A DICTIONARY oF MUSIC AND MUSICIANS (A.D. 1450—1889) BY EMINENT WRITERS, ENGLISH AND FOREIGN. WITH ILLUSTRATIONS AND WooDcuTS, EDITED BY SIR GEORGE GROVE, D.C.L. DIRECTOR OF THE ROYAL COLLEGE OF MUSIC, LONDON. INDEX TO THE FOUR VOLUMES ann CATALOGUE OF ARTICLES CONTRIBUTED BY EACH WRITER: Br MRS. EDMOND R. WODEHOUSE. 3 Bondon: MACMILLAN AND CO. AND NEW YORK. 1890 [Me Kight of Translation and Reproduction is reserved.)KPF &2l ” 12 HARVARD UNIVERSITY LIBRARY OCT 13 1954 YEB 2 189: De. , Cae ofl LIBRARY UN 3 1964 Osford MORACE HART, PRINTER TO THE UNIVERSITYPREFACE. Lest a. Dictionary of articles arranged in alphabetical order should be thought to require no Index, it is necessary to remind readers of the Dictionary of Music and Musicians, not only that it makes mention of very many persons and things to which no separate articles are devoted, but also that with regard to names and subjects which have their own articles further information and illustration are supplied in other articles. Articles also occasionally occur out of the order of strict alphabetical sequence. The object, therefore, of the present Index is to enable readers to find with ease all the information which the Dictionary affords upon any specific point of inquiry or study. A few, remarks explanatory of details in the arrangement of the Index will facilitate its use. 1. When a heading in the Index is immediately followed by a reference to volumé-and page (as Aanox, P., i. 14), the reader will understand that the heading has an article to itself in the Dictionary. Succeeding entries under the heading indicate other articles where it is spoken of; and “ote.” appended to a reference signifies that the article contains further allusions to the heading. If, on the other hand, a heading is not immediately followed by a reference to volume and page (as Aatsr, J. A. van; Hist. of Mus., iv. 674), the subject has no article of its own, but information about it may be gathered from the articles to which the entries point. 2, So many musicians have borne the same surnames, and there is so much uncertainty about their Christian names and initials that it is often impossible to identify them with precision, and thus perfect accuracy cannot be ensured in the indexing of names, But,—subject to the condition of invariably making the headings in the Index identical with headings of articles in all cases where there is a separate notice of a musician,—the rule observed in the present Index is to state Christian names or initials, when- ever known, in the headings. In the entries Christian names and initials are not stated, except to avoid confusion when the same surname has been borne by more than one musician mentioned in the Dictionary. Where, however, one musician has been indisputably more eminent than all others of the same name, it has not been deemed necessary to insert his initials in the entries, Again, in cases where musicians are known under different names (as Genet, alias Il Carpentrasso), or their names are spelt in differentiv . PREFACE. ways (as Escobedo and Scobedo), cross-references are given in the Index, but the entries will be found under the most usual form of the name,— subject, of course, to the above-mentioned condition of securing correspondence of headings in the Index with headings of articles. And this last observa- tion equally applies to names with prefixes (as De Muris or Muris) and to double names (as Bourgault-Ducoudray), 3. With respect to the various Forms of music, it would be impossible to refer to all the composers who have employed them, without uselessly swelling the bulk of the Index. For instance, Beethoven wrote an Oratorio, but he made no special mark on the Oratorio form of music, and the article on Beethoven contains nothing of interest in regard to that form. Thus no good purpose would be served by a reference to Beethoven under the heading of Oratorio; but the names of Animuccia and Mendelssohn will be found under that heading, because the former wrote the first Oratorio, and in the article on the latter this form is instructively noticed. In short, as to Forms of music, references are only given in the Index to such articles as contain matter of interest respecting them. 4. It is hoped that the catalogue of articles contributed by the various writers will be of service. To theso explanatory remarks the undersigned would only add that she is very sensiblo of the imperfections of the Index, but ventures to hopo that it may be of some use in rendering the valuable information contained in the Dictionary more readily and fully accessible to students of music. ADELA H. WODEHOUSE. Tune, 1390.A, i. 1; Alphabet, i. 576. Aatst, J. A. van; Hist. of Mus., iv. 6745. Aanoy, P, i, 1a; Catelani (A); i 