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EarTraining
1 0 M i n u t e s a D a y T o A G r e a t E a r !
BobMurnahan
EarTraing1163/24/1011:13PM[Typetext] 1
Introduction
Thisreportisspecial.
Hereswhy:Onitspagesyouwillfindadetailedbreakdownofapotentprocessto
trainyourear.Andthebestpartisthatyoucanusefreeresourcesreadilyavailable
ontheInternet.
Inmyopinion,agoodearisthemostpowerfultoolavailabletousasmusicians,yet
forguitaristsithasturnedintothemostneglectedaspectofourmusicaltraining.
Afterall,welistentomusic.
Butwelearntheguitarbyusingvisualdevices.Howmuchsensedoesthatmake?
Anditonlyseemstobegettingworse.
Backinthedaytherewerenotranscriptionsavailable.Welearnedbyhangingout
withotherplayersandspendinghoursandhourslisteningtorecordsandtapesto
figureoutthemusicwewantedtoplay.
Whentranscriptionsfirststartedtoappeartheywerewritteninstandardnotation.
Thentablaturecamealongandwewereofftotheraces.
Teachersandstudentshadanewtooltospeedupthelearningprocess.Tabmade
thingsavailablethatwerenotavailablebefore.Butintheprocessofusingtab
trainingtheearbecameaforgottenprocess.
Ioftenintentionallypostlessonswithouttabwiththehopeofgettingstudentsto
usetheirearsandwithinashortperiodoftimetherequestsstartpouringin.Doyou
havethetabforthis?Somearesoparalyzedthattheywonteventrywithouttab.
Evenifyoutrytoworksomethingoutwithouttabandfailmiserablysomething
magicstartstohappen.Eachtimetheearstartstogetabitstronger.Soonyoustart
torecognizesoundsthewayyourecognizecolor.Awholenewworldopensup.
Youwillbeabletofigureoutthechordstosongswhileyouaredrivinginthecar.
Youwillhearlicksandknowexactlywhatwasplayed.Youwillearalickinyour
headandknowhowtoplayitonyourguitar.Wouldthatmakeadifferenceinyour
abilitiesasamusician?
KeepinmindthatanythingworthwhilerequiressomeeffortbutIpromiseyouthat
ifyoufollowthismethoditwillpaybigdividends.Andthebestpartisthatyou
shouldbeabletocompleteyoureartrainingexercisesinabout10minutesperday.
Also,beawarethatthereisacauseandeffectineverythingweso.Thereisadelay
betweenthecauseandeffectbutweliveinaninstantgratificationsociety.Persist
eventhoughitmayappearonthesurfacethatnothingishappening.
Romewasnotbuiltinaday
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The Two Types Of Ear Training
Asweworkthroughthisreportwewillbecoveringtotypesofeartraining,melodic
andharmonic.
Verysimply,melodiceartrainingconsistsofbeingabletorecognizewhatsoundis
happeningwhennotesareplayedoneaftertheother.Harmoniceartrainingoccurs
whentwoormorenotesareplayedsimultaneously.
Harmonicrecognitionallowsyoutoidentifychords.Aretheymajororminor.
Dominant7thordiminished,etc?Ifyoudontknowwhatthosenamesrefertowe
willbecoveringthataswell.
Eachsectionwillstartwithmelodiceartrainingandthenmovetoharmonic.Also,
soundswillbeintroducedslowlysothatyouarenotconfusedandtheearhastime
tolearnandabsorbnewsounds.
Step1 Step3
Ireallyhopeyougetexcitedaboutthisandtakethetimetofollowthrough.The
payoffwillbemassive.
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Some Basic Theory
Beforewecangetstartedwehavetocoversomebasictheory,morespecifically,
intervals.Anintervalissimplythedistancebetweentwonotes.
LookattheCmajorscale.
1 2 3 4 5 6 7 8
C D E F G A B C
Asyoucanseethereare8notes.Thedistancebetweeneachnote,startingwith
number1isaninterval.
