Bewildered Tongue:
The Semantics of Mystical
Union in Islam
MICHAEL SELLS
1 ecome the fearing with which hehears the seing with which
fescen the hand wih which he gespn the fot with which he
rite”
“These words take the form ofa adh qués (ranscendent had
ith, an exte-Qur ante pronouncement inthe divine voice. They
lathe foundation text or Sui understanding of andthe "passing
‘Bway of the sell, and Baga, the “remaining” of a consciousness
hat can be said fo be divine within the human or human within
the divine, Together, ana” and bagd’ corespond to what in the
West is calles mystical union, if union is understood In a special
‘Enve Although some Islamic terms suchas jan? might fit the stan
“ard definition of union as "conjunction of two entities.” such a
Conjunction eno! what is meant by the theologically more explicit
{anpuage af and” and bagd’- When one ofthe entities (he burn)
passes away, the other (he divine), insofar as ican be considered
a entity a ll fills ts psychic space, becoming its bearing and
its secing To become empty of ell to pass away. sto become like
1 polished mirror reflecting the divine image and to become one
{en the divine in that image. This moment of union is manifested
Tn language through a transformation of normal reference and the
Alvstons between sublect and abject, elf and other. eflenive and
fpomefiexive, upon which language s based,rs snore
In Islamic terature there (sno adjective such as “mystical”
to distinguish the Arabic terms from their use in other contents
The topic of mystical union confronts us immediately with s central
spect of clasieal Islamic culture: the Interpermesbility and in-
‘erfusion of discursive and cultural worlds such that cach fs te
flected within the other. The challenge in an exsay ofthis kind is
to allow not only the central terms of Sufsm but the language
context in ehh they are embedded and without hich they are
Stripped of meaning to show through and, in showing through, #0
contribute their own distinsie perspective to comparative mys.
tics. Ihave organized the esse theratiealy, with ive sections
‘corresponding to five major language words o modes of discourse.
Because such thematic division occasions some chronological
shipping back and fort, I present here a topical oatin of he five
‘Section Ite postic archetype of lover beloved union and the
erie elton between the cles pot radon and
Sef language of union
Seton 2" Quranic themes and theologies! controversies ap
‘ropriatd and transformed within Soi lnguage union
‘Seton 3: the moth scent through the hesvealy spheres
the divine throne andthe Sul dlsovery e's symm of
tion within his mythis costo
Section the Sufi "bewildered digas” of union in which
distinctions between subject and oye speaker and hearer,
begin to mele
Section 5: the new discourse of mystical dialectic, transfor.
‘mation of phosphical discourse by mystica non, ands
tmultaneats transformation by Bhilosophy of mystical
The dynamic character ofthe Arable and Islami language of
union Is a result ofthe interplsy among the fie eden Cera
themes (remembrance ofthe Beloved, ive madres, bewilderment,
nd the moment of ruth) and theological ewes ce wl and des
Ling. divine unity and divine names, the ambivalent nate ofthe
‘
Despite Sut antscholastic polemic, Sufi formulations of mystical
sion were in pat the real of careful and sustained attention to
the intricacies of hal disputation
‘The precision with which Sufi language of mystica union is
calibrated with euch debates can be seen inthe controversy over
hadith describing Adam as “made in his image” (bv sarah)
How can Adam be made in the form or image (ere) of Allah if a
‘iporous understanding of divine transcendence and unity is in-
emmpatible with the ation of Allah having a form or image? The
‘ebvartes sugges that the term hs refers no to Alls but to Adam:
Allah ereates Adam in Adam's (own) image." Such a reading is
frammatially ingenious but redundant: we are not really being
told uch more than that Allah ereated Adam. Weare left between
the horns of the classical dilemma. The philosophies insistence
tha the divine ean have no form, image, or plurality of attributes
upon which a creature could be modeled puts iato question the
Sts of cretion Ianguage apd the divine nates, risking a stp
Ite of the divine of ts Our anie atributes. The Caditionalist
Insistence upon plurality of attributes risks anthropomorphismy
(tes), the creating of finite god in a human image,
‘The interpretations by al-Halaj (3099922) and Ton “Arab of
an important Quranic story ean be seen as two distinct Su re
Spouse to this dilemma In the Quranic account of Adam's cre.
hon, Allsh announces to the angels that he wil ereate the human
being tobe his Ralf regent) on earth. The angels ask, "Wil you
create one who wl spill blood and corrupt the earth?" The divine
‘oc replies by asking the angels whether they know the “names.”
When they respond that they only know what they have besa
‘au, Aloh commands Adam to teach them the nares. The angels
are then commanded to prostrate themselves before Adam. All obey
xcept for This (Satan), who refuses and i exiled from the heav-
alla interprets Satan's refusal to how before Adam as re.
fuss] 10 worship the smage of the divine rather than the divine
‘tel ints abso, imagens unity. The order to ow was a tes.
"is refused the explicit command, obeying instead the Interior,
“The Semamics of Mystical Union in lam 99
secret divine will At one point Iblis suggests that his disobedience
‘as itelf predetermined by that same inner will. He acts out of
pure love, oblivious to rewards and punishments, willing to endure
ternal exile from the Beloved as wel as eterval opprobriu from
fil beings, rather than betray that love. The lovermadnessexem-
plied tn Majmun Layla recur bere intertwined with theological
feflections upon destiny and unity, asthe suggestion that Iblis's
[ction has been predetermined pulls against the heroic, willful
‘pasion of his refusal tobow to Adam. tn the following verses Ibis
Explains his refusal of the divine command as his affirmation
{tagdis) of the divine transcendence of any mere image such as
‘Adam, The last verse is constructed 503s fo leave two equally plau-
sible readings.
‘My dsavowal in you i ots
My season in yo Is okedement
Who Adam, oe than you?
"An the oe in beteea ts. or)
[Ando dstingusi oe foe the ther, who is
Ts
[At the point of iss ele, nearness and separation are brought
together ina coincidentia opposttonam:"T have attained certitude
that distance and nearness are one’ lis was dhe guardian of
the divine throne the cesture most intimate with the creator. AS
‘ne approaches union one approaches the concidauia oppositoram,
Sthich can be expreaed either ara simultaneous presence of con
Utadictories or, in narrative 58 violent oscillation between them,
Rather than seeking a logical mean or compromise between the
theo extremes, the Sufl loge of Hallaj pulls the two sides of the
[paradox to ther li
“The second interpretation, by Toa Arabi, favors Adam over
{bli seeing Adam a1 the archetype of mystical union, Iblis should
have prostrated himself before Adam. Adam i the image ofthe
Giving, and through hisknowledge ofthe nares, that i, the divine
ltisibutes he is more complete than the angels. The cosmos and
the urna heart are the mirror ofthe divine, but that mirror is
‘loud. In fara’ the Suf’s oven ego-slf that cloud the mirror is
‘blitersted and the heart becomes lke a polished mirror reflecting
the divine image or ike pris ia which thoundifferentiated light
of divine unity is refracted sto all the various atributes. AL this
foment the individual Sufi realizes the primordial nature of Ada.in sch a reflection and retraction the tre referent of the Ain
“his mage i reveled Were we to use the convention of capt
talisng pronouns with «divine referent, we would have to write
that Adan was created “in His image” Rather than trying to
‘ive through standart logic the debate over the antecedent of is,
Tn ‘Ara finds in mstial union a paradoical lagi in which the
term refers to oth the human and divine party Self and other,
Teloive and aoaeflesive are semantically fed. Divine tribute.
