JULIUS

will

of

men

these

all.
to

few

through

will

man's

useless

in

want,

their

each

destroy

makes

of

free

doing,
Up,

ye

the

inner

The

lead

one

life

both

to

their

cooling

to

and

storm,
wings

of

In

bowed

misery,

from

Man,

rush

their

wide

are

their

to

the

in

ladies

to

they
no

whom

longer;

man!

valleys

CRAIG

proudly

radiant

the

light

millions,

plains, and

and

each

the

strive

for

in

and

the

raise

embodied

&

fills

poor,

their

all

the

peoples,

withstands

who

spans

drinks
of

the

the

they

on

and

through

world, the

the

inspiration

and

the

its

victory

hungering,

eyes,

the

rustling

storm,

erect,

and

up

to life and

the

me.

1am the

voiceless

with

Qod

new

Richard

&

miscellany

Two

them

Revolution,

earth 1

vain to cloak

in

soil

rolls

with

among

the

Revolution,

themselves

from

to

that

awaked

and

in

accents

the

those

of

the hills,

nearer

flesh,

proclaim

on

found

me!

testifies,

you and

on

instinct

Up,

sunbaked

the

streams

am

will

willing, free in

in

who

other,

over-

impure air

even

peoples

follow

of

hypocrisy,

care,

new,

free

depraved

cost

memory

of

riches!

legions

of

its

inactivity

busy idleness

at

ye

who

ground;

the

ye

and

drink

hearts

in

of these

lies,

free,

creature

as

they

and

which wastes

henceforth

up,

path:

my

to

rise

be

and

me,

lo! the

the

unhappy

wretched

man

one

edifice

breath

let

those

their

hostile

few,

be all that weighs

So

Nearer

bones,

from

seldom

might

hearts

of

humankind

violence,

others,

and

veins.

and

And

of

enmity,

follows

quickened

leap

of

life.

'twixt

transport;

their

of

grinds

their

the

now

if the

VAN

NOTES.

into

of things,

Down

world

ye

up,

sorrow-parching

faces,

other

mute

brains,

they

am

the

of

slaves

maintenance

Destroyed

nor

show

that

one,

through

open

ennobled

Happiness."

wonder

VENICE

GORDON

vigorous youthin

life.

another,

one

make

of

ancient

worth

idle

to all that is!

their

ecstasy

cry,

down

By

makes

disgraceful

with

joy.

And

only Qod,

listen

so

the

can

the

over

the

am

courses

godlike

heaven-shaking

mankind

to

order

half

the

compact

grudge

know

by

distinction

and

into

pours

through.

shines

poor: for it makes

vice,

this

the

whole

crime,

this

poor!

ye

hearts

happiness

rain,

Revolution;

by

JAN

by

FOREION

millions

their

taste

pure

envy,

attest

ye

destroy

keeps

the

and

of

live

henceforth;

life

new

Revolution

shall

no

Life,
and

not

who

happiness;

knees

drops

TW

will destroy this order of things, that

devote

things,

of

ray

ruins

hate,

of your

from

ever-fashioning
gives

ye

the

all

to

every

trickery
a

that

will

shore

of

state

oppressed,

ye

for

steps;
there

are

from

shall

must

never

turns

money-spinnersto

sacrificing

mad

Not

desolation

my

CRAIG.

one

and

load, enjoyment

of thousands

tears,

enjoying,

in

ARTIST

THE

this

rich

outcast,

which

matter,

half

and

but

and

mourners,

follow

only,

suffer,

brothers

as

you;

all

and

undreamt 1

happiness

BE

THE ARTIST

parts

riches.

own

overflow.

dead

other

of this

and

things

might,

own

speculators and

suffering,

it,

you

of

AND

which

things,

order

through

strength

trace

sorrow,

quicken

fall

the

hundreds

whilst the

all

taxing

to

of

order

their

service

toil, binds

conditions,

of

another

powers

THEORY

ILLUSTRATIONS;

REVOLUTION,

weak, privileged

and

destroy

soldiers, placemen,

as

EDITORIAL

&

existing

slaves

want,

GEORGE NORMAN.

by

NOTES.

enjoyment off from lahor, makes labor

cuts

or

the

powerful

into

nations,

AND

0N E
L

GORDON

UBER-MARIONETTE by

THEATRE

GERMAN

WAGNER,

destroy

THE

WAGNER, REVOLUTION

THE

APT.

ART

THE

THEATRE.

THE

ETC,

OLIVER,

RICHARD

"

THE

SALOME.

AND

ELECTRA

OP

JOURNAL

OF

CONSIDERATION OF YOUNG SCENE PAINTERS by ALLEN CARR1C.

THE

ENERGY OF

THE

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PRACTISE

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&

ACTOR AND

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iVlAoiV

AFTER

CONTENTS

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the

become

gospel of

Wagner.

gentlemen who patronize the Opera Houses of Europe and

America
*

realise

what

operas....
he

says

it

are

wonder if

here in

detest,... that
Is

they

is

to

when

Wagner

lets

loose

they realise that he is then repeating

words....

he

not some

listening

that

positively

dream....

he

is

crying

out in the

insulting them.

Wagner,

to

whose

He

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the notes

even

more

most subtle

writes
the

in the

great

passionately that which

language things whieh they

here of

nobility

of his soul

of

Revolution.

Is it

Europe listen,

possible?

to

whose

they

pleadings
Art,
so

with

as

wrote
of

voice

Wagner

artists

sketched
his
&

the

Is

or

condition

on

we

must

Royalty.

And

and

life,.,,

million,,..

feels
into

can

he

nations,

things

for

becomes

of

Leonardo

influence

etc.
or

Autocrat

persecution

of

Blake, Shelley,
above

quoted

disregard
,of

its

power.

body....
million

of,

It

task

Curiously
men,

some

enough

remember....

the
of

Art

They

calibre

as

of the
We

artist

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also

see

the

means

to know

feels

that

he

is

Two

no

that

less

lie

too,

force

not
how

than

If

&

artists

the

really
answer

continue?

why

the

wise

leader

to

perhaps
No?

to

the

all

....not

should
worth

of

as

be

to

the

then

force?

quite

recently
Strauss

that

of

their

Ideal.