3238; Hexachord, i. 7350; Tsanc, ii, 23a; Jos- quin Despres, ii, 41a; Mus. fiota, i. 413 421.4, ete.; Obrecht, ii. 489; i 7400; iv. 725. Apaco, E. F. dal’, i ‘A Barrora, i, 1 1574. Appanint, A.M, i. 15; Baini, i, 2883; Colonna, i. 378. Apsé, P. P. de St. Sevin, i. 18. Asset, J. i aa, Appurviations, i, 2a; Be i. 1084; Dot, i. 487 4; Clarinet, iv, 5918. Azeas, iv. 517@; Schumann, iii, 408 a. Asztiz, J.C. 1.43; PF. ‘Mus, ii, 725; Benedict, iv. 5 Battuta, i. Aust, K. F,, i. 4b; Adagio, i, 2765 Banii,i. fasts Baryton, i. 47a; Cramer, i. 41333 Gamba, Viola da, i. 580.4, eto, ; Hanover Square Rooms, i. 6610; Linley, ii. 1443; Mus, School, Oxkrd, Schroeter (J. 81), 5 Symphony, iv. 144; Cornelys, iv. 5985. Aset, L. A, i. 54. ‘Asstz, H.; Hist. of Mus, iv. 6765. Asm, J,, i 505 iv. 5174. INDEX. 7 ABELta; Sterling (A.), iti, 7123, ‘Apezummentt; Improperia, i. 2a; Miserere, ii. 3366, ete.; Sistine Choir, ii, 522 d, Asinr, J.J., iv. 5174; Wilder Bologna, i. 2590; Esto, i. 4o6a; errare't 51263 Flor- ence, i. 533@3 Milan, ii. 3294; Padua,ii. 6276; Rome, iv. 7746. J.) iv. 4574. AccuiEmaNpo, i, 124; Tempo, AB08,G., 655 Latrobe, i, 6333 Sala (N.), ii. 2175; Scarlatti (A), 2390, Asraway, Dr.; Peters i, 695. ‘Azzaus, The Misses, i. 64; 176; Ancient Concerta, i. 64a; Handel, Commemorati of, i. 6575. Anant, K.; Magyar Mu, ii 19945) Hist. of Mus, iv. 365 Tfigenis iv. 517; Kicks Orpheus, ii. 61 . 659; Song, i Any Hassay, iv. 517 a; Weber, iv. 3964, etc. Azrnopor, H.,i. 65; Wydow, iv. 8170, 1028; Paisiello, | Aconn7, ira AccENTS, iv. 840, 5170; Accinc- catura, i, 185; Arsis and Thesis, 35 Bar, i, 13605 Beat, i158; Common Time, . 3814; Metre, copation, rubato, 120 iv. 44@; Tempo 856; Time, iv, Triple Time, iv. 1744. Aconnt; “Agrémens, i. 4305 Nachschlag, ii. 442.4. 2324; Micrologus, ii, 3278; Monotone, ii. 3554; Notation, i, 4680; Plain song, ii. 7640, eto, ; Requiem, iii, 1090; Re- sponte, ii, 1166. AcabsmtoGazerre; Mus.Perio- | Acctaccatona,i.183; Agrémens, dicals, iv. 7266. AcaDEMIE DE Mustaus, i. 63, iv. 5175; Grand Opera, i. 6165; Habeneck, i. 643.03 Lull i172 Opera, fi 531. i.44a3 Appoggiatura, i758; Arpeggio, i. 87; Beat, i. 1584; Grace-notes, i. 615 a3 Martelé, ii, 2215; Mordent, i, 3633 Notation, ii. 477 4. Acapmiy or Axctwr Musto, | Acomenrars, i. 18 5; iv. 5175 toa; iv.5170; Arnold (S.), 864; Astorga, i, 1000} Concert, i. 3840; Pepusch, ii 6845; Steffani, ii. 608 5, Acateutror Music, New Your, i. 108, A cavetta, i. 106; Alla breve, 536; Capella, i. 306; Cheru- ini,i. 343; Schools of Comp., Alphabet, i. 57 @ 5 Bi. 1070 Bémol, i. 221@; Chromatic, i, 3558 5 Flat, i 5324; Hi. 643@;, Harmony, i. 6715 ; Key, ii, 5205 Mus. fota, ii 4134; Natural, gs Se Sig: nature, fii, 4920; bass, iv. 1100; ‘Bartwsitg, iv. 7418. ii, 312; Time, iv. 1184, | AccoraDE; Score, iii. 47a. A carntocto, i. 105. AccoupaNnuanr, i, 204; iv. Accapemta, i, 1003 iv. 51705 5178; A capella, i, 1005 7 Pe 3Additional Accompaniments, i. 30b; Azolian Mode, i. 408; Anthem, i. 7143 Arpeggi 4.874; Bacousi, i, 1080; Ca- valieri, i, 3276; Figure, 21a; Figured Bass, i Jommelli, 376a; Nanini (G. B.), 4430; Recitative, iii. 850; Schubert, ii, 3660; Schumann, ili, 41203 Song, fii. 621, et Acoonptow, i. 255 ; Aolina, i. 406; Instrument, ii. 6. Act Gorr vom Hnrt, iv. 5178; Zauberflite, iv. 5035. Acts axD Garza, i, 26a; ‘Handel,i.6490; Mendelssohn, ii, 2618. Ackens ; Orphous, ii. 6138. ‘Acoustics; Airy GirG 3 47 Analysis, i, 630; Chiadni, i. 3484; Diesis, i. 4460; Drum, i.’ 4650; Kircher (A.), ii 61a; Metronome, ii. 3185; ‘Mus, Assoc., The, fi. 41743 Partial Tones, ii. 6548; Pitch, 4. 757.0 ; Sarti (G.), iii. 22903 Savart (B.), iii. 23125 Seo! ter, iii. 4364; Siren, i 5170; Tartini, iv, 626; Tem- perament, iv.708,ot0.;Tiersch, iv. 1148; Timbre, iv. 11685 Tone, iv. 14105 ‘Tromba ma- rina, iv. 1750; Mahillon (V.), iv. yo8a; Weber (G.), iv. 8164. Act, i. 26a, ‘Act-TuwE (see Tune, iv. 1874). Actiox, i. 264, ‘Acurensss, 1, 265; Arsis and Thesis, i. 958; Bass, i, 147 5; Pitch, if. 7570. ApaciETTo, i. 274. ‘Apacto, i.'27a; Abel (F.K.), i, ga; Langeam, ii, goa} Tempo, iv, 834. Abas, A.C, i. 2765 iv. 5180; ‘Auber, i.” 102b;' Ballet, i, agaby Boieldion i570 ia, i. 3298; Chalet, Le, 3320; Conservatoire de Mun, i, 3925 Giselle ou les Wilis, i. 5074; Hérold, i. 7326} Leldbare- Wély, i, 2a; i, 2305 Orphéon, visas Pol Hi 68203 Poise (F. Postillon de Longjumeau, iii, aaa; Pougin (Av), li 3305 Prince de la Moskowa, ‘ii, 31a; Puget (Loisa), iii. 45.3; St. Georges (Marquis de), iii. 21303 Scribe, if. 453; Song, iii, 621; Zemire et’ Azor, iv. 50583 Delibes, iv. 6108 ; INDEX. Garein, iv. 6458; Saxophone, iv. 7800. Apaw, C. F. ; Orpheu ‘pax; Lamoureux (C. Apai, L, i, 2945 Chauliea (C.), i. 3408 servatoire de Mus,,i. 392a,etc. Herold, i. 7314; PF -music, raga BE-paying, i iat Be ‘aches, 2, Bonoist c iv. 5435. Ab.unanars, V., 12903 Iv. $188; Curioso indiscreto, Tl, i 4aga. ADAME DA Botsewa, . 