Tejeda instrumental preiceuons, ae reteved ss elzations
Sithin the uaion of avge snd human
“The fllowing section ofthis ey wil ake up the symbole
manifestation ol the ambivalence over this image Secona fur
td five wil examine haw Sule apply the comet oppor:
txerplifed by te terpretaton of alla andthe reference fon
‘xcmplifed nthe interpretation of fn Arab to a ange of ato
‘cl and Glos! language of kn. Antcipating that discus,
ames He hat th Sern partons, Sal
fags of union responds with precision tthe arguments of
Scholastic. Diputation over questions such as the his tn “his i
‘3c revealed forthe Sus the breaking apart orn with of moma
istguage an lope when confonied with dilemmas of vine city
sed human deny: Many traditionalists fe thatthe divine at
‘buts shouldbe acoepied asa mystery bl kaya thos asking
how). not explained sway through sophisticated allegorical inte
pretation. The seret metre of gadar (esti oa) was Seply
ceded within mic cures numero savings est. "Do
‘ot speak about destiny Ter Gods sere: do not give ay his
Sere "Diclomr of te money of G's rp (he hse
F destiny during the primordial convenanl tke fant
‘Whoever knows the vert of destiny is an thea "Destny fa
deepsea Do not sal out on it Inmofar aa they held to the ree
‘sarmic pote ae of maintaining the cre, solar hey Grit
{eae the clam of thesogy to dispel the perpleny surrounding
Aisine unity and human destiny. and ister a they objected to
allegorical expisining way of divine atteibute, Sue were allied
“wth the tracitionalse cos of rationalise. Bot unlike the tae
Ser hy wold ot ee te ce of eng
the mystery ar demand to apt" withoot asking i
[af Our ani statements on the natureo the divine. Eachewing
the scholastic ambition to dupe bewilderment by finding dow
‘atc portion between ahrupomorphism fem) and sreping
‘vey "he divine of atibute, between divine wil and uma
‘The Semantics of Myetcsl Union in lem 10%
ffeedom, Sufs would use the increasingly sophisticated arguments
ofthe theologians to stretch the two sides ofthe paradox to the
limit. Both sides ofthe theological disputes were laterionned ard
‘ken up into Sef language of union. In this logic of extremes, the
_reater the original tension, the more compeling the moment whee
willer and wile, divine and human, pretemporsl etcity of cov.
‘nant and posttemporal eternity ofthe moment of truth, come co
ether in union. At this moment one" drowns” inthe deep wage
Of destiny and passes away in fond’. Bewilderment iscomes the
active principe leading ever deeper int the resolvable questions
‘of destiny and divine unity to the point where the standard gle
‘and the relerentil structures of language ae transformed,
Ascent to the Throne: Bewilderment Amidst
the Reflecting Tiles
Then be occupied twat the throne, irecting what was at
hand (abba am
‘The slamie word inherited cosmology and mythology, vas
lol call Gost ermetie or protomyateal tat need ae
sordial human big flen ito moray ad slg ere
8 conn of concentric sphere throvgh which the panda
human has fallen and through which fe wend Ih eee
swine with th vine word The mh embed os So
language word of alchemy, astrology, aumerolgy i and maa,
(Or rather, since these terms give the misleading impression of
wholly separate esoteric sciences, we might speak of one langease
workin which the stars and planctary spheres, minerals geometsc
shapes, letters and their numerical equivalents, members and Ris
‘mors ofthe body four primal elements, religious au tic figures
such as angels and prophets, and various geogrephical, climactic,
social, and paychologieal states were all part an intricate syeess
‘of imteractive correspondences. While the heavenly journey cos be
Seen as an ascent from the sublunary world of mortally fo the
divine drone, ican also be seen asa progressively deeper descent
into the self tn this sense it is a process of remembrance aids)
and of symbolic and transformative interpretation fc rs the
‘exterior reality (ahi tothe interior and hidden (ain). Tis tine
‘cosmos was found in Batiniyya Shem, inthe Sabacan Gresaic
culture at Harvan in rag, sn Jewish Hekhalot texts, nd inthe Mi102 Srnies
“raj story. Inthe Mira accounts, Mubammad is taken on a night
journey (sr) to Jerusalem and then on «heavenly ascent through
Seven sphere to the divine throne, The legend was ealy and deeply
Implanted within Islam, although in the Quran the reference to
the night journey is vanve and no explicit mention of «heavenly
ascent is made at all The same mythic cosmos was appropriated
by Sufis, and the journey tothe divine throne beeame's paradigm
ofthe journey toward msical union
‘Standard features like the hierarchy of spheres with the divine
throne at the summit ofthe seventy thousand angel o veils pro-
‘ectng the throne, or the use of eters, numbers, and angele names
8 meditative devies revealed a common way of thinking bt not
‘standard doctrine. They set the contours fora dialogue ad po-
lemie across philosophical and religious boundaries, carried Gut
‘hough subtle changes within the structuring ofthe hermetic cos
mos. The issue ofthe “guardians” of the seven planetary spheres
{Gand sometimes thre spires of fixed stars as well can ilustrate
‘how this worldview functions asa symbolic language. The guard:
tans might be malevolent servants of fate locking the humen being
into the mortal weld, oF they might be benevolent, helping the
human initiate rise beyond thst world "They might be incellacte
upal, as inthe philosophically centered versions), angels (as In
{he Gnostic versions and some erly Sufi appropriations of thet),
spirit entities (ruanyyar, ast the Sabacan writings), oF prophets
{as in the Mira) story and some later Saf appropriations of)"
Inthe choice of sphere guardians what was at stake ws the nature
cof mystical transformation as the process of becoming more i
tellectual, more spiritual r mare deeply human. Whether secn a5
Muhammad (sin the Mita story accounts), Idris (Enoch, Herries),
‘or another figure, the heavenly voyaper leads the reader through
complex web af correspondences and a continual contennpation|
Of the central issues af destiny and free will, divine unity and the
‘world of plurality
The tension is strongest near the culmination of the ascent,
‘here the Jourmever encounters the divine throne and often finds
| figure siting upon i Ts the Bore pod, humaa, angel, demon, ot
iol? This ambivalence shows up in the iewish Su text attributed
‘o David b. Josue Maimonides, in which the author appropriates,
with a telling revision, passage from Abu Hamid al-Ghasal (
50/1111). tm the original passage, Ghazali had taken up the
(uranic account of Allah's breathing the spirit into Adam and AGk-
a's role as Ehalifaas well ax the "in isi image” hadith In is
‘The Semantics of Mystical Union in islam 108,
reformulation ofthis passage, Davi cites Genesis 1:26 (Let us
‘ate the human being i ou image") and Esai! 1:26 ("On this
Teness ofa throne wos a ikeness ike the appearance of» ham
above it} He then warns againt the anthropomorphisn sm,
Tana ashb, the making of comparisons for the Fncomp
Table thetcan esl froma misoterpretation of sach mysteries =
This efrmulaon of ol. Ghncalfs txt ghlghts the central wor
ver the ambiguity andthe danger of missterpretation inherent
inthe biblical passages and the "in hiss form” hadith, the
(uranic notion of Adam as Khalifa, andthe imagery ofthe throne
Sod merhavah fond inthe Oo anand Ezaki In each case stable
‘oundares between divine and human are revealed tobe prob-
emai In each cave the result is bevelderment and fer of mis:
interpretation. Especially compeling is the salary n the re
‘upation of the term loners inthe Ez passage CON this
lioness of atone was a dons ie the appearance of) andthe
arate efrnstlon of transcendence ie is ike here nth
Sng) eis ety to neglect the resuplcation and to trarslate the
Statements alg the more natral ines of" this throne was the
Hikenes of harman” or "Thee is nothing ike bie,” but i both
ase the notion of likeness held at 2 double remove i to
frustialy contorted fashion that rns the entire question of ike
es into tn incfiiely self eplicatng enim.
inthe Quranic ado the danger of anthropomorphism was
located by the philosophers and theologians in the Our ane dine
tributes, expecially Inthe Gurane verer concerning the cteator
‘ccupying the thre and"governing The Greek Master dls-
Chased eater stats eophacelly that he divine docs not practice
Sfovetnance’throeshanyatibut but throvgh i being ae
aline: Ths ambivalence over the form on the throne and the an
hopormorphie activi of directing” or" poverning ad)
Feflestedlncer tents the Hebrew Hekhalt text 3 Enoch the
{rhroned figure Enocs Metaton alternately lord and pun
‘Shed leaving his sas nresoved” In some Suf ext thee Is
{play upon the Quranic story of the queen af Sheba’ bewider-
thent in Oe palace of Solomon (he is her skits thinking the
Polshedtlesare water) The throne rom bedazves and bewiiders
Te stor by the brightness refecting files beveiderment
‘'rlctions that test the jouneyer's entitlement to such 8st
thon" The same theme is present in Hekalot interpretation ofthe
‘Talmudic account in which Rabbt Akiva wares the mystic that
Thon he reaches the eselated walls ofthe divine palace he should104 Seems
not shout “water, water” In hoth Sufi and Hekhalot texts the
Sense of drowning is aligned with the identity canfusion brought
Shout hy the reflections The drowning theme resonates with the
‘warning, quoted above in section two, thatthe sue of destiny is
2 deep sea and with Quranic reference tothe divine throne belng
Tn the Mira story and in later Sufi adaptations of it, much of
thie mythic cosmos reappears, but the intellect of the philosophers
and the sprit entities and angels ofthe Gastics are made su
Servient the prophets. The Sufi location of ystcal union atthe
Sumit ofthe ascent can be sen i te reformulation of Mham-
‘ads MPa} attributed to Abu Yazid al Bistami (2. 261/878). In
‘he lassie aocount of Tb Tshag, Muhammad is taken throagh seven
spheres, occupied by Adarn, John and Jesus, Joseph Iris, Aaron,
Moses, and Abraham" OF the encouneer with Abraham, the txt
states’ "Then tothe seventh heaven and there was a man sitting
(a throne atthe gat ofthe immortal mansion al hast el-mamia).