From Interval
11(CC) PerfectPrime(Unison)
12(CD) Major2nd
13(CE) Major3rd
14(CF) Perfect4th
15(CG) Perfect5th
16(CA) Major6th
17(CB) Major7th
18(CC) PerfectOctave
Noticethattheunison,4th,5thandoctavearecalledperfectintervalswhilethe2nd,
3rd,6th,and7thareknownasmajor.Asyoumighthavealreadyguessedthereare
intervalswithothernameslikeminor,diminishedandaugmented.Iwilldiscuss
thoseasneeded.
Andyoumighthavealreadyfiguredoutthattheletternameswillchangeifyouare
inadifferentkeylikeGorBb,etc.YoucanreadthemusictheoryreportIgaveyou
formoredetailonthis.
Keepinmindthatthesenamesarejustlabelstohelpyoukeeptrackofthingsand
areusefulwhendiscussingideaswithothermusicians.Themostimportantthingto
rememberisthattheyaresoundsthatyoucantrainyoureartohearandremember
justlikeyoureyescandetectcolor.
Itreallyisquiteathrillwhenyouarelisteningtomusicandthesesoundsstartto
jumpoutatyouandyouinstantlyknowwhattheyare.Awholenewmusicalworld
waitsifyouarewillingtoputforththeeffort.
Ihatetokeepharpingonthisbutthesadfactofthematteristhatmostpeoplethat
buyareportorbooklikethisonerarelyifeverusethematerial.Pleasedontbeone
ofthem.
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Getting Started: Fourths and Fifths
Thetimehascometofinallygetstartedwithsomeactualeartraining.Wearegoing
tostartwith4thsand5ths.Wewillstartwithtwosoundstogivetheearsomething
tocompare.Wewillthenaddnewsoundsoneortwoatatime.
StepOne:Playtheintervalsonyourguitarandsingthem
NowIdontcareifyouhaveavoicelikeabullfrog.Singingtheseintervalsisthe
fastestandbestwaytoreallyingraintheminyourear.
Youshouldalwayssingtheintervalsinbothdirections,ascendinganddescending.
Youcansingtheminachromaticfashion(movinguponefretatatime)likethe
followingexample.
FourthsChromatically
Youcansingthemrandomlylikethis.
FourthsMixed
ImportantnoteYouwillhavetoadjustthepitchoftheintervalstomatchyourvoice.
Onlygoashighoraslowasyouarecomfortable.
Thecoolthingaboutintervalsontheguitaristhattheshapesremainconstantas
longasyoustayawayfromthe3rdand2ndstrings.Infact,whentuningtheguitarthe
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intervalbetweenthestringsisaperfect4thbutswitchestoamajor3rdbetweenthe
3rdand2ndstrings.
Next,justplaythelowestnoteandsingthehighernoteandthenplaythehigher
noteasachecktoseeifyouwereright.
Finally,playthehigherandsingthelowernote,thenplaythelowernotetoseeif
youwereright.
Allofthisshouldonlytakeafewminutes.Nowitstimetorepeatthesameroutine
using5ths.
FifthsChromatically
FifthsMixed
Whensingingtheintervalstheactualorderistheleastimportantdetail.Theseare
justexamplestogetyougoing.Thegoalistogetthesoundsintoyourear.
StepTwo:PracticeListeningOnTheInternet
Ihaveidentifiedawebsitethatyoucanuseforfreetohelpyoutrainyourear.There
areothersbutthisoneiseasytouseandservesourneedswell.
http://www.learn2hear.org
Thisisagreatsiteforeartraining.Whenyouhitthissiteclickthestarttheear
traininglinkatthebottomoftheoval.
Nextselectintervalspractice.
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Selectcustomfromthebuttonsonthenextpage.
Fortheintervalsmakesureonlythefourthsandfifthsboxesarechecked.Wewill
addinothersoundsasweprogress.
Forregistercheckallthreeboxes,low,middleandhigh.Iprefertohavethetone
lengthlongandunderperformancestartwithsuccessiveupandsuccessivedown
boxeschecked.
FinallycheckOK.
Thesoundswillloadandyouarereadytostart.
Clicktheplayanintervalbuttonandchooseyouranswer.
Practicebothmelodicandharmonicintervals.
Youshouldnotmoveonuntilyoucangetatleast%90onaconsistentbasis.
Singtheminachromaticfashion(movinguponefretatatime).
Singtheminarandomorder.
Next,justplaythelowestnoteandsingthehighernoteandthenplaythehigher
noteasachecktoseeifyouwereright.
