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6089 KALMUS VOCAL SCORE BELLINI NIVERS SCHOOL OF NSIS t nus H NORMA ev (Norma. Yoralscore. Eng hsheThalaa] NEE A LYRIC TRAGEDY IN 2 ACTS WITH ITALIAN-ENGLISH TEXT OVERTURE... INDEX. No. 1—CORO D' INTRODUZIONE RECITATIVO = No 2 DeAVATINA (eure) No 3—Conv.. REIT. © Xe fowvag - ‘Som RECT. we ® Xo 8 puerto (Pousown'mo Avuiortn) * ‘ona DUETTO. (fou so vata) ‘TERZETTO No. 6, ae RECIT. INTRODUZIONE .. ecty. DUET (Niwa eo Aoauen) No 8—COKO.. FINALE, RECIT. (owas) CORO. ws. Ro. 8.{ pustro (Nowa « Fouont) RRCIT, - (Pouose) DUETTIO. . (Sonu Pouorn) SCENA ULTIMA fouma, Avavowa & Pouizone) ACT Ist. “Te wal colle” Ugh ot pm meta Seanit level” Widmer Pome Norma viene” Nome omc + Sedisione vec” Solty eles ow of heen ‘+ gombra& a sacra rlea” ‘Gon nya sen? “Vacerdee” 5 cad me ee ee ‘orto fe coniamet Sea farva” Opti inet “Ob! ai quasi 10 sittin” Birch vin ACT 2nd. + Dormane entrambi” Cady hey ater, “Deh! uae”. Dripn in cy. Non pari? Haha on “Bitemek” wee He wil rtera “Guerra! guerra!” .. ++ Warfare! ‘erfuret “Nb eompi rite” To end ly rite “tn mia man ” lems gam. Damm quel ferro” Gen sp Qual cn adie” == oe Tas afew “Deh! von wolerti”.. oe Pata th hare. 1 89 107 108 us wr isa a 151 158 104 168 18 Pounsors . Fue. o Osovieo - - - (Cows tt Davior, Sacennoressa, Geawces Nonma, high-priestess of the Druids, has clandestinely married Por.tto, a Roman prom consul, by whomn she has two children, Pollio accidentally beholils Avaucisa, a virgin of ‘the temple of Irminsul, for whom he conceives @ violent passion. She it won by hit protesta- tions, sid consents to ly with him to Rome. Agonised, however, by the thought of the erime, she seeks out the high-priestess and makes a full confession, imploring to be absclved from er vows. Norma accedes—the recollection of her own failings allay ng amy seruples on the ground of her religious profession, Interrogating Adalgisa who her lover is, te young virgin points to Pollio, who just then approsches them, Infuriated, Norma drives Pollio from her presence, who, instead of extenuating his perfidy, glories in his love for Adaluist. Norma deter fh become his spouse, Adalzisa endeavours to dissuade Norma, and promises to intercede with juss to make amends for her past errors by confessing her gut, and porishing on the ral pile, As a last request she besevcties Adalgisa to take hoe childnen to Poll ant Pollo, and bring him back repentant, Pollio, however, far from listening to Adalgisa, follows h is death. He is brought before the high-priestess, Norma will aid his escape if he will renounce Adalgisa, ‘The Roman prefers death. One thing only remains for Norma, She proclaims ner infamy and demands to be led to death. Poll, moved by her devotedners, fucks his old affection return, and ascends with her the funeral ile. ‘The scene is Inid in Gaul, in the sacred forest, and in the temple of Irn into the Temple, and is taken by 1 Druidical priests. ‘The punishment of his intrusion OVERTURE, BELWIN MILLS PUBLISHING CORP. toma) (rararaccararal & smmenca, 7PM No. 1. INTRODUZIONE, Bron=20, mer = do = tab tone te teten Te - mulDp F Wee be pl ot fF we Na-K Gea au Tse aa oe "he, are Mr aang “ea Bek seas t S45, 73 ate we “Tresends chag go - File chog ge AT ee tet! Se pera tay! a eee 7 an = aang =e aa B Ze ~ Sesaiee ge so Sse me. Ses ar es = = a we Peete No. 2 RECITATIVO. Sgror Ereee mere ‘Pouusoyn, Sr-air Ib vo-d, nights ay paca Fuavie. Pouione, =e Fa var co” Tn guile selves morte! Norma tel dist, © Prof foristiun no-me Cis iloorm's SE whaling ati) Bein sen fer -worc te Ohler = wane at her me 7 ye ‘Liamante, In made de tuoi Tip tsseitenonee 9 So te anapore Orban xe mel RUnnerem Sar te eee Ma felmiogow spent La prime i, eum Dio le FO Te Berea “Reem late Re pte “ir Picark Pra: Allegre aon Pure, Eighiarerrssiois vows. Als snero-aih { l Alege essi. F i nee la tom - memo, Un alte, Adal-gicta, Tu la ve drani fordimnoconea e aan Fer Pepe A felgt as nother gry al “geome Dee yung merengue im oe fy rps ts a [I tee £ £ Ze 4 “ q ai Stee. ie a tes Bt, oe Moran" 19) OAVATINA. Moderate. a Poutsown. gate. Me - onl adn a en Sa me, toema"—<80 nena, Dr vost =f By tat poms, Torlbtadee mor eae a a tami wh Ml Ve: view plowraea! on Perge ta lak Guess a xrmarr31) Cono pr Duero. (db dndrn) armor, emor ehemintn- STA fone hie cutee a © 4 3 5 a Ue + en i a > “epee Bae s Teab bat = te = TT 3 HN a i coRO. Horm) eine ip Pecos y wrureat Gon tt mate romper p03 fori» ‘Opprasi ge vorrata?Crartaminate as RECITATIVO pando Onoeeeo, Merma—(35) ‘qa wor =F pe : { : i £ ' t i dl & i é OAVATINA CON CORO, a — eee be peter Nomus. ‘mema"140 Nome=(4l eer a i 4 tcon-pin, E premisr da nol par con #0 Sek ae EMPL aR OE “Forma 144) controll mento in =i -70.. BR, AML bel loame em 1469 Mai-ra-toil Dio taf-tet =~ Fecsdpge @ Gere ss = eet vba mp ne SY oma) tema-c495 hes, GR ek ters BT Ga gna ie Ah que No. 5, RECITATIVO. ome 88 Les qo eweny meet 3 8 f 4 exyny com forse eppaunenate, ts Dom RT ee ae Re Astro-09 ont dele, arvense altus do- co Tem ace ae regal Powe a at 3s ia, es cb rat DUETTO. Alegre rasa. 1 = es a See £ Momac57) oe mey nal iie tw fo ~ wi, Mail e ye Skat Bt Po Team - sie te; Al non bel) ah.non miquel chemi DR Oe tk Oy See 8 BAe ETS: sedan BP" EPI 2; 4 7 4 Sia ie wo ES Ciel! mi te Bom! lg Tel k-scar - mir wee Pouuo, eee Fouor,, Ee 2 he S 3334964. SSE ots, SEES S alge g ‘toma—<70) Non to— direrdafet 61 Strewianquest al-ma; s-moinan Dee Soe ninea panes Scr Yor) Any secdersi, ny for ele can wi Crore, jon. tems ss ot pe 1“ guatto qga-tmatot © Imma pimarnon pune, 0 min Lice somenan) , a peo 53 oo Nona. ie “Andante as que tl fammsinte? © i i icrar om-let-t, un BY fesap ney tem 78 DUETTO, Herne170) een a 2 a 2 § 4 ‘| i 3 Sl “ema 70 terme 470) Bab ie Te a-ha me By ay" sm 3 re tema —409) Mora? —94 SOENA. Nom. tes o wee we Veee eee ee we o PP. ar sim non a cal = pe TL palette Be Oy oto Ey at ley md ett ef aM ek aD = Gn = op TERZETTO. oman andante sareato. = Gra = dye fwtenoia fine ed tea =e gE ria che cut, coal oo - ‘Die he wt Cade ‘Te-ril movir men darno, ae Be Up, wo fone, terme 101 Srrzerere ververeee Porto, moran 00) nereascor iz mila acin inde = = smo, Fig ob-Blin, prom oe RS Ta SEM ie es ae ett. eats somo, Ry : on fe 7 Aco Sn? . yee a, Ore ee = ‘merm.s—1300 Pees =p ee ee Topas em Sly soma—c100)| ‘No. 7. INTRODUZIONE k SOENA. Alig esi moder. a FRE « rw PP — dad ta 2 : SUES fee ete oe et, =e iim=2S2=- 2 Set ee Beas oe esi sig ¥ a. fe eS eee eitee (a= | oa eg = ? = e. fe eo £ er pe i + = te. > { SS SSS St ik _— 7 bps we ES ¥ Bade ee Ie Bh Soran a z x tt, Fa Ab pe. *worma—cn10) che Sone Seer es vdetnbc hae “fbr am, "Pr Perk, a miei 8 igetay ae Ste He ar B= m RECITATIVO. Ie, Apucom, ‘Me