Every day sevens thousand angels went in noo come back unt
the resurrection day” Instead of displacing the angels from the
‘spheres tthe manner of Ton shag, the Bitar account kee thet
23: guardlans ofthe various heavens but places the prophets above
them, beyond the throne. At each heaven Blstem encounters an
angel or host of anges who fer him its no tongue can dexctbe.”
ach time he refuses agi, the angels who had appeared in such
awesome majesty are reduced to the like of mosquitoes, Alter pass-
Ing through vell upon vel, kingdom after kingdom, Bstami comes
{oan ange! seated ona chai. passes through the various seas on
‘which waves were colliding with one another (another allusion f0
the drowning, dissolution, throne-upon-water topos) and finally
arrives at te throne ofthe compassionate "ars atvohdn). There
the divine vole invites him tose the subtleties lt of the ere
ation. Beyond the throne, Birtami attains union. He melts like lead,
is piven drink from the spring of “pure intimacy,” and encounters
the souls ofthe prophets, finaly reaching the procreatve state of
bevond being: "until necame ae was when there was no being
And reality al-haga) was without being, elation position or qual
ity great his glory and transcendent his names"
Th the Mira) account of Farid al-Din “Ata. 617/1220), Mac
harmmad reaches theroval hall, at which point is gue, the angel
Gabriel must stay behind, The once glorious angel recedes to the
Figure ofa wren. Again union is tobe found beyond the throne:
The Semantics of Myrical Union nislam 108
‘He saw no plac, drcton, lel or perception,
No troze, no ground, na earthen sphere.
Ne sw the no place without sul tod ody —
He ew hime concealed thee
After this vision of his concealed self, the Prophet passes out
‘this own persons and gazes into the real” Hes stuck speechless,
Sst which point he engages in a dialogue ( with the divine volo,
‘each of which states that only one party can now exlst. The dis:
UUzetions of lover and beloved, human and divine, and self and other
ass into total bewilderment
bn “Arabi offers several ascent accounts based upon the Mira
In one he describes «philosopher (sab al nazar) and follower
abr) of the prophet tradition. The two rise up through the
spheres, but the philosopher must content himself with inter:
{gating the spirit entities (rahaniyya), while the follower gains
‘Seeper secrets and ultimately leaves the philosopher Behind. A
Second account realicns both how standard the basic features of
the ascent were and how subtle an complex the variations could
be Just ae Bistamt refused the offering ofeach ang, so Ton “Arabi
counsels the secker to avoid stopping at any ove level of ascent.
Aber ezcing sees the mina glad arial wer
the Suft passes through progressively more intense stages. They
‘oscillate from the teror of the "surface signs” in which the fixed
forms of delineated reality melt into one another, tothe “overflow
of languor and tenderness and compassion in all hing." The secker
passes beyond the highest heaven, and ses into the gardens.” AS
{i Bistami, union is yet further ot
‘And if you donot tp with this he reves you the wold of
Agi serenity and Rens the use mar, the enigma od
Serta And if you donot sop with th he reveals 19 sou the
Sold of tewiderment, helplessness, nd inability sn the tre
“Sires of works. Tis the bigest ener
od you dono sop with thi he ese to yo the arden:
the degrees ofthe asending tps, thir blend lte one a
‘ther dow they compare to ove another in pleasure And
outa stopped on the narow path ad brought fo the brisk of
Tehennam. Aad if you 0 na top with ths, he revels one
‘lthesancuareswherespiie are abarbed inthe dine vson
Tit ine are rune and bewildered The power fects a
fas overorme them, ad thelr state beckons you
‘And you do ot sop wath this he reveals the frm ofthe
sens of Adam, and velar life, and wells descend Tey hve106 sores
‘special praise which upon hearing you reognie, and you are
fot overcire. You see Your form mong tam, and fom te
Feats the moment wich ou oe hd if you oot oy
trite reveals to you the tone of sompasson. Your
‘il know sour desea and place athe mit yo eres,
nd sich divine name out lod ad whee yous portion af
ross and stnthoo! este —the form of Jour uniqueness.
“And if you do not stop with thi yo ate erateated, ten
wthdraethen efced, then crushed, then ebiterstl. Wher
{he eects of eradication and what follow are termsatd, You
sreafirmed.
‘The prelude to union is the vision of one’s prereated self and
the recognition of one's "eed" This term, along with the phrase
forms of the sos of Adam,” suggest the primordial covenant in
which each person recognizes his or her “lord,” precreative sell
4nd destiny. This moment is aligned im the same passage with the
‘moment of tuth” or the eschatological revelation of one's destiny
ad tre sf This moment of inversion, in which one's inne essence
or selfs seen as projected outside, reals later Sufi theories ofthe
stele in which what is manifest and apparent inthis world be.
comes interiorized and what i interior and secret inthis World
lnscomes manifest™ The intercanfesional Importance of this mode
of mystical union asa psychic wueninginsideout can be seen by
‘comparing the passage from Ibn “Arabi toa smllar passage bY &
Palestinian disciple ofthe prophetic Jewish mystic Abraham Abu
lala ca. 1291. The passage begins with a description of jump.
ing” (ig) a fre asoviative stage of Gematrialike meditation
upon the lees. The motion of the consonants "heats the thinking
and annihilates desiee for any other activity. Passing beyond! the
onto of his natural ing, the meditator now cannot stop the
‘thinking even if he wishes todo soe continues to"draw thought
forth from ies source" uni
Through seer force that stages reached where yu do not peak
or can you speak Ad I slr strength romain to foes
‘esi even farther a draw tout stl farther, hen that which
‘esthin wll manifest tel without, ad thr te power of
‘heer imagination will take onthe farm af» poled mice
‘And this "the lame ofthe ccling soc" the rear reveling
snd bevorsog thee, Whereupon one srs at enn ing
IS omething outside of hime
With tbn “Arabi, union begins witha vision of the Quanic
‘The Semands of Myrical Union i slam 107
paradise and one's inner self the encounter in a moment (wat of
“eternal now,” the destiny of the preeteral primordial covenant
andthe posteterma! momen of truth In the Abuleian tens st
the “flame ofthe circling sword” interpreted as the sword ofthe
‘angel guarding paradise, thatthe innermost sel is seen projected
‘outside asin polished mirror, a mirror simile that slo occurs in
hn ‘Arabi's accounts of fara’ tn both texts, the semantic abi.
lence seen in theological dispiter over Adam's being made“
Hishis image” is reflected on the mythic level Ts the inment cl”
thatthe meditator finds projected outside and confronting hima
if from a polished miror, divine or human, the divine efecion
‘within the human heart othe aman reflection within te divine
mind?
In discussing Jewish apocalypti, Ithamar Gruenwald has
suagested that the hero rising through the spheres uncovers two
kinds of secre, the secret ofthe cosmos and the secre of usice,
the two kinds of secrets that the divine voice tell are not to
be sought by humans. In accounts like ane cited above, the secret
(sir) and subtleties tei) of creation and justice ae ollered at
first in terms associated with earlier apocalyptic: visions inta the
levels of reward and punishment and the subletles of creation, Be-
yond this understanding of secre, the more myatiel texts pes
‘nto a point where both the socret of destiny and justice and the
secret of unity, or rawhd, are revealed in encounter and uaion with
the inner self, hima and divine, or wanscending the duality of
hhuman and divine, self and other, Stil, the secret Is in another
sense not divulged since the party 10 whims its revesled fs now
‘One with the revealer and the act of revelation, The secret tras
scends the duality between acceptance and rejection, union and
‘separaton, ight guidance and gong astray, temporal moment and
ctemity. As one nears the dive presence such considerations at
‘obliterated by the intensity of the witness (shahada) or sll wt
essing as standard boundaries between self and other, between
deity, dl, angel, Satan, and Prophet, between worship and idolatry
begin to dssave, and standard certainties are drove of solved
ina moment, dangerous and promising ofthe most prolound sn
biguity. The encountering ofthe secrets not so much a resolution
of mystery through a comprehensive knowledge ae Ha deepening
of mystery through unresolvable paradox:
When 1 wines, OFthe-one wh haseikeness
‘Guidence an ero ate the sume fo mesas Seems
‘The af knows it encouners it face fee,
“td wits tm the moment Sgt and in
erty
‘Mystical Union and Bewildered Conversation
“he sl inthe Gl station drow ns lov he pot tt
i harmo mors nego a orton te Tear aes
sta nation ia which he says Tam my bowed. My ened
Br
“The subtle channels connecting the language of mystical inion
to the varios language words ofthe olamic world were leary
tnd early on reflected in the Su description of thet own med
ite cic, ye tie of ha Tal la 386990),
PPychologally efit systemizations ef Su moral sed meitatve
igs hater ene Ape Sue Hadi 2319)
inalds upon this development when belies catalg of major
‘erm tht must be understood belore one can evaluate an judge
‘sree ll sper oer mya ncn he
Stations leading ti" The terms play upon muances nthe various
{orms of nearness and faves,
thought. In demanding that those who would condemn Sufi sayings
‘understand such terms, ‘Ayn al-Qudat demands that they develop
‘thowg (ast), a cultivation af ever more relined degrees of expe.