2905 ilan, ii. 329@; Palestri 63545 Sistine Choir, 5224, Apaxs, C. R.; Strakosch, iii, T,, i, 295; Apolloni- 3 Interlude, ii. 75; i. 2400; Men- delasohn, ii. 2740; Peace, fi, 6772, note; Voluntary, iv. 3396; Lambeth, iv. 6956. Apapramions; Cooke (T. &.), i Lachnith, ii. 826; ), fi. 83a. 30. ‘Appisow, J, 1. 300, ‘Appisox; London Violin Ma- kers, ii. 1635. ADDITIONAL ACCOMPANIMENT, i306; Accompty i, 258 Franz, i. 5605; Handel, 6536; Hiller (B), i. 7380; ‘Messiah, ii. 31563) Oratorio, ii. 5458; Orchestra, ii, 5630; Orchestration, ii, 57a; Perry, ii, 6938; Schools of Comp., iii, agra, note. ADENEZ; Chanson, i. 3360. A prox Matws. i. 370. Aptse, V.; PF-playing, i, 7454. ApioasseR, A. C., i, 3705 Haydn (Mich.}, i. 7o2a, not Ap uinirviy, i. 376; Accompani ment, i. "20a; “A tempo, i. 300d; Piacere, A, ii, 7090; ‘Tempe, iv. 85a, Apwye, J., 1. 37; Agricola (J. F)), i446; Cembal d’amore, i. 3304; Walther (J. G.), iv. 3810. Apourat, A., i.37; Quintuple Time, iii. 6a. Aparano; Ricereare, iti, 127, Apu, F,, i. 384. ‘Apnren, M., i. 38a; Conserva- toire de Mus. i, 3924. Anson; Este (T.), 1.49 A Doz,i. 382. Axsrens, G. J,, i 380. Axncstuicn, i, 384; Mase, ii. 234b; Timidamente, iv. 127b; ‘Tramidamente, iv. 1594. oi-Hanxonics 5 Seraphine, 4665. Lorian Hare, i. 38a; Instru- a; Musurgia uni- i. 4394 Euan “Move, i, 390; Gre- gorian Modes, i. 626b; Modes Fost 341; Tetrachon’, iv. 94b. Huw, i, 408; Accordion, i. 25h; ‘Harmonium, i 167 a. ZZ0LsKLAviER ; Eolodion, 408, o.ov103, i. 40); Harmonium, i, 6674. ouopaytowon ; Holodion, i. 41a. AscHont ; Carillon, i. 3112. ‘Ants, E.,i. 41a. ‘Avia, iv. 5186. ‘AFFETTUOSO, i. 41 ‘Arritanp, M.L., i. 41a. ArRANto, i, 41a; Bassoon, i, 3515. Arnicarss, L', iv. 5180; ‘Moyerbeer, ii. '323b. Avzzlivs, A.A. i, 41b; Are wideson, i. 966; Song, iii. 6108, ete. Acazzant, A, i, 415; Boden schatz, , 25303 Mus. Divina, ii. 4118, ete. Actrato, i. 415; iv. ‘Actycourr; Song, ‘Mus, Lib,, iv. 723 Agnes, LP. L, iv. 5186; Philh. Soc.,ii, 7000 ; Rossini, il, 1764, Acnest, Maria Tr, i, Aaxvs ‘Der; Mass, Plain song, ii, 76705 quiem, iii, toga. Acostit, L, i. 42a. Acostinr, Pi. 42a; iv. 5190; Agoutini B, 8), 420, note; , i. 9880; Foggia (F.), i, eagat “Mus. Divina, ti. 4115; Saggio ‘di Contrappunto, 2120; Mus. Lib, iv. 7264; Rome, iv. 7742. Acnett, J.,1. 425, ‘AGREwans, i. 425; Couperin, i, 4098; Grace-notes, i. 615; Manier, ii, 2064; Mordent, ii, 3625; Nachschlag, ii. 4424; Notation, ii 4770; Portamento, iii, 188 ; Battery, iv. 5328. AGRICOLA, A., i. 4405 iv. 5197 Tosquin Despres, ii. 405, etc. Lamentations, ii. 88a; Ma- drigal, 1884 ; Motet, ii. 3735; 5188, iii, Gora; ath. 12260; ReObrecht, ii, 4895; Schools of Comp. iii. 2608 ; Part books, iv. 73985 Sistine Chapel, iv. 79445 Trésot Mus, iv. 801 a. Aantcota, G. Li. 440. ‘Aantcoua, J, i. 4 Aanrcota, J. F., i. 443; Ad- lung (J.),i.375; Bach (J. S.), i, 1164, ete.; Beslos de Celles, i, 1620; Ifigenia, i. 7655; Silbermann, iii, 4948; Tosi @.F), iv. 1518. Acnicota, M. i. 4435 Appog- pista! far, i, 13685 755 Mus, Lib, fi, 4235; Pre- torius, ili.’ 265; Song, Tablature, iv. 450 Violin, iv. 2758; Chorale, iv. 89a. Acricora, Rud.; Barbireau (J), i. 1383. Aanicous, W.C, i. 450. ‘Actue, C.,i. 6 Actue, W. A., (Fi 7685 Pala, AcvAdo, D.,i. 45.0. ‘Acuinas, &;" PF, Mus, ii, 7336. AcUiLERA pe Henxpra, &, 1. 4545 Le i, 494d. Acusant, L., i 4505 Banti, i. 135; Compass, i. 3820; Mozart, ii, 3828; Pantheon, ii, 6458; Singing, iii. 5060; Soprino, il. 6550 Voloe, iv. 3328. Aus, H.,i. 46a. ‘Aunts, J. G., i. 1464. ‘Antz, J. R.. i. 46a; Song, iii. 6214, Amustrom, A. J. R, i. 46; Song, iii, 6103. ‘Auna, H. de; Violin-playing, iv. 6; Boden- tchats, i. 2530; Mus. Divine, 4i, 4118 ; Schools of Comp,, iif. 2674, AIDA, iv. 51945 Verdi, iv. 2508, Arcuino; Mus, Lib,, ii, gala, ‘Anion, P. L. Fi, 465. ‘Am, Anta, i, 465; Arietta, i. 8343 Arioto, i. 83a; Ballad, i. 129@; Cantata, i. 3050; Cavating, i. 3284; Melisma, ii. 2485; Opera, ii. 5094, ete; Song, ii, 6a1a; Subject, iii. 75163 Cavalli, iv. 5830. AmETON, ‘London Violin ‘Makers, fi, 1645. Arr, G.B., Sir, 470. ‘Atwto; Clagget (C.),i. 3600; iv. 5918, ‘INDEX. A’Kewers, F,, i, ‘AREROYDS, S., i. 473. ‘Ata, G. B., i. 476. Atabrer ; Song, i Atanp, D., i. 473; iv. 819 a; Becker (J.), i. 1615; Con- servatoire de Mus, i. 3928; Etuder,i. 4074; Franchomme, 55855 Habeneck, i. 6434; Hallé, i, 6463 ; Locatelli, ii. 1564; Nardini,ii.4460; Philh. Soe.,ii. 6995; ietetain iii, 16203 2a7b; ee iti, 728a;_ Violin-playing, iv. agbes, Vaillaume OS iv. 3418; Garcin (J. A.), iv. 6450; Planté (F.), iv. 7498: Polliteer(A.),iv. 75003 Viele playing, iv. 8120. Aaa; Song, ili. 5850. AuBANt, Mme, iv. 519a, (See Laseunesss, ii. 85.) Aupant, Mat, i. 4785 Violin, iv. 2826. .