ANTOSHA HAIMOVICH | Playalong for All Instrumentes C 8 &) Volume 1 www.antoshahaimovich.com MOSCOW 2012Photo by Masha Nikolaeva Antosha Haimovich ‘wow antoshahsimovich com Antoshasimovich©02012Antosha Haimovich ¢ Pop ¢ Rock ¢ Jazz « Blues « Volume 1 Contents: Cc Bb Eb _ Info + Besame Mucho (Consuelo Velazquez) 1 23 «4567 + Feelings (Loulou Gaste & Morris Albert) 3 25 47 70 + I Just Called To Say I Love You (Stevie Wonder) 5 27 4973 + Johnny B. Goode (Chuck Berry) 7 29° 51 75 + The Lady in Red (Chris DeBurgh) 9 310053077 * Love Story (Carl Sigman and Francis Lai) 11 33) «5580 + My Way (Claude Francois & Jacques Revaux) 13, 35 «5782 + The Shadow of Your Smile (Johnny Mandel) 15 37 59 88 + Speak Softly Love (Larry Kusic & Nino Rota) 17 39 «661 «(90 * Strangers In The Night (Bert Kaempfert) 19 41 63 93 + Summertime (George Gershwin) 21 4 65 96 + Yesterday (John Lennon and Paul McCartney) 22 44 66 «(99 ‘wor antoshahsimovih com Antoshasimovich©02012¢ SESAME MUCHO Convene Verinauer ANowNTe con amore — A769) Ou Ou/a 8h Ay oe 0 Ou Gw/A Ou Gu Gur Go FR Gwe Ave On Ae Bh 07 Gx Ge Any —, Ox Ou/e fr Ar On W/O qc OG» Ou é* Aw) = Ou = =e om Gx Ou Be $h7 Ar i> ts @Ou Gw/A Ou Gx Gur ore ou aeisnmanoin AvrostanenenOQaitGo FR Gwe Ave = On Ae Bh A 07 Gx Ge Any —- Ou Ow/e fh AD Ou G6/o Ox ee ee oe Pui Mosse AgiTATO. 8 G« Ou ée Any Ou “mm ce te Gx _ Ou en Wo) oC Rerear & Fade Our ou avenue co isan Mount Gonos Vevinevet) -¢ Paget biresuanonen@eae0 FEELINGS Louron Gusti ¢ Moeeis ALseer G Aw 8 @ éu Ewin én Ew Aus 0: a Avni = Aw By $7 Meu Ewin éu ew 6 Cvs Aw 0: Bu 6hs Au 0 Oh Gms fo é OCws Avo Oo Bu 6b Aw Oo — Gue Bhs a wow wirstaunones eon Anresahaneen OHOO és Ewer éu Eu Aw 0 Oh Gun Bhs $7 OQue Aw Au 0: On Guus fe é Revear & Faoe Out wow uirstaunones eon Fees (avo Sure | ees sce) -¢ Paget ronan Le0 | 40ST CALLEO 70 SAY | LOVE 700 ‘Stevie Wenoee ‘wow aestaunei ry bnresnuanonantsewou anresaaunoi co or Caen Te SI Love os (rene Weve) -@ Page pxeroubuonentss¢ JOHNNY 6. G000€ ROU N'ROLL J=h85 N.C. a) CHoen Beeey GUITAR 07 (no) é Ay($01.05) fr ‘ow aestauvein e “ee 8. toe (Case Sees) == Pet AnroauunanenOtolsTHE LAOY IN REO Meoeeareny Stow Cues OcBueaH N.C. (oons) Bb 8/0 Edm -& = BD BOO Ebus F at Chu fs 0: Ove4 Gs & é 6 Chua fs Or Ov Gy Bb/t 6b Cu i] Gu t F/O BP Bho ey F Gu F/A Gx Gwo Cu 67 8 hi & Ot 0 Bx Gt Gwe Gn f 8 BH/0 ebm & b/o bbe wow wirstaunones eon Anresahaneen OHO6 Chou fs 07 Ovt# Ge & 6 8) Chaat fs O° Ov Gm Br/e & Cu fr nn Gx €/e oe Bhun/o bh F Gu F/a Gu Gwotn fr $ Bh & O/e# 0 G Gt Gwe Qn Ge We Gwe Qu fr 6 = B/o eb «=F BF BHD lms 8 81/0 Eu & Bh BO Em Fg, wow uirstaunones eon ‘Ha aor w Ro (Cute OeBuees) - get Anrosadanenen tatC LOVE STORY Wueee Oo | BEGIN ‘CARL SIQHAN AND FeANeS Lat Feou THe FiLM ‘Love Sroev" Ineo Aw fi Au Au Fos fo é éu @7 E19 Ax Au Fus fo €7 éu €) Aus Ar Au Ar OO. G: Quac ‘wow oration od Axresahuneren OLFun $e 7 Au Ou Grae Gq Cus t $1 Eva 67 Au Fons fo €7 éu €7 Au > ® Bm fr Bu Oban Gh fr 6 a fu Fr Bru Opus Bh ‘bow aestaunein en Levee (ee. 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G000€ N.C. $700) Cer Beeey threes este TD i= Poolgsaagsaste tetas uirae é 7(BANO) fh $1 é7 $i 0 £($01.05) $n 67 $7 bh 8: VERSE $7 é: 6 ‘ow aestauvein e “emu 8. eooe (ate See) - 8) Peet baresuanonente8) THE LAOY IN 2€0 Moogeareny SLow Cues OeBuean N.C. coms) @ C/E Fur G& C0 C/E Fu G at Fetus 6: é; €1/a# hn @ F 0 fun @ 6 67o# Aw Avo F he 6 Ot BC Cue f 6 Au | Awa awed Ou 6 C Cle bos C Cire Fue G wow wirstaunones eon Anresahaneen OHOOa Fue G) 67 €/a+ q 6: evot As C/o & A 6 G/F GC Cue & Au G/e Aw Aw/e Ou ca C Qn be e/oz € Aw | Awa Awet On Gg An A/G Au/ed Ow 6: Ct Ce Fu & Ot Cre Fu G C Ce Fur & QC Ce Fun G t wow uirstaunones eon ue Lane ao (Cs OBEN) -B Pua L bnresaubanonen te8) LOVE STORY Wueee Oo | BEGIN ‘CARL SIQHAN AND FeANeS Lat Feo THe FiLM ‘Love Sroey" Bu Gq Iwao Bu @ Bu th Bu Gus Ge th Fh Fh Pho Bu @ Bu fh 8. Gmc Gs th feu Fr Buus 6: bu 87 @ eu Ay Oues ‘wow oration od Axresahuneren OLéu Arse = Ar Oma: G Ch Choa fh Bu G Mat Ge bh fdu Fd) $u co Cu Adve Abe G Gu G: c Nw 4 air. ‘wow aestaunein en Love See (eu. ann ono Foes La) ~~ Page bnroanunoneus tas8) My Way Siow renee J= 7 Mosie #y CLavoe Feaneois ¢ dncaves evans F Lveies 8y PAUL ANA a Cn Fry ra Ge ¢ Gu Ca Gu i Fu Cin bry 8) G ft (ee Gu 6 Aw Cs ——j— OF Fon Qn E09 ry Te ou aienmanoin co AvrosatamenentaitFun Cr Fry & G+ t Go Gu é Au Gs Oe bau Qin bry Bhs BP F Gu Co An Ou Gs Co Gu é i 8 Fos Cn bry . 6 f Go Ch Gu é ar. @ (www antosansamionen oo Me tony (auce Femienis § Cacaues Gevnuy) - 8 - Page ‘anrosiakanenien LO8 THE SHADOW OF YOUR SMILE Music 84 JOHNNY MANOEL veins sy PAUL Feaneis Wessree Ch he Ow $0 é: O Gt Ch fn 8s bur é hue Ot GH Ch bean Fha/é Of Gh Gir Ch ® Gf Qh Ftio 8s bh @ (0) th hm $ur ___ On G Ch (6) Fh Bs F5) Eases E769 Ae wow wirstaunones eon Anresahaneen OHO«SPEAK SOFTLY LOVE Love THeme FROM THE FILM “THE GOOFATHER” Woeos sy Lacey Kusic Music ay Nino Rota Ou 6 M Ay Ou @Ou @ Gn @ Ou Gu Ou Gu Ou Gu wow wirstaunones om Anresahunaen OHO@ éu Au eu Au éu Aw ‘wou anism co Sa Seer ove (att Kone No Re) 8) = ae Anrosubamaen LO8, STRANGERS IN THE NIGHT Music sy Seer Kagworeer MooeeareLy Siow J=90 WOR0s $Y SINGLETON ANO EoolE SNYDER ¢ 4 Guus | , | y | i T T T O Gm @ Aw Au/ °° Mg Mat $e Er) ‘wow aestuein e nceuutanonente@ $ E709 Aw Cw G eu Aw 0 4 1 Road A oes eirenurd om Wee 6 Er Borel, 6 4g Ams ‘wow sestuevin e ‘Srunaees Tae Nia (eer Kare) - 85 - Poet Anresabuneen Le8) SUMMERTIME Mosie sy Getege GeesHoIn Feou rhe Musical ‘Porgy ano £e55" Lveie sy OuBese Hevwneo Aw = G1 Aw G1 Aw G0 Aw @7 Aw Aw Ou Bury a) Aw Aw Ow Gq Cou Foe = Buty By Aw Bunty E109 Aw Aw —___ Ow Bunty a) Aw Aw Ou Go Cos Fu Buy By A CE ) wow wirstaunones eon Anresahaneen OHO8 YESTEROAY G TOAN LENNON 4 PAUL MeCaerney @6 Fan $7 Gs €u/o Cc G Ob Ab C6 Gb 8 &OCe bw 0 G Bu Br €O 0 ex Aw 0 G 6 th Br e/a ec 0 & Of bb eG low aesnuein e birenuanonentseSESAME MUCHO Convene Verinauer ANOANTE CON AMOCE Fey Bu Bu/ 63 G 7 fh oe mr ® Bu Gw/l} Bu éu Euan an a a eae ee 8 x C = Fey Bu B/G th Bu ew/B Bu — — pr @ éx Bu Che = Fey Bu x Bu GH 6 Fh @® Bu» w/F} Bu éu Euan ou aeisnmanoin Anrosatamenentaitde oe of FS, & eu Cie Fry — Bu Bu/A Gq fh Bu BW Bu < poi @ ‘ AQITATO Bu ti ths Bu th =e = et at éu Bu Cte Fare e | Rerear & Fade Our ou avenue co Sis Moons (ensue Vevives)- 6 Puae bvreouhunener Losea) FEELINGS Lowcon Gasré d Moeeis ALseer é bu 6h ® Ch Chiu Che Cw bias $7 Chant du 6 66h — ® Ch Chane Cha Che Fhe t &€ Eun Oo Ch @ Avs ha $s Gh Cy Fa $7 hs Eos oO CY @ Ama = bho Bs Gh Qs Fhe 8 Bh ue Gs GH wow wirstaunones eon Anresahaneen OHO@ Ch CHaiucy Chea Che Fhe & & Eun O& Ch =~ — oe @ Buss ho $s Gh (ty ta $ Bhs Eu: = Gs Gh @ Ch Chae Cha Che bh $7 6 bur Oe Ch Ama tha $s Of Cy Feu 81 Bh Ear o —r Revear & Faoe Oot wow wirstaunones eon Fees (avs Garé 4 Mees sce) ~ Eh ge baresuonentasé | 40ST CALLEO 70 SAY | LOVE 700 ‘Stevie Wenoee ‘wow aestaunei ry bnresnuanonantse‘wow aeonaunei et (gr Ca. To Sa Lave Yu (Gren Woo) = - get baceoionenstasé, JOHNNY 6. G000€ ROCK N'ROLL Jh88 NC. LFRRRR RFE: fh (seent) CHoen Beeey —— pits GbITAR B7lGano) Ch (eee) a $ oo Fr Fh igeeesess ee 2 low aesnuein birenuanonentse‘ow aestauvein e “ewer 8. eooe (vane See) - 6 Paget bnrosatlanonenOteé THE LAOY IN 2€0 Moogeareny SLow Cues OeBuean NG.co G G/8 Cm 0 6 G/8 Cm O a6 Cis 0: $: :/ot x o 0¢ G Cus Os 8: Bot Ex 67/0 C Au 0: x 0 O/e OG Gu/s CG O eu O/td Ex 6/8 Au 0: 6 6) 0 s/o 8 gu BwWo ew/at Aur 9 6 6/8 Cm Q 6/6 Cm 0x O/e# éu 64/6 Ax 0 6 G @ B/ot 6 bu wo Ew/et Awa 9 m = EWo Ew/a¢ bur 0 6 6 Cm 0 @4 G/ Cu oO 6 Gs tm 0 6 Gs tm 0 6 wow uirstaunones eon ue Lane ao (Cs OeBoEN) - PAE nrsatannnenOLleé) LOVE STORY Wueee Oo | BEGIN ‘CARL SIQHAN AND FeANeS Lat Feou THe FiLM ‘Love Sroev" Ineo Feu 0 Fe @ Fhe _ Ch bu Oma: oO Qh Chu Cdr Qfro Feu @ Fhe ee Ch bh Onis O Ch Cs Ch Fe fh Fu Fh @ & er / ‘wow oration od Axresahuneren OLOvas Gi Oh Feu bu ; Ere = 67 Ama 9 Gh Chars Ch @ Fhe __ Ch Fb Onis O Ch Ch Oh Fe 0: Gu Cbs eh =O i it, ‘wow aestaunein en Love See (eu ann ono Foes La) ~ 6 Page AnrsauanonenOeé, My Way Siow rene Je Mosie #y CLavoe Feaneois ¢ dncaves evans Ct Lveies 8y PAUL ANA Coa Gi Ar F Oo C On 6 Ow 0 eu Gs OC Cm Gun Cry é b Fun — 0 ou aienmanoin co Avrosatamenentaitee — Ou _— Cites Gur Cr C Ow 6 OC Cm Gr Cry Ou 67 On Qn a ) Cvs Ge Cry Cc Ow 67 au. éu Ou 2 o «7 (www antosansamionen oo Me tony (auce Femienis § Cacaues German) - 6) - Page Ae Ay Or tue & 0 Anresubunenen te€ THE SHADOW OF YOUR SMILE Music 84 JOHNNY MANOEL veins sy Pave Feaneis Wessree oF és Au Fa 6 @ Ota Gh Cho Fs SS fio $7 Bus - Amar Oe Gh Qe thei Ate Oh Of Gh ® Ob Gh Ch ths —— tha 87 CAR) Ge Oh Filo As Os Gio (01) Oh Fe (0s) Bas use 8709 Bo a wow wirstaunones eon Anresahaneen OHO& = SPEAK SOFTLY LOVE Love THeme FROM THE FILM “THE GOOFATHER” Woeos sy Lacey Kusic Music ay Nino Rota Aw Ou é Aw @Au Ou Au Ou @A« Ou Au Ou An Ou Aw en Aw Bu bb Bw ébu @ An 0 6 én f as belt wow wirstaunones om Anresahunaen OHO© Bu éu Bu éu Bu éu ‘wou anism co ‘a Serr Love (tty Kou | No Reni) = ae Anresahunenen Le& STRANGERS IN THE NIGHT Music sy Seer Kagworeer Mooeeareny Siow J=90 WOR0s $Y SINGLETON ANO EoolE SNYDER Ovne | , | 5 \ y i T T T 1 @ Om @ ew Ew/a Are me bye Br ‘wow aestuein e nceuutanonentea Tento Poco a poco eireNute a 6/9467 Feu Br bby os, 6 Sip Eve | . B19 , ‘wow sestuevin e ‘Srunaee Tae Nia (eer Kase) - 65 ae Aareouhanoneneaeé, SUMMERTIME Mosie sy Getege GeesHoIn Feou rhe Musical ‘Porgy ano £e55" Lveie sy OuBese Hevwneo éo $7 6 87 BB Bw é WE eu 2 Avr Fhurty i) ey eur — 60 Ae =O Gu Cue Phy Bg, Fini BrH9 — eu . . éu Awe F#uney B09) én — oo. eu Aw =Q0 Gur Cane cn rn ( 819) wow wirstaunones eon Anresahaneen OHOé, YESTEROAY Gm) 9 TOAN LENNON 4 PAUL MeCaerney ao the th $ —Ba/A @ ow oO AB € 690 ® Fu fh Bu A q Bu ew Ay ° a ao Cho FA 8. Bu/A low aesnuein e birenuanonentseInformation from Wikipedia Mucpopmanua 13 Buxnnem Bésame Mucho Consuelo Velézquez Bésame, bésame mucho como si fuera esta noche la ultima vez Bésame, bésame mucho que tengo miedo a perderte perderte después Quiero tenerte muy cerca, Mirarme en tus ojos, verte junto a mi. Piensa que tal vez mafiana Yo ya estaré lejos, muy lejos de ti. ""Bésame Mucho" is a Spanish-language song written in 1940 by Mexican songwriter Consuelo Velazquez. Inspiration According to Velézquez herself, she wrote this song even though she had never been kissed yet atthe time, and kissing as she heard was considered a sin. She was inspired by the piano piece "Quejas, o la Maja y el Ruiseftor" from the 1911 suite Goyescas by Spanish composer Enrique Granados, which he later also included as Aria of the Nightingale in his 1916 opera ofthe same name. Comments on lyries ‘There are slight differences in the wording at the end of the chorus, regarding the words perderte después meaning "to lose you afterwards". Considering that Velizquez may have been fifteen years old when she wrote the song, this sentence reflects inexperience and innocence. Indeed, a video from "TV Mexicana" shows Consuelo Velizquer playing the piano while the singer sings perderte después. However, many interpretations use perderte otra vez ("lose you once again") instead of the original perderte después ("lose you afterwards"), This may have been modified to touch a more grown-up, experienced audience, An English-language version of the song was written by Sunny Skylar. The lyrics are different from the direct English translation of the original, but retain the Spanish Bésame mucho, "Bésame Mucho" is also known by translated names such as "Kiss Me Much," "Kiss Me a Lot," "Kiss Me Again and Again," "Embrasse-moi for ‘Stale Ma Bozkavaj,” “Suutele minua”, "Szeretlek én" and "Mara beboos” Recordings and performances Emilio Tuero was the first to record the song, but the Lucho Gatica version made the song famous. Pedro Infante sang the song in English in his 1951 movie A Toda Maquina. The Beatles covered the song numerous times, both on stage and in the studio, including during their audition for Decea Records, their first EMI recording session and the Get Back sessions. A. www antorhahsimovish.com 67 Antoshasimovich©02012performance from the Get Back sessions was included in the documentary film Let It Be, while one from the EMI audition appeared on the Anthology 1 compilation, The Beatles sang their rendition of the song with English Iyries that do not correspond to the original Spanish lyrics. The Coasters released a version of the song that featured King Curtis on the saxophone. Jimmy Dorsey recorded a version that became @ Billboard #1 Hit in 1944, Jet Harris made an instrumental version (bass guiter) in 1962. Alejandro Feméndez included the song in the live album Un Canto De México, In 1997, Luis Miguel recorded the song for the album Romances. The composition has been used in the soundtracks of numerous other films, including Great Expectations, Moon over Parador, Arizona Dream, Moscow Does Not Believe in Tears, The Naked Gun 2%: The Smell of Fear, In Good Company, Paid, Juno, Mona Lise Smile, Mivtza Savta, Ljubav i drugi zlotini, and Santa Sangre. Fastball’s hit 1998 song "The Way" was inspired by "Bésame Mucho" and uses much of the same melody. In 2006, Italian tenor Andrea Bocelli, famously recorded the song for his album Amore. In 2007, composerfarranger and jazz trombonist Steve Wiest was nominated for a Grammy Award for Best Instrumental Arrangement for his version of "Bésame Mucho" that was recorded by Maynard Ferguson on ‘The One and Only Maynard Ferguson. In January 2010, at the 52nd Grammy Awards, Herb Alpert was nominated for Best Pop Instrumental Performance. In 2012, Michael Bublé recorded this song along with Thalia, for her album Habitame siempre. aBésame Mucho» — nechs a Henanekom sabike ® wanpe Gorepo, Hanwcana n 1940 MeKcnKanKolt Korteyot0 Benackee Toppee. Dro npowswesteHne crao ostHol es HaNGouee esReeTHAIX leceH XX Beka; eYIIeCTHYIOT COrHH e& HenOMKEHOHT HCTPYMEHTATSHBIX BEPCHI, a TAKKE MHOKECTHO HepeHoIOB Ha HHOCTPAKHBIE XxBIKH. HlOMMO pyceKoro «llesIyH MEH, «Bésame Mucho» vax 2ke Hepesosurrex Ha sipyrHe xnIKiC Kax «Kiss Me Much», «Kiss Me @ Lobs, «Kiss Me Again and Again», «Embrasse-Moi», «Stale Ma Bozkavaj» u «Szeretlek én». Heropua ‘pasa xbésame mucho», nannias HasBaite NecHe, FOcMOBHO TEpeBORITEA Ha pyCcKMH xax «enyHl Mew moro (xpemie) apna «Quejas, ola Maja y el Ruiseior» ws onepw wenanexoro xowmosmTepa upune Ipanasca «ToReckn (anra)» (1916), THepnui sarncaa sty neemo reHop OnwHo Tyspo (e:Emilio Tuer) (Mexciea-Henanms). Oro nanGonee sarmcsnsewan eens wcex spenen. Har Kuar Koyn, Opon Cranps, The Beatles (1962), yan RuawGepry, lana, Cesapun Onopa, Myne Maren, Zxsonan Flopen, Zt Maprun, Anapea Borenan, Diana Krall, The Beatles sacro mrparn c¢ a anx enomnennax ¢ 1962 rons (Kora He MamABANH ce cTysBHMGH sami so Anthology 1.) B 14-a sumnyexe wymsteepnana aly, uoroumy neuosssonania menor «Besame mucho» x apauoxuposke K. Bysitepuxa. B 2007 sxasonni ypowonncr Steve Wiest apataxuposast «Besame Mucho» .vit ncuosncna 8 Guorpadaeckom ¢bume Maynard Ferguson The One and Only. Maynard Ferguson. Pycexuii nepesos (Baaqumup Kierpp) Tlesyit mews, nenyit cnimsnee, Raku Tex RUseTR paLIOM © TOGOK, ak ect 6 Hows 97a cTasta nocstesHel {U8 Hac. 1 rasax THOU BiLLA ceOs. Henyii mens, uenyit casice, Beas upano sasrpa mory sits cyaKGo10 ax 2ke Gowoce x pasityut ¢ ToGo10 ceifsac. awex yaecés or re6x, Hurepecusre dpakrnt C 2009 F. «Bocame Myvon suiGpano oduumansiuis AesusoM ropora Mexuxo. Yeroiiuusoe cnosocoweranue cbésame ‘mucho» RouLo Kak «iicnaMiEaNp) B HeKoTOpHie sauiKH, cDpasa acto He nepeRowUtTes 1 eli npunabrea suaenne «(crpactuoil) moGs1. Teens # cawa dpasa ssloxnosiai na cosnaime HoBKIX mecetT, HETEMOB 17. www antorhahsimovish.com 68 Antoshasimovich©02012English words by Sunny Skylar Bésame, bésame mucho Each time T cling to your kiss, Thear music divine Bésame mucho Hold me my darling and say that you'll always be mine This joy is something new My arms enfolding you Never knew this thrill before Whoever thought I'd be Holding you close to me Whispering "I's you I adore" Dearest