hence in love, love madness, union, and bewilderment
‘Bewilderment results rom the union af subject and object im
pict in the “union hath” (I become the hearing with which he
hears... ", Seeing, hearing, and other perceptions become the
scle domain ofthe Quranic all-secing (bas and all-hearig (l-
amt), the divine pereeption ofthe seeret of destiny within each
hnuman hear. These intensive gerunds are commonly translated
‘wth the locution “all” but at this pot aterm lke “all-seing”
‘would mean not only “seeing everything” but “everything that
‘wally sees” At the moment of mystical union, the divine covers
the human faculties with its pereeptive activity. tn the paradig-
‘atic text attbuted to the sith Imam Jafar al-Sadiq (148)
765), Moses expresses astonishment atthe divine selfrevelation at
the burning bush Cam I your lord,” It and rabbuba)
isnot proper for anvone but Ala to speak of ise by using
{hese words soma. "T am "Tw ed by stoichment
The Semasties Mystical Union n lam 108
ahh and psec vey fants: "You! You ate he who
‘sand who will be etrallys and Moses hanno place wth Yo
‘or the sadacy to speak ures ou let him wet y fours
sistenc bgt! ad you endow him with your attbute He
‘pled tome: "None bot I can bear my apech noe can te
‘me a reply am he who speaks and he who i pokes toed
‘so}.areu phantom Shabal between the two, which serch
‘hes place
una (29010) ues the union bain» maser that
reflects the phantom nature ofthe self in fond, interpreting divine
‘names such as "the allconguering” as relerences tothe divine
‘overwhelming of the human faculties ofthe mystic. Norma! humse,
dentiy, perception, and knowledge are obliterated, and the vestige
‘or trace (asm) of the human personality is eflaced. The myc te
‘turns to that state of fad’ "in which” he was creted atthe pre.
‘emporl coneant wth Alan The aay fw an eitene, ond
ersonality ofthe mystic who achieves isi a>
biguows
‘Then he unveiled over mean vervheming vin ad a clear
‘Panfesation. He aoiisted tein gener eos he had
‘rig geocrated mein the stato yay snot
‘legate hin became eves no sgn td cannot lo
ng Di he ot citer y
‘eh bt? Dey Kone nev
ao aay with my bitration® He the erigmor av het
ne who reer ai
‘The divine reveals self in the obliterated and then divinely oc
cupied faculties of the Su in the phase of return or remaining
(bag, Here the pretemporal eternity and destiny ofthe primordial
‘convenant is revealed as one with the posttemporal eternity of the
‘etur or retrieval. To approach the divine presence ht lose core
sciousness of one's own nearness in the “ansillaion of enn
lation,” namely, the annihilation of the consciousness of the
wadergoing of ail, tsar a8 the “Tn the ent as
turned to his huraan selthoo this passage is uirlystrnightorward,
‘The haunting quality ofthe prose sa result of an implication tat
‘the “Tis really the phantom (shabah) referred to in the text of
Java, an“ that is inthe proceso declaring is own nonexistence
Despite his anhiation, Junayd’s phantom sell remains. Having10 Sruos
tasted union, life becomes torment Cadhab, an allusion to the
torments of hel) anda tral (bla). tsofar as the lover is separated
From the beloved, all taste” for life has gone.
"while inthis text the ghost of the self speaks ofits own an.
siilation, the reverse occurs in the genre of ecstatic uterance
Known ar the shah This term was traced by Abu Nast al‘Sarraj
(3789) to the concrete senses of being shaken lke sifted flour
‘nthe shaking house /afmshtah that then spills over Its edges oF
{6 overflowing like water from a stream” The two most Famous
‘hats, and alshagg (Lam the rea”) of al Halla and subkant
Cel oe of starve been interred ner St
commentators according tothe doctrine ofthe divine covering
tkehuman wih divine Srbus: om he polt sew of
the passing away ofthe egoself it s not Hallaj or Bitar who
speak but the divine voice clothing them or speaking through then
{ike Jonayd and Jevfar they have passed avray, But rather than
speaking a phantoms oftheir own nonexistence the real declares
‘Hoown complete existence ame reality through them. In both the
‘phantom speech of funayd and che intoxicated urterances of Halla
‘ne sometimes unsure whether the pronoun refers tothe human
Grithe divine--whether there are sill two parties or whether one
has reached the point where speaker and hearer are the sie, Re-
ferential and predicaive stractres are pulled apart or fed by
the presence of union within or beneath the text.
‘One notices also that pronouns tend to become separated from
their antecedents, As a pronoun od, o he} ants or You) contac
forrecur without specific reintroduction of the antecedent (Alla,
the human lover) the language takes ona charged, personal cling
‘feling that increases sn intensity as the human lover approaches
the divine beloved: Many Sufi fapments consists of references to
hin" without any nominal antecedent, references that establish
i iavimacyof texture, ss wll a8 intimacy of relation between
“eudet andthe author who = speaking ofthe deeply personal. The
ctive charge of the language isin direct proportion tothe dis
‘ancing of thee pronouns from their nominal antecedents. This
ctstence ofa charged, personal discourse within a highly abstract
tilsophical framework recalls the philosophical doctrine ofthe
Greck Master wherein the intellect sad tobe attached by bonds
love is to thal which is beyond form and beyond all proofs
With Halla and other Suf eters, the discursive treatment of «
‘heolopical or philosophical theme ean subtly shift coward the
sroie dlalague, then back again to the discursive eve, through |
‘The Semantics of Mystical Union in slam 414
the tightening or loosening ofthe pronoun from is antecedent. As
the pronoum Is progressively distanced, the impersonal declarative
‘mood shifts to the vocative and the pronoun betins to take on the
force of an interjection. Rational and affective elements, itelect
and desire, are juxtapose, intertwined, and fused in accordance
‘with this play of prosoun, antecedent, and referent. Whenever the
slements become particularly personal the world of Arabic love
Doct reappears, with is themes of lovemadness and bewilder
A particularly compelling series of bewildered conversations,
{far lest well known inthe West than thowe of Halla, are toe foun
Inthe Book of Mostcal Standings (Kuah al Masai) by Nifarl (
354965). A wag/ standing” orstaying” is Niflar's term forthe
‘state of being riveted, st were, ina particular place atthe divine
presence. The term resonates with the Qurenie standing” ofeach
person before the revelation of her destiny during the apocalyptic
‘oment of truth It also echoes the poet-lovers standing belore his
fate of separation from the beloved nt the phadet al. bayn (nor
of her departure). In single “standing” Niffari condenses 8
ange of language worlds snd a complexity of referential and an
tecedental lay
‘The Standing “Who Are You and Who Aa
He stond mein place, saying
‘who ae you and wo aon?
