BiZEN-ON GUITAR LIBRARY HeAL #9 FAT FI BRA WAVE Ait BRA — iH FSOR Sas(EES Mas MI — BM) 1D Se STRAT MAL SRL CPTI CORT. APPAR E Seah So EARS, ROR OPED Te ATRMO PA ERG, EF RCMMT SS LATE ELE. MBOX IR De, MAME) Cae CARN, au TAMA EL. Le LET APRA MRA KL, TS AMETHRE LS ETECORL. ZS THM PRS MOWED SIRE MSI LIL EL. UMbe aS C, MMOS 3TH L ORIEL, MUIRL EL TOBA BA LOV MTT. YLOPERIRES (, BORE CMV ides (BADE F. MMM A LIL LIFM AT. BIEL OY LEMS S ba 7 RIS LATOR —HLEBATIET. BELEN I-AMIMIZ, VI 7 PREHEETMS LETH. CAG OUREREE US = b AMOR eK ETOBBIDED, AE BORKI Wo CREE RA HE SEBOET. PUES NT, TOR ILL AR TINEA, TIPE, BIR Y A NOY TREE, PEAAO HME BO SLICLE LC. Rabe HORE EEEIBALTHCOLITH. 2b, RBOMMIS HD, LOMAS 9 BEL TH EMEC BALE MLE ET. HORM AM 2 — 5 RR PREFACE For more than 17 years, I have been the editor of “Collected Master Works for Guitar” published by the Zen-On Music Co., Ltd, When I first began those many years ago, even the collection of suitable scores was a very difficult task, owing, simply, to the lack of availability. { made much use of the scores assembled and owned by the late Professor Chuzaemon Sawaguchi, and after much labor, was finally able to submit the music for publication. It was a collection composed of, not only solo pieces, such as they were in the world of guitar music in those days, but also of pieces intended solely for practice as well As things stand as of now, however, textbooks and collected practice pieces are published as a single entity, and therefore the idea of assembling solo works, ranging from pieces on a small scale 10 those more ambitious, each of them emphasizing a different aspect—from technique to the various musical qualities, —seemed appropriate. The first edition is a collection of the pieces of Fernando Sor. His works are varied and numerous, and those suitable for public performance are also many. Although even the “practice” pieces are often performed as well. It is my belief that knowing these particular Sor pieces is a necessity for those wishing to go on to advanced performance on the guitar. Sor, Bach and Tarrega are the three requisite composers for the guitar performer. Knowledge of them is essential for anyone wishing to become a fine guitarist. I would like to express my appreciation to Mr, Masami Okabe for the assistance he has kindly given me. Yasuo Abe © Copyright 1976 by ZEN-ON MUSIC COMPANY Ltd.@BR ARDY AAA Menvet op.11— 7 YRIYK KREIBL Menuet op. t= 28 ARIYK HIB Menvet op. t= $9 ARTYK AEA Menuet op.t—=3————_—10 ARDY HIB Menuet op.t— 6 ——— $12 ARDYK THEA Menuet op.1i—8 1 ARTYA 7B PLILYK (FE) Allegretto op.35— 22-18 Menuet op. 1= 19 =_$_?_?__T€T 1 IVY Velse op.8—2————__?____________—0 ¥vDYT Golop op.32—6 2 PYTYF1—J Andantino op.2—3 ———_____________—22 "IDY. Valse op.23— 1 ——————____ 4 PUIVF 4-7 0p.32—1———— 28 PLILYK EFS-K Allegretto: Moderato op.31— 24 — DWDY. Valse op.32—6 ——— PYIYF NYSI-CL Andante cantabile op.60—25 PUIO EFS—K Allegro moderato op.60— 2230 FP le Coceia op d7— 2 — PYTYF DY NIPFA-R Andante con Voriationes ———33 ALO Bolero = - EBOBBEXARTYK Thame Varié et un Menvet op.) 39 PYITYF FIVI Andonte largo op.5—5 44 WABEH Fantaisie op.7 a 46 MEODEMLKSBM Voriotions sur lair op.y —————___—s FSV YO Grand Sole op. $0 ANAYOPA'IPRESEREARL YL Les Folies d’Espagne Vorié et un Menuet op.15—1~ 68 YT Sonate op.) = 2— NUITYYFUSsOVI—F Marche du Ballet de Cendrillon op.15—3 —————18 ECB Theme Vorié op.15—4—— 80 TBVK VII Gronde Sonate op.22 83 BIN. Les Adieux op.23——_____________________——100 BITSIK VII Devxiéme Grande Sonate op.25—_ 14 VUAO-OEBLKSSHEBK Introduction et Voriotions sur Uair:Melborough op.28 120G Menuet p ARDY bh bs F. Sor Op. 