Finally,playthehigherandsingthelowernote,thenplaythelowernotetoseeif
youwereright.
MajorThirdsChromatically
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FromthispointonIamonlygoingtogiveyouthetabinachromaticorderasa
demotoshowyouhowtoplaytheintervalsonyourguitar.Youcanmixtheminany
orderyouwantforyourrandomsingingpractice.
Takealookatthefollowingchart.
Startingwiththemajorinterval,ifyougodownahalfstepitbecomesaminor
interval.So,ifCtoEisamajorthirdtheCtoEbisaminorthird.
Ifyouraiseamajorintervalbyahalfstepthenitbecomesaugmented.CtoEisa
majorthirdsoCtoE#isanaugmentedthird.IsthereanE#?Inthetheoryworldyes
eventhoughE#isthesameasF.
Infact,amajorintervalbecomingaugmentedisanextremelyrareoccurrencesoI
wouldntworrymuchaboutit.Itreallyjustgivesthetheorynutssomethingtotalk
about.
Nowletsexaminetheperfectinterval.
Asyoucanseeherewhenraisingtheperfectintervalahalfstepitalsobecomes
augmentedbutwhenyouloweritahalfstepitbecomesdiminished.SoifCtoGisa
perfect5th,CtoGbisadiminishedfifth.CtoGisaperfectfifthandCtoG#isan
augmentedfifth.
Thesenames,augmentedanddiminishedcomeintoplaywithcertainchordtypes,
asyouwillsee.Maybeyouarealreadyfamiliarwithdiminishedandaugmented
chords.Perhapsnowyouarestartingtoseewherethenamescomefromthe
intervals.
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MinorThirdsChromatically
Backtotheinternetonceagainforsomemorelisteningandidentificationpractice.
ThistimeIwanttoselectonlymajorthirdsandminorthirds.Thesetwosoundsare
veryimportantbecausetheyformthebasisofthemajorchordandtheminorchord.
Whenyoucanhearthedifferencebetweenthemajorthirdsandminorthirdsand
consistentlyscore90%orhigheraddtheperfectfourthsandfifthsbackinand
repeat.
1 2 3 4 5 6 7 8
C D E F G A B C
Amajortriadconsistsofthefirst,thirdandfifthnoteofthemajorscale.Inthekeyof
CthenoteswouldbeC,EandG.Noticetheintervalsatworkhere.CtoGisaperfect
fifthandCtoEisamajorthird,whichgivesusaCmajorchord.
TomakeaminorchordwehavetoflatthethirdsotheEbecomesanEb.Theminor
triadhasthenotesC,EbandG.Themajorthirdintervalisnowaminorthird
interval.
Atriadbythewayisthesimplestkindofchordandhasthreedifferentnotes.Hence
thenametriad.
Nowitsbacktotheinternetforsomemorelistening.
http://www.learn2hear.org
Thistimeafterreachingthewebpageandclickingthestarttheeartraininglinkyou
willwanttoselectTriads:practice.
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Clickonlythemajorandminorboxesalongwiththeotheroptionsyouwanttowork
withunderregisterandtonelength.
ClickOKandwaitforthesoundstoloadandhaveatit.Learningtohearthe
differencebetweenmajorandminorchordsiseartrainingatthemostbasiclevel
but
itsatthetopofthelistinimportance.
Practicallyeverychordhasthesebasicsoundsasanunderlyingstructure.Thisisa
biggiesobesureandnailthissection.
Next,justplaythelowestnoteandsingthehighernoteandthenplaythehigher
noteasachecktoseeifyouwereright.
Finally,playthehigherandsingthelowernote,thenplaythelowernotetoseeif
youwereright.
Heresthetabtoshowhowtoplaythesixthsonyourguitar.
MajorSixthsChromatically
Remembertoplayandpracticesingingtheminarandomorderaswell.Afteryou
feelcomfortablesingingthemajorsixthsmoveaheadtotheminorsixths.
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MinorSixthsChromatically
Onceagainfollowtheroutineofsingingtheintervals.Worktogetthedifference
betweenthemajorsixthandtheminorsixth.