{saw the an, mon, tars ad ll the lights
Ty se steam nothing remains you have
Everthing came toward me—
‘Nething remained that did woe
‘ised me bere he eye
‘Blessed te
"and stayed in the shadow
He sid
"You know me but know you nt
{saw him clinglag to my rbe nt me
He sid tome
1 id ot neve Only my robe
Tocined He sid12 Swoes
Wo ann 2
‘Sun ad Moon were veld
“The ta ll,
"Te leks did out
All save be enveloped in darkness
My ear did no hese
"Ms perception fated
Everything poke sing
‘laa Aer
Came toward me lance in hand
He sai 0 me Fle!
all nto the darkness
et in the darko
‘nd teeld yet
He sat
Behold yourel ont yourself freer
Never il you leave the darkness
‘But when I release yu fom it,
Tel reveal arse
You wil xe me
‘and wes po do
“ou wil be the farthest tho ost fa
This passage defies any single interpretation." It may be help
ful to bepin witha schematic, though admitedy sabjetive, racing
from the point of view of fara’ The intial dialogue structure as
sues the stability of identities: apparently divine statement that
‘occur after the phrase "he said” are juxtaposed with apparently
Firstperson references to mystical experienoes ("didnot inl
saw’). After being stood,” Niffa has a vision ofthe planetary
spheres an lights. Nothing remains (iabga, perhaps at alasion
{0 the mystical remaining of baad?) that he hasn't seen. an he
blessed by everthing ina moment of peaceful ecstacy. The divine
‘ojce staves, "You know me but [know you not." perhaps an al-
fusion to the famous Sufi dictum “Who Knows his vel, Keows Als
lord," Sul, why would the voce deny divine knowledge of the
human? The nest line seems to provide a clue. The divine clings
to the robe, “not to mes this another phantom dieourse.
with Junayd, in which the self ofthe speaker hasbeen annihilated,
‘Te Semantics of Mystical Union olen 448
‘even inthe moment of inclining toward the beloved, n which the
divine clings to the robe ofthe phantom (shabah) of Junayd? The
heavenly lights then die out ina echo of the Quranic moment of
truth ("When the skies are torn asunder, and the stars are
strewn..." quoted earlier). The human faculties fal ("My eve did
ot se My ear didnot hear”, a direct play upon the union hadith
(CL become the seeing with which he ses, the hearing with which
fhe hears. After the annihilation of fama’ the peaceul ecstasy of
the first part ofthe passage is replaced by a very diferent state
‘What had kissed him between the eyes now comes toward him
lance in hand. The voice tells him to fll into the darkness where
he "beholds himself,” selfbeholding reminisont ofthat men-
tioned by Tbn Arabi and quoted in section three. The passage also
brings to mind Hallas words concerning [oles refusal to worship
[Adam and his exile from the heavens: when the ‘ayn (essence, ev)
‘changed on Tis, be “led from ls gazes nto the secret. A final
paradox oceurs when the divine vole announces that when it re-
Feases him from the darkness, and he ses the divine, he will Be
the farthest of those most far. This may refer to the errr of duality:
Insofar as one ees the divine (ses the “other” a am object), cne
|S outside the union. Oaly in union is there the vision, or Father
selPvsion of the divine
ust as some Sufls interpreted the Satan story to mean thet
the belng closest Alla is somehow i farthest exe, soa similar
oincidentiaoppositoran takes place atthe end of this passage: the
‘loses approach to union isone with theextreme of slenation and
‘ejection. From tls plat of vew the shift fom nearness to extreme
Separation may be less the result ofa mistake than itis a refiection
of the cosmic paradox exemplified by Iblis, the most intimate
fuardian ofthe divine throne and therefore the mont radically te
fected. Such s positon would fit in wel with the interpretation of
“ayn al-Oudat Hamadhani, who articulated a view of his in which
scparation was seen as x more advanced stage than union, since
it results ina more dynamic relationship"
‘This perspective can be soon asa reflection ofthe position of
Junayel whereby haga, the remaining or return of consclowsness,
the torured consciousness undergoing continual tal (bald) of
vine jealousy after the extinction of fan’ is considered higher
Station than that of and’ Bu Hamada’ expresion can alzo be
Seen as an extension of Hallas emphasis upon Tis experience
‘of separation atthe pont of closest intimacy. The movement of
extremes intermeshed with the poetics af separation and wo,and the poetic tradition, with its moments of love-madness, be-
‘wildermeat, separation from the beloved, and night journey, res-
‘nates throughout the passage. What may be occuring here isan
Osallation between the existence ofthe individual outside union,
Sit exlstence that causes the consciousness of separation and the
passing away of the individual Inthe union. Ths dynamic ose:
[ation is expressed in the classic verses attributed to love poet
and appropriated by the Sufi "If Tam absent he appears) fhe
"ppeas, he obliterates me"
“The ambivalence concerning the divine and human oecypant
ofthe throne recurs here sn a ilferent content, The Tis gure,
‘ever mentioned here explicitly but alluded to through the radical
play of union and separation, rvalls other figures such a Metron
f¢ Hermes ris), who insofar as they approach union are subjected
to the extreme of separation. In this language of bewildered con-
‘eration, what Is elsesthere expressed through the ambivalent na
{ure ofthe igure upon the divine throne is brought out through
the most subtle and most powerful play of pronoun, antecedent
tnd reference ambiguity.
One of the qualities of the Qasida poetie form isthe inter-
permeability ofthe various sections. An entire Qasda can be writ
‘en as wine song, with its own mai, journey, and boast, or a8 3
rasib, within its own journey, boast, afd Wine song. Each major
Section or movement can contain the others with Is owen distinctive
‘odality. This tat ofthe Oasida is also found within Sef ter.
ature. Each language world, poetic, theologial, hermetic, and
Sialic, can contain the orbers. In this brief Sut dialogue, the
‘uranic, poetic, hermetic, and theological language worlds are
‘contained, and a rich Interpretation of the dialogue could be given
from each of therm.
Teall ofthe texts discussed in this section, standard distine-
tions of subject and objec, fst person and soca person, secund
person and third person, first person and third person, self and
ther, ivine and hurman-—have been seen to dissolve tthe moment
Of union with a variety of linguistic consequences. The diseeating
fffect ofthe Niffar passage is augmented by the radical bt some:
‘shat indeterminate effects of such asions. The syntax and parallel
Gialogue structures ofthe Nifari passage suggest a clear distinction
between the divine and human partes. But the intensity ofthe
‘experience seems to pull at thowe divisions. Can we relly be certain
that tf Allah who clings to Niffan's robe (an anthropomorphic
image) and not Nffari clinging tothe divine robe? The tle ofthe
The Semantics of Mystical Union in Iams 118,
standing, “Who Are You and Who Am 1 also gives us cause to
‘wonder about the security of consistent and clear division ofthe
‘So parties of the dialogue. Could the persons be reversed at key
‘moments? Could it be Niflari who clings tothe divine robe? Could
{tbe Niffari who is known by but doesnot know the divine? One
tna the sense that beneath a Seemingly consistent and clear division,
another kind of oscillation occurs, an oscillation sgt so much of
States (onion to Separation) but of references, The "that began
‘asthe human party seems to flow or overflow, momentarily, ito
the “he” that began asthe divine party: the two referential motions
‘un pastor through one another, as
“Mystical Union and Bewildered Discourse
He reveals shrough htm hoi secret to havi
reveals though sel oun ere ofl
‘The dialogical language of union in Junayd, stam, Hall
and Niffars leaves the question ofthe relationship ofthe raystic
lion to the rest of society unresolved. The phantom discourse o
Junayd offer an indelibly compelling evocation of inion but does
ot attempt to imegrate union into a wider cultral or pinche
world. The shathiyarof Halla and Bistami confront the diverse
‘embers of society with an invitation to live om a iil edge oF
‘existential heroism. tn Niflar the intensity ofthe language fi
‘iret proportion to its intimacy.
