Xxx
MANUSCRIPTS AND EDITIONS
CITED
A = Cod. Ambrosianus A 182 sup.
L = Cod. Laurentianus 70, 5.
V = Cod. Vaticanus 1065
I = Cod. Laurentianus 9, 32
Dindorf = W. Dindorf, ed. of 1838.
Haury = J. Haury, ed. of 1913.
Hoeschel = D, Hoeschel, ed. of 1603.
Maltretus = C. Maltretus, ed. of 1663.
PROCOPIUS OF CAESAREA
BUILDINGS
St Andrew's Greek Orthodox Theological
College
A Member Institute of the Sydney College
of Divinity
Course Unit Guide
CAL LICENSED COPY
Created by Mario BaghosP2
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24
BUILDINGS I. i. 53-57
but by lead (molibdos) poured into the interstices
(lelma), which flowed about everywhere in the spaces
between the stones and hardened in the joints
(harmonia), binding them to each other.) ‘Thus were
these parts constructed; but let us proceed to the
remaining paces of the church.
‘The whole ceiling is overlaid with pure old, which
adds glory to the beauty, yet the light reflected from
the stones prevails, shining out in rivalry with the
gold. And there are two stoa-like colonnades (stoai);*
‘one on each side, not separated in any way from the
structure of the church itself, but actually making
the effect of its width greater? and reaching along its
whole length, to the very end, while in height they
are less than the interior of the building. And they
too have vaulted ceilings (orophé tholos) and decora-
tions of gold. One of these two colonnaded stoas
has been assigned to men worshippers, while the other
is reserved for women engaged in the same exercise.
But they have nothing to distinguish them, nor do
they diifer from one another in any way, but their
very equality serves to beautify the church, and
“Jn the joints they have put sheets of soft lead, lest the
stones, as they lie on one another, and heavy weight bears
upon heavy weight, should have their backs broken; with the
Icad between, the stone foundation is pressed softly and is
gently burdened.” Cf. Lethaby and Swainson, Saneta Sophia,
. 259.
Pee The procedure followed in rendering Greek stoa in this
translation is explained in the Introduction, p. xvis
2 Literally, Procopius says “the measure of ite wid
He seems to have been aware that the colonnades of the aisles
fund galleries, which he deseribes as stons, increased the scale
of the interior by making the great width of the nave seem more
measurable and impressive in relation to the apparent size
of the side aisles.
25PROCOPIUS OF CAESAREA
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26
BUILDINGS I. i. 57-65
their similarity to adorn it. But who could fittingly
describe the galleries (kyperda) of the women’s side
(gynaikonitis), or enumerate the many colonnades
and the colonnaded aisles (peristyloi aula’) by means of
which the church is surrounded? Or who could
recount the beauty of the columns (hiones) and the
stones with which the church is adorned? One
might imagine that he had come upon a meadow
with its flowers in full bloom. For he would surely
marvel at the purple of some, the green tint of others,
and at those on which the crimson glows and those
from which the white flashes, and again at those
which Nature, like some painter, varies with the
most contrasting colours, And whenever anyone
enters this church to pray, he understands at once
that it is not by any human power or skill, but by
the influence of God, that this work has been so finely
turned. And so his mind is lifted up toward God
and exalted, feeling that He cannot be far away, but
must especially love to dwell in this place which
He has chosen. And this does not happen only to
one who sees the church for the first time, but the
same experience comes to him on each successive
oceasion, as though the sight were new each time.
Of this spectacle no one has ever had a surfeit, but
when present in the church men rejoice in what
they see, and when they leave it they take proud
delight in conversing about it. Furthermore, con-
cerning the treasures of this church—the vessels of
gold and silver and the works in precious stones, which
the Emperor Justinian has dedicated here—it is i
possible to give a precise account of them all. But
{ shall allow my readers to form a judgment by a
single example. That part of the shrine which is
a7P9
B 180
PROCOPIUS OF CAESAREA
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2
BUILDINGS L. i. 65-71
especially sacred, where only priests. may enter,
which they call the Inner Sanctuary (thysiastérion),
is embellished with forty thousand pounds’ weight
of silver.