European
hear

less

considering?...,?

be

and

being

then

why

Nietzsche
had

any

does

the

the

voice

raised with

an

unwise

Do

of

the cry

police

to

Art, and the recognition

It

&

and

mankind

they

should

is

It

things."

to

artist

answered.

Have

affirmative,

and

how

Prime Minister, and

the

freedom

further

organize
we

in

but

order

live,...

policy

is

Beethoven

existing

artists

count

the

three

the

one

of

thing

privileged

remain

still

questions

is

least

at

and

Life,

in

existing order of things which parts this

positively

probability
King

interesting
number

only

for

factor

be

that the far

nearer

provided

must

State.

is

to

the

as

fear

fought

and

curiously

be

the

then

so,

century,

labour

compromise

days,,.,

of

artist.

changes

Dyke,

Van

for which all

for

of

is

loved

olden

would

to

his

of

sounds

following

Is

Revolutionary

ever

the

to the

to be

the crowd,

the

and

the

that

Is this

watched

by....

of

the operas of

be made inevitable

him?

asked

heard

ever

the pulpit?

legacy

this

have

works

respond.

can

you

sights

in

With

Plato, Shakespeare, Shelley, Blake, Goethe, Rousseau,

destroy

be

If

have

of

Nietzsche, Rousseau,

"I., will

would

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men

times.

things?

Wagner,

the Ideal

interesting

and

modern

all

and

He

at

&

be

to

with the

in

to

the

be roused

recognition

profession

worse:

Velasquez,

people

on

the

his

as

him?

sons

Artist.

will destroy the

etc.

to

ever

artists

million

"

to

these

chances

Beethoven, Wagner, Strauss,

Raphael,

the

the

three

the

better

an

the

following

"

things,

of

for

comradeship

important,

more

force

he

is

listen

for

left it

discontent

starve,
will

and

it

from

recorded

spades...,

it all,

Remember,

liberties

reckoning

hostile

even

far

the

Is

**

applauding

Royalty

seen

content..,, stood

was

&

Royalty could

lean fanatically

or

the artist

to

finding

that

have

we

mistake.

some

Apostle of Revolution?

Is

country

&

are

the

and

about

alter

is

of the

when

forget

to

be

speak to you before

possible

that

and

love

Royalty provided

today

men

many

of

must

they

it

of Politics,

swords

artist

hope.

what

recognition

his

the

of

the

old times

ever

Is

possible

changed?

for

which

likelihood

than

he

is

until

today.

field

note

be

wait

to

me

it

the

the

the

to

the

In

crowns,

artist

the

respected

off

added

time,,.,

Is

Surely there

&

applauding

enter

must

to

lady

aright.

upon them

forced

have

you

Monarchs

Wagner,...
the

Royalty,
charming

listen.

yawningly

would

American

about

....No?

also

artists

Revolution....
Jan

be

van

in

an

Three
Holt.

THE ACTOR

Edward

by

IN

INSCRIBED

"

save

npo

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whether

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serious

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all

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ending

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is

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art.

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on

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Painting.
this

on

theatre

an

of the

artist,

So

now

jolly calling;

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their

these

Unreasonable
attacks,

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literary

or

plays

gone to see

in

play

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matter.

the actor and

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as

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go

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the

of

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enemy.

themselves.

to

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(Constable).

therefore

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art,

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rarely

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heat,

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of

Arthur

method

arguments

trouble

quarterly

"

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actors,

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of

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fill

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in

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Arts.

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approach

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In Seven

DE YOS AND HEVESI.

of thought at
any period, though there

warm

many

seldom

have

comes

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acting being

and

to

Poetry,

amount

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ACTORS

different,

leaders

applied

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have

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quite

chosen

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season

who

have

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actors

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the

over

Shakespeare's

you.

difference

of

in

movement

every

put

and

would

you

spread

play,

machine,

could

44

the

consecutive

so

how

me

Would

you

MARIONETTE.
have

tell

you

is

for

me

not

conventionalized.

&

DESIGN

FOR

STAGE

SCENE

JULIUS

OLIVER

think

call

that

death

which

life,

may

life

it

is

and

and

something

of spring,
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at

of

white

draw

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and

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represented

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and

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idea

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restore

impersonation,

Theatre, the Theatre

of

earlier

an

and

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thousand

mimicry,

again

in

prove the rule,

of

the

teeth

of

the
We

again.

rules,
have

triumphed both
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plenty

&

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admirers,
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land.
to

put

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Art

"

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of

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the

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in

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the

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all

be

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felt

and

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them

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the

and

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are

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them

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and

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and

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cheer

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not

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very

tide

rap....
has

rare, and

as

actor

an

or

respectful

should

will

again

assert

revive.

in

were

before

it

ideal

an

possible

the

public

Personality
never

Wasted,

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of these
personalities
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the
of

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personality,

their favourites....

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many

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it

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swift

instances,

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men

from

for

actors, and Beauty.

before

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work;

entirely triumph

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in

gesture,

rules,

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whit.

these

if

least

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unknown;

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women

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air,...

our

is

to

few

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these

as

actresses
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in

with the

joy.

intolerable

for

stage

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and

others

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men

was

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"

theatre

no

different.

in

stage,

danger threatens their favourites for

all

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actors

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the

and

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Flaubert,

its

It

the

question;we

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world

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hypnotised,

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to

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express

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prohibit

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consider

me....

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partially

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my

the aim of the theatre

"life"

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stage,

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so

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earliest

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(if

times

belief that by

vain

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art

this

teaching

with)

its

vitality....

figures

death which

come

Therefore what my personal aim may be is of

very little importance.
whole

the

nor

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the entire theatre of the

actors,

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behold,

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idea

two

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artists

hundred

to

of

UBER-

MARIONETTE.

colour, vivid light, sharp cut form,

this

this

from

pace

personal

own

from

fact;

and

ACTOR AND

with

filled

against

joyous,

cold,

are

mysterious

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than that

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women;

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in-human,

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than

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life.