By the time of Ibn “Arabi, Sufism’ place i Islam had changed
‘Al-chazall’spollticl and polemical activity had contributed fo
new political center, with Sufism included and rationalist phils
‘phy excluded. Organized networks of Suis embracing various
strata of society were forming around the names of earlier figures
suchas ‘bd s-Ondr al Jilani (8601166) The relocation of mye
tical union within a wider society and broader Ianguace i re-
Alected in the writings of fbn ‘Arabi, the grand master fl shayh
‘akbar of Sufi philosophy. In his voluminous Meccan Openings
(ad-Futshat al-Maliki) he weats all branches of exotic ans &
‘teri learning from jurisprudence, hadith, grammar and theology
to poetry, alchemy, astrology and numerology in his Ring Settings
of Wisdom (Fuss al-Hidamy) he coves similar ground but in a las
‘fuage centered on philosophicalrather than on hermetic principles,
Tneitherease.a mutual anslormation has occurred: Sufi language‘of mystical union fs opened onto a more discursive field, che world
cf thre person elem and pilorepical language, bt Su
‘mystical on ie placed at the center of the language ransforming
ic from within. The move from the daloie! language of union
found in the Halla) and Bistam to the mystical dale of Tom
“Arabi need not be sen, as it often has been seen, a8 a decadent
rmovemeat from genuine experience 1o intellect abetracton. In
rystial dialectic, the erence shifts and fasion of mystical union
\were not los in elect abstractions. They were integrated nto
{thiré;person discourse of mystical philosophy, the gulding pip
‘ile. oF mais, of which was union. Mista union transforms
philosophical and other objective or sclentifie discourse, even a5
the philoophical language offers a mew dimension oferta! self
awareness and logical precision to the mystial
‘The dialectic begins witha relentless critique of what tba
Arabi call "binding gy. The divine manifests cin various
Images reacted though the delimitations of language, Philosphy,
‘hd cultural heritage. The numberof posible images i inf
“nd the manifestations ave ina sate of continual ax. While its
natural and proper to bind the divine in the sense of seeing it 29
‘manifested in an mage, there isa human propensity (binding in
the negtive sense) to claim that that particular mage or masi-
festation, what Ibm “Arai calls the "god of belle" isin fact the
divine essence ise. The result is anthropomorphisas (taking the
(uranie attributes as prediction) doatry (wore ofthe nage
in the place of that which is wanscendent to its images), and i
Felity (he denial f the divine as st appears in other belie, mane
llestations, and images). I left at this point sucha entique would
be Hable tothe charge of cat the stripping of the divine ofall
Substance and all relation tthe worl, the charge that was leveled
against thse philosophers and theologians whore emphasis upon
‘unity threatened a meaningful role forthe Qursnie divine names
for atributes. Mystical union provided the central force for a pos
lve movement, retreval of the divine names a realizations
These realizations which had been refected in the earlier Sui die:
lomies, now become part ofa wide-ranging iterdiscplinary die:
course In fon “Arabs works, the mystical dialectic reveals itself
In four interlocking themes. the myth ofthe “Breath ofthe mer
‘ifthe metaphor of the polished mirror, the archetype of the
Complete human being (sd aed, and the moment ot eteral
sow fag)
Inlbn‘Arabi's creation myth, the seven principal divine names
‘The Semantics of Mystical Union in las
(called doorkeepers, or sadana, reflecting the hermetie terminology
and number) find themselves ina state of tension. The world and
humankind have not yt been crested, and without them the names
really have ng existence. Names such as the “hearer.” "the ser
and “the just” take thir meaning from language, which is inter.
{ined with the worl it reflects and with human consciousness.
‘The names present themselves before Alla, the comprehensive di
vine name, and complain that they do not exist and fel “tense
Allah orders the name "the overfiowingly bountiful” (arama)
to breathe (nafs) the world into existerice thus relieving (nitfasa)
the names. The word icreated through the breath ofthe mercial
and serves asa mirror and prism for the divine, reflecting and re-
‘Gactng the divine lat into the multiple divine names, But witht
‘Adam, the word i ke an unpolished mirror. To compete the pro-
‘ess human consciousness 1s needed to serve as the polishing of
the mirror.
This creation myth can be seen as a metaphysical joke with a
serious point. The absurdity of the divine names complaining t2
Allah that they donot exist dramatices the anthropomorphic qual-
iry of conventional language of creation, even when creation la
iusge is atempting to avon! such 3 quality. Creation language uses
‘ames that can ony he refractions of and results of he ery process
they are described as prececing in some text Iba “Ars begins
with the divine “willing” to see its names retracted and reflected
Jn cosmos. But “wil” can only exist sm cstinet ame o tribute
‘within thet refraction. Thus to speak ofthe divine "silig 0 see
Its reflection” is speak of will a a exter of 2 process of which
its the result Language of eration spirals ito an infinite crc
of paradox. The names are retrieved only instar as the mirror
polished In mystical union. At this moment the names that had
been shown t be absurd as predications are retrieved as realiza-
“The focal point of this retrieval isthe figure of Adam as the
‘complete aman being a-san alsa) based upon the Quranic
‘count of the angels prostrating themselves before Adam because
‘Adam krow the "names" and was the Khalifa (repent of the divine.
Implying that Adam's knowledge was knowledge of both the names
‘of ereatures and the divine nares, bn Arabi makes Adam, arche
‘ypal human consciousness, the mediim of reflection ad reracton
athe divine nates. He plays upon the term tsi hurvan, pupil
ofthe eye) to indicate the human function a locus for divine sel
‘manifestation inthe multiplicity of its namesIn his homage to the complete human being (nse kimai) fbn
‘Arabi maintains that the inean ka fs more hdmi! tham Allah
‘This apparently outrageous claim marks a redefinition of what it
‘means to be Ami. For many Sufi, most notably Sunayd, kimi!
might best be translated "perfect." the perfected state that is
‘reached only by the wansformation of the lower nafs, or sou and
‘through a progressive spirtualization until one arrives at sate
‘approximating that ofthe anges: For Tbn ‘Arabi, kami refers not
to such spritualized perfection but rather "completion." to a
‘wolold universality embraced by Adam: th universally of existing
‘on all strata of realty, from the spiritual to the elemental (thus
(orming a bari, or interface, between element and spit), and
the universality Adam has as loews of refraction and reflection of
the divine names. By using an expression tht if understood in the
oder sense of perfection would seem outrageous, and by not spell.
lng out specifially his redefiaition, on “Arabi guarantees his re-
‘etnition a high symbolic and religious charge
‘Unlike Hall, Th Arabi saw Tiss refs! fo prostrate himself
before Adam as an error. Although angels are more perfect than
humans, more powerful, unencumbered by the grasier layers of
bodily and mortal exisence, Adam's role fm the cosmos is more
central: Adam was made the Ualfa ofthe divin, the regent, the
‘microcosm. By embracing al strata of reality, and by knowing the
divine trough the plurality of the divine names, Adam iscomplete
(kami. The ascetcista of early Sufs ie Hall and hermetic wri.
cle the Ssbacans, in which the individual attempts to shed not
‘nly the epoism ofthe nafs but also the human condition itself
{or fon “Arabian undervaluing ofthe human role in the universe
The human being, as human, isthe locus of the divine self rlecton
The attempt at transcending the lower nafs not abandoned, but
the metaphysical role and value ofthe human: in accordance with
which that attempt takes place, has been changed. This tension
between the spiritualist (those who advocated a progressive ar.
relization ofthe human) and the humanists (thse who advocated
deepening and completion of human, as opposed to angelic qual-
ites) is reflected particularly inthe difering interpretation of the
SatanvAdam relationships and especially in the meaning given ia
specific contexts tothe term Adm (Le, perfet or carpet),
“The human roiesas insan (pupil othe eye) and Khalifa (egent)
sare intertwined, Human regency ean be seen a a recognition that
any attemp® to refer to divine governance is necessarily anthro
‘Pomorphic in it language and can only reflect human categories
‘The Semantes of Mystical Union i Islam 118
However the individual human, inhabiting a world of space and
time, cannot reflec all the names simultaneously. Each human is
‘guided by a particular name and tends to bind the divine ito the
‘name or image and to deny other names and images, betraying his
for er universality. Even the prophets were in some sense limited
toa particular vison. In fara’, such binding can in one sense be
‘oversome, The heat of the Sufi becomes the polished micror pol
[shed ineofar as ite void of ts own images and projected names.
“The “ascent” visions of the bedazzlement within the throne room
and the vision ofan image which son's deepest self form a subtext
‘at this point. Ton ‘Arabi ints throughout his writings that the
throne i nothing other than the hrpan heat Inthe hermetic ex
the Poimandres, te divine looks down upon nature and sees is
Image reflected within Falling in love with that image, the divine
attempts to embrace itand is thus caupht within the mortal em
brace of mature The Poimandrer use of the mirror metaphors
‘narcissistic fal into one's own image is reversed in Sufl ascent
Snd Sufi use ofthe mirror metaphor in which the individual pves
'p its own images and sel infatuation and upon doing eo becomes
‘one with and inthe divine image reflected in the polished mirror.
‘Although the parallel is ot complete since Ton "Arabi does not
fccept the negative valuation of nature and body that is present
{nthe Poimandres, i some sense Ibn Arabi can be said to be both
ssppeoprating and reversing the moti The mieror metaphor forms
‘the central paradigan for both the fall andthe return, and atthe
‘ore intense moments of union, the procession and the retorn are
revealed as one,
"At this point we return to the theological controversy ver the
‘notion that Allah created Adam in "his" image, and the claim of
‘ne school that fis cannot refer Allah since the divine = hevond
orm and image, and thus must refer to Adam. To translate Ibn
“Arabs passages dealing withthe mirror metaphor and the cre-
ation of Adam, Ihave been forced to some experimental means for
‘xpresing the reference fusion that oceurs. English demands that
choice be made between reflexive and nonrellexive pronoun. I
tee sy, “He saw him reflected inthe mirror” i€ is assumed that
the hi refers to someone other than the subject ofthe sentence.