| ALBENIZ, P., i. 48a. Aupenit, P,, i. 48a, Aupercatt, A.; Bologna, i. 2590. Aupercary, P. C. ‘Ataeno, 8.; Mut : ‘AtpEar, H., i. 48a; Song, iii. 620; Zachau, iv. 4988. Auprnr, Puince, i. 49a; Men- delesohn, ii. 2800, Aupentazzt, Exwa, i, 49b; Costa (A.), i. 4060; Laporte, Si, 915 Phil. Soc,, if. 6990. ALBERTI; Testore, iv. 7980. ‘Aupent, Dom.; ‘Arpeggio, i. 870; Horn, i 7480; Latrobe ii, 10ab; ‘Lottl, ii. 1680; Sonata, iii, 5660; Alberti Base, iv. 5198. Aupentr Bass, iv. 5199. ‘Aupentix ; Bachofen, i. 121, ‘Acpenrint, Mme.; ‘Strakosch, ii. 734, AuBixont, T,, i. 500 ; iv. 520 Farinelli, i. 5045; Sonata, 5580; Zenobia, iv. 5060. AtBoxt, Marietta, i, goa; iv. 20a Auber, i, 1020; Con- iralto, i. 3964; Covent Garden Theatre, i. 4130; Philh. Soc., fi, 6998; Rossini, iti, 1738, ote. | Singing, fi. 5090. Auprzcur,J.L.; Adlung,i.373, ‘AuBRECHTSBEROER, J. G.,i. 5035 ‘Auswahl, i. 105.4; Beethoven, 4,1668,etc.; Choron, j. 35443 Chrismann, i. 3550; Eeclesine- tioon, i480} Eybler, il. 5000; Fugue, i. 56955 Ginsbacher, i. 5750; Gelinek, i, 5870; Haydo, 5. 7188; Hummel, i. 7573 Kalkbrenner, ii. 460; Rreutzer (Conradin}, fi. 710; Lortzing, ti, 1668; Moscheles, Ji.3693 ; Mozart (W. A, jun.), fi, 406a; PF. LS 7248; Pract, Hai 2403 38a; Reicha, ‘98a; Ries (F.), Sten (F.), Counterpoint, ii. 403; Trésor desPianistes, iv. 1684; Violin, iv. 2796; Weigl (J.), iv. 4324; Partwriting, jv. 743.44 note, Aususo; Marchesi(L), ii. a14a. ALBUMBLATT, i. 514, Atceste, i, 51a; Gluck, i, 60rd, ete. Atcuvasr, Der, i. 515; Spohr, iii, 6598. Atoock, J., i. gra; iv. 520; Catch’ Club, i. 3226; “Part ‘Music, ii. 6563. Aupar, i515; Wallace (W. V.), iv. 3774. Aupioiient; Lamperti, ii. 89a. Avpovranpint, G. A. V.,i, 515. ‘Avonep; London Violin Makers, fi, 1638. Auprich, Dean. i, 1b; iv. ‘Anthem,i.72@; Arnold 5 Cain anges ae Rae iv. 1980; Voeal Beores, iv. 3190. Aunssanpat, F. ; Guadagni 6356. ALESsANDBI, Giuliod’ ; Oratori fi, 5370. Ausettono, B. dele Viola, i. 52a. (See ROMANO, iii. 148.) Atgxanben Bats, i, 5205 ‘Handel, i. 6574. Auexanpae, J., i, 520. ‘ALEXANDER'S “Feast, i, 5205 ‘Aragoni, i. 80; Clark, (J.), i. 3654; Handel, i. 6508. AURKANDRE ORGAN, i. 5205 American Organ, i. 61a. Auzxis, W.; Schumann, iii, 3868. Aurrmet, Abbate P., iv. 52903 ‘Faux ‘Bourdon, i.’ 50933 Im- properia, ii. 2a; Lamenta- tions, ii, 88a; Miserere, ii. 3360; Mus, Lib, ii, 42105 ‘Mos. printing, ii. 43703 Pales- trina, ii. 6374, note; Raccolta generale, iv. 7664, Au Fang, i. 520. Ba4 Axzowso unp Esraecta, i. 525; ‘Rosamunde, ifi, 1614; Schn- bert, iii. 3350. Auronp, J., i. 52b, “Autant, F., i. 530. ‘Att Bawa, i. 5305 Cherubi i. 342¢; Bottesini, iv. 5570. Aurpnanny, F,, i, 534, ‘Ariqvor-Prano; P.F,, fi i. 496) worth, ‘ii, 640; Pedalier, ii, 6780; PE.Mus.ii. 731; PF. vying, ii, 7430; Schubert, 4. 357; PI. Mus, iv. 7480; PF: playing, iv. 7494, Auta Breve, 1. 530; A Copella, i. 10b; Breve, 1.2740; ©, i. 289b;” Notation, ii. "4755, note; Tempo, iv. 83a; ‘Time, iv, 1184, Autacer, L, i, 53b; Abbatini, 1b; Stradella, iii, 7226, ALLANsox; Mus, Lib, ii. 4294. “Aut! Awn1co, i. 533. ‘Auta Zorra. (See Zorea, iv, 5146. ALLCRIN ; University Soc., iv. 2064, ALLEGRANTT, Madalena, i. 5355 iv. sara, ALLEGRETTO, i. 550. ‘Autzont, G.,i. 54a; iv. sara; Bai, i.'1250; Baini, i. 2888 ; ‘Lamentations, i, 875; Mass, ii, 2310; Miserere, ii, 3364, elc.; Motet, i. 3760; Mozart, fi. 3830; Mus, Divina, i, 4118; Nonet,ii. 4640; Pales- fina! ii. 64rb; ‘Princo de ln Moskowa, ili, 31a; Rochlitz, iii.141 3; ‘Schools of Comp.,iti, 265; Siatine Choir, ii. 5213 Allieti, iv. 5204, note; Rome, iv. 77445 Sistine Chapel, iv, 7944. Autrono, i. 548; Canzona, i, 3068; "Tempo, iv. 830; Vie vace, ete., iv. 3165. Autenoia. (See Hattenusan, i 6463.) AutEManpe, i, 5545 Courante, i, 41065 Form, i. 5443, etc.; 212d phie, ii, s60a; Redoute, ii, 890; Subject, ii, 7520; Suite, ill 7554,etc.; Teutache, iv. 9545 Waltz, iv. 3855. Autax, EH, ; Violin, iv. 286; Hist. of Mus, iv. 6763, Aum. LR, iv, sara, Auomane” —Musicauiscan Zxrtuna, i, 555; iv. 5210; Breitkopf, i. 373¢5 Fink, i, INDEX. E275 Leipigs i rxs0, ots) a, Periodicals, i 43143 Rochlitz, ii. 1414. Autisox, Rrcnano, i. 560; Esto (2), i 49585, Hymn, i, 76265 Vocal Scores, iv. 3198; Psalter, iv. 7608. Autiso, Ros, i. 56a. Aut’ orrava, i. 56a; Lovo, iv. 795. Aut! UN180N0, i. 560. ‘Auwoope ; Hawkins (Sir J.), i. 7o0a;' Mus. Lib., ii. 4224. ALMANES; Suite, iti, 7550; Virginal Mus, iv. 308). Atwernipen; Bassoon, i. 1524. ‘Atorswus,J.P. SeePALESTAINA, fi, 6354, note.) Aurentor’, i. 560; Ranz des 758. . $65; A, i. ra; B, i. 1084; C, i. 2890; D, 601 Bi 4784; By i 500 3710; Hf, i. 6434. ane, Tae: . 