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in

Art

creation,
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raised

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above

Flaubert,

10

THE

ACTOR AND

THE

UBHR

"

"

MARIONETTE.

affection

personal

physical sciences
but

Literature;
merely
actual

"

"

"

"

"

"

"

William Hazlitt,
Dante,

&

"

"

"

"

he

out

actor

any

Satan of

"

him.

to be

him

stage,

or

hardly

seems

"

Nuova

of

the

Dante

Beatrice,

third

and

person,

came

me

upon

should

it,

say

the

And

told

into

the

fitting.

scarce

have here witnesses

following sentence:...

appeal

its

emotion,

of

Eleonora

Duse

may

maker.

must

And

theatre

gorgeously
towards

The

decorated.

these

certain

rather

to

And

thee,

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in

things

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again

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to other ladies

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it

men

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living person
hold

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of

held

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men

assistance

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us

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he

work;

to

plays

its

telling

cease

good

of

it

managers of

bring every

reasons

and

words

she

this

should

never

several

if

impossible."

the millions

most

stage

spared

simple

in

danger

grave

of

the

he

reality;

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urges

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support

art

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the actors

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Dante

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the

personality,

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the

by

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actress.

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theatre

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theatre,

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the

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will

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To

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die

her.

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essentially

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(i)

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actresses

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beholder

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to

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personate

"

the whole

against

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than

Hazlitt.

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figure

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mastership

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stick,

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William

says

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frame

"

unseemly"....

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We

of

speak

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to

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to

propose

&

"

Love

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acted,

dream

the

of the real

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by thee to her, which is

that

"

which

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&

great desire to say somewhat

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write

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all the feeling the acting of Lear

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man

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us

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to

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ger,

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time

"

rhyme, in the which thou shalt set forth how strong

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his

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"To

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strongly

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Hamlet

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feel

doors

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he

says;

produced

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"in

"

means

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Lamb

turned

Dante

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by

appearance of

susceptibility.

nervous

half revealed

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Charles

Charles L,amb.

if

and

sees

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&

there

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of

body

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great plays

can

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distinct

see

delight
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Napoleon
should

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of

representation
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of

Studies

(2)

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.

(2)

Christian

unworthy

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vacillation;

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managers

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realise

finally

said.

have

the

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Lamb,

Napoleon,
Goethe,

1906.

writes.

light, purged

the god in

has

positively reformed

hero.

Arts;...

to

brings,

actors;

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he knows

lavish decorations;

this

against

Vienna.

came

play

the

Jonson,

(1)

"

had

managers,

and

Berlin

people

once

oneit

powerful

sceneless

presented

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Napoleon,

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Europe,

gained when represented

proved

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opposed

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movement, in

Rome, from London

they

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people

from the angry,

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to

artistic

bloodlike stains

man's restless

of action and passion,

movement.

reveals,

not

what

is

accidental

In

man,

"

genius is the power of conceiving

humanity

in

new

striking rejoicing

way, of

putting

11

George
of

Europe

protested

and

is

This

Do

Do

already.

and

tremors

The

actor

works

descendant

When

Yet

in

genius

displayed

their

art

have

they

only

wisdom.

44

44

44

House

44

44

44

both

sorrow,

feature

been

and

happy

With
the

as

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fell

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with

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it

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throne....

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calmly.

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44

did

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TempIeTheatre

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leading lady remains

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deformity.

thunder

artificiality."

Queen

Egyptians.

to

and

the

back

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1

to

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atmophere

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"

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gradually

Marionette.

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than

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44

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hands

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44

of

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living figure in which the weakness

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44

44

he

ACTOR AND

manifestation) have

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away

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would

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name.

Marionette....

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44

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simple

emerge

and

and

face and calmness

drenched

as

and

men

perceptible.

perceived what

beat

though

intelligent

with it photographic

away

tend

flourishes.

his place

do

time,

actor,

were

designs

Modern

solemn,

and

to

gravity of

hearts

and,

in

as

theatrical

to

truth

you

pass

the

tree,

actuality

his

stone

not even

has

even

their

the

and

are some

in

the

for himself

won

There

anyone

He mistakes

as

has

and

real

and

in

go, and

for

the

flesh

To-day

of

the

even

and

Nature,

Always the close friend of children

God.

one

with

doll and

superior

the

must

of Art.

to

come

connecting

of

the

THE

for

Asia

of

this,

the

produced

marionette.

or

action,

him, until he

cal

of

away

into

us

look

we

with

is

stagerealism
confuse

so

must

what

all

suppose

understanding Art

all

against

away

reality

the

while

reproduction

this

protested

conclusion.

and

of

speak

not

Photographs

energetically,

Pater

Ruskin,

MARIONETTE.

against

have

with

does

(one

comprehend

they

Coleridge,

Sand,

"

purges away.

us

of

the

supreme

types

of

humanity,

all

o:

B.

C.&

12

ACTOR AND

THE

THE

"

call

they

it, is

"

their

"

for it

"

forward

look

symbolic
the

more

be

witnessed

The

iiher
not

ma-

Life.

blood

but

while

exhaling

two

of

puppet,

rather

about

"Life!

of

the

writer

create

Puppet

the

artist.

that

of.

of

we

in the beholders

remake

an

ttber-marionette.

go

beyond

the

The

once

not

we

figure,

regain

can

we

or

once

longer

no

nightly

are

weaknesses

the very

these

not

May

which

weakness

spiritual

shall

Then shall

courage,

and

more

once

us

speaks

to

study

to

physical

in

part

of

grace

the

of

so

confessions

must

we

whether

larger

the

the

of

sense

artist,

in their turn create

of

The wise masters

The

great
bent

that

longer

imagesno

iiber-marionette

will

flesh

and

ancient

contained

travelled

from

city

of

their

means,

not

And

the

these

of

And

peace.

upon

higher

as

of

In Asia & Africa.

