Suzuki ‘Flute School FLUTE PART Suzuki,, Method International, Princeton, New JerseySuzuki ‘Flute School FLUTE PART VOLUME 6 by Toshio Takahashi CONTE? [i] concerto for Two Flutes (Ist Mv) le parodies: eeeerseen st [2] Suite No. 2 in B minor, 45. Bach Polonaise «.-- 10 sath ‘Menuet Badinerie . . ou ‘Obivertingl esc +o--¢- eee ole Copyright © 1988 by Zen-On Music Company, Lid. Tyo, J Japan. Sole publisher for the entre world except Japa Birch Tree Group Lid. Princeton, New Jersey, USA. Al sights reserved Printed in U.S.A. ISBN 0-87487.381-9 vas 9 ews ae 10 #68"? “The Suzuki name, logo and wheel device fre trademarks of Birch Tree Group Ltd.Attack Exercises in lower register /= 60 oven d= 60 —- © Relax the lips exept inthe cemer where musles should be slighty tensed horizontally while Keeping the Jaw a litle in 1 telaned postion © Attack withthe short i ition noise with low air presure ‘ehind the lower lip vibrating wel inthe mouth, Attack Exercises in middle and high register eer eine owe ip ira wel ema~ Articulation Exercises eels SSS Accent the Ist note of the Clearly accent the Ist note, Accent the Ist note, make it Accent the Ist of the 2 four, clearly articulating the broadening the 3 slurred distinctly clear from the 3 slurred notes and: diminish last 2 detached witha single notes, but articulating the slurred notes by making it the second bul do ner ier tongue movement. last short and clearly lengthen go; diminishing gives light the 3 slurred notes so a8 to ness without inequality keep the notes quite equal Two Kinds of Dotted Notes for Polonaise Ligh rayhmica character for Grave Solemn step, grave movement, 16th notes should be ‘detached from dotted eighth notes, and played broadly, ‘not lightly Appoggiatura ‘arty snes aye nes iy ere irbetared © Fit, play the Appoggitura (2) short on the bea, © Second, play it onge observing the musi fle. © The long appoggiatura(aolving 1th note i best for musical ‘xpresvenes It comes onthe best wih the accent, © The short one is ight, eythmieal expression. (© The lengih ofthe appoggatura snot 0 important as wheter itis asented or nt and it comes on or before the beat Trills ‘Basically start al tills on the higher note and on the beat. (See vol 4)Scale and Arpeggio Exercises for Duet wees, BUA FFI Sharp Notes) 6 When paying in harmony ate E, T 1 2 (Note) When playing in harmony, narrow the 3d, 6th & Thin the major scale Hard Fingering Exercises ee oa slowly — quieklyit Flute Solo 2nd Flute Solo fa] Concerto For Two Flutes Ast Movement Allegro vivo : = 2138 Piano y - D. Cimarosa he,10 B] Suite No. 2 in B minor 1. Polonaise 4.8. BACH Moderato (J =76) Nae * P FAllegretto (J = 100) 3. Badinerie Allegro (ca 4 = 126) * 2 oF leggiero =p ee Te —S SF ( pocorit. 2nd time )4. Ouverture Grave ()=76) Allegro J «2 S2B cowry(210) caywe ry (soto)en)