Nowitsofftotheinternetonceagaintocontinueworkingwiththesixths.
http://www.learn2hear.org
Remembertoselectintervalpracticeandchooseonlythemajorandminorsixth
boxeswiththeappropriateoptions.
Afteryoucanscore90%onaconsistentbasisaddintheprevioussounds.Atthis
pointyoushouldhavethemajorthird,minorthird,perfectfourth,perfectfifth,
minorsixthandmajorsixthboxeschecked.
Thatalsocompleteswhatareknownastheconsonantintervals.Consonant
intervalsaremorepleasingtotheearandrequirenoresolution.Ofcoursethisis
subjectiveanddependsonthecontextinwhichtheintervalsareusedaswell.
Enharmonics
Enharwhat???Enharmonicstheseareintervalsthatsoundthesamebutare
spelleddifferently.Letstakealookattheminorsixthandaugmentedfifth.Asusual
wewillusethemajorscaleasourreferencepoint.
1 2 3 4 5 6 7 8
C D E F G A B C
LookingatthescaleyouseethatCtoAisamajorsixth.Whenyouloweramajor
intervalbyahalfstepitbecomesaminorintervalsoCtoAbisaminorsixth.
Continuingon,CtoGisaperfectfifth.Ifyourecallfromearlierwhenyouraisea
perfectintervalbyahalfstepitbecomesaugmentedsoCtoG#isanaugmented
fifth.
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ThisiswherethetermenharmoniccomesintoplaysinceG#andAbarethesame
note.Theaugmentedfifthandminorsixthsoundthesamebutarespelled
differently.Anotherwaytothinkaboutintervalsisthedistancefromthetonicofthe
scale.AissixnotesupandGisfivenotesup.
Thisisatheorythingandyoucouldsplithairshereandoutofcontextifyouhearda
minorsixthyoucouldalsocallitanaugmentedfifthandstillberight.
Thismostlycomesintoplaywhentalkingaboutchords.Sincechordsaretypically
builtinthirdsandtheformulaforthetriadcontainsthe1,3and5fromthescale,
theaugmentedfifthistheintervalofchoice.
Infact,aCaugmentedtriadhasthenotesC,EandG#.Thisisoneofthefourbasic
triadsthatwewillbeusinginoureartrainingexercises.
Tohelpyougetusedtothesoundoftheaugmentedtriadcheckoutthissite
http://www.iwasdoingallright.com/tools/v2_24/ear_training.aspx
Thisisanothereartrainingsitethatyoumightwanttoexplore.Itdoesnotallow
youtoselecttheanswerslikethesitewehavebeenusingbutitisstillanexcellent
resourceandallowsyoutohaveabitmorecontrolinchoosingwhatyouwantto
hear.
Whenyouarriveatthesitechecktheboxthatsayschordsandthecheckonlythe
augmentedbox.Thiswillgiveyousomepracticelisteningtotheaugmentedchord.
Makesureyoudonthaveanyoftheotherboxescheckedliketheintervalsorthose
soundswillplaytoo.Afteryoufeelcomfortablewiththesoundoftheaugmented
triad(itisverydistinctive)addinthemajorandminorchordsaswell.Youcanalso
dothisathttp://www.learn2hear.orgifyouwanttheoptionofselectingyour
answers.
Dissonant Intervals
Nowitstimetoexplorethedissonantintervals.Dissonantintervalsarethosethat
causetensionanddesiretoberesolvedtoconsonantintervals.Theseincludethe
seconds,seventhsandthetritone,whichisanaugmentedfourth,oradiminished
fifth.
Wearegoingtostartwiththetritone.Forthoseofyouintosomeofthemoreheavy
rocksoundsthisisanintervalthatyouhaveheardmanytimes.Itisavery
distinctive,ominoussound.
Infact,backinthemedievaldaysthechurchfathersdeclareditunacceptableand
illegal,callingitdiabolusinmusica(thedevilinmusic).
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TheTritoneChromatically
Onceagainfollowthesingingroutineonthisone.Youmightfindthisonetobeabit
difficultbutstickwithit.Thisoneisprobablyeasiertohearthanitistosing.
Onceyoucansingthisoneheadbackovertohttp://www.learn2hear.org.Thistime
selecttheperfectfourth,theperfectfifthandthetritone.Gothroughallthepossible
combinationsofmelodicandharmoniclisteningandwhenyoucangetaconsistent
scoreof90%itwillbetietomoveontothediminishedtriad.