In

death....

this

masters,

not

valuable

and

and their

How

and

deny

you

individuals

mighty thing,

the

not one

limb

until

tenderness

law

was,

essence

(which

idea off

each

all the

the

is

the

bathes

single

pride,

nor

each

and

of

can

by

charm is

it.

Pierce

be

the

doom.

single work;

breath of

fear,

feelings

crack

there,

and how little the artist

discovered

Egyptians,

Their

there;
but

of

men

to remain

in

their superb

which,

like

is what

or

attitude

is

is

hopes?...

sign of it has escaped the artist;

nor

the

comic,

not

any

they

as

vast

"

whom the

by the community

the

title

than

more

the

the

artist

of

he

has

seen.

of

creator

the

of Motion.

spirit

have

temples contained,

of calm motion resembling

sense

think

us

There

his

we

but

are

personality

day permitted

now

too dwelt the

holy patience to

into all

as

move

if it

to

great
was

their brains

himself to

so

even

those carved

silent

not one

none

indication

that

there side

gush, emotion, swaggering

doubts

which

some

artists

chosen

cities

day;

dwellings

cities

"

in

truths.

make

an

by looking at any example of Egyptian art.

search

prettiness

that

investing

verse,

single

ceremonies,

of

in

grief and turmoil here.

called

men

asserting

that

eye

women.

and sounds

seemed

that those

kind of

masculine

times,... these all

sing

or

moving

some

most

swore

larger

guiding spirit....

and all

the

like

they

sights

of the perfect civilization.

but content because of

carved

ever

determination?... not
Nor

their

were

catch

names

and

there

true

lisp

or

records

the

Rubens

fingers only in that direction permitted by the law--in the service of the simple

any

love

the

Africa,

In

obsessed with the

exhibition of his personal

at

of

artist

to celebrate

it.

greeting

dwelt,...

spirit

stern

Look

who

thought, every mark in their work with this

glorifying

civilize)

and

and

the

family.... the creators of the

that

for

and

was

the

and

valleys,

two

or

artists;

Asia, too, the forgotten masters of the temples

permeated every

of

was

the

was

those

down

one

fellows,

his

art

dwelt their gods;

idlers, but many

perception....

artists

visions, the minister whose duty it

and

not

city

do well

than

more

those

among

er

which

for

famous

exhibit

to be moved

able

as

or

mistaken

power

family of masters, living

that

Beauty

word

statements,

stone

balance

to

as

the

in

of those

figure of

has

easily

be

their

searching for

of

in

fine

deathlike

the

If

works

guardians

under

rivers

delight

part....

the

essay

laws to which

fastidious;

most

each

ne'

of

of gold

over

so

think

ever

the

in

powers

perceives

least

the

afar,

or

animals,

the

unknown,

brothers

which I

plain,

to

looked

who

one

from

silk and canopies

height

the

because

cities

seen

requirements

army of

advancing
of

the

all

joy

picture

can

of

tents

the

like

of

the most

the West,

might

others

be

by the incessant clamouring

this

whose

bawl

this

exuberant

all

artists

with

of

moderation

because

for

towards

and

than

as

itself

of art.

works

country, that they might raise

colossal

cities,

spacious

rest

we

men

strong

and

And

not

will

there

sympathy

whom

more

ideal

course

called

up.

no

drooping

unknown

names

the

passionate
to

like

masters,

peace and

same

but

or

in

Its

clothe

to

passionless

these

speak

forward

joyous

America

and

keep

have

since

of the East

gods

all

none

and

much

so

thoughts

and

in

flamboyant

moderate

tiny

their

with

In

of

the

and

peaceful

America.

not

is

made

aims,

faithful.... their

ever

it

do

wise,

their

who

it.

paper....

Realists

those

them

other

The

to-day

>

all

the

aim

times

the

to

on

way

by

will

Several

which

Raphael
before

Trance it

which

joyousness

of

manner.

gush.

old

back

the

and

power

thoughts

bring

of

emotional

will rather

in

its

found

especially

artists

precious

inteacL

knows

shall

the

the

plays

it

that

without

who

cunning

end

spirit.

Life!"

Life!

celebrated

many

body

living

Death

mysterious

Love

of

beautiful

which

the

must

we

the

which

that

Life but
the

affectation

an

In

To

&

for

the

99

people and which

with

compete

with

of Art.

influence

And

day

by

somewhat

C.

land

the

to
not

compete

also

made

exhibited.
a

medium

that

it

in

performance

B.

800

artificiality

the

with

in

to

hope

cruel

by

are

content

nohle

the

under

which

with

from

witness

faithful

creature,
"

to

This

the

become

learn

may

impossible

is

refreshment."

again

rionette

We

religion.

force

spiritual

MARIONETTE.

&

great

so

death

like.

Yet

by side with the force;

hint of such

the

is

personality of

of these

that

it

they will

eyes,

the

artist's

Strenuous

thing.

confessions....
mind

artist?...

stupidities.

or

hand

was

13

for

the

How

of

and

of

out

and

in

thought
they

also
The

&

And

to

began

Up

to

calm

cool

and

of

purpose

the

form

of

speak

face

who

remain

To
at

it

of

"

which

of

of

life

blaze

its

the

lead.

the

the

which

that

their

beauty

doll.

that

made

"

in

the

they

through

you!

with

to

You

painted

your

bravado

dog,

&

Indeed,
you

resemble

All

forms

Imagination,

that
The

think
little
and

are

wet

old
do

perfect

the

fashioned

the

tell

one;

hidden

in

your

nose!

puppets
had

once

his

feet

theatre;

think

that

the poet's mind:

he

our

Oh,

of

the

as

and

you

always

always

are

Oh my

little

generous

on

his

little
head

lived

not

in

tears)

abstracted

things

to cry

upon

little

me

Let

figures had

the

out

nor

no

mean

of

six

but

compounded

did

slight

appealingly
superb

with the

think, ladies
foot

high?

yourselves.
foot

touched

house

you

&

square,
the

where

centuries

yourself

Did

than

almost

or

they tell

Puppets.

these

across

nose!)

platform

form

become.

