Ree eee 8 886688558 F EFF SESE S The Chéro Fake Book Second Edition 42 Selected Brazilian Chorinhos written in Lead Sheet form, and including some duet parts and obligados ‘Music by Pixinguinha, Emesto Nazareth, Jacob do Bandolim, Zequinho Abreu, Heitor Villa-Lobos, Ratinho, André Victor Corréa, Abel Ferreira, Waldir Azevedo, K-Ximbinho, Radames Gnatalli, and more.— = — “a — = mod —» ad — ad ad — _ eo a od o a — — = = ” io > a a a a a o a 2 a a = The Chéro Fake Book Second Edition and printing / 2005 Table of Contents page page 1. Ainda Me Recordo .... os we A 22. Lamentos 46 2. André de Sapato Novo ~ Dust 4 23, Manha de Carnaval... ~-Vocal Chart 50 bead sheet 7 24, Na Gleria Isveranarernnnes oe 4B 9. Aauarea ¢o Bas Sie as a toga! te eng 4. Assanhado e ae ~ 10 26, Naquele Tempo ae - 52 cenee vmnnunnunnenn 12 97 Nojtes Cariocas snes 84 Sens oe 14 28. Odeon .... Lead Sheet 56 7. Basietone ‘a0 Coiasco 58 8. Brejeiro .. 16 29. Os Oito Batutas = _ 61 9. Carmaso suns 18 90, Possas de Solon 82 10. Crege de Sad 18 91, Receta de Samba oe 11, Chand Bathe nna 2282, ReMeRERED oso 6 12. Chorei. Lead sheet 24 33, Rosa .... ~ “ 68 12. C00 NEG cot. 28 94 Seton, porque choses 70 14. Choro N° 4, *Chéro Tipioo"..... Lead sheet 30 95: Segura ele te Obligado 32 38. Sempre : eta 15, Coonenanco : 34 57. Sore Porque Quores 7 18. Deteseo 8898. So!088 75 17, Dove de Gose ssn 88 88, Terra a) 18. Fla-Flu menses 40 40. Tico-Tico No Fuba iz 80 19, Flauta, Cavaquinho e Violao 42° 41. Uma Zero (1x0) vse 82 2. Gente Hume 42. VOU YEN vocsinans But 84 21. Ingénuo ... Lead chest 86 Acknowledgements ‘When one tres to learn music from ¢ new or “second culture itis essential cha you be shown how i's done from the real guys. The priced page is not enough. I like vo thank my many teachers, pyers and fiends for their help and inspiration for my continued love aftr with Musica Brasileira. Marces Silva, who must come fst, Susan Miscarella The Jez Schoo in Berkeley, Dennis Broughton and Rich Rice who put together the incredible Califonia Breil Camp, Carlos Oliveira, Ricardo Peixoto, Claudia Villela, Paulo Bellinati, Arnoldinho do Covaco, Harvey Weinaple, Claudio Bebiano, Jovino Sancos Neto, ny old band members Brian Rice, Jeff Sanford, Rick Elmore, Steve May, Randy Johnson who played ‘hese with me, Also the many jammer, collegues, friends and students who make my if al of music. Thankyou al. “Even the little fish loves to swim.”Notes on the 2nd edition — By popular demand I have brought out this, the 2nd edition of The Chéro Fake Book, and finally answered the pleas of my B-flat friends. Thanks to those people who bought up all the copies of the first edition, after two printi 1999 and 2000, and wanted more. It is because of your enthusiastic response that I decided to, once again, break