You are on page 1of 1

2AHISTORYOFENGLISHLITERATURE

giganticmonstershalfseenamidmistanddarkness;
glimpsesofthestormynorthernoceanfilledlikewisewith
shapesofshadowyfear.Whetherfromsuperstitionor
fromthephysicaldifficultyofthecountry,theseshore
tribesseemnottohavepenetratedfarinland.Their
twopassions,warandwandering,urgedthemforthupon
thesea.Assoonasspringhadunlockedtheharbors
theirboatssailedoutinsearchofbootyandadventure;
sometimestoravageortowreakbloodfeudonaneighboring
tribe,sometimestoharryamonasteryonthecoastsof
RomanGaulortoplunderalongthewhitecliffsofEngland,
theirfuturehome.Thisseafaringlife,fullof
dangerandadventure,wasafrequentinspirationofthe
poet.Thesea,intherichvocabularyofpoetry,isthe
"sealbath,"the
"
swanroad,"the"whalepath."The
shipisthe"swimmingwood,"the"seasteed,"the
"wavehouseofwarriors";itscurvedprowis"wreathed
withfoamliketheneckofaswan."Thedarkeraspects
oftheoceanarealsosungwithfervor.'Thefatalistic
AngloSaxonwasfearlessbeforetheterrorandgloomof
theelementwhichhemostlovedtoinhabit.
Noactualpoetryhascomedowntousfromthat
earliestperiod,butthepoetryofasubsequentageis
filledwithphrasesandreminiscencesofan
Reiigion
cientpaganvoyagesandbattles.Thislater
poetryisnearlyallChristianintoneorin
substance.Butfromothersourcesweknowwhatwere
theprimitivegodsoftherace:Tiu,amysteriousand
dreadfuldeityofwar;Woden,fatherofthelaterdynasty
ofgodsandthepatronofseersandtravellers;Thor,the
godofthunder;Frea,motherofthegodsandgiverof
fruitfulness.Thesearecommemoratedinournamesof
thedaysoftheweekTuesday,Wednesday,Thursday,
andFriday.TheritesofEostre,amysteriousgoddess
ofthedawn,survive,thoughstrangelyaltered,inthe
ChristianfestivalofEaster.Instudyingtheearlier

You might also like