And then with that

form

They think

giggle.

Punch,

seem

coming?

the

there still

support them,

back

"

nose!

ago

wires to

look

you

must

family of Images, Images

centuries

(Poor

Artist.

persons

they have

these

privilege

was

that

in

are

The

if the

it

flippantly

movements;

about

it

but

that

There

them to

walk

of the

for

for

is

it

to

expressions

though

things

&

is

the

because

colour

and

hope

from

contempt, though

jerky

need for

far

spirit,

what

the

panic;

that picture,

applause.

to cause

higgledy

privilege

the

remote

fingers

ineffable

life,

the

lightly

laughter (and my

that

&

be

should

into

all

& And in

and

amd

many

cheeks,

about

of

great and noble

no

more

But these

(i)

not

few

despair,

were

so

is

and

that

my

Hooligan

blunt statement

the

his

as

likeness

term of

it

won

of this

tenderness,

is

"is

them

had

The

reigns.

sculptors,

leered,

an

And

facts

torrent of

nobody

is

it

hands

ancient

of

the

manipulator.

your

Anne,

actual

and

women

and

which

everybody

the colours

out such

figures, degenerate

stiff

in

happy-go-

things

breaks

realism

place....

beautiful

Puppet

and

God;

force

kicked

you

of

the

my

Puppet

in

me

sister

"Oh

he

let

jerky

of

thees

that

the

upon

Anne,

of

of

breathed

Beauty,

So

&

little

men

dignified

you turn

shriek

no!

proscenium;

"

Sister

gentlemen,

Do

(1)

"

not

nose

"

Form

imagination,...

the descendants

are

alone,

tears still

of yours,

heartrending
and

stand

the

most

likeness

movement and

retain

the
and

which

all

recognizing.

reflect

the

able

are."

you

musicians,

these

all

the pulse;

having

beauty

Death.

these

But

they

to

its

of

Puppets.

think

they

its

the

patter of praise,

in

with

rhythmical

to

to

find

little

call

power

of these

had

things,

life

of

land

we

jest

wires;

should

we

for they have

them

reigning;

mouths

lunacy.

while

reflect

to

behind

account

on

of

artist to chronicle its

unknown

Puppet

repeat

speak

the

living,

and

walk

Rather

chose

that

not

as

place;

painters,

bulged,

exposed

In

misunderstands
is

the

demand.... that

once

and

destroyed,

purpose

time

ravings

which

its

took

"

figure... and

driven off the fair spirit

stupid spirit

which

which

the

had

come

asked

we

we,

having something to do with themselves.

as

faces, eyes

trance

and

artist to

first

in

everybody

For

who
of

were

the

like

which

be

"

words

R-

into

putting

to

we were

driven

day

should

we

thoughts

our

were

have gone

evil

an

ACTOR AND

THE

signs

And

us.

THE

MARIONETTE.

in their architecture,

say,

poetry

dark spirit

to say,

them

is to

of

great masters,

was

that

be

food,

On

demand

that

that

supply

recognize

hubbub,

when subjected

funny

again

me

into

made

speak

in

whisper

dwells

some

once

is

of

lines

Puppets

have

could

to

"

him.

no

hardly

our

that they

us

are

say,

that it

ruled

outpourings

before

of

acorns

with

ignorance

the

frame, wrists

of

even

to

other

to

pearls....

draw,

familiar

in,

all

their

from

where

while

out

which

sought

the

that is

to

in their

the

this

do

to;

the artist,

the Law,

is

before the so-called

came

and

given

when
of

Renaissance!

them to

that

be

of

have

flushed

art.

of

spirit

and

we

with

us

hand

to

hand

put

with

custom

front

and

with

something

Life,

invite

tears,...

sent

were

was

portraits

fired

heated,

about that

people

the

all

land

they

came

one

come

piggledy;

be

that

it

emotional

Greece, could

over

along with the

something

so

centuries

about

all

sprang

itching

the

and

of

which

flamboyant personalities.

they

us

was

many

the seat

in

vied

that

made

in

all

mind

the

shout

architects,

not

it

to

it

so

Hooligan

lucky

of

that

was

them

after

artists

controlled

once

is

it

music,

in

ourselves

reminded

supplied.

so

that

their

and

dangerous

of

amount

ourselves

prostrated

laws

the

intelligence,... that

stream

them

munching

have

these

little

sculpture, in their music, in their painting,

their

we

and

express;

architecture,

leaving

the

hovered

spirit,

of

command

and

supreme

this

came

them,

worse

to

sent

recognize

to

of

of

signs

the

artist;

great

no

fled,

ignorance

our

were

their

fared

be

are

finally

most

to

of

out

moment

Europe

worshipped

have

and

To

crushed

further

is

yesterday

but

Italy,

having

it

art.

supreme

of

part

This

superb I

to-day
of

thousandth

made to

top

the

from nature;

of

door

they

are

the

and

from

"

William

Blake.

Punch.

14

ACTOR AND

THE

windows
and

where

small

as

were

UBER-

THE

flowers

the

doll's

as

of

little

his

with

house,

had

garden

On
the

the

banks

of

Ganges.

dispel this idea altogether from your minds, and let

In
vast

Asia

palace

down

The

ing

thanksgiv-

into

the

in

stirred

cool

this

the

the

the

to

existence

Nirvana.

which
the

symbol

of

Puppet

symbol

of

had

in

the

heart's
be

delight.

for

between

his

his

of

of

laugh

him.

with

in

the

his

of

of

praise

the

sterner hurrah

and

stirred.

attendants

him, something

the

day,

the old

Creation;
the

for

&

ceremony.

of

privilege

during this ceremony there

And

of all

of the wind,
of

things,

and

of

things

and

earth and in

on

and

laugh

at

he

when

called

was

the

be

to

the

figure,
but

none

laughed

not have

would

upon

the

because

today

from you; but you

moving

Remembrance;

he comes,

here

him

of all swift

of

Thought,

Man....