copyright laws and illegally publish niusic to which [have no right. This is NOT a gray area but flat out fucking illegal. So, please, go buy the real stuff, as I have. T hope the publishers accept this plea as free advertising and don't sue my ass. Tes really all about the love of the music. Shop online for the following, available through www.brazmus.com, www.acari.com.br, and elsewhere. O Melhor Do Choro Brasileiro, Vol. 1, 2,3 O Melhor De Pixinguinha Cadernos de Choro Vol. 1,2 Principios do Choro Vol. 1-5 What’s different in the 2nd edition — There are 19 more tunes than the Ist edition, Although not all the new tunes ae tity chorihos, are typically Brazilian. A few tunes have undergone rewrites, most notably Brejeiro, which is in a ikscar ey There are chord changes/corrections and some formal chan; 2 Nledsuce numbers ae now in boxes on the top left of each staff. There are no block chord charts in this edition. I've found that people capable of playing chorinhos would rather look at the notes anyway even if chey are only playing rhythm. Also missing is a selected discography. I own over 600 Brazilian CDs now and a Eiscogrophy has become too big a progect. And finally, some chord symbols have been streamlined. ‘As always, every effort has been made to layout the page and make it readable for “old blind guys.” Notes on Chord Symbols — In reading and writing lead sheets for many years I have felt the need for a more concise nomenclature for certain chords, The m70® has always seemed to me to have an unnecessarily clumsy name, not to mention 6 () separate marks on the page. For this reason, the following symbols, which are are not my inventions, are used in this edition. I hope, they will continue to be used by the reader, and others publishers so as to further advance the evolution of our musical language by employing more powerful and concise symbols. Co = = Cm765) or half-diminshed seventh chord - C Eb Gb B C7 = — Cdim? or fully-diminshed seventh chord - C Eb G> A CA? = = CMaj7_ or major seventh chord - C EGB Cmia7) CmiMaj7) or minor triad with major seventh - C Eb G B C+ = Caug or augmented triad (raised 5th) - C E Gt C74 = = C7 sus4 or dominant seventh, with suspended 4th - C F G Be If you don’t know what these symbols mean then please support music education in the schools at ALL LEVELS by electing representatives who do not treat music as a frill or Te isn't. Ie is essential core curriculum. Music education makes use of parts of the brain unused in most other endevours, and makes better thinkers, builds self-esteem, communal activity and socialization, not to mention the joy of the music itself. Without music and art education we now have rap, country and gaffe. The talent continues to be present but needs t be trained. So ake a theory class at