11 No.1 cz. oe J a og on Andante Cas.G D Andante Cg eee eee eee F, Sor Op. 11 No.26=D F. Sor Op. 11 No.5 Andante maestoso nooo go yr P N ti s 7 vlwn G D Maestoso Menuet RKDyb b Reel F, Sor Op. 11 No.3 oan rareMenuet ARTY hb 4B Andante Maestoso F. Sor Op. 11 No.6 y 4 4 =i Poo wii f tcrese. allt | iay \ Re - aeAndante con moto Menuet ARDY b ALA F. Sor Op. 11 No. 8Menuet RRDy bh ch F. Sor Op. I No. 10 Andante con moto la Fan ® etouffe------------18 Allegretto Tr7vy b(t) F. Sor Op. 35 No. 22a tempo20 Valse Tey F. Sor Op.8 No.221 F. Sor Op. 32 No. 6 C7 vided 2»Maggiore Andantino TUIVFA-? F. Sor Op.2 No.3236=D F. Sor Op. 23 No.1 PEs25 Andantino PUIVF A? F. Sor Op.32 No.1 — PAllegretto moderato TeAvybh £FF—-b igs 4 F. Sor Op. 31 No. 24Valse IVY F. Sor Op. 32 No.6 5 etouffe. P x arm.12 arm,12Andante cantabile TYIVF AVYI-EV F. Sor Op. 60 No. 25 2930 Allegro moderato TV7a tFF—h F. Sor Op. 60 No. 22 33132 La Caccia 6=D Allegretto F. Sor Op. 47 No.2 edTheme o Andante = a Andante con Variationes TVIVF Av WYVTFA-KR 3334 : ay pmim Gi m him Ci m tim % im imi iLmimimin pmiim Qin iim (fo! se CnnVar. 2 oF 0 fs fag ar 4 2 ie 2 oe or Var. 3 SP iB; ay, 3 a ve m imi mim , a im; aTDs7 imi mim pint © to ye > = C.4.--------, 4 Fi Popp be br pe ‘ ts, we , oes OG 4 f C2_.-.------------------- a g.4 _ 4.39% c F 2 4 i imi mi sue at cme (eee Ear ee imi min ¢ lees ca aI a ae36 Bolero Rea Danza Nazional Spagnola Moderato ma con brio C22. 22222 eee eee F. Sor 235 asx ol ay ay ' D leggiero St leggiero738 cresc.Theme Var. 1 Andante at Théme Varié et un Menuet EM MBREXKTYb F. Sor Op. 3 as 39404l42Menuet XFDYh 4344 Andante Largo PYIVF Put F. Sor Op. 5 No. 5 bus iby 23 og.Sy D.C. al FineFantaisie SVE F. Sor Op. 7 sua Largo non tanto us 2 Jay pg: sp vy 7 2 7 oH A SS SS yy 2 ye dif e] = My o se ue a wt oay tr_se ae a) By tte ~ fi Y 7 tie a ai 2 —| 98 ge 2 o % 1 om eee fe d > iat ie = = ae - roy 648Var. 1 4950 Var. 3Var. 5 7 toute 5152 étouffeVariations sur Lair de la Flute enchantee o cara armonia (Mozart) WER OEM c k SRR Introduction Andante largo F. Sor Op.9 a nae eo a a ST gs Eig ty E = eee ee oe ee eee oo aye ee + mat nat nat arm.9 arm.19 mp SWThéme Andante Moderato 4 58Oia fat adds es 7 r o 1 ° ;Var.5 Pia mosso m m m m ea596=D Introduction Andante Grand Solo TIVE Ya F. Sor Op. 14Allegro tf1s JTEETES Todo Ls be weit Steud) sa sd oid m mom . fama mata ia ig mg COereeer Ceererer ceereeer cerreeer—_—— — Serr ceer weer tetr f68. Les Folies d’Espagne Varié et un Menuet ANA YOTAYVTICESBRE XK EY} Theme F. Sor Op. 15 No.1 4 par rrr} +Var. 270 Var. 4 AndanteAllegro moderato 4 Sonate VHF F. Sor Op. 15 No.273676Marche du Ballet de Cendrillon PRVEIY YF IDF F. Sor Op. 15 No.380 Theme Varié SEL ERE F. Sor Op. 15 No.4 Andante largo Coe eee Theme Andantino oF I «|Var. 1 8182Allegro Ca ca Grande Sonate TIVE VHP eablss F. Sor Op. 22 83Tr fT oF —— ty | gas Coy? Cfiftrn tert rT85878890 Adagiomo!) » mmomm mm92 dolce93 i LET Pte Menuet Allegro tf4Rondo Allegretto 959798.99100 Andante Les Adieux Blot F. Sor Op. 21101 yf P ye? Px P arm.t2 armiz £722 rallentando e morendo morendo102 Allegretto Fy marcadas oO marcadas103 ‘marcadas cresc. crese. ft (P marcadas104 Andante Largo 1 Deuxiéme Grande Sonate BOT7IY KE VHF F. Sor Op. 25106107108 Allegro non troppo10900ul arm, 808... ---------2----- arm.12 120 t D arm.5....2314arm, 8dos-------.-- 5 armi2.16 Andantino grazioso Théme Var.1ur18 Var. 5Menuet 9 — ? I Menuet DC.120 Introduction et Variations sur Lair: Malborough IR OAS LE SPE LR 6-D Introduction Andante F. Sor Op. 28 A_)1122 Var. 2 Andantino Menor C6... C6 C5 C3 C5..2.., C6. 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