You

age

with flowers

become

one

the symbols

of the cloud,

moving

that

symbol of the hills, the symbols of those rich

much.

so

in

word Death.

the

Buddha

should

then,

more

it

He reflects these

prime,

They

have
be

this

is

attack
his

the

of

symbol

that

who

to

fixed

these
the

on

desire

to

"

came

he

This

the

is

foolish

godhead
a

two

Weeds,

heavens:

as

sprang
were

see

the

who

is

then,

say,

The

quite

women

which

and

years,

up.

what

that

the

And

keep

what

my

be

eyes

am

has

of

one

it.

in

the

upon

to fall?

something

"

But

asks

that

is

should
should

truth,

Clearly

air;

he

existence,

subtle

some

dismisses

he

And

the

little

is in the

"

this

"

Heavens.

Beliefs

most?

our

revealed

first

the

but

thinks,

this

joy

ever

the

the

He

should

Something

fear

to

men.

who

one

in

"

of

vanity

health

home

theatre,

say

at

our

we

Puppet,

his

of

figure

laughing

find

we

who celebrated

we

myself

will

It

festival,

he

two women

supplied
is

symbol

two

desiring
places
grow

his
he

the

the

"

quickly,

of the
in

with

it;

parodies

Chaos,
has

With

thing.

themselves
and

made

in

me

its

love

he

him.

that

the
on

wake

in

in

and

great
No

Man.

able to

the

of

and

the

to

parody

be

found

of

fading

of

stage
triumph
to

the
in

of

value

and

Puppet
his
the

that

look

all

weeds,

intoxicated,

his eyes

fewer
and

place,

they

thought)
minds

temple (" like his

a

poor

upon

99

parody.

the

profitable.
of the

modern

lovers,
the

came

riotous

the

than

thought

"

were

quenched;

his,

parts

the

which

simplicity,

The actor springs from

proved
in

be

sooner

thing

actor....
to

ceremony

wonderment in the

cause

enough

strong

it

as

them,

to

like

("

whole

the

attracted fewer

learn

the

on

ninety eight souls

and

not see

too

garments

wilderness

the

at

mind even

the

desire

East

were

the

surrounded

up his abode

took
And

hundred

He did

vulgar,...

the

figure of the Divine Puppet,

latest

of

Divinity

not

are

which

air

they cried) they built themselves

who

and

nine

only.

could

they

record

tamper
such

full

the

later

upon

which cleared

they said) and being

demand

first

to

of

best

does,

women

for

them

look

thousand

intoxication

an

charged

"

the

to

somewhat

to

calm

the

disturb

splendour and yet such unearthly

earthly

inspiration

as

to

came

record that

on

came

proved

as

even

of

is

an

themselves

It

that

was

It

direct

exhibited

called

"

most

his

losing

is

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MARIONETTE.
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15

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poetry.
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actors.

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power

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on

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poetry

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even

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STAGE

SCENE

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production of

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Poetics
,

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VI,

it reveals

Poetics

its power

XXVI,

JULIUS

19.

1-4.

OLIVER

UBER-

MARIONETTE.

16

17

of

consideration
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the page
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himself

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scene

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GERMAN THEATRE.

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programme

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18

1
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DTSCH.-AMERIK RESIDNZ-THAER CENTRAL-H E BERLIN-THAER SCHILER-TH. SCHILER-TH. THALI-ETR LUISEN-THAR APOL-THEAR NATIOL-HER METROPL-HA KLEINES TRIANO-HETR
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20

The

THE

and

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the

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showing

Number

of

the

In

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programme

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German

of

1908

Lessing

Hebbel

Wagner

....

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Macchiavelli

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should

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had been in

of

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not

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but

that

as

English system which

from

of

to

for this experiment

support

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against

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youngest poet

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play, "Nachtasyl,,

gathered

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the

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selected

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week.

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theatre exists.

the

received

shameful.
or

things

lists the

That

not

German Theatres any

whom

for

continuous

performances

some

Germany.

attempt

43

Dussledorf,

Darmstadt,

Theatre

In

week.

Hofmannsthal,

Germany,

performance

of

times

seven

appears

number of

the

lists

week

the

....

....

for

...

Total

In

an

Schiller

Richard

is

Theatre.

performances.

....

Wyspianski

Gianville

....

Ibsen

Hofmannsthal.

....

1904.

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21

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STOCKOLM
A

NOTES

by

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Vala

Kale

the

tragedian
celebrated

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Dutch

Actor,

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in

try and learn

of

the

readers

44

44

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Believe

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44

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22

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23

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hair-dresser

for

the

become

stage

the

to

visitor

of

everything

the

as

of

in

44

this

it

made

and which

school,

Duke

Institute

sacrifice

contribute

you

the

wish to

the

hold

must

under

ceased.

unselfishness.

was

you

"

crown

engaged

was
44

these

Discipline....and

its

was

thought

became

tours

display

lavish

organizer

Their

Europe.

correct

historically

not been that

Theatre which first started

the Meiningen

was

of

1890

In

favourites.

if

Company

Petersburg, where they

St

The Duke

applause of London,

them the

for

won

The

and

Chronegk,

Meiningen

tours

famous

and

assistant

able

an

Herr

in

Theatre.

Meningen

the

Grasso.

leading

and sometime

lady of English origin

and

ladies
as

the

tomfoolery....
R. S.