one Ifyou should leave me Each little dream would take wing, and my life would be through Bésame mucho Love me forever and make all my dreams come true French version Pascal Sevran / 8. Lebrail (1976) Besame, besame mucho Cette chanson d'autrefois je la chante pour toi Besame, besame mucho Comme unc histoire damour qui ne finirait pas ‘On Va chanté dans les rues Sous des cicls inconnus et dans toute la France On la croyait oubliée Et pour mieux nous aimer voila quelle reeommence Besame, besame mucho Si dans un autre pays ga veut dire embrasse-moi Besame besame mucho Toute ma vie je voudrais la chanter avec toi {Instrumental} On ne demande & amour Ni serment de toujouts ni des corps fantastique Pour nous aimer il nous faut simplement Quelque mots qui vont sur la musique Besame, besame mucho Si dans un autre pays ga veut dire embrasse-moi Besame, besame mucho Toute ma vie je voudrais la chanter avec toi Besame, besame mucho www antorhahsimovish.com 69 Antoshasimovich©02012Feelings Loulou Gasté & Morris Albert Feelings, nothing more than feelings trying to forget my feelings of love Teardrops rolling down on my face trying to forget my feelings of love Feelings, for all my life I'll feel it I wish I'd never met you, girl You'll never come again Feelings, wo-o-o feelings Wo-o-o, feel you again in my arms Feelings, feelings like I've never lost you and feelings like I'll never have you again in my heart Feelings, feelings like I've never lost you and feelings like I'll never have you again in my life Feelings, wo-o-o feelings Wo-o-o, feelings again in my arms Feelings "Feolings" isa song based on a melody composed by Loulou Gasté and made famous by Brazilian singer Mortis Albert, who recorded it as a single released in 1974 that later appeared as the title track of his 1975 debut album. The song's lyrics, recognizable by their "whoa whoa whoa" chorus, concer the singer's inability to "forget my feelings of love". Albert's original recording of the song was very successful, performing well intemationally. "Feelings" peaked at #6 on the pop and #20n the Adult Contemporary charts in America. Over the next few years "Feelings" was performed by many other vocalists including Ella Fitzgerald, Nina Simone, José José, Caetano Veloso, Frank Sinatra, Engelbert Humperdinck, Shieley Bassey, Glen Campbell, The O'lays, Sarah Vaughan, Walter Jackson, Sergey Penkin, Dobie Gray and Johnny Mathis, It was also recorded by numerous easy listening bandleaders and ensembles such as Perey Faith, Ferrante & Teicher, 101 Strings and Herb Ohta whose ukelele rendition was recorded with André Popp's orchestra for A&M Records, www antorhahsimovish.com 70 Antoshasimovich©02012In more recent years "Feelings" has been best known as a target of parody and ridicule for embodying what are perceived by ‘many as the most insipid lyrical and musical qualities of 1970s "soft rock" music, I appears frequently on lists of "the worst songs ever" and was included on the 1998 Rhino Records compilation album '70s Party Killers. Actress and performer Julie ‘Andrews once considered this song too difficult to sing during a lecture at Chautauqua Institution. She explained that the song was too dificult to sing, simply because it had no meaning behind it. Because of stylistic similarities "Feelings" is sometimes mistakenly associated with Barry Manilow, though Manilow has never recorded the song. Dispute over authorship In 1981 the French songwriter Loulou Gasté sued Mortis Albert for copyright infringement, claiming that "Feelings" plagiarized the melody of his 1957 song "Pour Toi". In 1988 Gasté won the lawsuit and was awarded 78% of the royalties generated by the song. Recordings of the song have credited authorship variously to Albert alone, to Albert and Gasté, t0 Albert and Michel Jourdan, and to Albert and "Kaisermann*, The last of these attributions is redundant, since the singer’ real name is Mauricio Alberto Kaisermann, Other versions Mexican singer José José recorded the song in Spanish entitled "Sentimientos", it was included in his album Tan Cerea...Tan Lejos of 1975. Tejano singer Selena Quintanilla-Pérez also recorded the song when she was a young girl. The song was only released in 1997 and included in her album Through The Years/A Traves de los Afios. The released version is a remixed version of the original that was recorded in the 1970s, Isracli-born French pop star Mike Brant recorded a French version of the song entitled "Dis-Iui" in 1975. In 1976, Dutch comedian Andre van Duin recorded the song in his own language as the roadblock-themed " le", Although its parent album "Ande Andre" was meant to include serious songs only, "File" can be considered a compromise. Japanese vocal group Hi-Fi Set released a Japanese-language version ofthe same ttle in late 1976 and it became their breakthrough hit the next year. The American punk rock band The Offspring recorded a version of "Feelings" for their 1998 album Americana, substituting the original lyrics about love for ones about hate. Greek singer Sakis Rouwvas released a Greek-language version entitled "Pes Tis" in 2003, while also covering "Feelings" and Brants "Dis Lui" French version. The Greek version of the song won two MAD Video Music Awards for "Sexiest Appearance in a Video" awarded to Sakis Rouvas, and one awarded to Gens for "Best Direction". The O'Jays released a version on their 1977 Travelin’ At The Speed Of Thought album. Perry Como included the song in his 1978 album, Where You're Concemed. Enzo Stuarti released a version partly in English, mostly in Italian, In 2011, the song was parodied by The Fringemunks to recap Fringe episode 3.14, "6B." A cover of the song appears on the Sesame Street album, Let Your Feelings Show, sung by jarry Banilow and the Muppettones". The song is first sung as normal (substituting ‘gil’ with ‘boy' as it's sung by a git!) then is redone faster with a bunch of sound effects and soundbytes in the background, Appearances in other media "Feelings" was included on the soundtrack of the 2005 film Breakfast on Pluto lings" was sung by Michelle Pfeifler in the 1989 film The Fabulous Baker Boys, "Feelings" was included on the soundtrack of the 1982 film An Officer and a Gentleman, "Feelings" was sung by Jaime Sommers (Lindsay Wagner) in the "Bionic Beauty" episode of The Bionic Woman ( Season 1, 1976), A version of the song appeared on an episode of The Muppet Show sung by Beaker in his "mee-me speaking. MC Hammer sings it in a Pepsi commercial after he drinks a glass of cola not knowing it was replaced with Coke Misty Oldland cited it during @ live-performance in Japan as an indication to her own song "Got a feeling” Willie Colon cited it during a French festival-performance as an example of a non-English-speaking artist singing in English, www antorhahsimovish.com n Antoshasimovich©02012episode of The Jim Henson Hour in the "MuppeTelevision” segment, Kermit and a companion enter into the semi-robotic chara Digit, to repair him and work on an interior function for his feelings, When they do so, Digit starts singing the song. A short version of the song was sung by actress Nancy McKeon in a 1984 episode of the siteom The Facts, of Life. In the episode, McKeon's character, Jo, and Mrs. Garrett (Charlotte Rae) go to a piano bar where Mrs. Garrett ends up going on a date with the piano man, resulting in Jo taking over for him. She sings a chorus of the song and gets the Urkel (Jaleel White) sings the chorus of the song in an attempt to serenade Laura Winslow, and plays the accordion to accompany himself. Urkel's cnthusiastie guests to sing along with her. In the Family Matters episode "Cousin Urkel, rendition, off-key for comedic effect, is late at night (at Eddie's encouragement) and wakes up the entire neighborhood. On ‘The Carol Burnett Show in February 1977, Eunice (Carol Bumett) sings "Feelings" on The Gong Show and gets "gonged" Pycexuii wepeso (Mapua Fycesa) Mynerea -noero anu syncrea, Koropise a msratock 2a6uiT, Ho erga xararex 0 Moms eran, Kora a usiavoce saGith 16a, Uyacrea, Hanepuo a acto arate Gysty MCMBITMIRATE 1. JTysie Got & HUKOrZIa He ReTpENALIEA © TOGOT, Ts uuKorsa He Bep! Ho syacraa..o, uyacrea Tloyyscrsosars 1eGx cHosa cHoHX OGEaTHAR. Uyscrso, eros10 4 unKoraa He Tepan TeGH Hi enosno nuxorue He siryity TeGa BHOBs B eBO8 cepzute, Ho sysctsa... on Gyayt xnBs!, noKa 2H Tlysuse Got x nuKoraa He BeTpeaitca © TOGOl, Tl HHKOTSIA He REpHEUIBC, Uyscrso, extosi0 « unkoraa He Tepan Tea Hi cnopno nikorna He BIyILY TEOR RHOBE B CBOE cepruLe, Ho syactsa.. o, uyserna Tlowyncraonarh Te6a cHona B CBOHX OGRETHIAX Uyactna, www antorhahsimovish.com 2 Antoshasimovich©02012I Just Called To Say I Love You Stevie Wonder No new years day to celebrate No chocolate covered candy hearts to give away No first of spring, no song to sing In fact here's just another ordinary day No April rain, no flowers bloom No wedding Saturday within the month of June But what it is, is something true Made up of these three words that I must say to you I just called to say I love you I just called to say how much I care I just called to say I love you And I mean it from the bottom of my heart No summer's high, no warm July No harvest moon to light one tender August night No autumn breeze, no falling leaves Not even time for birds to fly to southern skies No Libra sun, no Halloween No giving thanks to all the Christmas joy you bring But what it is though old so new To fill your heart like no three words could ever do "Just Called to Say I Love You" is a song written, produced and performed by Stevie Wonder. It was one of Wonder’s most commercially successful singles. The song was first featured in the 1984 comedy The Woman in Red, along with two other songs by Wonder, and scored number one on the Billboard Hot 100 for three weeks from October 13, 1984, and also became Wonder’s only solo UK number-one success, staying at the top for six weeks, It also became his tenth number-one on the R&B chart, and his fourth number-one on the adult contemporary chart, In addition, the song won both a Golden Globe and an Academy Award for Best Original Song, The song also received three nominations at the 27th Grammy Awards for Best Male Pop Vocal Performance, Song of the Year and Best Pop Instrumental Performance. www antorhahsimovish.com 2B Antoshasimovich©02012There was a dispute among Wonder, his former writing partner Lee Garrett, and Lloyd Chiate as to who actually wrote the song. Chiate claimed in a lawsuit that he and Garrett wrote the song years prior to its 1984 release; however a jury ultimately sided with Wonder. 4d Just Called to Say I Love You» — uecua 5 wcrtoancimm Crus Yaniepa, sumeauian 5 1984 roay a sosraanaasuian saprat CLA, BenuxoGpurranu w suiorux apyrix crpan a noxysumuas mysnixamustii «Ocxapy, Tlecus crana rasuofi temo Gumae 1984 roga CKeunmua 8 xpacnom peauiceépa Jaana Vaiinzepa saccre © aByse apyrumu accumsan Crusit Yanuzepa # sosraasasia xit-napan CILLA Billboard Hot 100 xpi wees c 13 oxtaGps 1984 ron. Ona TaroKe Gsita equneTaetol 21a Crusu nectelt crasmeit Ne 1 5 Aura, nposlepwanimncs a sepmmne 6 neqens. Cara eran 10.m ero vaprronnepom xut-napane R&B chart a ero 4x auzepom x apre Hot Adult Contemporary Tracks. Honoamurvexuo, necha auurpaia «Boxoroll r06ye» u Tpesaio «ckap» 2a xysumrylo recto K dpiutemy. Pycexuii uepesog - J[murpuii Tonos A nosponm.t, 1ro6bI cKasaTb: "SH 110610 Te6a" Cerogua mor ne npasanyem Hossili ox Wine xapum apyr apyry moxonasuste Konperst "Cepaue" Ceroauia ne nepsbiii eth BecHBt W ners cocraenno He 0 4eM, Cerogus camsiii oGsrunsiii nes. Hut anpemcKux noxneli, Hi pacnyckarommxes neeTOR, Ceroaua ne cy6Gora u un nen aBeii-To cpambOni B MIOHe, Ho To, sro npoucxogmr ceronus, Hesro nacroamee, Uro BEIpaKAcTeA TPEMs coIORAMH, Koropsie # aomxex cKasaTs Te6e. SL nosnOHHT, HTOGEI cKAsATE: "sl mobo Te6a", SI noswonsuT, 4TOGbI ckasaTE, KaK MHOTO Tot SHANI JI MEHR, A nossonna, #ToGb1 cKasaTB: "S| moGmo Te6s" www antorhahsimovish.com 74 Va rogopio ato or Bcero cepzua, Cerogua ne cepeauia neva, He xapKuii won, He pomairitieckas Hous azrycroscKoro nosHomyHia. He ayer oceunuii nerepox, He nagator actos, Haxxe uruuss eure ue serar ua tor Cerosuia He eH oceHnero conmilecroaHHa, He npasauux Xanaywn, He Poxectso, Kora a Garogapio reGx 3a cuactbe, Koropoe Tet auie mpunocume. Bee, uro npouexosur ceroatia Crapo u eMecte ¢ Tem HOBO Vi nanomuser cepaue Tax, Kak ne Moryr HarlosiiT® HHKakne pyre TPH cnona A nossount, «ToGw ckasaTh: "SL 06:10 Te6a" Antoshasimovich©02012Johnny B. Goode ‘Chuck Berry Deep down Louisiana close to New Orleans, Way back up in the woods among the evergreens There stood a log cabin made of earth and wood, Where lived a country boy named of Johnny B. Goode Who never ever learned to read or write so well, But he could play the guitar like ringing a bell. Go Go Go Johnny Go Go Go Johnny B. Goode He use to carry his guitar in a gunny sack Or sit beneath the trees by the railroad track. Oh, the engineers used to see him sitting in the shade, Strumming with the rhythm that the drivers made. The People passing by, they would stop and say Oh my that little country boy could play His mother told him someday you will be a man, And you would be the leader of a big old band. Many people coming from miles around To hear you play your music when the sun go down Maybe someday your name will be in lights Saying Johnny B. Goode tonight. "Johnny B, Goode" is a 1958 rock and roll song written and originally performed by Chuck Berry. The song was a major hit among both black and white audiences peaking at #2 on Billboard magazine's Hot R&B Sides chart and #8 on the Billboard Hot 100. The song is one of Chuck Berry's most famous recordings, has been covered by many artists, and has received several honors and accolades. It is also considered to be one of the most recognizable songs in music history. Composition and recording Written by Berry in 1955, the song is about a poor country boy who plays a guitar “just like ringing a bel,” and who might one day have his "name in lights.” Benry has acknowledged that the song is partly autobiographical, and originally had www antorhahsimovish.com 15 Antoshasimovich©02012"colored boy" in the lyrics, but he changed it to "country boy" to ensure radio play. The title is suggestive that the guitar player is good, and hints at autobiographic elements because Berry was bom at 2520 Goode Avenue in St. Louis. The song ‘was initially inspired by Berry's piano player, Johnnie Johnson, though developed into a song mainly about Berry himself. ‘Though Johnnie Johnson played on many other Chuck Berry songs, it was Lafayette Leake who played piano on this song, ‘The opening guitar riff’ on "Johnny B. Goode" is essentially a note-for-note copy of the opening single-note solo on Louis, Jordan's "Ain't That Just Like a Woman" (1946), played by guitarist Carl Hogan. Berry has written three more songs involving the character Johnny B. Goode, "Bye Bye Johnny", "Go Go Go", and "Johnny B. Blues"; and titled an album, and the nearly 19 min instrumental title track from it, as "Conecrto in B. Goode". Musicians Chuck Berry — vocals, guitar; Lafayette Leake — piano; Willie Dixon — bass; Fred Below ~ drums. Legacy Berry's recording of the song was included on the Voyager Golden Record, attached to the Voyager spacecraft as representing rock and roll, one of four American songs included among many cultural achievements of humanity, When Chuck Berry was inducted into the Rock and Roll Hall of Fame in 1986, he performed "Johny B. Goode" and "Rock and Roll Music," backed by Bruce Springsteen and the B Street Band. The Hall of Fame included these songs and "Maybellene" {in their list of the 500 songs that shaped Rock and Roll. It was inducted into the Grammy Hall of Fame in 1999, for its {influence as a rock & roll single. In the 1985 film Back to the Future, Marty MeFly with Marvin Berry and the Starlighters played