cal community college, get online help or lessons from a qualified instructor. While we should all have learned this in schoo! when we were young, it’s never too late! TITASAinda me Recordo ; Choro Pixinguinha e Benedito Lacerda Fr 7 BT po Gidim? FA F & DFE Gm EG Am c 3] FFF FFF FSS SSS SS SS ESSE SSETSESESIITSFITITIETGIIIIIS2 p. 2 — Ainda me Recordo Gm Her FA Ger Cue > =) AUG? yr pb co FmP. 3— Ainda me Recordo Laie Sees esesstsssts: + a ANDRE DE SAPATO NOvo e DUET e AABB ACCA ANDRE VICTOR CORREA 2 $ - Original k - No Chord S Duet line 2 eP.2- ANDRE DE SAPATO Novo 5 | £5 Gm oF Gm if rT) p 33339393333333388 mT ee L 2. DS. al Coda o oeP, 3- ANDRE DE SAPATO Novore 5 ANDRE DE SAPATO Novo 7 ANDRE VICTOR CORREA Gm Form: AABBACCA = fecimunen oer = —— m ,.e FF Be, a as ToCoda » |], 2. : aes ic a= eHee fa a i - = 7 tn ato SSS SS Se = —— ss PEUELL ATTIC iC tttu D.S. al Coda foe be CLs AS p.2 — Assanhado q Bm? & @), a ee icali Ave Maria FORM: Intro AA BB AR CC AA Vas eo FRODITES DECAMPOS Slowly Tato = > a, 7 srsrou-narcrereia a Ha 13 Brasileirinho Ams In G major Waldyr Azevedo on page 60 : > Er%8) Am DS,alCoda Gola gg FFF FFT ST TESST SESS ESTES SESSESESESESSh BENZINHO JAcoB Do BaNDoLiM ¥ om av t mm ae > TOW Cui CPt Am aer Tf Bua? : a ASGGGEEERESREEEEEEEES > AT (Fill) * LUEKLEL ELLE TTLP. 2 — BENZINHO. Gm" 7 Am? Ae? Gm? C7 a F Fie” Gm" D/A Grve> Gm? ar Dm o7 og 2) Peer eerie creer gee ree ec eae ee eee ee eeeBrejeiro Ernesio NAZARETH 1863-1934, G Dp? MAXIE g v eysroso-cuseesWw i | a Dm [2 G LB Fr re € ay 36 a $ ° a 3 & t i 8 &g a . G > & Q & 1 4 = . 4 . & a a i E - oO ad 5 8 | 6 ie f a | 8 & : ot “f * | ES g r is if q NTN CEECCECEETCELELECECELELTLTCTCLTCE LALA AREATETARAALS.Form: Intro — e : 18 AABB(AS}coaa ~~ CARINHOSO ‘nieve Tato i c ao coc ct Fm eS So: = 3 C+ cs «C7 B? Em Cre [= ; = = 7 FA) AT o VUVVUL TTT 4a4s93ag tt ——___ 7 i To Coda oT. DS.al Coda ac a, pm ot corms cor Gott me ana cases a Cc cf Cv Fm Cc cr cv? Fm’ C Fms css rit. sisrownacrasrs TUUTTUTUUAAATEa“ CHEGA DE SAUDADE 9 sg Tom Josim: aud = Gm, oe ar Dméeds 9) Dnvc 4 eae ee ee = wate f o: . ee SS ———— eS - = = a ee 13) Bm ar Dm Eee) g e” Bi Bar Be Alsus4 A769) gi § 3 3 EB oer eee TTT TTT EEE ESE SESE SEEEESESESES E20 CHEGA De SAUDADE | a Bm ay Das pres) A’sust A768) A709) ov DavP. 3 — CHEGA DE SAUDADE 21 par Ds er | Bm Bm? ‘Am? pre) a P| J | es A®sus i Ds tere £ Derecra er ccenetagrtner eeeeeeegecryeoeccreeere demesne cesar ess ices tcc eeeChorando Baixinho Serenata Choro Form: AA BB ACC A Om a) Bom Ene = PDURReeeeeep. 2 — Chorando Baixinho 23 Bov/F ET E709) Am ares) es ) Dmé Am Fr ogy Am D.S. al Coda 25) . Ag B7 Bs) Em Gms D Bm? ev Gms A? D ar D Gmé Bm Fer B7 BT) Em Gmé a8) *y ? B DwA Gm DwF EB ar Dm FS OOS FOS SSS SSS SO SS SS SST esse eseseseeeeeseee' © Chore: aa Pixinguinha & Benedito Lacerda F Form: AA BB ACCA oe | To Fine ® ——— Tm Gm Gtdim7 F > F. or [he coe |rp.2—Chorei... 