574; Rou selot, iii, 182 2168; Sivori, il. 5348. Aun, i. 578, ‘ALTAEMPS,G. A.; Otthoboni, ii. 6158. Axrewsone, J. C., i. 575. Aurensune, J.E., i. 376. ‘AttensuRG, M.;" Chorale, iv. 589b, ALTERNATIVO, iv. 5210; Trio, iv 73a. Aurhs, 8. E., iv. 5218; Tulow 1866; Concert Visneai, iv. 8126. Autaory, i, 578; Saxhorn, ii 2338. ALINIKOL Artof Fugue, i. 968; Bach (J. 8.), i. 1164, Auro, i. 575; Contralto, §. 5; Counter tenor. 40985 he soaa; ‘Mean it Baie: Volos We 3320. Auto, i. 58a; Tenor-violin, iv. 888, Aurea Vora, i. 580, ‘Atrus; Motet, ii. 371; Votces, iv. 3330. ALVSLEBEN. (See Orro, Melita, iv. 7374.) a Amano, R; Notation, i. 474b. Axcapto; Strakosch, fii. 7344. ‘Amapozt, G.; Bernscchi (A.), i 2348; Rome, iv. 774a. Awant, i. 58a; Albani (M.), i. 48; Belly, i220; Cremona, i. 4164; Grancino, i, 6168; Guarnieri (A), i. 6368; Rug- gieri, iii, 2035; Soundholes, "| Aen, i. 608; Response, iif. iii, 6413; Stradivari (A.), ii. pag ae, Tenor, Vialn, i. 890; Violin, iv. 2824, ete, AMBASSADBICE, Ly i.’ 590 Auber, i. 102, Avsen Wires, Tax, i. 5905 Wallace (W.'V.), iv. 375. Ausnocer, G., i. ‘59a ‘Baryton, i. 14703 Singing, sta; Vocal Concerts, 3198. Astpgos, A. W., i. 59a; iv. 3218; Isaac, fi, 230; Joe quin Despris, ii. 428; Kiese- wetter, ii, 56a; Lassus, ii, 948; ' Notation, ii. brecht, ji. 4895; Plain: iv 4200; Song, i etc. ; Sumer is icumen in, 7686; Hist. of Mus,, iv. 6740. Awprosz, J.; Mus. Antiqua, ii qtta, AupnosraxCxayt, i. 59%; Plain song, ii. 7638, 1184, Awennota; Tsouard, ii. 240. ‘AMERICAN ORGAN, i. 605; Hare ‘monium, i. 6668 ; Foruyth, iv. 6378. Auzxven, C.; Sistine Chapel, iv. 7946. Awcis, A. L, de, i. 61a; Pac- chierotti, ii, 62545 ‘Tesi ‘Trae montini, iv. 942. Awrets, D, de’, i. 615. Anat, i, 6153 Rooke, ii. 1570. ‘AwmenbAacH; Fingering,i.525 0; ‘Tuning, iv, 1875; Scheidt, iv. 7824. Aanoxts, (See Auow, B.) Auer, J., i, 613; Accompani- ment, i. 208; Mus. Lib. 422b; ‘Tudway, iv, 19835 Carol, iv. 5814. Aunes, R, i. 62, ‘Auon10 ; Strakoseh, i ‘Auor, B.; Amonzvort, A., i ‘Amps; University Soo,,iv. 2045, ‘Auyor, P.; Hist. of Mus, iv. 6740. Awacker, A. F., i, 62a; Becker (. J.); i. 1614; Brendel, i. 2735; Orpheus, i613; Volk mann, iv. 3364. Avacnzon, i. 620; Cherubini, i. 34aa. Awacnrownre Soctery, i. 625. Anauysis, i. 623; iv. 5215: Ella, i, 4860; Hallé, i.6463; Mus. Union, The, i 4325; Pole (W.),. ili. 7 Reid Concerts, ili. rox, note Schools of Comp., iif. 313 Thomson. (J.), iv. 107: Bennett (Jos.), 54385 Davison (J. W.), iv. Gogo; Ell, iv. 6268. Awavysis_ or Compoun Mi sicaL Sounps, i. 635; Har- monies, i. 6644, ete.; Helm- holtz, Strakosch, Awarast, iv. 5218; Accent, i. 124; Metre, fi. 3184, Avotent Concenrs, i. 64a; iv. 5220; Abrams, Misses, i 6a; Addison, i. 30a; Albert, Prince, i. 494; Bartleman, 1464; Batos (Joah), i. 1554; Bellamy, i.211a; Billington, i. aga; Birchall, i, 24383 Bishop, i. 2455; Concert, 384; Cramer, i. 4136; Cros dill, i. 4198; Greatorex, i. 62305, Handel. Commem. i. 657; HanoverSquare Rooms, 61a; Mus. Lib. ii, 4180: Vanghan(T.),iv. 23303 Vocal Concerts, iv. 3194. Awpacar, mr, iv. 522, “ANDAMENTO, iv. 5220; Soggetto, iv. 7945. Anpury, i 650; Beethoven, i 1675; Tempo, iv. 834, AxpAxtino, i. bsas iv. 52285 ‘Tempo, iv. 834. Awpen, A, i, 655; Staudigl (J.), ‘iil. 6918; Strauss (J), iit 7384. Awzns; Revucet Gazette Mus,, iii. 1218. Anpensox, G. F. ; King’s Band | of Music, if. 58a. Anpensow, Mrs, i, 6555 5225; Goddard (Arabella), G04’; Loder 1594; Philh. Soc., P¥.-playing, fi. 744; Royal Soc. Female Mus. iii. 18733 Ruy Blas, iii. 2065; PF- ing, iv. 748). Fer Mon Lib. it, 405; Requiem, ili, 1108; Riotte, ‘iii, 1360; Schmitt (A), tii. 25405 Speyer, iii. INDEX. 6508; Wacht am Rhein, iv. 343@3 Weber, iv. 3955. Axpré,' Joh, B., i. 668; iv. 5234. ANDRE, Jul., i. 660; iv. 52303! i i, 8085! Nachepiel, #. 4420. | Anwnd, K.A., 1660. ‘Anpnes, F. C.; Mus, Divina, ii 4128, Axpaenr; Milan, ii, 3294. ‘Avonsou, ©. i 67a; PR. playing, Adpanott, E1668. | ‘Anpazo1t, G., 1. 6635 iv. 5236. | ‘AnDBEOLT, Giuseppe, i. 66, ANDREONT, i. 674. ANDREOzzI ; Olimpiade, i. 4963. Anpaevy, F, i. 67a. Awprew; Roy. Acad. of Mus,, | iii, 1850. ANDBIEN, (See ADRIBN, i. 384.) Anpnor, A. A, iv, 52305 Gr. Prix de Rome, 6188. Anznio, F., i. 674; Boden- schatz, 4.’ a54ai_ Contantini Madrigal, ii Mass, . 2308; Miscrere, ii. 33643 Mote, ii. 3750; Mus. song, ii. 769a; Prince de la ss 314; Rochlitz, 1415; Schools of Comy 2648; Sistine Choir, i ata; Stabat Mater, iti, 6843; ‘Te Deum, iv. 68a iy. 2570; Mus Lil 71495 ‘Vespers, a iv. 72 ‘Sistine Chapel, ie. 7010. | Avanio,G. 11-670; ostantn, ii. 19003 Motet, i 4. 