the song during the "Enchantment Under the Sea” high school dance (this scene was "replayed" in Back to the Future Part II.) During Marty's Berry-esque rendition of the song, Marvin telephones his cousin Chuck, to have him hear what might be the new sound he was looking for (creating a paradoxical "who influenced whom" situation). Episode 14, Season 2 of the former CBS military action series The Unit is titled "Fohnny B. Good” in reference to the song, «Johnny B. Goode» («lxont Ba Tyzy) — ect anepukasicxoro mysiixatira Yaxa Beppu, oxHoro 13 poaosaansHikos pox-H-poiuia. Tecux Guuta Hantacana » 1955 roay H suiepsMic Gavia siutyuieHa 31 sapra 1958 roxa Ha oaNoUNEHHOM cuarae, C rex op Wohnny B, Goode» Hcrionianack MOXCCTROM MY3SIKRHTOR, CTaB KlaCcHMICCKHM Pox-craHaaprom — oT 9: nica TIpecnt a The Beatles 0 Sex Pistols, Judas Priest Green Day. B xapakrepxoit sume Beppit manepe necws peacransicr coGoii neGombuKoli paccKaa © HCIpAMOTHOM, HO TIGHTIMEOM jePEBCHCKOM HAPCHOKC, KOTO Za4apORAT cox cBocit urpoii ua ritape, Tecis, 8 uMcHe MpOwIX upousBCxeHIHit MHpORAX KONILOSIEOPOR pAsuIX apewe, Gains sanuicasa Ha soxloroit miacrinixe «Bosuxepa> xa Hiccus HacrONKO spKO MH YaawHO uenomumacs @ guxaMe «Hara B Gyayuicen, uo Teneps uuorua accommpyerex uMcHHO ¢ 2roit GaxeracrttecKot spwsiorueil. Ilo croxery, aK Beppit ue nanscan ory necato, a x 1955 rosy ero xysen Mapamt Beppu, yeusiutan e@ Ha WKoaGHOM Tatiuenamato sevepe, 1° nospocrox, npuGiseunit ws 1985 roma, Mapr Max¢bnaii, denon 9ror Xir, yae atias ero Kax nanticanisit axon Beppit 8 1955-0 (oGuirpuisactes kuaceHecxitt napaxoxe epeweutiolt net). Haawaunte Kosoanuunt Gsi10 cuapoxupoRasio 8 aspaii sunsona «Stewie B. Goode» uyasreepuasa «Tpudypuats, www antorhahsimovish.com 6 Antoshasimovich©02012The Lady in Red Chris DeBurgh I've never seen you looking so lovely as you did tonight, I've never seen you shine so bright, T've never seen so many men ask you if you wanted to dance, They're looking for a little romance, given half a chance, And I have never seen that dress you're wearing, Or the highlights in your hair that catch your eyes, T have been blind; The lady in red is dancing with me, cheek to cheek, There's nobody here, it's just you and me, It's where I want to be, But I hardly know this beauty by my side, I'll never forget the way you look tonight; I've never seen you looking so gorgeous as you did tonight, T've never seen you shine so bright, you were amazing, I've never seen so many people want to be there by your side, And when you turned to me and smiled, it took my breath away, And I have never had such a feeling, Such a feeling of complete and utter love, as I do tonight; The lady in red is dancing with me, cheek to cheek, There's nobody here, it's just you and me, It's where I want to be, But I hardly know this beauty by my side, I'll never forget the way you look tonight; Inever will forget the way you look tonight... The lady in red, the lady in red, The lady in red, my lady in red, T love you... www antorhahsimovish.com 7 Atoshasimavich02012"The Lady in Red” is a song by Irish-British artist Chris de Burgh. It was released in June 1986 as the second single from the album Into the Light, The song was a big hit and reached the number one position in Canada, the UK, Ireland, the Flanders region of Belgium, and Norway. It also reached number three in the United States, Creation The song was written in reference to (though not specifically about) his wife Diane and was released on the album Into the Light. On the British TV series This Is Your Life, de Burgh said that the song was inspired by the memory of when he first, ‘saw Diane, and how men so often cannot even remember what their wives were wearing when they first met, Music video The musie video is a studio performance, with animation at the beginning and at the end of the song. It features a curly-haired ‘woman in red who depicts the song's lytic. Cover versions De Burgh himself did the Spanish version of the song, called "La Dama de Ayer". The Shadows did an instrumental ofthe song in 1987 on the album Simply Shadows, Bill Bailey performed a hillbilly spoof of this song in his show Part Trol, called "Cousin in Red,” playing it with a banjo sound on his guitar. Bailey described the song as "simpering mawkish cack ‘American crooner Andy Williams covered the song under the title "Lady in Red” on his 2006 release, I Don't Remember Ever Growing Up. The Bloodsugars, a Brooklyn-based Indie rock band, covered the song for the Guilt by Association Vol. 2 compilation, released by Engine Room Recordings in Novernber 2008. Although the song was not on the physical release ofthe album, it is possible to download it as a bonus track on the iTunes Store. Furthermore, the all military rock band American Attitude, based in Jacksonville Florida, has received high acclaim for their cover version that they play ive during their concerts. The band has plans to record and release their cover version in 2009, It was also covered by 2010 X Factor Australia winner Altiyan Childs for his self-titled debut album, Junior Gonzalez did a cover in salsa from his album, Lo Pasado, Pasado, In other media ‘Alec Baldwin and Melanie Griffith dance tothe song in the 1988 film Working Girl. It was the love theme for the characters of Steve "Patch" Johnson and Kayla Brady Johnson on the NBC daytime drama Days of our Lives (citation needed] The song appears briefly in the 2000 film adaptation of American Psycho when Patrick Bateman, played by Christian Bale, is listening to it in his office on his Walkman, It also appears in the 1988 movie, Working Girl tis also heard in the 2004 comedy film Dodgeball: A True Underdog Story. It appeared in the 2008 comedy film Baby Mama. It was also used in episodes of Drop the Dead Donkey, That Mitchell and Webb Look (where it was parodied with the "special secret snooker words" "Table of Reds"), Reasonable Doubts, Men Behaving Badly (during Gary's reminiscences in the final episode of Series 6, "Sofa"), 30 Rock, an episode in Supernatural called "Tall Tales," as a man slow dances with an alien and an episode of Misfits The song is referred to by DI Alex Drake in the first episode of Ashes to Ashes. As a joke, she says ‘I need to change out of red before Chris De Burgh writes a song about me’, A joke the others don't understand, The song is mentioned in the TV sitcom Friends during season seven. In the episode The One with Ross's Library Book, www antorhahsimovish.com 8 Antoshasimovich©02012character Janice proposes it as a song for Chandler and Monica's wedding (alongside George Michael's "Careless Whisper"), Just after the song's release, it regularly featured on television and radio in the run-up to the wedding of Prince Andrew to ‘Sarah Ferguson, which was held on 23 July 1986. Eight years later, it was chosen as the accompanying song to the clip of the ‘wedding on the BBC Rock 'n' Roll Years for the 1986 edition - by which time the couple had separated, Pycekuii nepenox HenspectHoro aBropa Jleau B kpactom Al nuxorga He nusen Te6s cro upexpachol, Kax B stor Beuep. Huxorua He siren reGx raxoit apxoit ‘SL MuKOTZIa He BIKIET, TOOK cTO-TBKO MYsUHE xOTENH € TOGO HoTaHeRATR. Ho aaa mux 970 scero snus nossii posan Mw rosso xait wake! AL wnKorsa He Bistes x TER B 9TOM TLIATHE. He sanevan, xax eTpystea Thou sostocs! 8 Gaeexe oruielt ~ He oropsars ras, Gwin enemowtt Hacrosman nea 8 xpacuon mare rauuyer co muoit, Ifexa i mtexe - Wumxoro Gomsue ner Beck TouBKo tc TOGOit BL xouy 410Gb! 9TO WIMIOCS BEKO. H a espa am stato oTy xpacoTky pxut0M co MHOM - AL nuxorsa ne saGyay, Kax Tat cerommes Bir sHH. AL wnKOra He Bustes TeOA TaKOH >dyeKTHOM, Kak # TOT Beep Huxoraa ne siien TeGs Taxol evactampol, rst Gouta usysaeresba FL wuKoraa He Bie: CTOBKNX soe, KesIAHOULHX HOGEITS PxLIOM ¢ TOG Ho Bor Th, HlozepHyBilnck, YAKGHY:lach Mie ~ IXAHME NepexRATH.IO SL muKorsa He NyBCTROBA TaKOH MOGBH TAK CHIBHIO, Kax a tor Bexep Iles 2 xpacto ramuyer co Moi, fexa x mtexe ~ Muyerora - 3ech TOWIBKO TI H W szecs 6x1 « xoren ocrarbes, Ho a exsa nu ysiato sty xpacorky pauzoM co mio - AL wnkoraa He saGysy, KaK Ts GAUIa peKpactt, SL uuxorsa ne saGyay, KaX TH suursatena B TOF Bevep. Test 8 kpacHoM, Mos ex, A mobino re6a, www antorhahsimovish.com 79 Antoshasimovich©02012Love Story Carl Sigman and Francis Lai Where do I begin to tell the story Of how great a love can be The sweet love story that is older than the sea The simple truth about the love she brings to me Where do I start With her first hello She gave new meaning to this empty world of mine They'll never be another love another time She came into my life and made the living fine She fills my heart She fills my heart with very special things Angel songs and wild imaginings She fill my soul with so much love That any where I go I'm never lonely With her around who could be lonely I reach for her hand She's always there How long does it last Can love be measured by the hours in a day Thave no answers now But this much I can say T know I'll need her until the stars all burn away And she'll be there "(Where Do I Begin?) Love Story" is @ popular song published in 1970, with music by Francis Lai and lyries by Carl Sigman. TThe song was first introduced as an instrumental theme in the 1970 film Love Story. The lyrics were added after the theme ‘music became popular. Covers ‘The song has been covered many times. Andy Williams recorded originally and made the biggest hit version reaching #9 on the Billboard Hot 100 and #1 on the easy listening chart for four weeks, in addition to #4 on the UK Singles Chart www antorhahsimovish.com 80 Antoshasimovich©02012The song was also recorded by Lai himself (U.S. #31) with a full orchestra, and by Henry Mancini (U.S. #13), Vikki Carr, Nino Tempo & April Stevens, Glen Campbell, Rick Astley, Johnny Mathis, José José, Astrud Gilberto, Shitley Bassey, Patricia Kaas, Nana Mouskouri, Paul Mauriat, Donald Braswell Il, and Richard Clayderman, Williams performed the song with Miss Piggy in an episode of The Muppet Show. There is also a Romanian cover of this song, by Aurelian Andreescu, as well a a French one by Mircille Mathicu, and Korcan remake by G-Fla.in the Philippines, it was used as a theme song for the movie "In the name of love", Gary Valenciano performed the cover. Immortal Technique used this song as a background in the song, "Dance with the Devil", Sergio Franchi recorded this song in his 1971 Metromedia album, Sergio Franchi. Ray Conniffs version replaced the pronoun "she" (referring to Ali MacGraw’s character in the film) with "you". NIEX.T also covered this song in an instrumental version, in their album The Return of Next, Part 2. Donald Braswell II recorded this song on his 2007 album New Chapter. Australian singer Alfio recorded this song in 2008 for his album Classic Rewinds in tribute to Al Martino and 14 other Italian-American singers. Barry Manilow recorded this song on his 2010 Album "The Greatest Love Songs of All Time" He performed this song live on the penultimate Tonight Show with Conan O'Brien. Away ‘Team remixed this song, and their version was featured in the Showtime ‘TV series, The L Word in Season 2. Filipino pop singer Gary Valenciano covered the song for the theme song of the movie In The Name of Love released by Star Cinema in the Philippines in 2011 Samples thas been sampled by DJ SS in the Drum & Bass song "Lighter", and was also sampled in piano and used in a song called "Dance with the Devil” by the rapper Immortal Technique. In addition, Hi-Tek also sampled Andy Williams’ version for the track "Where It Started (NY)" for his album Hi-Teknology*: The Chip. The piano melody has also been sampled by British hip hop artists Phi Life Cypher and Task Force for the track "Who's This" on the EP "The Chosen Few" www antorhahsimovish.com 81 Antoshasimovich©02012My Way Paul Anka, Claude Frangois, Gilles Thibault, Jacques Revaux And now, the end is here And so I face the final curtain My friend, I'll say it clear I'll state my case, of which I'm certain T've lived a life that's full I traveled each and ev'ry highway And more, much more than this, I did it my way Regrets, I've had a few But then again, too few to mention I did what I had to do and saw it through without exemption I planned each charted course, each careful step along the byway And more, much more than this, I did it my way Yes, there were times, I'm sure you knew When I bit off more than I could chew But through it all, when there was doubt I ate it up and spit it out I faced it all and I stood tall and did it my way I've loved, I've laughed and cried I've had my fill, my share of losing And now, as tears subside, I find it all so amusing To think I did all that And may I say, not in a shy way, “Oh, no, oh, no, not me, I did it my way" For what is a man, what has he got? If not himself, then he has naught To say the things he truly feels and not the words of one who kneels The record shows I took the blows and did it my way! Yes, it was my way www antorhahsimovish.com 82 Atoshasimavich02012Original French lyrics: Je me lve et je te bouscule Comme dhabitude Tu nite réveilles pas Comme ’habitude Mes larmes Comme d’habitude Toute la journée Je les cacherai Sur foi je remonte le drap Je vais jouer Comme d'habitude Tai peur que tu aies Froid AA faire semblant Comme d'habitude Comme d'habitude ‘Comme dhabitude Ma main caresse tes cheveux Je vais sourire Mime la nuit Presque malgré moi Comme d’habitude Je vais jouer ‘Comme d'habitude Je vais mme rire ‘A faire semblant Mais toi Comme d'’habitude Comme dhabitude Tu me tournes le dos Enfin je vais vivre Tu rentreras Comme d'habitude Comme d'habitude Comme dhabitude Alors je m’habille trés vite Je attendrai Je sors de la chambre Et puis Comme d'habitude Comme dhabitude Le jours'en ira Tu me souriras Tout scul je bois mon café Moi je reviendrai Comme dhabitude Je suis en retard Comme d’habitude Comme dhabitude Toi Comme dhabitude Sans bruit je quitte la maison Tu seras sortie Tu te déshabilleras Tout est gris dehors Et pas encore rentrée Comme dhabitude Comme d'habitude Comme dhabitude Tu te coucheras Jai froid Tout seul omme dhabitude Te releve mon col Tirai me coucher ‘On s'embrassera Comme d'habitude Dans ce grand lit froid Comme d'habitude "My Way" is a song popularized by Frank Sinatra, Its lyries were written by Paul Anka and set to music based on the French Somme d'habitude" composed in 1967 by Claude Frangois and Jacques Revaux, with lyties by Claude Frangois and les Thibault, " ‘omme dhabitude” had in tur originally been written in English, titled "For Me". Anka's English Iyries are unrelated to the original French song or the earlier English version. "My Way" is often quoted as the most covered song in history, Themes The lyrics of "My Way" comfortable with his mortality and takes responsibility for how he dealt with all the challenges of life while maintaining a ell the story of a man who, having grown old reflects on his life as death approaches. He is respectable degree of integrity Origin Paul Anka heard the original 1967 French pop song, Comme dhabitude (As Usual) performed by Claude Frangois, while on holiday in the south of France, He flew to Paris to negotiate the rights to the song. In a 2007 interview, he said: "I thought it was a bad record, but there was something in it.” He acquited publishing rights at no cost except the melody's rights kept by the authors, and, two years later, had a dinner in Florida with Frank Sinatra and “a couple of Mob guys" at which Sinatra said: "I'm quitting the business. I'm sick of it, I'm getting the hell out,” Back in New York, Anka re-wrote the original French song for Sinatra, subtly altering the melodic structure and changing the lyries: "At one o'clock in the morning, I sat down at an old IBM electric typewriter and said, ‘If Frank were writing this, what would he say?’ And I stated, metaphorically, ‘And now the end is near’ I read a lot of periodicals, and I noticed everything was ‘my this’ and 'my that. We were in the ‘me generation’ and Frank became the guy for me to use to say that. used words I would never use: ‘Late it up and spit it out! But that’s the way he talked. I used to be around steam rooms with the Rat Pack guys ~ they liked to talk like Mob guys, even though they would have been seared of their own shadows." Anka finished the song at 5 am. "I called Frank up in Nevada — hhe was al Caesar's Palace — and said, "Ive got something really special for you.” Anka claimed: "When my record company www antorhahsimovish.com 83. Antoshasimovich©02012‘caught wind of it, they were very pissed that I didn't keep it for myself. I said, "Hey, I can write it, but I'm not the guy to sing it! It was for Frank, no one else." Despite this, Anka would later record the song in 1969 (very shortly after Sinatra's recording was released). As well Anka recorded it 3 other times (1) in 1996 (as a duet with Gabriel Byme, performed in the movie Mad Dog Time), (2) In 1998 My Way in Spanish as (a Mi Manera) (duet with Julio Iglesias) and (3) in 2007 (as a duet with Jon Bon Jovi). Frank Sinatra recorded his version of the song on December 30, 1968, and it was released in carly 1969 on the album of the same name and as a single, It reached No. 27 on the Billboard Hot 100 chart and No. 2 on the Easy Listening chart in the US. In the UK, the single achieved a still unmatched record, becoming the recording with the most ‘weeks inside the Top 40, spending 75 weeks from April 1969 to September 1971. It spent a further 49 weeks in the Top 75 bbut never bettered the No. 5 slot achieved upon its first chart run. Versions Dorothy Squires version: In the midst of Sinatra's multiple runs on the UK Singles Chast, Welsh singer Dorothy Squires also released a rendition of "My Way" in Summer 1970, Her recording reached number 10 on the UK Singles Chart and re- entered the chart twice more during that year, Elvis Presley version: Elvis Presley began performing the song in concert during the mid-1970s, in spite of suggestions by Paul Anka, who told him it was not a song that would suit him, Nevertheless, on January 12 and 14, 1973 Presley sang the song during his satellite show "Aloha from Hawaii", beamed live and on deferred basis (for European audiences, who also saw it in prime time), to 43 countries via Intelsat, the only time that a single entertainer faced such a worldwide audience, In the continental US, the show was carried by NBC, and shown in primetime on April 14, thus achieving very high ratings and eventually helping the show reach a worldwide viewership of over 1 billion, On October 3, 1977, several weeks after his death, his live recording of "My Way" (recorded for the "Elvis In Concert" CBS- TTV special on June 21, 1977) was released asa single, Inthe U.S., it reached number 22 on the Billboard Hot 100 pop singles chart (higher than Frank Sinatra's peak position), number 6 on the Billboard Adult Contemporary chart, and went Gold for its sucessful sales of over half a million copies. The following year the single reached number 2 on the Billboard Country singles chart but went ll the way to number 1 on the rival Cash Box Country Singles chart In the UK, it reached number 9 on the UK Singles Chart ‘As early as June 10, 1971 Elvis recorded a version of My Way in RCA studio B, Nashville, Tennessee. This studio version ‘was released forthe first time on the 1995 release: The Essential 70's Masters(Walk A Mile In My Shoes),dise 4 Sid Vicious version: Sex Pistols’ bassist Sid Vicious did a punk rock version of the song. This version, in which a large body of the words were changed and the arrangement was sped up, charted at No. 7 in the UK in 1978. The orchestral backing was arranged by Simon Jeffes Interviewed in 2007, Paul Anka said he had been "somewhat destabilized by the Sex Pistols! version. It was kind of curious, but I felt he (Sid Vieious) was sincere about i." Vicious did not know all the lyrics to the song when it was recorded, so he improvised several lyrics. Vicious’ reference to a "prat who wears hats" was an in-joke directed towards Vicious’ friend and Sex Pistols band-mate John Lydon, who was fond of wearing different kinds of hats he would pick up at rammage sales ‘An edited version of the Sid Vicious cover is played during the closing credits of the movie Goodfellas and "Juan of the Dead" a Cuban satire zombie movie which played as part ofthe Miami Film Festival 2012. In her album The End, released in conjunction with the film Nana 2, singer and actress Mika Nakashima performs a cover of Sid Vicious’ version ofthe song with what sounds like an audience singing background vocals. In the film The Great Rock'n'Roll Swindle the original footage for the track shows Sid Vieious at the end taking out a hand gun and opening fire on the audien ‘ hitting two of the audience members. Sid then sneers, throws the gun away, and flicks ¢ V's at the audience and ascends the stair ease he walked down to the stage from, For the music video version, director Julien Temple removed the original footage featuring actors playing the audience and the final graphic violence and replaced www antorhahsimovish.com 84 Antoshasimovich©02012a few of the audience cutaways with stock footage of a theatre audience from the 1950s (he also drowned out Sid's use of the Foword in the third verse with audien c applause). Although the censored version was still controversial, it merely showed Sid wildly shooting a gun towards the crowd. All of the footage of the bullet impacts and corpses were removed. The music video was recreated for director Alex Cox's film Sid and Nancy, with the final person Sid (Gary Oldman) shooting girlfriend Nancy Spungen (Chloe Webb), eerily foreshadowing her alleged murder at Sid's hands. However, inthe film, she gets up and the two embrace as the stage lights are tumed off. Chris Mann version: In 2012 Anka revised the Iyrics of the song for Chris Mann's debut album Roads. In Mann's version the song is presented from the perspective of a young man looking to the future instead of an older man reflecting on his life Other versions: "My Way" is thought to be one of the most covered songs ever written. However, "Yesterday" by Beatles is considered to take that credit. Here is a very brief listing of some of those covers. Jocelyne prior to her untimely death in 1972, the French pop star recorded it in English. Nina Simone had success with her re-arranged version of the song, released on 1971's Here Comes the Sun, which was more upbeat and melodic, and included a syncopated rhythm highlighted by the addition of conga drums. It became a staple of her live concerts, In 1970 British singer Samantha Jones won the music festival held in Belgian Knokke-Heist with a version of "My Way", which subsequently reached #4 on the Dutch charts. Tom Jones recorded a version of "My Way" in 1971, when it was released as the B-side to his big hit "She's a Lady" (which Anka had also written). Brook Benton hit the pop, R&B, and easy listening charts with a recording of the song in 1970. Andy Williams sang this song in his show in 1969, Shirley Bassey recorded the song for her 1970 album Something. She also performed it live on numerous occasions notably the 1976 Royal Variety Performance. In the weeks following Sinatra's death in 1998, Bassey sang it as a tribute to him on her "Diamond" concert tour. The leading gorilla, Ape, in 1997's George of the Jungle performs the song at the movie's conclusion, The Romanian rock singer Dida Drigan recorded this song in 1977, with Romanian lyries, accompanied by National Radio-Television Pop Orchestra, conducted by Sile Dinicu, Gonzo the Great performed the song in a 1980 episode of The Muppet Show, He sings this song before leaving the show to pursue a movie career in Bombay, Nina Hagen released a version of "My Way" as a single in 1980, It contained "My Way" (4:25), "Alptraum'" (4:06) and "No Way” (1:05). Greta Keller always included the song during her last decade of performing and did a duet with Rod MeKuen singing the song at Lincoln Center in New York City and in Vienna, Gipsy Kings, a group which popularized the Rumba Flamenca, covered the song using the traditional gipsy sound. Their version is entitled "A Mi Manera (Comme D'habitude)", though most fal to recognize that this is a cover due the lyrics being sung in Spanish U2 regularly performed a snippet of "My Way" at the end of their song "Ultraviolet (Light My Way)" during their 1992-1993 Zoo TV Tour. Patti LuPone performs this song as part of her one-woman show Coulda, Woulda, Shoulda, One of Argentina's top rock performers, Andres Calamaro released "My Way" in an interesting reggae version in his Las otras caras de Alta Suciedad "My Way" for his album Doing It My Way. Bobby Solo docs a recording of the song in Italian called "La Mia Strada”. Another Italian version "La Mia Via" lyrics by Andrea Lo Veochio was recorded by both Fred Bongusto in 1975, and Frank Michael in 1990, Popular Ukrainian rock band album, Ray Quinn, the runner-up of the third series of The X Factor UK, covere ‘Okean Elzy performed the song (the only one ofthe set in English) during their syrmphony-accompanied renaissance tour. A black metal version of the song has been performed by the French band Mitilation on the album From the Entrails to the Dirt, Robbie Williams sang "My Way" in his concert at the Royal Albert Hall on October 10, 2001. This version of the song was recorded and released in the DVD Live At The Albert. The symphonic metal group Northern Kings covered this song in their latest album, Rethroned, released November 19, 2008. The German Euro Disco artist Fancy covered the song on his 2008 album Forever Magic. British satirical show Spitting Image, who frequently ended each episode with a musical number, rounded off a season with a puppet of Margaret Thatcher singing the song, word-for-word. The Pogues’ Shane MacGowan recorded a punk cover ofthe song, reaching No, 29 on the UK singles char, His version was used for a Nike commercial J-pop artist Chara covered the song on her 1996 album Montage. Japanese pop singer Mika Nakashima covered the song on her 2006 album The End. The song, like the whole of The End album is credited as Nana starring Mika Nakashima. Patti www antorhahsimovish.com 85 Antoshasimovich©02012‘Austin covered the song on her 2011 album Sound Advice, Jacky Cheung performed the song at the 30th Hong Kong Film ‘Awards, on April 17, 2011. Vicente Femindez Spanish version titled "A Mi Manera”. TMZ founder and People's Court legal analyst Harvey Levin covered the song with Anka in 2011, Dutch singer and painter Herman Brood covered the song. It was part of his posthumous greatest hits album My Way (2001). The ttle song was released on single and became his first No. 1 single in the Dutch top 40. University of Massachusetts Minuteman Marching Band traditionally covers this song at every 2011, Landau Eugene Murphy, Jr. performed the song during the finals of the sixth season of the NBC reality television series post-game show. They also sing it at non-performance events as a way of ending their mectings. On September ‘America's Got Talent. The following evening he was crowned the winner, and was awarded the show's 1 million grand prize. Later that year a studio version of the song appeared on Murphy's debut album, That's Life. R. Kelly covered the song on his Love Letter album tour in 2011. The Japanese rockband Kishidan has covered the song in concerts, and will release @ recorded version in December 2011. The Barry Sisters sang "My Way" in Yiddish on their 1973 album Our Way. The lyrics for "Mein vayg" were wanslated by the Yiddish theater actor Herman Yablokoff, Australian altemative rock band Faker covered the song on their 200S EP The Familiar/Enough. In the 2006 movie Happy Feet, Robin Williams (voice of a penguin) sang a cover of the song in Spanish, The Romanian singer, showman and entertainer Horia Brenciu recorded this song in 2012, with original lyrics, accompanied by HB Orchestra Big Band , in a video produced by HB Media Entertainment . The Halian singer Mina covered the song on the album-tribute to Frank Sinatra, L'allieva, in 2005. In culture "My Way” was found to be the song most frequently played at British funeral services. Former German Chancellor Gethard ‘Schrider requested the song for his final military sendoff (Zapfenstreich (in German)) prior to the inauguration of Angela Merkel. The chorus of Bon Jovi's "I's My Life” (subsequently covered by Paul Anka on Rock Swings) references the song in the line "My heart is like an open highway/Like Frankie said, I did it my way.” The pop duo Sparks released a song titled "When Do I Get to Sing ‘My Way" on their 1994 album Gratuitous Sax & Senscless Violins, mentioning Sinatra and Sid Vicious by name. Rapper Jay-Z has made reference to the song several times over his career and on The Blueprint 2 he samples the tune for his own song entitled "I Did It My Way". The identification of the song with Sinatra became so strong, and the song so iconic, that the Soviet government of Mikhail Gorbachev jokingly referred to its policy of non-intervention in the intemal affairs of other Warsaw Pact countries as the Sinatra Doctrine. David Bowie, then a little known musician, was originally contacted to write the words for the English version, and started to work on it, only to have the deal revoked by the producer later on before he could submit his material. He wrote "Life On Mars?" in retaliation. "My Way" is a popular karaoke song around the world, to the point that it has been reported to cause numerous incidents of violence and homicides amongst drunkards in bars in the Philippines, referred in the media as the "My Way Killings" «My way» (aura. «lo-cavemy», "Molt nyrs") — outa us cameo nonyaapuaix scxpaumax neceH cepenis! XX Beka, aurauiickait reer xoropoit sanucan Toxo Auxoit six pouka Cunarpot. Cunarpa sancan crysuiinsait apa 30 aexadps 1968 roxa, a 8 nayare 1969 rosa necHs Oxia mpentcranstena nyGauKe 4 jor saHMMaa BHICOKHE MecTa 8 Mysuixambuix aprax CLA 1 BesnxoGprerannn, Opurmmasenan ppannysckas nepens Opuranansiias panuysckaa Repel necHH verionHeHa Kronom @paveya h Gana cosana ® 1967 roay, oMa HasbinaeTeR «Comme d'habituder («Kax oGsrHo») (cuosa: 2Kax Peso, Kuon Ppancya; wysnixa: Kiwis TxGo). B uecwe upeucrasiena uKa Cumarpsi, 1 Samsue Tpecsm (Bo-smorom, «snaKosaxy jx Hero HecHA, MeONMeHHAK HME B HOCHeAHHE ros AIH Ht BRINYIIEHHaS 8 KaNeCTRE CHITA 5a HECKOMBKO Hess 10 eNepTH), H Tom J>xouc, H Mupeli Matse, Sex Pistols, I! Divo, Cu Bumec, PoG6x Yiersane # snorne spyrue, Heercx saxe Kasep-sepens or dpanuyscKoit raw black metal bopwansst Mutilation, B CCCP neemo My Way anepente enone Myeaw Maromaer, Hurepecusre paxret B 2007 roay 29-nernnit Pown Banya npiies ® kapaoKe-Gap ropose Cant Moreo, 0 HesaneKo oF GATHER cromas: Masia, 106s OTLOXHYT H chiers Hapy ueveH. OuHaKo, Kora ox Hata Merk necHKO "My Way", ows us oxpanuukos, 43-1erHuii PoSuaro Oprera, saxpuai, 410 on haxsumeur. He oGpamad BHMMaHMA Ha HexOBONRCTBO oxpaninca, GustmuNen upososxi HeTb, OMAK Ha cepeNHIHE 1 CHM OXpaHHIKK EITAUUEY CBOil peBosBep H BAICTpeNLLE Myicuine npaMo B rpyas, B rore Bawiryaa cxowiates na mecte, Toce aroro nponeuecrana necux Cisterpss Gana HHekioweHa us petteptyapa mHOrHx Kapaoxe-Gapos crpaHt Pycexuii uepeso, (Mean Bopuresckuii) Ceoii nyre. Korte ya nenaséx, Vi cxopo & yiiny nanexn. TeGe cxarxy, Moi apyr, Yro ronan 1a 9TOM cReTe. SUxusith MpoxkULI crtostta, TIpoméa ny7H, Ho nowan B 4éM cyte. ro saxueii cero, Tipoiiru emor cBoli nyte. Tevane # nosaan, Ho senomanars 0 Heli ne crown. J Roar cRoit HcTomHaN, XOTS OF HemeTOK Gui Hopow. SL sia, KYsIa WITH i BBIGupar KaKoit pexoii naEITs, Varo waxucii seero, SL BBiGpast CBO MyTS. Camonatean 6111 nopo Xorp a Osi cx1a6, Ho a pRasica R 6oii, www antorhahsimovish.com 