clam o Norns? ‘alto Tato palor? © TSE Rae AR, Ue on pgm Va demi, Se ple th par racr-ta % exe pee Dipole tech rong Apavai, Nona, Avatoua a ap Tien - te mio vol El dual -tu-mo ©) Tutats, wile io procmet-to. © Tl glam, “aims care nght Tue bl gf sey | salen a tgs Pym Soy Tal fata 2,02 ati-gi? Nel Romane campo, gui-delie ta. itm ther meth Be form» ampht fe th Bf ha Abatata, Noma, ma-mi-aer non -m © Oh! che mai chin-ai? © ine pia eh foe, wae BP Bt ae Se stem DUETTO, ~ KNen if chicdoo - ponte hen; Wiaeag ene aeea Gey vr ieee PSE - = SIF NI Toei fank be al Oe ye aes a at Lo SS a & orem bT) Asvome, Iv Min, © Antot oe ea = re Noma, Bae oes bao ¢ i # one ‘Ab a Noma U A hem Ei tome ge ae RO pene oe ET Konus, Alege, . tao at Apauciaa. = Si, foal o- mall Allegre. Pr Ampind in tra ble fecha ml bt to Ml coro ed roche wi bart fen, wn Bey ipa Spt spt Or andy $28 EEE EEsE EEsE t ene t suon dell ar =m Dll asepaeil wea ~ eat ste, ray Sr oe tare, hana) he tea eae Spans s ses Team = feytetmgein am = pa Nom ss EZ e878: sete sae Fa me Ft 7 Ee bee Ars ten-diamy = pire cearoNes gfe Baa We ad wa ied ear nde ware teaylims fr Tea- diam Ta gras Topra a con-oy ~ Be srngeh 7M ota a et ~ ps Afsana bore fa ~ dame Now S_Sebi.nen «ret Tp se ay forma? 30 7 cius-poNoa of tar Wynoa erer-ro-t, Bia. atlensic's obm-per ‘sreehmet yf endows wren Fredo tan tas = tema) =" cnp=toaeardo-re, ira she ingon vi “a rye ait sesnd) ‘Baca fon pe et et 7 f, To, eres vece-dar; mal Dionon vale, ee ge rp ah a Tee to-de al SPA pas : x 90) Tend Rerpala mentinyer> Tne ‘Sou aed a ae rermn'—299) ARIA CON CORO. Onovrae lo fee ae al Te aoe ls = = quo, Talebe Ro - macatin - to il em - das SOI Re Pm Sa Re lentin eee Homa allot . a pe Hi i ony eosae dal ap-mi il ears - ~ gro Dia hm Beier per r= at at rth rm ‘Con por Roma alorchoil we "Norme*—198) ‘Romani No, 9. FINALE. 10. Spe-tacnil u-wol ato Che mi promos In Moe Dee - apt, Gorm Rracpropber LSolmanide Come del primoa-me = Fares Livre fae Com © Norme!— wope'd dace WRIT Pm tt ws grea A. Croviuos. Noman, Cuomo. Noma, Fé in f-danmi dj I do-ve- wee Am PAS poo: Dre-aen tarda! v terme—300) = detim Equi di sangun, sangus Ro-men "Gee oles Tee Mek tome, La emp gese ees. 4 4 a + Spree, Us A ond ‘Ten « Bes om ORO, A a fs te I moma c148) CORO. regs =a EStrereere: aer-tnk = fe, yenrdet = ta! eee ak ak SOE: Qnornso. NA Noms Dope Geka) Ee eam ab i a O° Nema! aa evpe i Berets bt Daag, ae Nona J (Che asolto {antise yr ve fort en a viola Be pn a Power Noma. SEY Che vent? Normal Pa ee se, ic ‘4 4 « ¥ nen DUETTO. rey PouusoNe. Svan won ae.) Oh ‘Abtprin mor ~ 3, oo ae! 2 RI Ba ies a a heilmio fa = rm. rm Paamil Spry cule TAate From tel Che apen-ts, chespensto dn io sorb! Bie (oe Ey ae eS - s eae te ee 2 2 Solo oe Zou ® jesoaiw bh fm ee ee = oman—(180) eeme<180 bs ar i i a + Pirnm, a= 99 far -ti In-fe Te fe fat am reas T=, bestimin ds meee anh a of ome 108) PouuioeE, Nom, © Uhlan & po pp er tem Cravdel Ro - ma - 26, Tejas fer oi Seeehearp aS Ciwoley-ai-u In ri ein Sm A ah mr Silo (Che tot ae & tema 400) Noma—camy = d= tw oe ime dos =m Che feck oh Now. Penge Sonn ae ae — a isi fm) «AM pe = wi Sree Ge i eae eoey _e¢- £6 see Momeni bai Mepli miei Te lime ane oe Rd Bet a. toma —1a083 aeemnaT Aim Bee tee tee) Siprené Yrs, Norma) fa a 5 lz & Dy = get eeee ee | tl lL

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