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Nude female figures have been the subject of artwork for centuries now. Often
times, women depicted as naked had idealized bodies and emphasized breasts (due
partially to most of them being created by male artists). Back then, there were certain
standards that were set up by works of art such as "Venus of Urbino". It wasn't until
around the late 19th century when things started to shift and artists tried a much more
contemporary approach to the female nude... making it much more controversial. Both
of the works "Olympia" (by Edouard Manet) and "The Coiffure" (by Mary Cassatt)
oppose the norm of classical paintings before them, but it different ways. They both
depict nude women as their subjects and purposefully disregard the standards set up by
the classic artists, not only in how they depict their subjects but how they go for a less
realistic approach.
"The Coiffure" is a paper drawing that features a woman getting ready for her
day, pinning up her hair while the top half of her is undressed. As opposed to nudes
beforehand, Manet wanted to show a much more natural side to women without
drawing much attention to what should and shouldn't be idealized. While it lacks
full-value, it's still arguably more realistic in how the woman's proportions are than many
other female nude drawings. The perspective is done so that the viewer is forced to be
drawn more to the composition of the piece than the fact that the woman in the work is
naked. With "Olympia", a woman can be seen lounging nude while a maid walks in on
her. It was widely regarded as disrespectful to classical works of art in the way it lacked
value and substance. It was also considered controversial due to speculation that the
woman staring coldly at the viewer was a prostitute and the flowers that the black