Arabic does not insistently require such 2 distinction. At the
‘moment of mystical union, of reflection i the mirror the reflexive
nd ponteflexive pesibiliesaze fused:
ghia ht raha ht120 srntes
reveals through inti isis secret to hie
Hie
‘rife take the impersonal side of the pronoun ether
‘hn be implied ia the Arabic pronoun
It reveals 10 sll hough it slow eee
“These preposiiaal and pronominal eouortions are found in earlier
vwrters such as Halla
Lave isha in the eternity of tert rm the primordial
Tn him, by thi, rom ohn appensng
snd thi a begining
In this case the pronoun hu can refer tothe love as an impersonal
oF to the divine beloved as personal. This pling up of prepost
tional;pronominal phrases was listed by Sarr as ane ofthe San
‘dard feacares of Suit language of union, and it has been recently
Felted tothe literary techniques ofthe bad school of poctey, which
‘ieveloped at the sate time s early Suf literatures" Nevertheless
in carter Suft writings, even seritings as highly pitehed es those
attributed to Hall} or those mentioned by al Sarr). the amb.
fuities in reference and antecedence seldom overwhelm the sta
bility ofthe initial divine-homan diviston on the purely seam
‘matical level, however radically they might challenge it on the
thematic level In Tha “Aras, this buildup of pronouns and prep.
‘sitions occurs within the context of the miror snetaphor an the
"oythie background na manner that achieves more radical and
complete referential fusion. The question af who secs whom int
‘shor, be an image n'a double mirror, retracts into an infinitely
receding double st of possibilities the divine ses isl nthe a
‘an: the human ses !sef inthe divine; the divine ses itself In
the polished mirror. which, insofar a itis polished, i void of the
hhurpan qua human (nas). The statement “created in his image
‘which had been such a proslem fr the theologians. nov reveals
\sithin a grammatical fusion of antecedents a dauble meaning in-
Comporating borh of the theological postion: the hs refers both
{othe divine arto the human. Were it to refer tothe human alone
(ss suggested by the Asiarites), the statement would be semant
‘cally at Were it refer tothe divine alone, the statement would
Imply an anthropomorphie notion of divinity. The statement be-
‘comes meaningful only fa the mystical union of faa’ in which the
feflexive is own image) and nowreflective (the other's image) cal
lapse into ove anathe. The issue of destiny undergoes similar
transformation. No longer does the question pit human free will
and agency against divine ommsience and omnipotence. At the
‘moment of union, the one actor is both the human and the divine
Inthe moment of mystical union the choice berveen a tyrannical,
arbitrary deity ora deity limited by human fee agency (both of
‘which involve, as was seen earl, intractable theological prob-
lems) is taken up ito the reference fusion. The power ofthe Fev
lation ofthe secret of destiny inthe Quranic yam adn (momen
‘of truth) receives a compelling mystical interpretation. The att
bates dkoowing. willing, seing) are no longer anthropomorphic
predications of an exterior city but realizations (ie, simulta
‘neously understandings and actualizatlons) reflected within the
‘mirror of humanidvine union. The willer tthe divin reflected in
the human or the human reflected inthe divine At the conjunction
ofthis double refecion Is he fordhip the nner destiny acknow
fedged at the primordial covenant and revealed st the moment of
truth. One only realizes this se that war scen projected outside
8 in 8 mirror insofar as normal self-identity given up Like the
‘question of destiny and free wil the question of the individuality
(oF universality of this selfs not answered but taken up into the
‘ference fon
'A this point the danger is greatest Since for the individual in
space and time, the images and manifestations othe divine most
be conrtantly changing (in every moment he (Allah) iy ina [dt
Feret) state",” ta hold on tothe image thst appear ic the polished
tirror isthe prime temptation, To bind the divine ia it all
Into worship ofa static and delimited image, with sll the attendant
dangers of intolerance and spiritual stagnation. The response
this danger is 8 perpetually transformative conception of fan”
based upon anew version of the wagt, or moment. In his account
af the mystical ascent discusied in section three, Ton “Arab spoke
fof a point ust before the culmination n mystical union where the
mystic ses the "Forms ofthe sons of Ada," namely, the peenstent
souls. the moment ofthe primordial covenant sealing their des
tiny, He then said, "You see your form among them and fom i
{you recognize the wagr sou are in." The wag here is the eternal
moment in which the pretemporal eternity of the convenant and
the posttemporal etereityof the moment of truth ae realized in
‘heir unt Tbn “Arabs notion of wagt has a widest tert12 Somes
resonances. To deny thatthe creator was subject to laws of natural
‘causality the scholastic theologians had claimed that in every mo-
‘ent (dn the creator destroys and recreates the world. Early Sufis
hha attempted tobe “sons of thelr moment "(aba al-waqi), ving
‘only forthe moment and making no provision forthe future. The
poets had claimed that in every moment the beloved changed her
‘mood, condition. and form. trapping them in a continsal Tax of |
‘motion and Image In play upon all three notions Tba “Arabi
‘utined his understanding ofthe eternal moment. In every moment
‘one should pass away, Become one with the divine i the nerored
image, and then give up that image to pase away again. The 1o-
«dividual can approach the universality ofthe complete human i=
‘an kami) only through the process of tagallu (Perpetual tans
formation), not binding himself or herself to any image, belie,
philosophy, or dogma. Tba “Arab speaks of tagalud Ina pun oo
{he word 41 (caning both “heart and “chaage’), and it thie
‘notion of heart as seat af transformative wisdom, as opposed 10
the analytical knowledge of the “gl (ntellect term shove root
‘meaning ls "binding”), that isa the center of his famous verses!
Manel garden among the fames
My art has Become receptive of every form
Wea meadow for gil a monastery for monks,
‘he abode of le the Kab of he pin,
‘The ables ofthe Tora, the Quan”
My religion is lone-herever i nme torn
Lae irmy bebe fat
‘We haves made! n Bar Hin, and er sister,
{We Oaye and Layla, Mayya and Ghaylan™
[At this point we return tothe passage cited in section one of
this essay (p. 93), where Tho “Arabl explains the reference t the
famous lovers ofthe poctc tradition at the end of the above verees:
{Aliah) aticted them with love of human beings a a rebuttal
{ethos who claim love im, but are not i ane den
‘mad with love. Live deprived them of tel tee made thom
‘rss aay Fo themselves a the sgh thelr imagination of
the below
‘We also recall the verses ofthe Persian poet Hafiz: “On this road
there are conversations which melt the soul/ Each mar has such
‘quarrel that Ws beyond telling.” When discussing the creation
‘The Semantin of Mystical Union in nla 2
‘of Adar i the contest of the reflection inthe polished mirror, tba
“Arabi docs not assert asa theological doctrine thatthe his inthe
“his nage” refers both to Adam and to Allah His language realion
for enacts such fusions or slides of reference of reflenive and non
‘ellerive, wf and ether, human and divine. The fasion or licen
‘ccur often. The following passage concerns the attempt toachieve
‘8 new moment (wag) of as short a duration as possible, so that
the Sul 3 continually experiencing union and separation, fa”
‘and bagd’, extinction and econsttution within a new image, The
Shortest moment is the breath. In each breath dik or re-
smembrance 1s recited. Ta each inhalation the Sufi achieves 8 new
form. In each exhalation the Sul gives up the form. Through an-
tecedencefision, the breath ofthe mystic aligned with the eeral
ddvine “breath ofthe compassionate” that was breathed and always
‘is being breathed into Adam:
“The sechercontoues wo say with evry breath
“My or perease mia Eoaledge”
slong asthe sphere ofthe wiverse farms Hiss breath
So that he attempts 19 make his momect his breath
Again the location his/His is neded to show the fusion that
‘occurs inthe original Arabic. The reference 10 the sphere of the
Universe uring in “his brea has a dominantly divine reference.
‘Bur by the time one reaches the second reference to hits breath
the fusion ls complete, and the “his” Bite equally well the divine
and homan referent. Depending upon position and context pro-
‘boun's reference and antecedent may Slide’ (a dominant relerenice
Yielding 1 an alternate possibility) or it may involve a complete
fusion in which both possibilities are equally present.