87 AL nuxorsa ne oretynast, Sl nce Teprien W noGexnan! B siayo # ceprit Mor ssraanyte, V wiGpan croii myts. ThoGons co miolt Guia, Bean rpowiii emex 1 60m ytpare Teneps, cmorpa nasa, A oueitl CHACEMB, TO KOra-TO Bee sino y Mens Ws neGo xouercs mie KpHKHYTS: "Mue nai SaKon4HTD nyTs" Boi Vip em 2xnsHH cyTs? B vem ee epien? Beerga c coboro 4ecTHBIM OBITS, Vi ua Koneum we serasarb, ne acGesHre, ne orerynars. ‘Mena gam ne B 4em ynpexuyts - Tipontest s cxoit nyré! 2a, 2T0 moit nyrs! Antoshasimovich©02012The Shadow of Your Smile Johnny Mandel & Paul Francis Webster One day we walked along the sand One day in early spring You held a piper in your hand To mend its broken wing Now I'll remember many a day And many a lonely mile The echo of a piper's song The shadow of a smile The shadow of your smile When you are gone Will color all my dreams And light the dawn Look into my eyes My love and see All the lovely things You are to me Our wistful little star Was far too high A teardrop kissed your lips And so did I Now when I remember spring All the joy that love can bring I will be remembering The shadow of your smile "The Shadow of Your Smile”, also known as "Love Theme from The Sandpiper", is a popular song. The music was written by Johnny Mandel with the lyrics written by Paul Francis Webster, The song was introduced in the 1965 film The Sandpiper, ‘with a trumpet solo by Jack Sheldon and later became a minor hit for Tony Bennett (Johnny Mandel arranged and conducted his version as well) It won the Grammy Award for Song of the Year and the Academy Award for Best Original Song. www antorhahsimovish.com 88. Atoshasimavich02012‘Well-known versions of the song were recorded by Barbra Streisand (on her 1965 album My Name Is Barbra, Two...) singer Shirley Bassey (on her 1966 album I've Got a Song for You), Andy Williams, Percy Faith, Rita Reys, Al Martino, Perry Como, Nancy Sinatra, Astrud Gilberto, Peggy Lee, Sammy Davis, Jr., Sarah Vaughan and Frank Sinatra. Connie Francis, recorded the song in English, Spanish (La sombra de tu sonrisa), and in Italian (Castelli di sabbia). Trini Lopez included it on his Reprise Records album (Trini). Lill Lindfors recorded it in Swedish as Din skugga stannar kvar. Marvin Gaye recorded several versions of the song, One can be found on Romantically Yours, another on Vulnerable, and a live version on Marvin Gaye: Live at the Copa, Herb Alpert & the Tijuana Brass recorded an instrumental version for their 1966 album, What Now My Love, The Italian singer MINA sang this song in 1968 on television and was later released on a CD called Le canzonissime. German singer Udo Lindenberg included a more rock-oriented cover of the song on his 1986 single "Germans", In 2006, The Central Band of the Royal British Legion recorded an album with "The Shadow Of Your Smile" as, the lead ttle track. Other notable versions include Nancy Ames singing a Spanish version ("La Sombra De Tu Sonrisa") on her 1966 album Latin Pulse. Pepe Jaramillo recorded a Latin dance version on his 1971 EMI album Tequila Cocktail. Sergio Franchi recorded the song on his 1967 RCA Vietor album, From Sergio - With Love. A version by Engelbert Humperdinck is available on YouTube. The Bobby Darin album, Bobby Darin Sings The Shadow of Your Smile, was notable in that the album's fist side contained all of the songs nominated for the 1965 Academy Award for Best Original Song. Jazz saxophonist Eddie Harris recorded it in 1965, There are many other jazz versions, notably by Ella Fitzgerald, Wes Montgomery, Oscar Peterson, and Bill Evans. Organist Brother Jack MeDuff recorded a purely instrumental cover of the song in his 1967 album Tobacco Road, In 1983, the R&B group D-Train had a significant dance hit with their version from the 12" single "The Shadow of Your Smile” / "Keep Giving Me Love", In 1983, instrumental group Pieces of a Dream covered the song from their album, Imagine This. Tony Bennett re-recorded this song for his album Duets: An American Classic with Colombian-rock singer Juanes in a "Spanglish" version. This marked the first time that Juanes sang in English and Tony Bennett in Spanish, A Jose Carreras recording of the song appears on his 1997 album, What a Wonderful World. ‘Vytautas Juozapaitis, a soloist of Lithuanian National Opera and Ballet Theatre recorded a Lithuanian version entitled "Kai Tu Toli” on his debut album, Negaliu Nemyleti (Can't Help Falling In Love) released in 2004, Carly Smithson performed "The Shadow of Your Smile" on Season 7 of American Idol during the top 24 performances, It was released for download from the iTunes Store on February 21, 2008, Singer Amel Larrieux recorded "Shadow of Your Smile” on her 2007 jazz standard album, Lovely Standards, Singer/composer Donald Braswell II recorded this song,on his 2007 alburn, New Chapter. Saxophonist Dave Koz recorded two versions from his standards album, At the Movies. The first song featured Johnny Mathis on vocals, and Chris Botti on trumpet, The second, an instrumental, features Botti again and guitarist Norman Brown, Baden Powell, Brazilian guitarist and composer, included "The Shadow of Your Smile" on his 1971 Columbia album cntitled, "Solitude on Guitar" Pycexuii exer M. HoaGepercxuit Teoeit yauiGxn Tex Teocit yauiGxu Te ‘Teocit yanGxx Tou Bona & Moi 10W. Beersta co muof Beersa co miot Ona Menaer sap, (Ona sie ronopirr, ‘Ona nme renopar, Oura no Bee. ro ations eecuoli ro auoms necuoit B rom, stro sipxy 1 Bee, 0 uém wesrato x, Bet, 0 uém mestrano x, Hex xuey, Cova nionerpesato 4, Criova riowerpesato a, B row, ro moxano a Ecau npezo soft seman Ecau mpesio molt meaaxnet Weston, Kax may, Tooeit yiniGxu TeMb. Taoeit ynniGxu text, www antorhahsimovish.com 89 Antoshasimovich©02012Speak Softly Love Larry Kusic & Nino Rota Speak softly love And hold me warm against your heart I feel your words The tender trembling moments start We're in our world Our very own Sharing a love that only Few have ever known Wine colored days, warmed by the sun Deep velvet nights, when we are one Speak softly love So no one hears us but the sky The vows of love we make Will live until we die My life is yours And all because You came into my world with Love so softly love Speak softly love So no one hears us but the sky The vows of love we make Will live until we die My life is yours And all because You came into my world with Love so softly love www antorhahsimovish.com 90 Atoshasimavich02012"Speak Sofily Love (Love Theme from The Godfather)" is a song written for The Godfather (1972), the first film in the Godfather trilogy. While its instrumental version is simply known as "The Godfather Love Theme", "Speak Softly Love’ the vocal version. The words are by Larry Kusik but the music itself is by Nino Rota, The signature musical theme that opens the picce closely models a theme that appears early in the Overture to "La Forza del Destino" by Giuseppe Verdi. There are also different sets of lyrics forthe song in Italian ("Parla Pit: Piano") and also in Sicilian ("Brucia La Terra"). The Sicilian version is sung by Anthony Corleone (Franc D'Ambrosio) in The Godfather Part II. Rota had used a more comedic version of the song for the 1958 film Fortunclla. When this was discovered, Rota’s score for The Godfather was disqualified from consideration at the 1973 Academy Awards; it had been nominated for Best Original Score. However, Rota's score for The Godfather Part II won the 1974 Academy Award for Best Original Score, despite containing the same piece Recordings The song was originally recorded by Andy Williams, other artists, such as Al Martino, Eric Clapton and Bobby Vinton, have also recorded the song, among many others: Slash (formerly of Guns N’ Roses and Velvet Revolver) regularly performs it in concerts in a rock styl. Jamaican singer Ken Boothe recorded a reggae version. Sergio Franchi recorded the theme song his 1976 DynaHouse album 20 Magnificent Songs. He recorded it as a medley with “I Have But One Heart" on two other 1976 albums. There is also a very rare video of Franchi singing the Medley on YouTube in an unreferenced TV appearance Satan's Pilgrims have performed a surf rock version as well. Gianni Morandi had covered the song under the title "Parla Pi Piano" Dalida, Tino Rossi, Marie Laforét, and the Puppini Sisters covered the song under the ttle "Parle Plus Bas". A Ukrainian version, "Say You Love Me" (Ukrainian: Cxax, mo moGian; Skazhy scho lyubysh) was performed by Sofia Rotaru in the musical film Song Is Albvays with Us, as the Soviet administration did not allow to register the original English version for The Godfather’s soundtrack following the offer from Ariola (Sony BMG Music Entertainment). aja The Tokyo Ska Paradise Orchestra has also performed a ska version of the song. The song was also sampled for a song, ko rani se pyar ho gaya" in the Indian film Akele Hum Akele Tum. In Yugoslavia it was adapted and sung by Tereza Kesovija as "Govori Ti Hungarian pop star GySrgy Korda released the Hungarian language version 1974 as "Gydngé en Slelj até ringass szerclem" The 1970s Japanese pop group the Candies performed this song live in Osaka in 1977. The band Fant6mas also recorded a rock/metal version of the song on their album The Director's Cut The Hot Club of Detroit recorded a Gypsy jazz cover of this song on their eponymous album. The Sicilian version from The Godfather Part IIL appears on the music compilation Mob Hits: the Best Songs of Matia Movies. Speak Soflly Love, recorded in 2004 by the Norwegian singer Rein Alexander. The melody was used asthe theme music and as a central plot device in the Soviet short animated film Contact ‘A Russian version was done by Alexander Vertinsky, a Slovak version by Frantifck Kri8tof Vesely, and a Czech version by Jiti Maldsek, Scott Walker recorded a version for his 1972 album The Moviegocr. ‘A Portuguese version called "Fale Baixinho" was recorded by Brazilian singer Wanderley Cardoso in 1972. German jazz pianist Wolfgang Liebert regularly performs it as a standard Hip-hop artist RZA of Wu-Tang Clan samples the theme in "Black Mozart" on Rackwon's album Only Built 4 Cuban Linx I. www antorhahsimovish.com ol Antoshasimovich©02012The Italian version ("Parla Piu Piano’ ‘was recorded by Albanian singer Enrike Ceko in 2004. It was later recorded by the Welsh mezzo-soprano Katherine Jenkins for her album, Believe. Actor/singer Dominie Chianese, who portrayed Johnny Ola in The Godfather Part II, recorded the Italian version for his, album Ungrateful Heat. Bay Arca rapper Mac Dre sampled the theme in his hip-hop song "Mafioso" from his 2003 album, Al Boo Boo. Corpeii mue cepaue (oxeupurmuseckuit nepesog - Buxtopust Exceesa) Corpett wae ceparte nextiolt necnelt 0 10681, SL Tuxins 9x0M HoRTOpIO c108a TROHL, Molt susp ~ nus 1, 1 KaK BO CHE. Kro sa noo6Hoe, Gaur eHacTaME Ha Fewe, Ter - comma exer, u xMtexs sina, Hi wow Gapxar — rai ona. Mayers yomummer neGo stor wan oGer Yantaet cMeprs, 47: RITOGEHHIAX eMepTIL eT Tia — aarane wos, Cora THOM Corpetor cepaue nexstioit necttelt 0 1noGeu. C r0G010 jen — niata roToK, Wowyr now tax rayGox. Yeusuniar anressi wa HeGe Ham oer ers Tombko exacts 1 m0GoRb, a eMepri Her. Weeraner xuank mos crernel, Koraa Ta THXO cxakeink o OGRH CBoeIt www antorhahsimovish.com 92 Antoshasimovich©02012Strangers in the Night Bert Kaempfert, Charles Singleton, Eddie Snyder Strangers in the night, Little did we know Exchanging glances Love was just a glance away Wandering the night, A warm embracing dance away What were the chances We'd be sharing love And ever since that night Before the night was through We've been together Lovers at first sight Something in your eyes In love forever Was so inviting It turned out so right Something in your smile Was so exciting Strangers in the night Something in my heart Two lonely people Told me I must have you We were strangers in the night Up to the moment Strangers in the night When we said our first hello Two lonely people Little did we know We were strangers in the night Love was just a glance away Up to the moment A warm embracing dance away When we said our first hello For strangers in the night. "Strangers in the Night" is a popular song originally composed by Avo Uverian as "Broken Guitar" and later re-badged by Bert Kaempfert with English lyrics by Charles Singleton and Eddie Snyder. It was originally created under the ttle "Beddy Bye" as part of the instrumental score for the movie A Man Could Get Killed. The song was made famous in 1966 by Frank Sinatra. Reaching number one on both the Billboard Hot 100 chart and the Easy Listening char, it was the title song for Sinatra's 1966 album Strangers in the Night, which would become his most commercially successful album. The song also reached number one on the UK Singles Chart. Sinatra's recording won him the Grammy Award for Best Male Pop Vocal Performance and the Grammy Award for Record of the Year, as well as a Grammy Award for Best Arrangement Accompanying a Vocalist or Instrumentalist for Erie Freeman at the Grammy Awards of 1967. www antorhahsimovish.com 93 Antoshasimovich©02012Vocal improvisation One of the most memorable and recognizable features of the record is Sinatra's scat improvisation of the melody with the syllables "doo-be-doo-be-doo" as the song fades to the end. Many fans lament the fact that the fade was early and Sinatra's improvisation is cut off too soon. For the CD Nothing but the Best, the song was remastered and the running time is 2:45 instead of the usual 2:35. The extra ten seconds is just a continuation of Sinatra's scat singing. ‘The track was recorded on April 11, 1966, one month before the rest ofthe album, Sinatra despised the song, calling it at one time "a piece of shit" and “the worst fucking song that I have ever heard.” He ‘wasn't aftaid to voice his disapproval for playing it live. In spite of his contempt for the song, forthe fits time in eleven years he had a number one song, and it remained on the charts for fifteen weeks: Ialian-American tenor Sergio Franchi (among many others) covered the song on his 1967 RCA Vietor album From Sergio - with Love, Copyright issues It is sometimes claimed that the Yugoslav-Croatian singer Ivo Robié was the original composer of "Strangers in the Night", and that he Sold the rights to Kaempfert after entering it without success in a song contest in Yugoslavia. This has not been substantiated. Robié - often referred to as "Mr. Morgen" for his 1950s charts success with Morgen, created in collaboration with Bert Kaempfert - was rather the singer of the Yugoslav (Croatian) version of the song, called "Stranci u Noéi”, It was published in 1966 by the Yugoslav record company Jugoton under the serial number EPY-3779, On the label of the record B. Kaempfert and M, Renota are slated as authors, whereby Marija Renota is the creator of the Croatian Iyries. The original composition of "Strangers" was under the title "Beddy Bye" - referting to the lead character William Beddoes - as an instrumental for the score of the movie A Man Could Get Killed, The phrase "Strangers in the Night” was created after the composition, when the New York music publishers Roosevelt Music requested the lyricists Snyder and Singleton - then of fresh "Spanish Eyes", composed by Kaempfert of "Moon Over Naples" fame - to put some text to the tune. "Stranci u Noéi” is a literal translation of this phrase. In 1967, French composer Michel Philippe-Gérard (more commonly known just as Philippe-Gérard) established a claim that the melody of "Strangers" was based on his composition "Magic Tango", which was published in 1953 through Chappells in New York. Royalties from the song where thus frozen until a court in Paris ruled in 1971 against plagiarism and stated that ‘many songs were based on similar constant factors. Cover versions ‘Strangers in the Night" was recorded by many other artists, among them: Peter Beil in German as "Fremde in der