So the church of Constantinople (which men are
accustomed to call the Great Church), speaking con-
cisely and merely running over the details with the
finger-tips, as it were, and mentioning with a fleeting
word only the most notable features, was constructed
in such a manner by the Emperor Justinian. But it
was not with money alone that the Emperor built it,
but also with labour of the mind and with the other
powers of the soul, as I shall straightway shew. One
of the arches which I just now mentioned (Jéri!
the master-builders call them), the one which stands
toward the cast, had already been built up from
cither side, but it had not yet been wholly completed
in the middle, and was still waiting. And the piers
(pessoi), above which the structure was being built,
unable to carry Une mass which bore down upon
them, somehow or other suddenly began to crack,
and they seemed on the point of collapsing. So
Anthemius and Isidorus, terrified at what had
happened, carried the matter to the Emperor, having
come to have no hope in their technical skill. And
straightway the Emperor, impelled by I know not
what, but I suppose by God (for he is not himself a
master-builder), commanded them to carry the curve
of this arch to its final completion. ‘For when
it rests upon itself,” he said, “it will no longer need
4 Greek Adpos, from Latin lorus, meaning a
“leash,” and, in the plural, “ reins.”
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30
BUILDINGS I. i. 71-78
the props (pessoi) beneath it.” Andif this story were
without witness, I am well aware that it would have
seemed a piece of flattery and altogether incredible ;
but since there are available many witnesses of what
then took place, we need not hesitate to proceed to
the remainder of the story. So the artisans carried
out his instructions, and the whole arch then hung
secure, sealing by experiment the truth of his idea.
Thus, then, was this arch completed; but in the
process of building the other arches, indeed, those
namely which are turned toward the south and the
north, the following chanced to take place. ‘The so-
called léri had been raised up, carrying the masonry
of the church, but everything underneath was labour-
ing under their load, making the columns (kiones)
which stood there throw off tiny flakes, as if they
had been planed. So once more the master-
builders were dismayed at what had happened and
reported their problem to the Emperor. And again
the Emperor met the situation with a remedy, as
follows. He ordered them immediately to remove
the upper parts (akra) of the masonry which were
strained, that is, the portions which came into contact
with the arches, and to put them back much later,
as soon as the dampness of the masonry should
abate enough to bear them. These instructions they
carried out, and thereafter the structure stood
1 ‘This passage is at first sight ambiguous because Procopius
is using pessoi in two quite different senses. Obviously the
statement that once the arch was completed it would no longer
need the pessoi beneath it eannot refer to the main masonry
piers (which Procopius has just called pessoi), but must refer
to the scaffolding or centering (pessoi) which was holding
up the great arch before its completion.
3P10
PROCOPIUS OF CAESAREA
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1 Procopius's account. is not entirely clear, either because
ho did not understand what had happened, or because he was
unable to describe the processes in technical language, or
possibly because he wished to avoid a complicated technical
description. His account suggests that the builders construe
g the north and south used the walls and galleries
BUILDINGS I. i. 78-ii. 5
secure! And the Emperor, in this way, enjoys a
kind of testimonial from the work.
. Before the Senate House there happened to be
asort of market-place, which the people of Byzantium
call the Augustacum. In that place there is a
structure of stones, which is made up of not less
than seven courses, laid in a rectangle, all fitted
to each other at their ends, but each course being
narrower than that beneath, and set back, with the
result that each of the stones becomes, from the way
it is set, a projecting step, so that people assembled
there sit upon them as upon seats. And at the top
of the stones there rises a column of extraordinary
size, not a monolith, however, but composed of large
stones in circular courses, cut so as to form angles on
their inner faces, and fitted to one another by the
skill of the masons. And finest brass, cast in panels
and garlands, covers the stones on every side, both
serving to bind them securely, and covering them with
adornment, and giving the shaft throughout, but
particularly at the base and the capital, the appear-
ance of a column. ‘This brass, in its colour, is softer
than pure gold, and its value is not much less than
that of an equal weight of silver. And on the
at the sides as permanent centering for the great arches,
with the result that the weight of these arches, before their
keystones were in place, was too much for the thin clerestory
walls and columns beneath, which were not designed to
carry so much weight and would not have to do so after the
arclies were completed. It is even possible, from Procopius’s
description, that the builders were building up the spandrels
of masonry above the haunches of the arches before they had
completed their curve. ‘Therefore, when Justinian ordered
them to take out the strained portions and replace them Inter,
he made it necessary for the builders to complete the arches
before filling in the clerestory wall.
33