Union i perpetually reenacied. The lver perpetually finds and
perpetually separates from the beloved. Similarly, mystical di-
Slectic doesnot bind meaning but continually moves from the re-
ferential delimitation of an object toa apophatic moment and
back again to referential intentionality. The reference fasion die:
‘Sand earlier in two cares recurs often inthe Andalusian Sui mas:
ters writings n'a wide variety of contexts, and in each case It serves
tw transiorm closed hierarchies, doctrines, and formulations into
Opetrended movements” Because the divine rames and attributes
fare aot predicates but realizations or rellections fn the mirroe of
‘mystical union, they are not meaningful outside of union. A writer
‘cannot disclose the secret of union, cannot disclose “what” Is1a srumtes
countered there, anymore than Sufl writer can distinguish what
cours in mystical union from what occurs inthe erotic union of
the poets. What i revealed in union fs communicated only to One
‘ho pastes a
‘his does not imply cha: mystical union is reserved only for
the spiritually and ascevealy hero. Por fbn "Arabi the highest
stage ofthe mystical ascent was the sation of "no station" in which
the notion of hierarchy i transcended. Prom the perspective of mo
Station every moment of pasting away from at ld tage ard te
maining or returning in 3 new image, however humble or Ins
nificant steh an act might seem a8 a1 experience isthe one pol
Sshing in the mirror that always has geeurred and always is
occurring,
Many ofthe themes and Linguistic effects were to be echoed
by Sufis writing in other languages and comblned with the com
{ributins those Sufis brought from thei own deep traditions, The
role of mystical union within those literary tradition i another
Story. Itseemsfiting to end the discussion with Tom "Arab, wh
In many senses can fustitaly be sald to have been the “seal” if
not of the saints (as some interpreters believe he claimed tobe),
st least ofthe classical lormlstors of matical union within the
Arabic adition.”
Unitive Experiences and
the State of Trance
DANIEL MERKUR
When dhe term unio mystic, “mrtial union," was borrowed From
Roman Catholic theology for academie application in the cm
parative sy of religions, the theological category was assumed
fo be a culturespecfic phrasing ofa psychological category that
twee valid rose culturally. Although the validity of comparative
‘Studies of mysticism reste, parton this essurption, Iti very
fmuch an assumption. The ature of mystical union has been the
Subject of lively debate for over a century. The present contr
btion seeks ro understand what mystical union i, both inthe ex:
Devience ofthe myties and from # prychoanalstic pot of view.
Fhe former ao ess than the latter ina redutive procedure; an apo
‘hati or negative, theology cannot be otherwise
“The Common-Core Hypothests
Upon the rise of medical peychiatryin the mid nineteenth century
various Christan mystics including several traditional saints
were diagnosed as morbid personalities, The diagnoses were chal
lenged, rt by Roman Catholic writers and next by Anglicans, who
simultaneously revived th practice of mysticism i their churches
tera lapee of some two hundred years Because ofthe discon:
“ath woul ke 0 hk he Lady Dae Feloweip Tr fr 8 pox
nor lowing tthe Hees Uhr ole Sa[Bewildered Tongue: The Semantics of Mystical Union tn
1. Te ams hah abnewef (hadi of saperogatry devotions)
‘Sah al Dathart 1:38. Tranlatons are my onn unless oherwse
fated For the Hadith i fill and w discussion of see Willanores
Graham, Divine Word and Prophetic Word tx Eat Islam Che
Hogue i977, 173.
‘The translation slighlyemended from A.J Arbre Mtcel
Proms of Rut it Scion, Poems 1-200 (Chicago 1968), 7,
0:92 Jalal ain Rum ded in S727,
{bo ab Par [4 6321235), Dana (Brut, 1962, 140.
Fortwo examples fom Abu Nuwas bearing directly upon the Saf
verve ed slow
Give mea cup of dstrneton
Rom the prayer callers cal
Give me to drinks choice wine
‘which preceded the creation of Adam.
‘The translato, slightly emende, fom T. Emil Homertn,
“Plled with a rning Desire: Tn a Far —Poet, Myst and
Saint” (PRD dis. Unversity of Chiago, 1987), 39,31: Homerin
ites these verses in the couse a is rita reevaluation ofthe =
inton between fo eL-Fard's poetry andthe Arable poetic tad
For the phrase “Arabic Quran" ee Quan 12:2; 1337; 2013;
[S928 41:3 327: 4:3; 2:190 ar ar), 1108 ary tla was
‘comfortable lfrming that the Quran seme i ts Arve
‘Scllingastie conte No les gn authors then AlAs oe
‘if appealed to the expression Quan Arabian in aring
ans Muara alegre interpretation e he Quranic
“ands of lab pointing oa he lack of mach allege we of
the word hand in the pretlamicsoures. The example cited by
‘Gide (igaz Goiaber nodaction 0 Ile Poly ond
‘tas Andras and Ruth Hamer! (rinceon 19811, 165, ho
ridicules AlAs argument. Though Adar’ appeal to prele-
Jamie philology may or may not have been convince in hs pat
ticlar case, his unembarrated acknowledgement othe nsepers
bility of Ouran dacoure from is Arabic scclingultc coment
contrast wih he hesitancy sont In more modern
{weatrment of thi le
‘The extent to which ‘Us and Saf erature i intertwined is
highlighted by Aad E-Khairalah Love, Madness, and Pocoye
{ntepeaion ofthe Main Legend (Birt, 1960) Ti dy puts
Inve question the stendar division an the genre
boundaries between the “Ud ad the Su traditions.
‘al ma ‘alimta wa ma-stodta mati,
sm hablba ich neat yawn agro
‘Ancient Arabian Pots (Osnabrtck, 1972 (reprint of 170), 11. Ts
‘ef also inched lathe famous collection ed. Cares Lyall A
Mufadalyt (Leen, 1924), no, 129, 296-408
{8 This presentation ofthe Osi Is condensed fom detailed work
{hat cam be found in theresa, A ore extended preetaton of
ty view ofthe Ons wil eppar in M. Sel, Des Trecings: See
Classic Arabian Odes (Wesleyan University Pre, from,
1989). A bre summary af the argument forthe nondescrpie and
‘onpreicative aspect of Arabic poetry canbe found in Sel, "The
Malaga of Tara Joural of Arabic Litre 1 (1986) 21-33,
Fora major study of cone fn slam, ace. Vadet, cpt ces
(2 Orient dans es cing premiers icles degre (Pra, T068)or
‘he cument understanding of early Arab poetry a an orl perform
“ave tradition se J.T, Mentor, Oral Composton in Prefaamie
Poe
(943) 165-105.
9. Paalels between the Qsia Journey and the Su journey cam be
Sen nbn Abr Khay' fe sory: RA, Nicolo, Stes
amie Myson (Cambridge, 192), 1-76
10. This paral was brought ou by Cat W. Est, Wonk of Ecstasy
‘Saft Abay, 198), 36-40.
1H. god example canbe sen n Lots Anita Gif, They of Profene
‘Lave Among the Arabs The Delopment of te Gente ew ork
197), 19-20, The pssge i found fn “An a Din Might a
‘Wath ef audi fen Usha min Mahi Eacia-
on concerning the Martyred Lover, dO. Spies, vo. Statgrt,
1930. Gifen suggests is pata let treatise on Tove, he Kal
ab Rigad oc Kith Mutya by a Mareen,
12, Ton ‘Arabi, Dhaba asl, M. ab Kad (Cr, 196,50.
13, Trans. from Pesan by Elizabeth Gray, Plowshaes (1985) 255
14, Trans. fom Persian by Abdul Jabbar in “Reletons othe Real:
‘Omar Khayyam” preeatd tothe California Hutson Asocma Noms
on, May 1984 atthe Vallmbrosa Centr, Menlo Par, Cai For
the Persian tex, translteration, he Fitgerld trarlation, snd =
Imore Ieral poetic and proce version, sr Eben Francis Thompson,
‘Edward Fcgeral’s Rubtiyat of Omar Thayyon rvately Printed
‘07, bet
15. Quran 821-6
16 Quran 7272.
17, few examples: Quran 27; 6125; 7178; 10:10; 4244-46
20. See ALFarab, Mabid? Ard’ Aa Madina a Fail (n the Proce.
State, Reve Yet with Ierdaction,Tranaaion ad Commentary
‘by Richard Walzer (Oxford, 1985) ch 157-87.
21, Aveoe' Taft Tahu The Incoberencé ofthe Incaherence),
team. Simon Van Den Bergh, vl. 1 (Oxford, 1954), 87-68. "Ghaza-
Us words"The agent most be willing, choosing and knowing what
hewils tobe the agent of wat he wil are by no means self cr