Thediminishedtriadconsistsofthe1,b3andb5fromthemajorscale.UsingtheC
scaleasanexamplethenoteswouldbeC,Eb,andG.
TheintervalsinthechordareCtoEb,whichisaminorthirdandCtoGb,whichisa
diminishedfifthsoonceagainthenameoftheintervaliscontainedinthechord.
Youarenowatthepointwhereyoucancompareandlearntohearallofthe
possibletriads,major,minor,augmentedanddiminished.Beforeyoudothatyou
maywanttoheadbackto
http://www.iwasdoingallright.com/tools/v2_24/ear_training.aspx
andlistentothediminishedtriadbyitself.Thenheadtohttp://www.learn2hear.org
selecttriadspracticeandcheckallfourchordtypes.Onceagainshootfora90%
scoreinaccuracybeforeyoumoveon.
Learningtohearthesebasictriadswillprepareyouformoreadvancedlisteningand
seventhchords.
Speakingofsevenths,itstimetomoveontothemajorseventhandminorseventh
intervals.Theminorseventhintervalispartofthedominantseventhchord,whichis
averyimportantchordinmusicandisprevalentinthebluesaswell.
Makesuretofollowthesingingroutinetoreallyinternalizethesesounds.Youmay
findthesetobethehardestofallbecauseofthewideskips.
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MajorSeventhsChromatically
Remembertodotheminarandommanneraswell.Whenyouthinkyouhavethis
soundinyourearaddontheminorseventh.
MinorSeventhsChromatically
Aftercompletingyoursingingroutineheadbackovertohttp://www.learn2hear.org
forsomemoreintervaltraining.Thistimeselectonlymajorseventhsandminor
sevenths.Whenyoucanconsistentlyscore90%orhigherwhencomparingthese
twoaddintherestoftheintervalstodate.
Thatwouldbe:minorthird,majorthird,perfectfourth,tritone,perfectfifth,minor
sixth,majorsixth,minorseventhandmajorseventh.
Whew!Impressive!Youarealmosthomeasfarastheintervalsareconcerned.Only
theminorsecondandmajorsecondareleft.
Thesecondsarestillpartofthedissonantfamilyofintervalsandaremostoften
heardasextensionsinchords.Whenusedinthisfashiontheyareusuallycalled
ninths.
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MajorSecondsChromatically
Themajorsecondsareeasilyplayedontheguitarandnottoohardtosing.These
shouldnotposemuchofaproblem.Whenyouarereadymoveontotheminor
seconds.
MinorSecondsChromatically
Afteryoursingingpracticeontheseitstimetoheadbackoverto
http://www.learn2hear.organddosomemorelistening,thistimetotheminor
secondsandmajorseconds.
Whenyoucanhearthedifferencebetweenthesetwowith90%accuracyitstimeto
addinthewholeballofwaxwiththeexceptionoftheninthsandtenths.Realizethat
ninthsandtenthsarethesameassecondsandthirdsanoctavehighersotheyare
reallynotnewsounds.
Feelfreetoaddthemintoyourroutineifyouwantmoreadvancedwork.
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practicelinkandkeepitsimpleatfirst.Startwithonlythemajorseventhandminor
seventhchords.
Onceyoucannailthoseaddinthedominantseventhchord.
Nextwouldbetheminor7b5chord,thenthediminishedseventhchord.
Finallydoacomparisonbetweenthemajor6thandminor6thchords.Lastbutnot
leastaddintheminor/majorseventh.
Youcanalsocheckoutsomeothereartrainingsitesontheinternetforadditional
study.OnethatIlikecanbefoundat
http://www.musicalmind.org
Thereareafewchallengingexercisestheretokeepyoumovingforward.Thereare
alsoafewpaidoptionsbutwithallofthefreeresourcesoutthereIdontseethe
needtopayforanyeartrainingsoftware.
IhopeyouhaveenjoyedthisreportandIreallyhopeyouhaveputittouse.Inmy
opinionagoodearisthemostimportantassetamusiciancanhave.Keepintouch
andletmeknowhowyouaredoing?
HappyListening,
Bob
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