Nacht", Cake, Vikki Carr, Petula Clark for her 1966 album I Couldn't Live Without ‘Your Love, Dalida in Italian as "Sola pit che mai", Rodney Dangerfield on his 2005 album Romeo Rodney, Connie Francis 4 first version in English (recorded April 2, 1966 - nine days prior to Sinatra's recording), which remains unreleased as of July 2012, a second Version in English for her 1966 album "Movie Greats Of The 60s", in Italian as "Sola pitt che mai for for her 1967 album Grandes Exitos her 1967 album Connie Francis canta i suoi best-seller, in Spanish as " dol Cine de los Afios 60, Anita Kerr Singers for their 1967 album Bert Kaempfert Tums Us On, Jack Jones No puedo olvid who also recorded the song in 1966 just before Frank Sinatra recorded his version, Brenda Lee, Al Martino, Bette Midler on her album Songs for the New Depression, Johnny Mathis, Mina recorded two versions of this song, one on her 1984 album. Catene and another on her 2005 album Liallieva., Ivo Robié in German as "Fremde in der Nacht", in Croatian as "Stranci u Noéi", Gerhard Wendland in German as "Fremde in der Nacht", Barry Manilow on his album Manilow Sings Sinatra, Aerosmith on their Live! Bootleg album as an instrumental cover. www antorhahsimovish.com 94. Antoshasimovich©02012Pyceait rexer M. ToaGepesexoro 51 Sposa 8 How xan pacescra, A Gposw » HowH Woxsaa orsera, A Gponmut 8 nom, Ma wexan re6s, How Guia noxpyr Ciuromo% uperpanoi Al wexan w sua ‘Tur rge-ro pao, Auckan w sua, ro aL waa Mens, Tiyrixa now Tlea osmnoxnx Hes1oReKa na nyt, Ha arom stonrow it sanryrannom yr Kax re6a uaitru? Haw Tak npocro norepsrses H tax tpyawo nonerpeyarscx Awawen te6%, C 106010 nnecre Mut npournt cknozs now, Caoae rewsaecrHocrs. Hacryn pacener - Wk am npuazia s06one! www antorhahsimovish.com 95 Antoshasimovich©02012Summertime George Gershwin & DuBose Heyward Summertime, And the livin’ is easy Fish are jumpin’ And the cotton is high Your daddy's rich And your mamma's good lookin So hush little baby Don't you cry One of these mornings You're going to rise up singing Then you'll spread your wings And you'll take to the sky But till that morning There's a'nothing can harm you With daddy and mamma standing by “Summertime” is an aria composed by George Gershwin for the 1935 opera Porgy and Bess. The Iyries are by DuBose Heyward, the author of the novel Porgy on which the opera was based, although the song is also co-credited to Ira Gershwin by ASCAP, The song soon became a popular and much recorded jazz standard, described as "without doubt... one of the finest songs the composer ever wrote... Gershwin's highly evocative writing brilliantly mixes elements of jazz and the song styles of Aftican-Americans in the southeast United States from the early twentieth century.” Composer and Iyricist Stephen ‘Sondheim has characterized Heyward's lyrics for "Summertime" and "My Man's Gone Now" as "the best lyrics in the musical theater”. The song is recognized as one of the most covered songs in the history of recorded music, with more than 33,000 covers by groups and solo performers. Porgy and Bess Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the Aftican American folk music of the period. Gershwin had completed setting DuBose Heyward’s poem to music by February 1934, and spent the next 20 months completing and orchestrating the score ofthe opera. The song is sung multiple times throughout Porgy and Bess, frst by Clara in Act Ias a lullaby and soon afer as counterpoint to the eraps game scene, in Act II in a reprise by Clara, and in Act III by Bess, singing to Clara's baby. It was recorded for the first time by Abbie Mitchell on 19 www antorhahsimovish.com 96 Antoshasimovich©02012July 1935, with George Gershwin playing the piano and conducting the orchestra (on: George Gershwin Conduets Excerpts from Porgy & Bess, Mark 56 667). Musical analysis Musicologist K. J. McElrath wrote of the song: "Gershwin was remarkably successful in his intent to have this sound like a {olk song, This is reinforced by his extensive use of the pentatonic scale (C-D-E-G-A) in the context of the A minor tonality and a slow-moving harmonic progression that suggests a “blues.” Because of these factors, this tune has been a favorite of jizz performers for decades and can be done in a variety of tempos and styles." Heyward’s inspiration for the Iyries was the southern folk spiritual-ullaby All My Trials, of which he had Clara sing a snippet in his play Porgy. While in his own description, Gershwin did not use any previously composed spirituals in his opera, Summertime is often considered an adaptation of the Affo-Americen spiritual Sometimes I Feel Like a Motherless Child, which ended the play version of Porgy Alternatively, the song has been proposed as an amalgamation of that spiritual and the South-Russian Yiddish lullaby Pipi- pipipee. The Ukrainian-Cenadian composer and singer Alexis Kochan has suggested that some part of Gershuwin's inspiration may have come from having heard the Ukrainian lullaby, Oi Khodyt Son Kolo Vikon (A Dream Passes By The Windows) at a New York City performance by Oleksander Koshetz's Ukrainian National Chorus in 1929 (or 1926). Other versions There are over 25,000 recordings of "Summertime", In September 1936, a rocording by Billic Holiday was the first to hit the US pop charts, reaching #12. Other notable recordings include those by Louis Armstrong and Ella Fitzgerald in 1957, Sam Cooke also in 1957, Gene Vincent and Miles Davis in 1958, The Marcels in 1961, The Tomadoes in 1964, Janis Joplin with Big Brother and the Holding Company on the 1968 album Cheap Thrills as well as The Zombies. The most commercially successful version was by Billy Stewart, who reached #10 on the Billboard Hot 100 in 1966, The Doors recorded the song live on albums including Live in Boston. English singer-songwriter Nick Drake recorded the song in 1967 or 1968, and itis included on the posthumous anthology album Tanworth In Arden. In 1970, Deep Purple released their single Black Night, whose riff was based on the bassline from Ricky Nelson's recording of "Summertime". The Fun Boy Three released their fifth single, "Summertime" in July 1982. In 1998, Morchesba and Hubert Laws recorded the song for the Red Hot Organization's compilation album Red Hot + Rhapsody, a tribute to Gershwin, which raised money for various charities devoted to increasing AIDS awareness and fighting the disease, Norah Jones and Marian MePartland has a cover at the Tanglewood Jazz Festival Aug. 3 2003. Avi Kaplan, of the a cappella group Pentatonix, recorded a version as part of "The Spaulding Sessions, Volume 2' on May 9th 2012, One of the most powerful and distinctive versions of the song was also performed live by Celine Dion in 1987 {citation needed] «Summertime — apua, Hanncasiaa [txopmxeM Teputsntow # 1935 rosy ju oneps «Iloprt Beco», Awropal TeKera: JyoBoe XeHwapx o Alipa Tepuwwn (Spar Jbkopioea). 3a octosy jum HancaNx apn TepuIBHH BART ykpaHHeKyIO omGemnyio nectio “Oli xoamrs com KoI0 wiKoH" (img.), KoTopyIo on yeximan x Hiro-Vopxe ® steno:enint Yxpannexoro Hanioxansoro Xopa tos ynpazienem Anexcanapa Kounita, ApWx Rerpedaerex ® onlepe SerBIpe pas: epponaansiio Kax KouIGexsHaK, Koropyio Knapa no&r exoemy peOEiKy, saveM Nepes HecKOISKO stHyT Kapa oer e& BMecte © XOPoM B clleHe © asaprHoli urpoii. B cuewe serséproié sroporo axta Knapa uoér romxo upunes. B orxporrin apersero akra Bece noér konnGensityio peSéxixy Kap. www antorhahsimovish.com 97 Antoshasimovich©02012Vicropus onepsr a apa B 1924 roay Jl}oBoe Xeiisap (aura. Dubose Heyward) nansican powan «loprip, a 8 1926 aaecte co caoeti xe1oi Jloport cosa no womunaMt powasia nsecy. Jbxopmrx Tepursiti ssioro pas nuicax JioBoe, 10 xoves Gs coanars onepy 1a octione lloprip. B 1933 rony ont anecte nonmicasm xontpaxt e TearpoM «Guild Theatre». Bpar Jbxopxa epuesnia, Afipa Tepimeun, nanican necito wropocrenenoro nepconiaxa onep — Knapu. Citasaza onepa ne Gata nonyaspHol, o7taKo epes 20 et, 8 1955 rosy Gsula nocrasnena yake # Mockne 1 Jlewnurpage. B 1957 roay, Camyess Foustynx (Samuel ldwyn) npwoSperaer aeropexiie pana na watosmic, F'naRnbte pom noaysaior Jloporn Jlowspiuex (Dorotby Dandridge) 1 Cus Tyarse (Sidney Poitier). Poss Knapni expan Jlaiaxsnn Koppona (Diahann Carroll). B 1959 roay duties ony arpany sa mysuikansHoe conponoxkxenme, B 1976 roxy dusiepaontieckii opxeerp Kinsenste sansa «Porgy and Bess» i noays narpasy Cpe, B 1977 rosy onepa Gkina ensara ueemkoM. Orepa 10 eH Hop HMEET KACCORKIIL Yerex BO lorax erpauiax. Ovens acto e& ctinMalor sasiono, HeeMorps ia To, 470 call sHaMesHFTOHl pve Hs onepH! ARETE Summertime, More apriterht saMACaNH TakHe KONIOSHIUIM Kak alt Ain’t Necessarily So», «Bess You Is My Woman, Got Plenty O' Nuttin» u al Loves you, Porgy». Jpop Fepuisast Maan uncars MySbiKy x apiut 8 exaGpe 1933, ussramce HcHOMSOBATS AbpoaNepuKANCKHe MorMNSI, TO OTHACTH HOMIsepAUACTEX TeM, MFO % apiMl upucyrersyer steKeHKa appoamepnxanues. Tonyaspnocrs Co spenenm cnoero nosso «Summertime Ghia MeHomenIa B cAMKIX paRtAX noxKamilo-UHicrpyMeHTaHBsx snrrepnperauuiax. Ona craza ocoGentio nonygpHoif noone Henomiesnix e8 raKat aazoRBIME HenomsBerensM KaK Yapmit Tlaprep, JIy Apwerpour x Sana cburyoxepansx, Maiine Jeane, Ockap Thrrepcos. Apuio nem m snorue pyre senosurrenn, nanpuep Jpxene Jbsonsm, Jbxo Xouxepeon, Cow Kyx. 'pynna The Zombies, co ceocit wirrepaperaruict ‘roll seen, nsirpan x 1964 roay KouKype epost Gprerancxsx sot0;ux py. LUypoKo HaBectHOl cxana TaKRKE REpCHE, onosmtenuas. Cawraetes, To no KosmMectRy paaHiix HcnosmteNIt apna onepexaer auawenryio necmo Yesterday (wonmiecrno sannteannssx Henosmtentit xovopoi nacsutruieaer oxox 3000) rpynnsi Beatles. Ho cocronuno sa 01-08-2012 ona Mexsyiapostiad rpyna KomekiWonepor santcel api, eanecTHas KaK «The Summertime Connection», pacrioxaraer cnenennawi npanepnio o 50 672 nySmsnix venosmeniax api, Gonee 41 444 v2 xoToparx Gian sancanl; rpymna naeer » xovtextt 33 376 nous sane oxoxo 4 100 oGpazuon 1 Henontx sasntee Apwa Gwuia nepesexena nia Gonrapernii, Karasoxexiii, seuiekuib, rommantexwii, senepastro, scroHieKuit, ¢unexit, bpamyscrnit, nesewnit, wransaickati, snoweRii, surroeeKnii, Maopi, xpeosseKail, nosbeK, opryrancxit, ykpaniiexui ceptckwit, HemAKeKI, HAMA H ABI ay. Pycexuii nepesos - Baaaumup Kusips Terai ete, a asus - evaeraiea, ‘Xatonox - Kax munxora, puiGa - uyTb 2H He BRAN, Tlana THolt - Gorar w saya - Kpacita, Tax sro Tule, AeTka, AeTKA, He Nas, Kax-10 yrpos saxoweutp 151 80114, 1. xpuitom paspexxermn npocrop roxyGoil, Ho tex nop we ne yatiaeure Tat Sonn, Bea u nau, « mana - psurom ¢ 106i, www antorhahsimovish.com 98 Antoshasimovich©02012Yesterday John Lennon and Paul McCartney Yesterday, all my troubles seemed so far away Now it looks as though they're here to stay Oh, I believe in yesterday. Suddenly, I'm not half to man I used to be, There's a shadow hanging over me. Oh, yesterday came suddenly. Why she had to go I don't know she woldn't say. I said something wrong, now I long for yesterday. Yesterday, love was such an easy game to play. Now I need a place to hide away. Oh, I believe in yesterday. Mm mm mm mm mm. "Yesterday" is song originally recorded by The Beatles for their 1965 album Help!, Although credited to "Lennon MeCartney”, the song was written solely by Paul McCartney. It remains popular today with more than 2,200 cover versions, and is one of the most covered songs in the history of recorded music,{note 1] A‘ the time of its first appearance the song was released by the Beatles’ record company as a single in the United States but notin the United Kingdom (For further details see below). Consequently, whilst it topped the American chart in 1965 the song first hit the British top 10 three months after the release of Help! in a cover version by Matt Monro. "Yesterday" was voted the best song of the 20th century in a 1999 BBC Radio 2 poll of music experts and listeners and was also voted the No. I Pop song of all time by MTV and Rolling Stone ‘magazine the following year. In 1997, the song was inducted into the Grammy Hall of Fame. Broadcast Music Incorporated (BMD asserts that it was performed over seven million times in the 20th century alone. "Yesterday" is a melancholy acoustic guitar ballad about the break-up of a relationship. McCartney is the only Beatle to appear on the recording, and it was the first official recording by the Beatles that relied upon a performance by a single ‘member of the band. He was accompanied by a string quartet. The final recording was so different from other works by the Beatles that the band members vetoed the release of the song as a single in the United Kingdom. (However, it was issued as a single there in 1976.) In 2000 McCartney asked Yoko Ono if she would agree to change the credit on the song to read "MeCarmey-Lennon' in the The Beatles Anthology, but she refused. www antorhahsimovish.com 99 Antoshasimovich©02012Origins According to biographers of McCartney and the Beatles, McCartney composed the entire melody in a dream one night in his room at the Wimpole Street home of his then girlfiiend Jane Asher and her family, Upon waking, he hurried to a piano and played the tune to avoid forgetting it McCartney’ initial concem was that he had subconsciously plagiarised someone else's work (known as eryptommnesia). As he put it "For about a month T went round to people in the musie business and asked them whether they had ever heard it before Eventually it became like handing something in to the police. I thought if no-one claimed i afer a few weeks then I could have it” Upon being convinced that he had not robbed anyone oftheir melody, McCartney began waiting lyrics to suit it. As Lennon and MeCartney were known to do at the time, a substitute working lyric titled "Scrambled Eggs" (the working opening verse was "Scrambled Eggs/Oh, my baby how I love your legs"), was used forthe song until something more suitable was written, In his biography, Paul McCartney: Many Years from Now, McCartney recalled: "So first of all I checked this melody out, and people said to me, ‘No, it’s lo , and I'm sure its all yours. It took me a little while to allow myself to claim it, but then like a prospector | finally staked my claim; stuck a litle sign on it and said, ‘Okay, is mine!" It had no words. I used to call it ‘Scrambled Eggs." During the shooting of Help, a piano was placed on one of the stages where filming was being conducted and McCartney ‘would take advantage ofthis opportunity to tinker withthe song. Richard Lester, the director, was eventually greatly annoyed by this and lost his temper, telling McCartney to finish writing the song or he would have the piano removed. The patience of the other Beatles was also tested by McCartney's work in progress, George Harrison summing this up when he said: "Blimey, he's always talking about that song. You'd think he was Beethoven or somebody!" MeCartney originally claimed he had written "Yesterday" during the Beatles' tour of France in 1964; however, the song was not released until the summer of 1965, During the intervening time, the Beatles released two albums, A Hard Day's Night and Beatles for Sale, both of which could have included "Yesterday". Although McCartney has never elaborated his claims, a delay may have been due to a disagreement between MeCariney and George Martin regarding the song's arrangement, or the ‘opinion of the other Beatles who felt it did not suit their image. Lennon later indicated that the song had been around for a while before: "The song was around for months and months before we finally completed il. Every time we got together to write songs for a recording session, this one would come up. We almost had it Finished. Paul wrote nearly all oft, but we just couldnt find the right title. We called it 'Serambled Eggs’ and it became a joke between us. We made up our minds that only a one-word ttle ‘would suit, we just coulda find the right one, Then one morning