25 @ oO — G c FE (ee |[2. DS. al Coda Dm |/"Dm 3 sd _ _ > > a = = - > ieee26 2 Form: AABBACCA Fo Original ov Duet tine oe wi, Co PR EMEMERRRaae27 @ 1 E SLETETLETETTELTETETLTETTEVCEIVGTITTTTETATAT*IIATVsAeee fa i EiFine POLRECCERECCCCRCCCOEORREREEEREE EEEChoro Negro . Paulinho da Viola em Am? Gm cm FT B79) BAT Bm? 27 apaT a cms Abms Gm cm? FT B70) BbAT Bmp? Gs Em? — B® Bm? Em? == Cmé tle acne ol vase oF @é Dm’ Gg? ca’ 9. om’ FT Be OBAT D/A Gm BF eae r= 2s. al Coda SSS SSSESSES ESSE S SS SSS SESSSSSSESESSSESSESSSSESSESEETSES30 Chéros - No. 1, "Chéro Tipico" i Eresto NAZARETH FORM: ABA CCA at Heitor Villa-Lobos Fr BT Em EnvG a7 —Em Fr 87 a Alsus4 A? COEF CCK K OTEK CK TCC CK CTT TTT TTA TTA aaa! ae Cr EmB FY BT Em # Te Coda @Chéro Tipico = p.2 oF a1 | 12 Q Ev SESS 8}} 32 ChGros - No. 1, "Chéro Tipico" ese NAZARETH Heitor Villa-Lobos FORM: ABA CCA (4887-1959) obligato original TRCICIT TTI Te rr nnn na nw ane eon LU LAR RRRRRERREREEE ES33 To Coda gy Chéro Tipico - p.2 ast k et sl is ~~ ~~ mee seecee bee. sigue, a aaa esChéro Tipico - p.3 D.S. al Coda em Do a c “N Ae aDChéro Tipico - p.4 35 p p p P » P > > p » p p p » > , » - > » > - -86 Cochichando Form: AA BBA CC A. Pixiguinta, Jodo de Barro, Alberto Ribeiro a. om Dmé Am 7 Gmé a7 Dm av Ao?__p7svab = Gm Eg? ToCoda © TVULTULTLTTAL TTT. ar Om. ar c Erdirn? D7 Gmp. 2 — Cochichando 37 Faim? E7 Am N.C. B Bmé > > F > Se Gm? tos 2 DS. al Fine 7 Fog? p7 & Fine Fé £7 7 pmo fra} a —— ‘motto rit.os Delicado Uta et VAMP ‘ti ready G7 nm VEC | SUPE C CU tt ¢ a av ap.2 —Delicado 39 arA b Bit io Doce de Céco “Jacovdo Bani A Gar Am? o G Ga’ Am? Dp Am Am(7) Am? Am(t7) Am Am(é?) Am? D7 —— ATELTTT ins Gm. Gmie Gms Gmés) Gm Gm¢e) 2 3 2 3 g ay os Gris) cm cms $e = = ‘ ——— a * “s C LIUIITIICCCCCreee ToCoda %bp. 2 - Doce de Coco 4 B) ser o e _ Tae 2) > 3, g @s Be 3 £ z a Ba’ ev Am? Dr Am? bv De Ge ar jal ee TTS S SESE TESS S IIIT 3 8 ) pce Am oo gape peg (5) G DS.alCoda Coda Ga’ Am” pv 3, G cme gse is > 3, g ° WV Pee re Heer eee tree eee eer eet eee eCa FLA-FLu José Maria de Abreu To Coda oa Am Em 87 Em Fine eo ee ae SEREARLALOLF oes43 p.2 — Fla-Flu eee eee ee eee bebe be bbebe east: cf... wi Cim Gaix Flauta, Cavaquinho e Violdo CHORO FORM: Intro-A-B-A- Outro C. Mesquita e ©. Barbosa Intro/Outro Gm Dm ar o Gm ar Dm Be Av toFine Acuote nom ere cr IF Pv co F FR C7 [ovtmscontaret Dm DS. al Coda Fine . Dm Zz 5 oe BASE] CULE45 av aT ar Gm Em? Garoto e Chico Buarque Em? Em? B7 Em Gmé Eo? 1 Gmé Gente Humilde AT Bmé av Fim 1p ar |? 