24

"ELECTRA" AND
NOTE

ON

VULGAR

"SALOME"

[believe

that

They

Mrs.

hard

are

Garden

theatre,

Tree

will

of

dance

for

work with plectra at the

is

which

expectation

to

be

Veils

this

be

is

beaten

best

made up out of

Surely

especially
London

writers

to

it

the
a

honest)

Kleines

for
for

"

at

the

of

gloomy

sense

the

in

not

(not

good

even

inspiring

in

Berlin

The

sight.

little theatre

of play,....

for

"

made

Nachazyl

", but it is

Cockatoo

Poet.

reveals,

",

neither

&

The

efforts of
who

managed,

of space to his
where

English

the

producer
give

from the very first.

allied

is

piece,
us

to

however,

scenes

gloom

&

gloomy

gloom recalled to

certain

matter what the

no

with

newness

it

weighs heavily upon the spirit. Hofmannsthal's

needed

play

Instead

of

cramped

stonework
to

seats,

our

full

of

which

The

we

sense

should

acting

quite

Berlin,
owing
Even

on

stage
of

one

of

the most

this

was

to

us

to

stage

to

appear

disproportion

Frau

its

Eysolt,

thoughtful

confusion

under those

upon

made

the

of

play.

and

appeared
to

proportion

account

close

imaginative scene,

an

play

of

imitation

platform

colour, placed

the

the

Instead

of

scene

raised

needed

allow

in

amateurish
between

upon

needed

trumpets.

brown-black
set

we

gong

of silver

treatment.

grander

despairing

blare

piercing

finer,

who is

actresses

in

great disadvantage

of

proportion.

unfortunate

conditions the

beauty of the play could not be hidden. Madame

Duse

enthusiastically
to

intending
scenery

and

everything
triumph

for

act the

part

costumes

pointed
this

it

welcomed
of

"

were

towards

young

and

Electra ".
all
a

German

is

to

made,

was

The
and

European
work.

pay

seems
&

did it not

run

seen does

was

be

like

English

the

last

or

300

500

it not seem,
in

New

have

any

success

need

not

of

the

but

We

words

foolish

paragraph,

nights

too, that

York?

Veils

Salome's dance is
has been

presented

"

in

Salome
to

will

They

at

Electra

Then,

and

best,

the

too,

dance

frazzle";

nothing.

see

have not

(we

this

means

the

curtain

costume

Miss

seen

and the

dance)
few

,,

air

about

American

revoltingly stupid wherever

Fuller's invention of

dance

the

"beaten

verrons".

fear

the

of
"

about

report

Seven

nous

leaps in the

descends.
"

for

Electra

"is

very serious and tragic dress, Salome's utterly

flippant, aud fitted for opera bouffe.

should

of

certain

public

"

in

to

the

rather

German

of

in

the

is

playhouse

by

the

the

the

us

we

nude

of

in

the

air.

artificial

appear

spoils

realistic

produced.

works

the

of

"

upon the

the

time,

Painting
translate

of
is

"

and

would

believe
the

perform

hills and the sands,

as

sand-boys.

not dare to face the

daylight

foot-lights, grease-paint,

and

sense

of

the

conspire

that which even in

both

almost

would face

happy

as

around does not

revealing

And

seaside.

sun

sculpture

tradition

Salome

nature

be

art in

of

difficult

by

the

permits

now

with

all

But

art

at

exponents

should

spread

disharmony

is

healthy

Artificiality would
and

the

does not add

of

nudity

comparison
for

to

rather

plays

of

masters

painting.

permits
if

allied to

and,

grotesque

exhibition
and

it

of

certain

taken

and ancient tradition secured for us

old

the

It

play,...

weary

beauty which is there. The precedent

one,

nature,
A fine

In

obliged

condition.
the

who has

has been

theatres

exhibition

nudity.

actress

"

of

beauty

bad

the

"

&

of

us

Germany)

Salome

the little

of

some

exaggerated

Electra

England.

reminds

attract

in this half-witted
to

"

"

to

cities

"

in

seen

Salome

tendency

(especially

be

certainly

Writing

part

gestures.

Theater

fine

Theatre
darkened

and stable

an

theatrical

the

Gloominess,

Kleines

is

scene.

plays,

But

in

precedes the drawing back of

curtain and

of

stage
&

room

Green

thoughts

earliest

work

decorated to hold the noble and tender

nor

A gong

most

the

on

of

Hugo

whose

poets,

Realism

means

Theater

The

Dr

and

youngest

commonplace,

"

of

pen

realist

no

certain kind

built

is

depressing

was

the

believe,

series

ideal treatment

drawing

Electra

the

from

word.

North
and

of

great actress

Electra "is also what the Public

see....

where it

Loie

we

to

plays
to

cares

Berlin? Did it not succeed in all the theatres

in

is

first produced

one

loves

These

public

the

Camillas",

aux

in.

appear
"

But listen!

it
case

&

was

was

of

receives.

the

of

stage

&

German

more

ever

the

"

It

plays

Hofmannsthal
sense

Dramatic

tendency

"

Electra

1903.

of

deserves

of

"

Hofmannsthal,

than

the

serious.

of

remarkable

gifted

well-known

by Director Reinhardt, in,

year

von

tedious,

the

to

happy

what

some

trifle

If

and

see,....

the

of

can

been

only

consisting

Gioconda ".

what

evidently
to

The

really

repertoire

"

"MonaVanna",

it

which

Art Institution.

in

control

but

Journal.

an

is

paper.

play,
dance

vulgarise the stage, then the

tragedy

in Berlin

as

appears

not

rather

getting

the

it

theatrical
do

this

frazzle

event of

an

vulgarity

whew

Journals

The

to

paragraph

importance to the theatre

such

in

London

the

great

old

her

those popular works, "La Dame

night,

it has the Salome

verrons.

nd

"

is

regarding the

performed

report has it that

nous

Tuesday

There

permitting.

speculative

of the Seven

Pat Campbell and

next

appear

circumstances
deal

at

where Mrs.

has

production

postponed. Meantime the great Italian actress

PARAGRAPH

continues
"

the

G.

theatre

N.

the

towards

Sculpture

and

an

and

dangerous

to

London

25

the theatre

facing

practice

\X/hat

People
shown

NOTES

like

are

to

for

the

to

old

and

of

means

is

thing,"

such

no

patriotic art

all else that

belong, like

science

and

good, to the whole world, and

universal

free and

learnt

and

to

forced

to

were

well

as

for

that

to

from

the

little

hear

too

the

after

to

things could

much

be

must

far

above

indeed be

to

way

the

the

for

at

may

shall

calculations

the

over

the

this

ideals

the

shall

already
to

able

Peaceby

remains

in all

impossible

see

and

swinging,

these

men

about

the East

contact

bound

about

after

together

and

vital World's

people this

sense

so

of

simple,

mystery?

be

shall

ties,

which, being

great

so

of

when

closest

just

balance

ever

their

to

wearied

West,

deepest

creating

and

harmony

the

about

bring

be

all

it not be that the artists

may

and of

the

by

shall

being

together

in

provide

The

People's

cannot be

the

sounds

with

the

of

best

&

them

actors

thing.

that

feel

when

reciting

they

are

is to
say,

does

London

actor who found

to

Although

faces

and

some

at.