Paul woke up and the song and the title were both there, completed. I was sorry in a way, we'd had so many laughs about it.” MeCartney said the breakthrough withthe Iyrcs came during a trip to Portugal in May 1965: “Lremember mulling over the tune 'Yesterda "and suddenly getting these little onc-word openings to the verse. I stated to develop the idea... da-da da, yes-ter-day, sud-den-ly,fan-it-ly, mer-l-ly and Yes-ter-day, that's good. All my troubles seemed so far away. I's easy to rhyme those a: say, nay, today, away, play, stay, there's a lot of shymes and those fall in quite easily, so I gradually pieced it together from that joumey. Sud-den-ly, and 'b! again, another easy rayme: e, me, tre, flea, we, and I had the basis of it" (On 27 May 1965, MeCartney and Asher flew to Lisbon for a holiday in Albufeira, Algarve, and he borrowed an acoustic guitar from Bruce Welch, in whose house they were staying, and completed the work on "Yesterday". The song was offered as a demo to Chris Farlowe prior to the Beatles recording it, but he tuned it down as he considered it "too son" www antorhahsimovish.com 100 Antoshasimovich©02012Recording Studio work ‘The track was recorded at Abbey Road Studios on 14 June 1965, immediately following the taping of "I'm Down’ and four days before McCartney's 23rd birthday. There are conflicting accounts of how the song was recorded, the most quoted one being that McCartney recorded the song by himself, without bothering to involve the other band members. Alternative sources, however, state that McCartney and the other Beatles tried a variety of instruments, including drums and an organ, and that George Martin later persuaded them to allow McCartney to play his Epiphone Texan steel-string acoustic guitar, later on editing-in a string quartet for backup. Regardless, none of the other band members was included in the final recording. However, the song was played with the other members of the band in concert during 1966, in G major instead of F major. McCartney performed two takes of "Yesterday" on 14 June 1965, Take 2 was deemed better and used as the master take, On 17 June, an additional vocal track by MeCartney and a string quartet were overdubbed on take 2 and that version was released, Take 1, without the string overdub, was later released on the Anthology 2 compilation, On take 1, McCartney can be heard giving chord changes to George Harrison before starting, but George does not appear to actually play. Take 2 had two lines transposed from the first take: "There's @ shadow hanging over me"/"I'm not half the man I used to be", though it seems elear that their order in take 2 was the correct one, because McCartney can be heard, intake 1, suppressing a laugh at his mistake. In 2006, just before the album Love was released, George Martin elaborated on the recording set-up of the song: "Paul played bis guitar and sang it live, a mic on the guitar and mie on the voice. But, of cours, the voice comes on to the guitar mie and the guitar comes on to the voice mic, So there's leakage there, Then I said I do a string quartet, The ‘musicians objected to playing with headphones, so I gave them Paul's voice and guitar on two speakers either side of their microphones. So there's leakage of Paul's guitar and voice on the string tracks.” Personnel Personnel as given by Mark Lewisohn and Ian MacDonald: Paul McCartney — lead vocal and acoustic guitar Tony Gilbert — violin Sidney Sax — violin Kenneth Essex — viola Francisco Gabarto — cello ge Martin — producer Norman Smith — engineer Debate on the release of the song Concerning the debate on how the song should be released, Martin later said: [Yesterday] wasn't really a Beatles record and I discussed this with Brian Epstein: "You know this is Paul's song. shall we call it Paul MeCartney?' He said 'No, whatever we do we are not splitting up the Beatles. > ‘Surround mix for the album Love ‘The leakage of sound from one track to another was a concer later, when the surround version of the song was mixed for the album Love, but it was decided to include it nevertheless. As Martin explained in the liner notes of Love: ‘We agonised over the inclusion of "Yesterday" in the show. It is such a famous song, the icon of an era, but had it bbeon heard too much? The story of the addition of the original string quart is well known, however, few people know how limited the recording was technically, and so the case for not including it was strong, but how could we ignore such 2 marvellous work? We introduced it with some of Paul's guitar work from "Blackbird", and hearing it now, I know it was right to include it. Is simplicity isso direct; it tugs atthe heartstrings. www antorhahsimovish.com 101 Antoshasimovich©02012Composition and structure Ostensibly simple, Featuring only McCartney playing an Epiphone Texan stecl-string acoustic guitar backed by a string quartet in one of the Beatles’ first use of session musicians, "Yesterday" has two contrasting sections, differing in melody and rhythm, producing a sense of disjunction. The first section ("Yesterday, all my troubles seemed so far away...") opens with an F chord (the 3rd of the chord is omitted), then moving to Em7 before resolving to A7 and then to D-minor. In this sense, the ‘opening chord is a decoy; as musicologist Alan Pollack points out, the home key (F-major) has little time to establish itself before “heading towards the relative D-minor.” He points out that this diversion is a compositional device commonly used by Lennon and MoCariney, which he describes as "delayed gratification’. The second section ("Why she had to go I don't know...") is, according to Pollack, less musically surprising on paper than it sounds. Starting with Em7, the harmonic progression quickly moves through the A-major, D-minor, and (closer to F-major) B b , before resolving back to F-major, and atthe end of this, MoCartney holds F while the strings descend to resolve to the home key to introduce the restatement of the first section, before a brief hummed closing phrase. Pollack described the scoring as “truly inspired”, citing it as an example of "[Lemon & McCartney's] flair for creating stylistic hybrids"; in particular, he praises the “ironic tension drawn between the schmaltzy content of what is played by the quartet and the restrained, spare nature of the medium in which itis played." The tonic key of the song is F major (although, since McCartney tuned his guitar down a whole step, he was playing the chords as if it were in G), where the song begins before veering off into the key of D minor. It is this frequent use of the ‘minor, and the ii-V7 chord progression (Em and A7 chords in this case) leading into it, that gives the song its melancholy aura. The A7 chord is an example of a secondary dominant, specifically a Vivi chord. The G7 chord in the bridge is another secondary dominant, in this case a V/V chord, but rather than resolve it to the expected chord, as with the A7 to Dm in the verse, McCartney instead follows it with the IV chord, a B b . This motion creates a descending chromatic line of C-B-B b ~ A to accompany the title lyric. The string arrangement reinforces the song's air of sadness, in the groaning cello line that connects the two halves of the bridge, notably the "blue" seventh in the second bridge pass (the E » played after the vocal line, "I don't know / she wouldn't say") and in the descending run by the viola that segues the bridge back into the verses, mimicked by McCartney's vocal on the second pass of the bridge. This viola line and the high A sustained by the violin over the final verse are the only elements ofthe string arrangement attributable to McCartney rather than George Martin ‘When the song was performed on The Ed Sullivan Show, it was done in the above-mentioned key of F, with McCartney as the only Beatle to perform, and the studio orchestra providing the string accompaniment. However, all ofthe Beatles played in a G-major version which was used in the Tokyo concerts during their 1966 tours. When McCartney appeared on ‘The Howard Stem Show, he stated that he owns the original Iyries to "Yesterday" written on the back of an envelope. McCartney later performed the original "Scrambled Eggs" version of the song, plus additional new lyrics, with Jimmy Fellon and The Roots on Late Night with Jimmy Fallon. Resemblance to other songs In 2001, Ian Hammond speculated that McCartney subconsciously based "Yesterday" on Ray Charles version of "Georgia on My Mind’, but closed his article by saying that despite the similarities "Yesterday" is @ “completely original and individual (work].” In July 2003, British musicologists stumbled upon superficial similarities between the lyric and rhyming schemes of "Yesterday" and Nat King Cole's "Answer Me, My Love" (originally a German song by Gerhard Winkler and Fred Rauch called Matterlein), leading to speculation that McCartney had been influenced by the song. McCartney's publicists denied any resemblance between "Answer Me, My Love" and "Yesterday". "Yesterds begins with the lines: ‘Answer Me, My Love” has You were mine yesterday. [believed that love was here to stay. Won't you tell me where I've gone astray" Yesterday, all my troubles seemed so far away. Now it looks as though they're het to stay." In its second stanzs the lines: www antorhahsimovish.com 102 Antoshasimovich©02012Release Eleven years alter the US release, EMI released "Yesterday" on a single in the UK Since "Yesterday" was unlike the Beatles’ previous work and did not fit in with their image, and was essentially @ solo recording, the Beatles refused to permit the release of a single in the United Kingdom. This did not prevent Matt Monro from recording the first of many cover versions of "Yesterday". His version made it into the top ten in the UK charts soon after its release in the autumn of 1965. The Beatles’ influence over their US record label, Capitol, was not as strong as it was over EMI's Parlophone in Britain. A single was released in the US, pairing "Yesterday" with "Act Naturally", a track which featured vocals by Starr. The single was released on 13 September 1965 and topped the Billboard Hot 100 chart for four weeks, beginning on 9 October, The song spent a total of 11 weeks on the chart, selling a million copies within five weeks. "Yesterday" was the fifth of six number one singles in a row on the American charts, a record at the time. The other singles were "I Feel Fine", "Eight Days a Week", "Ticket to Ride", "Help!", and "We Can Work It Out’, The record was equalled by ‘The Bee Gees in the 1970s and surpassed by Whitney Houston in the 1980s, "Yesterday" also marked a turning point in who wrote number one singles for the group. Lennon wrote five through "Help!", whereas afterwards McCartney wrote eight starting with "Yesterday". On 4 March 1966, "Yesterday" was released as an EP in the UK, joined by "Act Naturally" on the A-side with "You Like Me Too Much” and "I's Only Love" on the B-side. By 12 March, it had begun its run on the charts On 26 March 1966, the EP went to number one, a position it held for two months. Later that same year, "Yesterday" was included as the title track for the US conly Yesterday and Today album, which was originally packaged in the "butcher sleeve. Ten years later on 8 March 1976, "Yesterday" was released by Parlophone as a single in the UK, featuring "! Should Have Known Better" on the B-side, Entering the charts on 13 March, the single stayed there for seven weeks, but it never rose higher than number 8 (however, by this time the song had been featured on no less than three top $ albums and an EP which topped the charts). The release came about due tothe expiration of the Beatles’ contract with EMI, Parlophone's parent EMI released as many singles by the Beatles as they could on the same day, leading to 23 of them hitting the top 100 in the United Kingdom charts, including six in the top 50, In 2006, a version of the song was included on the album Love, The version begins with the acoustic guitar intro from the song "Blackbird" only with “Blackbird” transposed down a whole step {0 F major from its original key G in order to transition smoothly into "Yesterday". Reception "Yesterday" is one of the most recorded songs in the history of popular music; its entry in Guinness World Records states that, by January 1986, 1,600 cover versions had been made, by an eclectic mix of artists including Cilla Black, Marianne Faithfull, Tose Proeski, The Mamas and the Papas and Barry MeGuire, The Seekers, Joan Baez, Donny Hathaway, Michael Bolton, Bob Dylan, Liberace, Frank Sinatra, Matt Monro, Elvis Presley, Ray Charles (1967), Marvin Gaye, Dafly Duck, Jan & Dean, The Sylvers, Wet Wet Wet, P, P. Amold, Plicide Domingo, The Head Shop, Billy Dean, En Vogue, LeAnn Rimes, Muslim Magomayev and Boyz II Men, In 1976, David Essex did a cover version of the song for the ephemeral musical documentary All This and World War Il. After Muzak switched in the 1990s to programs based on commercial recordings, Muzak's inventory grew to include about 500 "Yesterday" covers. At the 2006 Grammy Awards, McCartney performed the song live as a mash-up with Linkin Park and Jay-Z's "Numb/Encore". I is Vladimir Putin's favourite Beatles song, "Yesterday" won the Ivor Novello Award for ‘Outstanding Song of 1965', and came second for ‘Most Performed Work of the Year, losing out to another McCartney composition, "Michelle". The song has received its fair share of acclaim in recent times as well, ranking 13th on Rolling Stone's 2004 list "The 500 Greatest Songs of All Time" and fourth on the magazine's list "The Beatles 100 Greatest Songs" (compiled in 2010). In 1999, Broadcast Music Incorporated (BMI) placed "Yesterday" third on ther list of songs of the 20th century most performed on American radio and television, with approximately seven million performances, "Yesterday" was surpassed only by The Association's "Never My Love" and the Righteous Brothers! www antorhahsimovish.com 103 Antoshasimovich©02012"You've Lost That Loving Feeling" "Yesterday", however, has also been criticised for being mundane and mawkish; Bob Dylan had a marked disll esterday" was voted Best Song of the 20th century in a 1999 BBC Radio 2 poll e for the song, stating that "Ifyou go into the Library of Congress, you can find a lot better than that. There are millions of songs like "Michelle! and "Yesterday’ written in Tin Pan Alley". Ironically, Dylan ultimately recorded his own version of "Yesterday four years later, but it was never released. Shortly before his death in 1980, Lennon explained that he thought the lyrics did not "resolve into any sense... They‘ good ~ but if you read the whole song, it docsn' say anything; you don't know what happened. She left and he wishes it were yesterday ~ that much you get — but it doesn't really resolve. .. Beautiful ~ and I never wished I'd written it." "Paul wrote this great song, "Yesterday! It's a beautiful song. I never wished I'd written i, and I don't believe in yesterday... Life begins at 40, so they promi and I believe it. What's going to come?" Lennon made reference to the song on his album Imagine with the song "How Do You Sleep?". The song appears to attack McCartney with the line "The only thing you done was Yesterday, but since you've gone you're just another day". Lennon later said in an interview with Playboy that the song was actually an attack on himself as opposed to McCartney. Yesterday (pyc. «Buepa») — necu rpynmat The Beatles ¢ ansGowa Help! («Ha nowoms!»), auinyntentiore w anryere 1965 rona (# CIA necns ne noma n ansGom, onaKo aumza BARA etITIa w ceNTaGpe 1965 ropa). Commena Toxo. Maxscapri. Hpi sauten necnn Yesterday wuepente w uevopi «Bist» w paGore He y'acraoxan HMKiO HS MySKKANTOR, xpowe Maxkapriti: apaianponia uecilt coctostr TomKKO Hx AKYeTINECKOH ritapAl, Ha Kovopol mrpaer Hoa, H expyHHOro xnaprera, naprim