7 g 8 5 & PETTLETECTTEELCECCECCTETLEL ECCLES eseeeBee eee eee ee ee 46 Form: ABCD CD ABCoda Ingénuo Dave AWE Dm Pixinguinha & Benito Lacerda E7B Dmv/A Ev/Gt a cm crve> D/A cms» Dv ) 2 a co v4 @ a g ip) PRORARARR Menem ew nee eee = > i Us / HH ip. 2 - Ingénuo 47 ae can48 Form: Intro AA B A Coda Lamentos _ ina G a7 bp Am7 pr ee SS J = 2S SSS Ss BERRREEEEEEEEE! aaaanep.2—Lamentos . Emit?) Em Cidim? GDNa Gloria ‘Ary dos Santos & Raul de Barros ce Fidim? = Gm i D, To Code F Do qo ToFine & F ee Dm o Asem Gm Na GI6 - ia Na Gl6- i ev ar ar Dm Na Glé ia Na Glo - ia3 i q rT | = z b hii 8 a - : 4 ot a ul £ h i s - 5 ; + Ss wld s eee > M 1 a & N : + a Mn [ & 2 a és i ke nt i . : ] “ i 7 * 7 : i BH g B age : 0606660006666 e8e66..66...... 3.82 Manha de Carnaval VOCAL CHART Luis Bonfa Bossa Am Amv/C_, Bm7¢5) 7 Am Am/C — Bmr5) I sing to the sun in the — sky. 1 &, am Awe, Dm? @ maj” Chim? Arts) sing while the sun rises high Car-na-val &, Dm? @ maj? Fmaj? aaccaamee time is here Ma-gi-cal time of year and as the Bmrt5) E7¢8) Am Amc Bm75) ET eieees time draws near dreams lift my heart 1 Am AnvC Bm7ts)E7 ————— sing while I play my gui- tar. I Em7¢s5) —s—, ATED Dm ar Dm cling to this dream from a- far. Will Dm Dmc Bmrs) E708) Am AmG Fmaj? Peace true love come my way. on car naval day or will & amrs Am Amc TeCoda 4 Bmrés) E768) Ev love stayinmy dreams a) Coda Am Dm Am? Dm7 Am? Dm? Ents) eS ‘aut aie j CUCTCTTAT TACT TACT TT ATVTTTTAT ATTA TT TT TTT TRAD —s— — Will true love come my way on this car-na-val day or will 1 be a- lone, with my Amr Bm7¢s) eg Amo Titard. dreams, 2nd x ritard. with my dreamsNGo Me Toques... ee Form: AA BB ACC A Zequinho Abreu wD Am @ > 3 q Am ar Dm Dm Am er Coda amy Fine 2. am Am - Dm Am e [iam 2,Am DS.al Coda aS = > 5 > > g eee ee ST TET TTT TET ETEK 5 eB 5 ‘ M4 ia Naquele Tempo FORM: AA BBA CC A CHORO-SERENATA Dm oO Gm ro Ay BY CCRT ToCoda ToFine br Gm Eo Dm EF Ar |} Dm |, > Dm CRETE Lep. 2 — Naquele Tempo 55 Bl FAT) Dm ODT Gm/GN Gm aT Dm 2 DS.alCoda a F Bims FAA D7 Gm? iF av DA’ D Am D7 G ame D eh LARK (bn SPFFSFPSPFSFFFPFPFSSSESPeeersesesrererrseserseeets TeV, ie pap Gea 2 > > ee56 NOITES CARIOCAS | oo, GAT FE? F? Intro ycrr oe De) a GA7 Ev Am? E77) Am? Am Am(47) A om , Cr” ce7 =p? Ga? E7 Am? £7 G7 F?_F7 a ae { To Coda e GS (Bm7) Tet TTCOHCKETT TTT TTATATHE TT TT KT TTT Tee TeneoP.2—No!TEs Cariocas Dm? G7 Am7__ B79) EA7 ecu GAA er E°7 G7 7. GA? FR7. F7 OE? Av pb? — te58 Form: AABB ACC cadenza A'A Odeon Em BUFR EmG Gi Ernesto NAZARETH Am E7/B Am @. Am .c7 a7 Am B BA EnvG a7 Em BFE o cc c cm GB DUA DFE # - - - - - - = - - : - al = ee BT 7 [2 DS. al Coda 2 G ve @ Coda avr Dv/A oo cs? AUCCTOTCCCTLp.2 — Odeon 89 D/A 7, G Eg &] > i ] > 3 9885S SSSSSSES Cadenza enwetsh recy espressivo = B crys B cons BoB?) Ba B? 8) ge 5 eB Am LY g I 57 Bt BHA EMG accerlerando Em BYFE EmG Gt fe Am EB Am/C Am Fho a See re eee eee eee eee ee ee DS. al Fine i | Em Am Fio By Em b oo ea i thee = a = * = = = eeBrasileirinho 6 : 6 seem, Ree —, G Waldyr Azevedo by ‘wz eeeereeerreeeeecererescenerc