Englandit

The

quite in sympathy with his

actors

to

would
to

go and

of

beware

has

by
To

to

come

too

these

for

strange

Truth

is

is

huge

as

if

like

to

torch

steal

lest

we

the

"

This

But there

is

be
no

to

of

writes

to

of

why

art

essay

art.

which

laws
to

abide

of the artist;

duty

sudden

by
but

influence

especially

so

able to be brought

that

as

to

upon the

learn

For

West.

from

it

The

They

laws.

they

Japan.,

have

or

Goethe

"

all

of

eyes, and

for any artist

of

only

basis

some

let not convention and

manners

Mr Martin

in

be

upon

by

all

actors

in

put

stiff

place

of

Harvey's very valuable

"Character

work

who

seriously;

burial.
but

and

the

Actor "is

trouble

to

to

consider

careful

us

to

read

but

into

all

Mr

of

them

Harvey's

must

words

it

full

import.

He

does

not

speak

of

try
or

surface

J.

character.

S.

afraid
&

to

the

are

some

burnt ".

excuse

which

Japanese

attempt

universal;

are

character,...but

poetry

at

were

we

West

performance

the

imitation,

East

necessary

of

their
is

the disaster

any

sanctimonious

baptism

past it with blinking

may

see

is the

lead

the

by

artificial
to

the

of

We

that

go;

truth, and complete

they

function,

one.

and

influence

an

bear
not

laws

be
"

actors

discover

beware

would

actors.

wall papers and other crafts

and

this

laws,

ourselves

advice to the Dutch

admiration

art

all

must

their
modern church

our

of the Art.

Japanese

all

We

his

statements

his

witnessing

ever

warm

search

govern

see

actors.

by Eastern

the

caution

rather

assist

not feel

do

we

modesty

Royaards

will

all

treat

one

seem

leads where

who declaim

of those

is

must

we

these

Mr

understanding

consideration,

with

read
in

better

Japanese
there

was

courage and

elements which the crowd

Hence

voices

and

dramatic

truth?

same

convictions

country

of

ago

one

West to

not necessary

When the

years

enough

the

proclaim

to
has

character....
shies

some

the

of

are

understanding

performance (see page 17)

observance

always

an

for

remarkable

full

visited

preferable....

the Far Eastern

actor

to

the

is

dangerous

upon

not

it leads towards

truth contains

caused

proclain

universal
nation

English

it

of

Amsterdam

has

people

Theatre

English

possibility.

particularly

is

It

which

poetry

groundfor the road of the poets

the

to

of

ditch-water rather

as

his belief that words

is
to

third

kind

except the

veneer

monotone.

slight

speakers

is

shortly epect

gruesome

SociaIist?....Well,

there

always

but when

ideal,

the

dull

has

and

may

all

will

remain

than turn

to

English

to

prefer

is

....a

beautifully spoken byEnglish

Even

speakers.

Or

one

Labour
&

we

where

happy

are

nation

Religious

English

Party

Theatre,

Palace

the

England

Labour

Labour

we

poetry

of

to the old

loyal

have

for

of the

parcel

is left to

of

sense

nation.
or

of

parcel
the

as

than if it

fantasy

Theatre

been

the

Theatre

better

by

lecturing

the

and

part

of

mind

Royal

well,

do

visit

of

when
with

when all

come

and

folly

East

time to

to

the

inspired

and

even

is

Art.

of harmony

possessionsand

pitiless struggle,
of

laws

will

no

sense

of

of

all

part

health,

Religion

Loyalty

way
be

can

be

can

will refuse

of the world has failed.

supppse,

bodily

has

which

But

systems

and

quarrelling

West

same

by

it

is,

thing,

countries

and

world,

countries

nothingfor
and

and

now

it

derive

that

have found

balance, which it is
all

be

if

Art,

Art
powers of

not

simple

the

understand

to

capacity

diplomatists

politicians,

and

it

nations

continents,

charged

the

health

the

on

nation

same

Theatre when

and

Royalty

acknowle-

we

able

be

of the

independence

enormous,

to

being

hints

patriotism

so

artists

from

advantage

The

extraordinary

very

nation's

when it

the

splendid

is,

performance

dance

In

asking.

as

as

Goethe says

as

wonderful power than

more

dge;

patriotism,

Labour

we

about

actualities.

be

ever

we

him,

'English" Art, "French" Art, German art

such

is

one

Goethe,

to

squares

whisper

if

be

more

and

streets

name

inherited

Here

would

it

only be

can

have

we

great

interchange

past ".

how

think
listen

we

which

is

with constant

of ideas among contemporaries,

reference

as

patriotic science. Both art

or

and

permitted by

"

Goethe,

says

&

children.

from all the platforms

"Hphere

should

create in the minds of children!

can

the

reciters

torch.

the

impression

an

stage

EDITORIAL

with its sing-song

blink;

&

ALL

GERENTE

RIGHTS

RESERVED

RESPONSABILE,

GINO

&

DUCCI

&

The MASK
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JOHN

&

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ALLEN

JAN

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FRANS

PAUL

J.

ISADORA
LOUIS

FULEP

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STEPHEN

"THE

H.

HELEN

GEORGE

JULIUS

HAS

BUD A P E S 10

NORMAN
OLIVER

HAGUE

the
Mr.

WARSAW

PARIS

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value

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practise

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student.

FORM

(or)
Bookseller
;;

put

down my

commencing
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to

"AN
INTERNATIONAL SYMPOSIUM.

published

interest

FRANCISCO

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THESLEFF

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ALEXANDER

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