407 i, Miserere, i. asta 3758; Requiem, chools of Comp., Dies Ine, iv. Chapel, iv. 7944. Aver, B.,i.676, (Seo Barrists, i. 1364.) Axrosst, V. Axrosst i. 675; iv, 52305 4240; Curioso indisereto, 11, Haydn, i. yo7@;’ Mazzinghi, ii, 24245 Olimpiade, ii. 4963; Piccinni, ii. 7480; Zenobia, iv. 506. Anrosst; Howell (Jas.), i. 75435 Roy. Acad. of Mi 1850. AwcetEnr; Lamperti, ii. 89a. ‘Awoztest; Fumagalli (A.), iv. 6433. AnGLatsr, i, 68a; Redoute, iii. 89a. 5 Avouxsear, J. H. D’, i. 680; Chambonnitres, 33205 ‘Trésor des Pianistes, iv. 1682. Avorus, P. P.; Mus. Lil 49a. AxoRI, Mime. D’; Strakosch, iif, 7340. Axanisawr, C,, i. 680; Garcia, i. 5824. ANniaro, i. 68a; ‘Tempo, iv. 834, Awniuects, G. i. 683; Goudi- mel, i, 6120 ; Laudi Spirit fi, “10ga; | Magnificat, 396; Martini, ii. 2225; ‘Mus. ‘Lib, ii, 4238; Pale- string, 1.6364; Saggio di Con- iv. 52305 trappunto, iii, '212@; Schools of Comp., iii, 263. Se, iii, 6396 ;, Burney, iv. 5700; Rome,iv.7730; SistineChapel, iv. 7944. Anmivects, P., i. 69; Baré (Ad, i. 1420, Anya Auatt4, Duchess of Saxe- ‘Weimar, i. 690. ANNA AMALIA, Princess of Prusgia, i. 69a; Bachgesell- sehaft, i. r19¢, iv, Anwa Bourwa, i, 695; 5234; Donizetti, i. 4530. Awstpatt, Dy i, 698. ANSANT, G,, 1.698; Garci 4, 3818; Maccherini, i, Singing, iii. 5114. ANSCHLAG ; Agrémens, i. 423. ‘Ansoutir2; Wednesday Concerts, iv. 431 ANSWER, i, 690; Countersub- ject, i. 4090; Fugue, i. 5670; Bisposta, iii, 1366; ‘Tonal Fugue, ir. 1350; Comes, iv. 5958. ANTERI-MANzoccat; Schools of Comp, iii, 3018. ANTEGNATL, iv, 5230; Mus Lib. iv. 7264, Antipas, i, 700; iv. $230; ‘Accompt.,i. 240; Antiphon,i, 74a; Cathedral Mus. ete. ; Clifford, i. 3740 (T), i, 4960 Egypt, ii. 56 taten, ti. 5995 ‘Mus. Antiqua, ‘Antig. Soo. it, 4 Lib. i, 4173, ete. ; Page, 51.6325; Ritornello, iii.1 3703 Sacred “Harmonic Soc.,. ii 2105; Schools of Comp., 2708, etc. ; Verse, iv. 2574; Burney, iv. 5714. Axmiapitioy, . 73a; Har- mony, i, 6782; Wechselnote, iv. 4300.Awricows oF SopHocEs, i. 7333 ‘Mendelssohn, ii. 2796, ete. Avrixonr, L, i 303 In No- mine, ii. 30; Intonation, ii. 124; Introit, i. 1545 Lauds, ii, 1050; Magnificat, i. note; Mating, ii. 2385; Me- dinnt, ii. 2448; Modes Eccle- inst, i, 3430; Participant, fi 6564; Plain song, ii. 7635, ete, ; Salve Regina, iif, 2226; Subject, iil, 7475; Vesperale, iv. 2570; Vespers, iv. 257 etc; Gregorian ‘Tones, it 6568; Invitatorium, iv. 6855. Anrrpowanrom : Chant, i. 33725 Gradual, i, 6155; Notation, 4680 ; Eoletrina,H. 6390; Plainsong, ii. 7640. Axmiuis, G. D', i. 7405 Vile Tanella, iv. 2646, note. Awrore’ Le Rice, (See Dr- ‘viTts, i. 4516.) AnronEitt; Baini, i. 2888. Ayrowto DA Bouocwa; Mus. Lib, i, 4253. Axtoxtortt ; Violoncello-Play- ing, iv. 2995. Anrony, J.; Hist, of Mus, iv. 6760. Apxuuzs ; Chorale, iv. s90a. A rrscats, i740; Tempo, 5 a, Apottontoox, i. 740; Adams (L), i. 90; Barrel Organ, i. 1434; Flight, i. 5320. Avrassionata, i, 7505 Beet hoven, i. 1874. Arrenzetpens, Benedictus; Du- 4676, note; Mus. Lib., . 4198. Apriano, D', 8.; Lamperti, ii. 883. Appiicatio, i. 750; iv. 52303 5254. ing, i. APpocaraTURA, Accinceatura, mens, i. 4403 Neckestag, ir at Hi 44a tion, ii. 4770; Recitative, Ji, gb Shak, fi, 4800) shbass, iv. 1108, etc. Yonehiag i 340. ArrocciatuRa, DousLs, i. 7905 ‘Vorschilag, iv. 3398. Aram, G., i. 7903 iv. 52305 Abos, G., 1.55; Crivelli, f. 41853 Kelly, if. 49; So Prano, ili, 636, INDEX. A pata vista, i. 79) (), tt 754 Aproumas; Hist, of Mus., iv, 6768. A Punta D‘Anco, i. 79b. ‘Aguacnanexeis,” L.; cachordon, iv. 6164. A QUATRE MAINS, i. 790. ‘Aguiua, pat; Mus. Lib, ii, 4198. Pinto Dode- a, | ARABESQUE, 1, 808, ‘ARAGONT, i. 80, ‘Ananaz, P., i, 800; Eslava, i. 4954. ANBAN; Conservatoire de Mus., 4. 3928. AxbEav, T., 1. 808; Branle, i, 2890; Matassins, fi, 2363; Morris ' Dance, ii. | 3690; Orchésographie, ii, 5600 Paseamezz0, ii, 6620; Pa. van, ii, 6764} Sink-a-pace, 5176; Tabourot, iv. ta; Waltz, iv. 3850; Dance rhythm, iv. 6064. Ancapet, J., i, 81a; Barre (L.), i 1428; Echos du temps passé, i. 4824; Gardane (A.), i. 5825; Lamentations, Hi, 885; Lassus, ii, 94a; Madrigal, ii. 1885; Maestro, ii. 1955; Mase, i, 2280; ‘Motet, ii. 373; Mouton, ii. 3794; Polyphonia, iii, 130; Prince de Is Moskowa, 3143 Schools of Comp., 261 8, ete.; Sistine Choir, fii, 5210; Burney, iv. 57103 Dance Rhythm, ‘iv. 606; ‘Mus. Lib, iv. 726a; Rome, iv. 7730; ‘Sistine Chapel, iv. 7940} Tréwor Mus., iv. 801 a, Anau, F., iv. 5234. ABCHICEMBALO ; “Trasuntino, iv. 1624; Vicentino, iv. 2614, AncuLote, i. 81a; Chitarrone, i. 34705 Lute, ii. 1770} ‘Thaotbos iv, Tosa. AnciuivT0; Chitarrone, iv. 587. ‘Anco, i, 818; Col Arco, i. 3770 Anprnr, L., i. 8135 iv, 52355 ‘Opera, i. 5300; ‘Thomas (Bieod), iv. i058; Valleria, iv. 21463 Bottesini, iv. 5562. Anxort ; Cazzati (M.),i. 3283. ‘AgzriNo, Guido, (See Guipo, iv. 6594.) Anazwmit, C. de; Sistine Chapel, iv. 794. AncrLt Rooms, i, 824; Har- monic Institution, i. 66585 Hawes, i. 6990; Welsh (T-), iv. 4440. Anta, i826; Form, i. 54 betes Song, ii, 5883; 7590. ARIA ALL UNIEON 4, 51145 Oratorio, Aura’ cayranine; ‘Opera, ii, 509 a, ete. ; Oratorio, i. 5430- AgIA coxcEnTAtA; Opera, ii, 