cece anewPixinguinhs pw Oe? Os Oito Batutas a1 & G bo? G ToCoda @, ; Te 26Proesas de Solon Form: AA BBA CCA CHORO Pixiguinha & Benedito Lacerda | @ a F u RVUBETCBPPPAP OSS OREN BA Meter weeweneanap- 2 — Proesas de Solon Iz E} eeeeeceeeet : — a a TeereettTt Bo BReceita de Samba arte cms2 — Receita de Samba 4 : “nm icra am Em * ~T AB _~ Em Ly t || Db? DS. al Coda SS SSS ES - -_ _ _ - _ “ = DF ev ae ar oe ee ge ON * snerownc-cines Notes from m64, b2 through m67, are originally one octave lower _ “ “ a “ ec - = ” ” » » * » » >q z o q n 3g x > 3 g ie Ie a re re ToCoda G pe ToFine 5 AT jz SS pes Bm 3 By i BOTH lines ARUTHCTATTA Vere eee ee rtrteeP. 2 — REMEXENDO 67 ar par De cH Fr | 3 7 ? B79) res) Em cite) G7) Fim Em” 5 $905 SSSESSS ‘Ist X lower, BOTH tines | 2nd X upper but together M® NOT both together ae sss | iE) * Fine Alsust A705) erences ree ree eee fete ee area eee a aeee eee eee EESETTUTT r nm ™m mT 5 i aert Se (E) wo at 2nd time D.C. al Coda = Am p. 2 — Rosa E77 7 qr DS. ev Am E lee af ere iq : ebeneonereocececesece ie ae ee eee é I Dm?SEE EEE EEE EEE EEE EEE EEE EEE EERE EEC Ee Ee Ree Ee Eee EEE EEE Tete Ete teeter eee Saxofone, porque choras? ‘Severino Rangel de Carvalho (Ratinho) av 2. D.C. al Coda Dm 7 2 rd PPHHHHORARARERAAARM HMB MMRC Renan nnnan nna nnnn B D cHc7 b. 2 ~ Saxofone, porque choras? vam Av Em? a & oe é i I @ gy ig fe eeeeececesecsces:. CL. oe ee a —,72 Segura ele i Chéro Pixinguinha & Benedito Lacerda & c 4 Am Am Ev Form: AA BBA CCA To Coda ToFme ¢ *RCCECC eRe e rere nt n eee wee ee73 p. 2 - Segura ele G7 D.S.al Coda 2 Am B. Ximbinho i Sempre enor CT F Gm?@ : —s 7 rete 2 “ete | To Coda | E769) A79) To Fine % Dm oe . gfine lp 2.D.C.alFine * (3) Dm 7 es 7 saressecuars bala a tated edna tte rtd elit Dart te tdi iti iliacPixinguinha e lide Porque Queres Benedito to Laced sir ian = Sra a RRERERO MR em = ae eererereerereeedebv G7 D.S.alCoda P. 2 — Sofres Porque Queres BD Bom pv’ q@ 7 = he a8 — cr & IF (I Terrrrererercee ov Gm & Fine G7 br DS. al Fine v7 £27222 2244224.4.2-s78 TERNURA & K-Ximbinko Cm m4) m7 ms Do q@ Slowly Ce Gree) eee oe Ft ererrrererrereee79 cm? cre) p. 2 —TERNURA BT s Fm? | : : SUS yA ELL A Lc Abed Tico-Tico No Fuba Chéro Form: Intro- AA BB A CC A Am81 DS. al Coda p. 2 — Tico-Tico qr a Dm av on ta te ° a Es 8 a ia 3 a fi POCHESEESESESSSESEPECECCHEOCOOCECOCEEEOEEEEEEEee 1x0 (Um a Zero) Chéro FORM: A A'BACCA'83 p.2— 120 7 8 eereeeeeeee? bp q Am a7 tN 2 % 2e2eeeeeeeeeee i 3 4 a ae < & wf & g eeeeeceee o FIC. De Be Gm a & & a i @O2O¢002898C0@¢8 |84 Form: AA BB ACC A Vou Vivendo ‘choro-Serenata Pixinguinha & Benedito Lacerda ev Am F Gy Original Duet lineVou Vivendo q i & SOKO OLOLODO OOO OOOO OO 6 6EEbbEbhADAOAAmAaaaa8% manssacca WOU Vivendo choro-serenata Pixinguinha e Benedito Lacerda @ e am =e F To Fine * 2c