xoroporo coun nwecre Jbopsok Maprasi t Maxkaprint, 1x0 ormvaer Yesterday or weex ocrautbubix recent axicaw:n, BAYLEHHIX K TOMY BpeMent, Ht setaeT e& ONHOM HE MepRAX poK-Ganutad. Yesterday santiNasa Hepeoe ecto m xinapanax CHIA, Kawa, Hopoit Senansoim i pyri crpai, H ocTaerTed HonysApHOH HAH, Tlo jtaHHHNG aMepikaHekoW oprakicsaitaH no Hasopy 8 npakawut enonkirTeseH Broadcast Music Incorporated (anti), Ha 13 seKaGpa 1999 amepikanekoe parito H TesleRHeHKe TpaxempoRamt Yesterday Gostee 7 wieiMHoHOR pas. B 1999 r. GpisrascKan paocranmin Bu-Si-cH-2 uposeta HeeIeHORAHME Ha OCHORE OLPOCOR EpEAME MYSHIKAMKHAIX OKCKEPTOR CuyMIATEHEt, @ TaOKe Ha OcHOBE LoKasaretel posix, Ho pesyneraraM Koroporo Hassauta Y terday sysuielt uecuelt XX croc, Cormac kare pexopaon Tuntiecca, ia ory ucckI0 6: L10 ce1aHo Go:sme KaBep-BepeHi, Hem Ha OGy!0 Apyryto Hs ora-nGo HaLMcaHitIx: ¢ 1965 no 1973 Gx110 samutcaKo 1186 Kanep-sepenit Yesterday, a na 1986 — oxox10 1600 nepenits +5 2003 cooGuiaeres ratoxe o KomnecTBe Repent Gone 2500, crops coszanus necit Tox Maxxapri yraepxacr, $0 MenoxHix RECHI NpHUA K HeMY no eNe, T MPocnYEINKCS, oH GEN YRepeH, 70 MpocTO panne -ro eH 9TY MenO;uHO, 2 He coun 8. TlepEHI TeKCT, Haexopo mH Nauti a MesoMINO, coepxat ctona «Scrambled eggs, Ob, my baby how I love your legs...» («Sbuya-Goaryaika, 0, MILIAN MOS, KAK Ne MpaBaren THOM HoRKH..»), HOATOMY myTouKM paGowNK HasRaHHIEM necHH GeL10 Serambled Egg («Slusmna-GoxryunKa»). Hox 201 Ke nasearnew Jbxopsx Mapran asinycritn nicrpyMentannyto epemio Konmoanuunt 2 CILIA ent 0 Toro, KaK paGora naa Yesterday Guna sanepuena, n enasi ¢ ew aMepmanckite MOKAONNKH THCANH MHeKMAX rpyHIe, sro esa wtesTO nos nasnarew Scrambled Egg, npexcraraatomee nomyio Koro Yesterday» (aura. a number called ‘Scrambled Ege’ that’s a dead copy of Yesterday’), Bo pe entnox dpuuiboa dlelp!» Maxkaprint ces 3a Goprenuatio, pacnos1oxcenwoe a cREMoWOH OMAK, HM Hava MIpArh MeNOLINO slecHH, NaMepeRAKeK NpHLAYMAr’ JIM He «upaRIUNAHBIEY 0B Pexwecépy s10 He oKpanitiocs, oH ckasa:l, sO npaKaKer yOpars uslerpywent, eon Toa He npexpanit ceo «ernopseetnon. Kar nlocne neniowiias J}KOH JTeHHOH, HecHA MecatiaNik OcraRaLTack HesLONe-IaRHOH H «BCILISRANTY KERIB as, Korte uuia paGora na HORAN KoMHosIUHAMH, LIpi STOM, Y Rech tax OTeyreTHORANO HagBanite: MaKKaprHt JTesHOR peli HaxBaTs e8 ONHHM CHOROM, HO KUMeTO NosxXOAAMIETO He Gku10, OKOHSATENGHAI RApHAHT TeKeTa NeCHL www antorhahsimovish.com 104 Antoshasimovich©02012Maxxaprint commun 8 ac 1965 rosa 80 spema orauixa 8 Tlopryramu, Ox saMevit, 470 cilosa, sakanMaBarousices Ha 4 si» (say, nay, today, away, play, stay), xopouo pudayiores, @ yesterday — oaHo Hs Hix. TaroKe om namie cx080 Suddenly, sun xotoporo Toxe ero nos0Gpance pudmis. 27 was 1965 roga Ton upuneren w JhtecaGon, rae on satis ruerapy y rpyrtnss The Shadows, 1 oxowai1 nanmtcane rexera mec. 3anuce Tlecns «Yesterday» Guta sanucana » crys «3G6x-poysty Ne2 14 u 17 mous 1965 rona, Cytectayior pasmeannie sepeHi Toro, Kak npoxosea samiick necH, Cormacio canoii pacnpocrpaxéinoll, Maxkapriat © caMoro vava.ta pelmnin HeTOmMITs Mecto con0 & conpoBox:leHHH crpyHuANX, H TO NposKocep JLxopyx Mapri noMor eMy ory eto peaswsonars. Maxkapri » onuoM 1s nurrepsnio 1970-x pacckazan Iloay PamGawaan I xoren Henomsso8aTS B apainknpoaKe HecKoABKO CTpyIAIX sHeTpyMenToR, JEKopyeK Maprint exasan: Torna, MoxeT Gurr, expyunsait knaprer?™ Mites Gata wyqecuas, Mut ces sa posts 1 mpHAyManl, KaK 970 Oyler SKY*ATE.» Moworpapia Pex Koysmena «Buepa cero pacckasbinacr coscem Jipyryio Meropiio: cHayasa Gsuin nenpoGoBaKAt MHOTOSHCHIEHHINE ApAIEKMPOBKH © OPTaHOM, YAAPHAIMA H APYFAMA KKCTPYMEHTaMK, — M YE HlocHE GaUIO peuteHO, 410 Tloay aysmte Honore necH¥o cosio Hox ritrapy. [lux samen Tox Menlosisoxar axyerHveckyio ritrapy Epiphone Texan. Koraa Jbsopivx Mapriti pemit neupoGonars «sro-aiGysb panukatsioen (crpyiitse) Maxkapran yaacuysnea: «Burrs — TO pOK-(pYIINa, MBI He MoxkeM sRy4arh Kak Mantronanioy. Be& axe Mapram yGeqn Tora Tipina, Apaicxnposky sum CerpyHx On elena BBOEM, XoTH MakkaprHH MpHIAILIERHT Hex GurosoROrO asa JIA RMOSIONYENK ® epesHelt 4acrH. On rasoxe Mactoxi Ha Tost, #10Ge1 erpynusie urpaai Ges sitGparo, KoTOPoe, Ho ero MHEHILO, IpHIAET sRy4AMMO HeHyAHO! Haumulenwocta, Tox saumeast isa ayGax uecau 14 wowx 1965 roa, Bropoii ayGus Gaur upustar ays, u ero sxxGpanie ui enuyeka, Tlaprino crpyHHBiX sanHCRIN 1 HANOI Ha AOPoRKY ye OSHA Tlepsssit ayGas me couposoxuenia crpynsioro xeaprera, Osu ekOEH B KoNENUIAUIO Anthology 2. Ha saimeH MoxHO yeusMers, KaK Maxxaprin, epes, Tes, Kak uMrpars, HoKashisaeT HocseAOBATemBHocTs aKKopsos XappHcowy, KoTOpHil, omHAKO 7e, YiacTHA ® McnomHcHMN He MpHNuMan, J[Re NepKIX cTPOKH BrOpOrO KynLNCTa HoMCHANIMCS Moctannt («There's a shadow hhanging over me / I'm not half the man I used to be»). 910, sepostHo, 6x10 upocto omMGKoi, uoroMy To cums, wo occ oTux cHon Maxkaprust cara yaepaumactes, W105i He sacMestaca, 17 mous Tox samuican cmé oAKy BoKaMUyIO sopoxxky, KoTopas BuiocuesicTeHHt He McHOmsosaitacs. Torga xe samLca# H naprino crpynunx. Tax ax y Tlouta ne Gst10 Mystixansuforo OGpasosanua, om exa pasGupaica B Teopiat MySuKH H ¥yBcTBOBAN ceGR sUIeTAHTOM Ho cpasienO © Mystixanrramie cxpynmoro xeaprera, Maxxaprii ovens yasitio To, wT0 9TH upodeccHouamsabie MyssiKanTEL HasBast KOMIOSHINIO CeMHTaKTHBIM HeKEaApaTaiM HOCTPOCHHeM H SAsHLTH, WTO «TAK He OMIBACTD, H HTO “MYSBIKY TaK He MEMLYD> Yuacrauku sanucu Hox Maxkapriat — woxaut, akyerwseckax rivapa Kemer ccexe — aur ®panencxo TaGeppo — suononens Toni PiGepr —expxa Cu Caxe — expunxa Bumyck ons caxomy Maxxaprint recat nonpaninace, 7pyTHe YSACTINKN TpYTRM cOMHCRASII, CTeRYeT AM AkmTOWATE e& 8 HORSE annGoxt — none ¥ net Guino TaK Mano ToOxOKero Na TO, WTO OM ANICKBaM 8 TO BpENs, HoH He cooTRercTRORATA rnoroxy rpynm. Kpowe roro, Jlenton, Xappucon 1 Crapp wacroasm va TOM, WrO6s! HeCIO He RAMYCKALTH OTeHBHO R Bparanmu, Cpaay axe nocze muixona anGowa Help, xoropsit Kowmoniauin ac8-raks noutia, Gpirancxnit nesext Mer Moupo saniear enow nepento «Yesterday», xoropas, coOcTHeHHO H rlonata B Mepsyto slecaTKY MeCTHOFO xiT-tapaa, www antorhahsimovish.com 105 Antoshasimovich©02012Tlockonsxy The Beatles He nomsosaaich TaKHM SAMAHHEM Ha aMepuKaHcKAii xeHi6n sayKosanucn «Capitol Records», Kak a Gpuraxcxatit «Parlophone», on Huikak He MOr-IH NoMeWIaTe BuNYeKY cuuTita ¢ necHel «Yesterday» # Lrarax. CHawana cunrst usaasut ¢ kommosiuelt «Act Naturally» na repsoit cropone (¢ okatom Pusiro — ror caMtult nonyaapisi Guts 8 CILA), Ho nocxe Gonsitoro yenexa «Yesterday» HoMeHUM HecHH MecTaMH 8 ciTeAyIONINX sKINycKAx. Ora nsacTHNKA suepsiic wonmana s apr CLUA 29 ceursGps 1965 roma, a 9 oxtaGps oma gocriIa sepunmind, x axouMtace Ha Heit 8 evemme mecaya. [ecu mposea 11 wexems x xar-napane CLA u Guia upoziana Tapamom | muimon Kona sa nepsise 5 exons. Ha upormxeimor 8 er nec octasaiiacs caMolt wonystspioil xommosmunelt na anepuxaticxom panuo. «Yesterday» Taloke socTura nepsoro Mecra 8 xuT-naparax Kauanm, Hosoit 3enanumt, Dunnanam, Hopscrus, Hamu, Huaepiawios, Bemran, Menainm 1 Touxoura, sroporo mecra Ascrpaims; xpowe toro, ona Gsina xurom 8 ranma, pam 1 Manaitsun, Cura e neciteli 6six nponiant Tupaxont casne 3 mataHoNOS axSeMTUTApOE 110 BEM SHY. B BenuxoSparanun necus suuuia wa opHOuMeHHOM souH-aIK60Me 8 cocrase ausoma Help!, xoropstit cra nepsoit HacMNKOl B HeTOpHH, seGoTHposaBINeH 8 xHr-tapane BeauxoGpiraniin ua nepsom wecte (upoSsLt wa sepune 9 ejex8). Konneprasie ucnostenus Buepaite neciio nenomivi 1 anryera 1965 rosa wa Texemoy «Blackpoo! Night Outs,» koropox nua yuacre He PoR-MySWKaNtTH, a oproroKcasbunie sR! Moy-Gustiea, Hloexe Toro, Kak rpyra eHrpaia necro «Ticket 10 Ride», TbKopick Xappucou ekasax: «CrtachGo! Tenteph Mél XoresM Gh HeHOsIAHTE TO-HABY.AS TaKOe, el ukorsta 0 sT0ro He ‘xpauiu, Dro — necH Hs Hauicro HoKOrO anBGoma, Hastisactea ,BYepa"> — u oGasuit: «lIpeKpactan sosMoxMOCTE AL Tloxa Maxxapra 1s Jhusepuysie!» — raxnit cxoRani OONHO UPeAICTARLILIM HOBKIX YWACTHUKOR Ha EEHENENHOM IWOy raianrox Xstoro pia. Makkapran ci 5 couposormitennt rierapst u boHorpantsi co erpyHabim «Yesterday» ue sxomwia s KonueprHyto uporpanmty 1965 roua H suIepBEs € BKiLOMA & pelIepryap 80 BpeME TypHe 10 PF, Snomn, desman, CLA ut Kaxaae, npoxoaueien ¢ 24 mons 20 29 asrycra 1966 rozs. Tlocae pactana The Beatles 1 octosatior exocit rpyniss Wings, Maxxapri He Hetiomat Ha komueptax necex The Beatles ao 1975 roxa. Bo xpess nepawrx supossix racrponeli «Wings over the World» ust suepante Gstat ucuosucua sect The Beatles ua eueue, axmovas u «Yesterday», Sri santcit nonin Ha Kouueprusil axsGow Wings, Wings over America 1976 roxa. C toro apenean «Yesterday» craxa perysspio neuomisrsex Maxkaprint Ha xouueprax (akatovas typi 1990-% x 2000-x). B 2006 wa uepemonnt Grammy Awards, Maxxaprin ncuomt e& saecre c Linkin Park 1 Jay-Z. Mysbika u texer Tecnx warmicana » paawepe 48 » oGnaxaer exenytomtelt erpyirypotk Berynnennte — kynter— xynster — penta sacrh — kymer — epemniar acts — nyser — aanepuenne B nepaow xynutere saysnr xoxo axyeritieekaa FeTapa, a no HropoM Rery!aer cxPynHNI KNAPrET (te KPI, AT 1 snononsens), Ocsosnas TonamsuocTs necun — da Maxop, npwéw MaKKapTHM HACTPOWK TTApY Ha TOH OKE H NODTOMY paix 9Tor akwopa kak cons maxop, Hepa xytuter COCTOMT i CEM TAKTOR, 70 HeTHIHSHO LN HON-MYS6IKH,H comepAIT xp dypaan: 34242, Apavxnponka cxpyHHbix sonloniaer rpycTHylO armocthepy Heentt, OcoGeHHO TeNashiaBHONONIEE 1 8 GilosoRBe HOTA, OOKEMHHSTONUEE He HO:IORHNBI epesIHel| 4acrH (epasy noe enow «1 don’t know / she wouldn’t say»), a Taloke HHEXONMINA UHHH aUTbTa, RenyINAA HY epesHelt NacTH Wasa & KyILIeT (Makkapran wnerrupyer e€ ronocom Hepexost ® Hloctesidi Kyrtet), TlesanbiMt TekeT NeckH opraHKAHO jlorlortereR 9ToH saMMIcHORATO!L MesIonHel Conepakanne TeKcTa, XOTA TOIHO He ONPEHENEHO, MOKET HCTONKOBBIRATKEA KAK EMPAEHIE FOPH UO yrpareHHO; HOGBH, Bousumscrso cnymaresedi separ, 410 pasroxop Hier 0 paspaise Mealy SiNOGACHMAINNL, B TO BpeNA KAK pyre CHTALOT, ‘y7o NecHA csxaHA c LepexHBaHINA o eMeprH MatepH (Mop Maxkapriit, wark Toa, ymepa, Kora on xu oapoctxom). TloxoGuax TeMariixa nectit He Gxua xapaicrepHa Teopyecrsy MakkaprH 1tepsoii non0sMHB! wecTHaeeaTSX www antorhahsimovish.com 106 Antoshasimovich©02012rogos, OGkrio ero TecHH GAbI HOSUTHRHKINIE 1 ONTHMHCTHMIIGIM, 8 TO BPEMA KAK IpYCTHBLE H MiETpOCHeKTHBHBIE OAL Gonee crolicracunt JTewsiony, Bo mpema asicrynieus 1a woy Jaa Canmeana, Maxkapran ueronsit neciio nox AkKomnaneMeHT axyeTHMecKofi ruraph MH cryzitlivoro opkectpa, 8 ToHanbuocTH Ga Maxop. Ha KonUeprax 8 ToKHO Bo spems typa 1966 rosa recs HetONAsHac® c TpHastedenHeM OCTAIBIBIX YHACTHAKOR aHcAMGIA B TOHAMSHOCTH Com M=KOp, B umrepsiio ua woy Fosapaa Crepua Maxkapri cxasat, v0 xpanur mepsouavansuyio sepemo TeKera nec, sancanyro 4a no‘TosoM Kousepre. Harpagui a kpuaxa Yesterday» sacro Horonwaeres w xanHeMRaeTes Apyrin MysinanTawn — Gombe, veM sH06as spyras necus, To anu Knott pexopzon T'secca, eymecrayer 3000 pans xanep-nepenti meen, Cpesta wanecrinx nenosmorreneit — The Seekers, Jbxoan Bans, Liberace, pon Cimarpa, Pelt Napmes, Inacano Jlosamro, Myezum Marowtaen, The Head Shop, Boyz Il Men 1 The Blast «Yesterday» nosysnena narpary Ivor Novello Award x xareropim «ilysmas necn 1965 ona» i raza wropoliepesi caxnx nenlomixeMsixneceH Toro rosa (nepHoit GsLIa pyran necHA Maxxprit, «Michelle. B 1999 roay Brondeast Music Incorporated nowectiua neemio a 1perke MecTO m enuieRE neceH, nawGonee aero niewonamuxea w 20 cronernit Ha anepmKaHeKoM paswio % TexeRHtenIN (oK.7 000 000 pas). TepRoe H wropoe wecra sauna coornerernenno «You've Lost That Loving Feeling» ayora The Righteous Brothers «Never My Loven rpyrinst ‘The Association, B toM xe rosty no pesynbrataM nporenéiioro onpoca Paswto Bicbu-Cu wassaro «Yesterday» ayauelt nectteit nexa. B enmtexe 500 nesnisaiaunx necen neex npenén to nepei xypuaa Rolling Stone, cossaHHoMt x 2004, eer ssatiaia 13 mi 10, [pit 310M tlecH KpHTUKOBALtaCe 38 GaxaabHocTS, caauaKocTs 1 cexuMeHTasHocrs, BOG Javtas samsit, fchelle* a. “Bi exoauere & BuSnmorexy Kourpecea, 10 Haiuiere MHORECTHO syHUIX HeceH. TaRiKX MECeH, KOK nYesterday — suuumonn, 1 sce OHM unuyrex Ha Tae Tex S:um0>. Ouwaxo of sanmican cBoW9 Repemo HecHH, KoTOpaR sora xe usaazanaes. B 1980 roay, Hexauosro 10 ruGen, JTexHoH exasas po eHoss necHHt: «OH XopOUIMe, HO aM HET sxaxolt paseszku, Eom npowirars Texcr NOMOCTsO, OH HiCierO BAM He CKWAT, HENOHATHO ‘TO TAM CxYWEEIOCS — O88 yuna, H ox Xover, sroGi exoka mpHMés svepaulit sexs — oro sce. Kpaciso, Ho s HuKora He Xoren OATS aBTopOM xnoxoGuoit uecity. K romy xe 8 Hanpanteuyio uporus Iloxia Maxxaprast eit How Do You Sleep? co cxoero abGoma Imagine ou exw extoza «The only thing you donc was yesterday...» (pyc. exuancrscunioe, sro 1st exe — Yesterday). Yesterday) nonyaspinonana xaup Garankt cpexm pox-uenommrreseli H BHOXHOBILNA ApYFHX MySHIKANTOR 1a snenomsosauite cxpyunitix muetpysceuros, Comicr The Rolling Stones Ming Jbxarrep 2axsitxocxe mpoc:ryumainis oct «Xorex Gut 4 ax uers!y, Bastnana Jxarrepa Puapaca «As Tears Go By» 1965 rowa cuurracren cnocoGpasiiit orBeTON sta «Yesterday». Acconmanun B iioue 2003 roxa BBC News onyO.mkonasa saMeTky po To, 410 OpHTaHeKHe MYSHIKORESIM BHINBIIK CXOKECTH HECHIE «Yesterday» in neenit Hara Kintra Kosta «Answer Meo 0nyeriuik, 470 HOCiTeAHAA MOruIa Ohttl HCTOSHIKOM BAOXHOBEHIDR Maxkapritt, Panne O6pason OHM aKLEMTAPORALIH BHMAHHE Ha CXOMECTH TEKCTOB lleceH «Yesterday» Hauutiaeret co e108 «Yesterday, all my troubles seemed so far away, now it looks as though they’re here to stay.» B niente «Answer Me» eer Takite e0Ra: Yesterday, I believed that love was here to stay, won't you tell me where I've gone astray.» Cam Maxkaprii Ha 910 OTseTILI, 410 UIA Mero 91H JIE LIECKM HACTOUBKO Xe HOXOAY, HACKOISKO «Gel Backy uoxoKa Ha «God Save the Queen, Hen Xammoua souycra, wo Maxkapran nanvca:t necHio no MoTHBaM KosmosHuan «Georgia On My Mind», xora 8 Kone cocit crarbu saxsitt, 410 Heemorpa Ha scé, «Yesterday» — oto camoGuirHaa m aisnBHayanbHas paGora. www antorhahsimovish.com 107 Antoshasimovich©02012B 2006 roay srrannatickiii Myshixansiit npoatocep H aprucr Jivani T'pexo saaaisa, sro «Yesterday —xanep «Picceré che vene a dicere», weanomranckoli necks XIX seka, B oroit xe crarse Ppexo exasa, tro Maxxaprat 1 JTenon o6nastamt connuiioneminteckiNN SHAIENGDY MoHPOROIE MYSKIEH H OCOGeHIO HeaTOMTAHCKNX TeceH. OnWaKO OCTAETER HeACHBIN, Korma Ht re OH Mor caBNaTS 9Ty NecHHO, HMKTO 1 HUN He SHA MySHIKANGHO HOTALIN, WODTOMY BPALL MH OHH MOH BMY'UETD HccIHO Ho SarHCaHN HOTAM, Henoanenue 8 CCCP u Poceuu B KoMMe mecrHsecsTaIx rojoB MecHA HEMOAHAIACe & opurHte (HO B APyTOH ToHaMKHOCTH, 8 CEASH ¢ OcoGeHHOCTAM rostoca) Mycsumom Maronaensin 4 8 pycekom nepenoe M. BoaGepescxoro Oxauten oposite. Conetexie koupepaitcse oGmaB:RIH e& exrenyroulM oGpasom: —Tleeuta Jlenona w Maxxapri «Buepan, Bujeosanscs xax oOtantenus, TaK H MeTIomHeHHs ect (sacTHNHO) npHBonuTes B TexenporpanMe «HawesuHy. Huxoutalt Backow a o,HoM 15 CROHX KOHILETOR, HCHONEAX rlecHio, cooGuuAH ySaMKe, HO ee HamAcas J>KoH JTeRMOK. Bo BpeMs HeuOMHeHHIA Ha GoubINOM >KpaHe HAN cHeHOlt upoeMpoRALIea HoprpeT JleHHOKA, Mesiowuia Heck HetiosissoBasack & nporpase «Bpems» 8 alIporHose sloroxsb» (1990—1991 r.) Pycckuii nogerposnerii neperog - Hana Kasse Buepa Buepa, Boo ston ponents xasance Taxa aac A restep asecrex, Ho ott co wot nancerate 0, #7aK nepro 870, 70 Gula0 nHepa Msapyr, AL axe He TeHb TOPO, KeM OL W eax Gyaro Tywa sapntena nao maoit 2a yes, sen can BYepauiHiMM TAK BHeSANHO Aue auaio, nove we oa yuu, Ona ne exasana Moxker Osirh a ekaas 470-70 He Tak, Sl rellep TaK XOWY BepHYica Ho BNepanIUit ete Buepa, B moGons Gito Tax sero park A reneps 4 me siaio, re cmpatarica 0, a 1aK nepwo & 10, 410 Gaut0 sepa Ane auato, novemy we ona yuna, (Ona ne exasana Moxker Gbit' a ekasa 410-ro He TAK, Al relteps TaK XOWY BepHYTHca Ho BNepanUit eH Buepa, B moGons Guito aK serko urpark A reneps a me siaio, re cupstarica 0, a-1aK nepio # 10, 410 Gaut0 sepa www antorhahsimovish.com 108 Antoshasimovich©02012