5114; Oratorio, ii. 5444, eto. Auta Da caro; Air, is 470, ‘Ania DI BRAvURA, i. 825 Opera, ii. sob; Oratorio, 5444; Schoole of Comp., 2874. DI CHIESA 5 Suite, i Ania Stradella, Opera, ii. 5114, etc. 5 Ora 5440. ABIA DI MEZz0. CARATTERE; Opera, fi. 5115 ; Oratorio, i, 5430. Ama DI pontannto5 Opera, iL oad, ete Ontris, 1 543 ARIA GRANDE; Air, i. 47. ‘ARIA PARLANTE. (See ABIOSO, i. 834. Anierra, i 3360. Antoso, i, 830; Melody, ii, goa’; Opera, 83a; Chanson, i, . st0a; Ora Schools of ; iv. 571 Song, iit, 6108. Anuanp, Mme.; Spontini, iit, 6670; Taskin, iv. 634. AnuEs, P., iv. 723@, notes ‘Organ, ii. 5930, note; Schools of Comp., fii, 3086; Mus. Lib,, iv. 723a. Anuipg, i, 835; Gluck, i. 602 Jommelli, i. 370; Tractta, 1575. Anmincavn, J.; Violin-playing, iv. 289. ARMOURER or Nantes, Tag, i. 838; Ball, i. 1278. AnnE, M., i. 833; iv. 52305 Battishill, i. 1564; Madrigal 193; Marylebone ii, 2240; | Panto 6462; Vernon (J.), 8), i. 6a; ¢ taxerxes, i. 96a; Dates (W.),i, 1554; Burney, i. 284 INDEX. Asxovrt, Mme.; Phillips, fv. 5994; Philh. Soo, Catch Club, i, 3220; Cibber| 747d. Seco’ Recitative, ‘i (Susanna), 'i."357@; Drury| Ano. (See AARON, i. 1a.) 4550. Lane, i, 4663; Eng. Opera, | Aurccro, i. 87a; Agrémens, i.| ASHLEY, G., i. 985; iv. 5240. i 4850; God save tho King, 44a; Honselt, i. 73003 PP. | Asuuer, Jy i985. i, 6060; Holévy, i. 6450,| playing, ii. 7414. Asutzy, J., 98a; iv. 5240; note; Judith, ii. 44a; Kla-| Anrroatons, i. 89a; Schubert,| Salomon (J. P.), iii. 2210. vier Mus, Alte, ii. 63b;) iii. 34rd; Violin, iv. 2740;| Asuzzy, J. J. i, 8b; Lowe (T.),ii. 1704; Madrigal| 2814, nove, Salmon ” (Bir. Soe, 1930 Manmuoli, | Aupaxcuya, ify; jv.s2gb;| | Smith (Chan), 2084; Mountier, ii. 3778;| Score, Arranging .| Aster, R., Mus, Lib, ii. 42005 Ollm-| 43503 Vivaldi, iv. 3184, note;| Asuwatt, Ty i. pinde, fi. "4968; Opera, i nscription, iv. S004. ii, 4170, ete. 5235; Oratorio, ii. 5494; | Annan, V. K.; Song, ili. 6100.| 7402. Pantomime, ii. 6460; "Part-| Anntaca, J. C.D’, i. 954. Asto1t, B, i990; iv. 5248; In ‘Mus., ii, 6566, etc.; Pur-| Anntcont, C., i. 95a. questa Tombs oscura, i. 4. cell (HL), fii. 49@; Ranelagh | Anniconr,L.; Mus.Instraments,| Milan, ii. 3; House, iti. 7455 Royal Soc. of | Collections of, iv. 7220. 6675 ; Song, Brit. Mus, ii 187: Role] Ansis axp Tunsis, i, 950;| Assotn’ G.; ‘catelan (A), i. Britannia, iii, 20385 Salomon,| Accent, i.12@; Beat,i.1g9a;/ 3230. i. 2214; Schools of Comp.,| Thesis, iv. tora; Time-Beat- | Asota, G. M.,i. 99a; Mus. Di- . 2914; Sonate, iii.| ing, iv. 1226, vin, ii, 411@; Oriana, ii, 5635; Song, ili. 6065; Sym-|Anranta, i. 955 611b; Requiem, iii. 1096; phony, iv. '14; Tenducci| Beethoven, i. 18 Dies ‘Ire, iv. 6140; Mus. (Gor 956; Vauxhall Gare] i, ayaa; | Haydn, 3). Lib, iv. 7260, ;, iv. 233; Vocal Scores, | Schubert, iil. 3454. Aspenoxs ;Plainsong, ii. 7676. iv, 319%, etc; Voices, iv. | Anraxenxzs, i. 96a; iv. 5236; | ASPULL, G,,i. 99a; iv. 524 Gluck, i. 6008. Assat, i. 9965 Tempo, tv. 83a. 33403 Walsh (J., jun.s, iv. 3805; Brent (Charlotte), iv. 3634. Aino, 0. PF. Mos, i, 8b; Willner, iv. Adyou, F. We alah, ii, 308 ; Volkslied, iv. 3370. Annotp, J. G., i. 856. Anrot, &, i. 85 5230; Acad. of Ancient Mus., i, 108; Accidentals, i. 20a; Accom- paniment, i. 245; Ancient Concerta, i. 240; Ayrton (W.), i. 1070; Beale, i 1580; Call- cott, i. 2984; Cutler (W.), i, Anreaaa, 8. i, 5405; Song, iii. sora; Hist. of Mus,, iv. 6753. Anr or Focvz, Tax, i, 960; Bach (J.8.), i. 1174; Fogue, ‘Kunst der Fuge, Tonal Fugue, iv.| ii, 5695 a; Forkel, 'y iv. g23b; Damor- 4280; Phil. Soc., i,| Assanprt; Laporte, ii. gt. Assuaran, L, i. 995; Ecole- iasticon, i.’ 4820; Vater- sche Kunstlerverein, iv. 8076. Aston, H.,i.993; Mos, Antiqua, ii, 41a; Mas, Lib, it 4324, Asronca, E.d’, 1.9953 iv. 52545 Auswahl, i.’ 1050; Cantata, yooa; Violinplaying, iv.| i. 3050; Latrobo, ii. 1025; 89; Osborne (G.A.), iv. iii, 1470; Stabat 7374. Mater, ili. 6854. Anror, M,, iv. 524; Lamperti, A Truro, i 1004; A battuta, i, 1b; Battuta, i. 157¢. 24h; Bog. Opere i 4éga;| Hl Soaj Viardot Gaels, fv Gite Crab 5990; Jaco (BD; | 60a. ATHALIA, i. 1004. Si.28a ; Knyvett( ;| Amrost, G. M., i. 968; Monte- | Anwatre, i. 1008; Mendelssohn, Linley (Th., sen.), verde, fi. 3580; Zinke, iv.| if, 2814, etc. Loder (E.), 51ta; Mus. Lib. iv. 7256. || Arracca, i, 100; Segue, iii. ‘Theatre, Anwipssox, i, 966; Afzelius,| 4570. bone Gardens, ii, 2245; Mus, Song, iii. 6108. Asrracco, iv. 5254; Subject, ii. EwskY, M. von, i.| 7488; Andamento, iv. 5220; ii, 421; Opera, ii, 524b; Page (J.), it. 6320; Pinto (T), ii. 7540; Rim- dault, il. 13503 Russell (W.), 960; 7350. Ascanto iw AuBa, i. 970; iv. 5240; P. F. Mus., ii, Soggetto, iv. 7945. Arracg, i. 1008. ‘ATTAIGNANT, P,, i. 1008 ; Lero 37485 iii, 2058; ‘Salomon, Mozart, ii, 402. ii, 1230; Motet, ii 2214; Schools of Comp, iii. | AscenpiNa Scag, i.97@5 Seale,| Mus-printing, ii. 4358; Nota- 3 Soott (J.), iil. 43283] i. 2368, . i. 4740; Schools of Comp., iil.474b; ‘Smart (Sir|Ascuzn, J., i 975; iv. 52483] iti. 2670. Song, iii. 6060. Barne Aur, A, PF. Mus. ii. 7340. Asupown & Panny, iv, 5240. (Seo Wesset, iv. 4483.) 978; Philh, Soc, 698. Asuzr, Clara; Phil. Soc. iv. iv. 6768. ARNOULD, Sophie, i. 868; Horn,| 7460. Asner, ©. 4. 1483. iL 985; Arrensunr, L., i, 1006; iv. 15a; Catch Club, i. 3226; Sie, 5994; Mus. Lib., 6568, 20a; Part-Mu Este (T.), i. 496 Arrwood,'T.,i. 101 a; iv. 5254; GleeAnthem, i. 720; Bridgetower, i. 275b;' Concentores Sodales, 4 g8sb; Cooper (3), 5.3980; Ella, i. 486a; English Opera, ¥. 48995 Glee, i. §o90; God save the King, Gir J), i. 6108; Hart GO), 4 Sosa; Haydn, 1.7088) Kelly, ii, 4903 Mendelasohn, ii. “8gb,cle ‘Morart, fi. 3910, ii. 6328; Pane 64a; Philh. Soc. i. 6984; Pierson (H. H.), it 752; Potter (Cip.) iii. 2303 Roy. Acad. of Mus,, ili 1854 Comp, ‘ii, 308 B5 rvice, iii. 473.6; Steibelt, oF 7 3784. Avpabe, i, 1015; Chanson, i. 335. Avner, D. RE, i. 10rb; iv. 5250; Académie de Mus, 3 Goss 5 9B} Ambassadrice, L', i. 594; Barearole, i. 13865 Bassoon, i. 15463 Batton, i. 1g7a; Bayaderes, i. 15755 Chaperons blancs, i. 3393; Cheval de Bronze, i, Cireassienne i, 359 serv. de Mus.,i. 3920; Crown Diamonds, i. 4214, |442 0; Damoreau, i 4286; Diamants de Ia Couronne, i, 44255 Domino Noir, i. 4525; Evers, i, 4980; Fra Diavolo, 1.55783 Goulding and Dalmaine, i, 612; Grand Opera, i. 6170; Gustave trois, 1, 6410; Hay- dée, i 7o0b; Herold, i. 731; Jenny Bell, ii. 330; Lac des Fées, Le, ii, 8165 Leocadie, ii 21a; Lucca, ii, 1714; Magon, Le, ii, 38743 Masaniello, i, 224; 2354, Mendele 2570; Muette de > ii, 4075; Mus. i. 4240; Neige, La, ii, 45145 Opers, ii, 5234, ete. B, i 107@; Accidentals, i. 194, etc.; “Alphabet, i. 570; B molle, B dur, i. 1070; H. i. 6433 Hexachord,i. 7344 Notation, ii. 4740; Si, qpoas Transpon. of Eecles. odes, iv. 161; Zacconi, iv. 4970. Baatlen,C.5 Zeugheor,iv. 507. INDEX. Overture, ii. 6225; Parisienne La, ii, 649); Part du. Diable, 5i, 6530; Philtre, Le, il. 7067 7584, note; Pleyel ime.), ii, 3b; Roger (G. H.), Hi, 14465 Rossini, iii, 1708; St, “Georges (Marquis De), Sh 21305 i Schools of Comp., i, 3034, etc. ; Seri 45343 Sedie (E. dell 4566; Sirtne, La, iii, 5180; Spontini, i. 6815 ; "Tarantella, iv. 596; Templeton (J.), iv. 82a; Thillon (Anna),iv. 1024; Zanetta, iv. 4998; Zerline, iv. Levey ing, iv. 289, 8120, Auneur, L., i, 1036; Violin- playing, iv. 289. Avoutt, B. F, 0.) 1038, ‘Aupray, E,, iv. 25, ‘Avgs, L,, oss M “Miller Brothers), ii, 4088; Phiib. Soe., fi. 7000; Violin-playing, iv. 2984. i. rogas iv. 52585 255; Mus. printing, iv. 727. AueazNTAtioN, i. 10485 Amen, i608; Canon, i. 3044; Coun- terpoint, i. 4092; Imitation, 3 766a; Tonal Fugue, iv. 1373. AUGMENTED INTERVAL, i. 10453 Harmony, i. 6825; ‘Interval, ii, 1245 Italian sixth, if. 260; Ninth, ii. 4390; Octave, ii. ‘491d; Root, iii. 1583; Penta. tonon, iv. 7458. Avuerra; Metastasio, playing, ii. 744. Austen ; Mus. Lib. i. Austin, Mrs, ; Cooke 398; Mendelssohn, 3026, note. AUSWAnL vonzcLicHER Mu- SIK-WERKE, i. 1054, B 1084; Eslava, i. Bapay, G., 494d. BABBINI, M,, i. 1084; iv. 52605 ‘Rossini, ifi. 1645; Tacchinardi, iv. 51; Tadolini, iv. 518. Basel, W., i. 28703 Transcrip- tion, iv. 800a, ete. Baccust, I, i. 1084; Oriana, ii, 611d; | Mus, Lib, iv. 7260, Aurmexmc, i, 1054; Holian Mode, i. 398; Cadence, i. aon; Dorin, 1 45403 Grew Modes, i, 6260; Hy- per, 1 7640; "Modee Beclen, 4i, 3418; Participant, ii.6550; Piagal Modes, i 7600. Avxcovergavy, A.D’, i. 1053. ‘Avamtany-norE; Appoggiatura, i. 750. Avenr, 5982. ANIA; Alfieri, iv. 520, note. Avisox, C,, i. 1060; iv. 52605 “Ancient,” Concerts, i. "643; Hayes (W.), i. 7234; Row iii. 1628; Shield (W.), 4 i. 1050; Organ, 4874. Avostt0, Signora, i. 10645 Handel, i. 6510; Messiah, ii. 3154. AVVERTINENTO AT GELOSI, i. 1068; Balfe, i. 127a, Avizwanp, R.;/ Mus. Lib, gra. Avnwanp, T,, Adeook’ (J. |. 1063; iv. 5260; i. 30a; Clark ) i, 3650; Glee Club, i. Gresham Mus. Pro- HEorinip, i. 6270; Madrigal Soc, ii, 1936; Oxford, i. 624d. Arnen, J. ; Singspiel, ii, 5160. ‘Ayerox, E., i. 1065; Arnold (S), i. 8653 Attwood, i. ror a; - 5394. Aynrox, W., i. ionicon, 1.6636; Philh. Soc., roya; Har 6984; Harmonious Black- amith, iv. 6672. Axton, Fanny, iv. 5264. ‘Azon ‘xp Zemind, i, 107; Spohr, il, 6648." (See Ze- ine.) Azzopanpt, F, iv. 5263; Tmi tation, i. 7664; Inver 1665 Isouard, fi. 240, Bacu, A. W.; Commer, i. 3808; ‘Haupt, i. 6975. Bac, Christoph, i, 1104, Bacu, C. P. Emanuel, i. 1130; Agrémens, i. 426; Appoggia tura, i. 750; Appoggiatura, double, i. 7943 Arpeggio, i. 87; ‘Auswahl, i, 105; Boo bung, i 160b; Beethoven, i. Briegel, i276; Blow,