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  • Edelstein's Shakesphere

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    Ameer Dunn
    16 views19 pages
    An analysis of Shakesphere's wording.

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    An analysis of Shakesphere's wording.

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    16 views19 pages

    Edelstein's Shakesphere

    Uploaded by

    Ameer Dunn
    An analysis of Shakesphere's wording.

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 19
    | WHY AM I USING THIS WORD NOW? wrk begins with wo bie bcs of Shakespeare: lok, te mom in eet nate clad Wats or the dew of yon gh estar Hl fea wr wlch op. Hea, Home. 1187-18) any I amest lar down. 42220 . 1 rr The Non-Actor's Answer We couleur hors our dcosion by dmg inl has hese ge” Characters alk the wn thy do beens eye olnnn rays theme lag: "The ss mE ee Pre ad thts Sakae we Th eps simples nly nan Ps While eraialy nox incre ht ssw ragy iy erent fom tht WLC ayo ‘tie: Horaios comple werd, “he mers a sc ee a id / Walk ott dew oyonhigh esr hll wey eae Hori, oe eg tne penn nah 635 mae tpiclly Shakespearean owe drs ssley ora need of uo send ‘nly ew years spars so the duke nerespone een rego high eastward instead f20" stor As wellsethroughowrthuboos oy free Mo semences in 823 iby eo very iferer characters LEWO a jreumstances and in ewo very different very diferent sts of morning igh use. cloak, walking on poeicsounding vocabulary (a of oe lis phrasing is inca Te ce Her ces Siete we our wach ned of . five (Be we are ‘express the exact same idea in. Thy oitese cw hace ep theycrl y ce fat ni wo hy ot ENS wy seo ce ee iy Shey tse sei igs chisel eeiceome yy cmon! ri gone | secon moi ee Ren ee contr oflit ay go wilsvesce § Mden Greece wha oe ‘0 imagine inanimate object ap oe pone ng. “Why om LAME SHE _ Memighthen names technique ie called auhopomer era poecta ee Fp recog tan ctr espe. espeare hat te a ‘most imposible to pin down what "Shauespesean” soung truly i Besides the satement “The carter i ning thee words now becae hein 3 Shakespere py” doesn ge oo Actor the slightest cue about how oat thee ines We mead better answer our central quertion, Wes in 0 many difezee sye, vole, a wap We could tke a more academic appronk and observe that Shakespearean rehearsal cope phos, turn to thls sn be answered ina namber of Way sion that canbe ans Wagon The obseraons are informatie, ba hey wont quite thes, because they dont offer much 1 an air Somer Horatio might waot vo know the lerary heritage ofthe ead all et ofall he infine ways of arranging them, | am choosing the es. That ato night be fascionted words inthis order, say ges caaces ems ofreddsh-orengecotinstha me aaecimn rn owen sigs wre apts snr : ‘brains, Other people cant see them, hear the eae literary Bgures; _and when we consider them, our are ee on eee ‘of language can be seen in the, ‘brain of the character and then er oe Sismeerenameenregwentnines | Rigcromaenen rang Sgn ives and desires, They live ‘tuations moment by moment. ‘comes dive. And the vehicle that brings i erp rovers and wants and neds 0 ey eke eS fk "Tea nes ng one mathraB sh oe Tiny ove midst om. i aor fhe whee tas Tete ie rer te wv hehe whe tough woul xin che wo ote Nal Hien “Tey thik thems ya se hee = abl nd fe companions his cae, hs die ofl so a aaah nce A cman, det ta ecg hey eet gute | tatty meno et arp cored whe ROS steer’ cherscrs under wel hens os Tescarsnion Lo one ont hinge Sree orgie offg, whores“ were ot your gl Het your good, / Nor for my mant Br our quiet Why am Tsing wd now Beco Royo rae eae ere! eee eee rlgo wind sohe ger en nee" hone ow thes Tin fing of re fal de worden che agit mB esd me ae bona” Isa pilsopia use. Bath men recognize ‘The Actor's Answer ‘cots and director 20% ‘Shanespeaescharacersin 8 way tht retedin the Ube sway they ase er "To theater aris, these cha sey ave pepe They ate nova iru of an author whose se Throfalong snd ich ation cat sus tthe terand what once character mi omnes have Kees ad choose angwagt (9 “Characters think and hen they she ‘Octeli a sngihoht ‘consider the castle gad wh nga con the batleents before Chelsea to ave sen something ino died recently Unde ra hovghus ave fre. fac gasp shat pee va hey ase spoken 098 fe wo men mention forthe words And ifn eronces i _pothbelew that shoush ave jy and both kot a ates thought) inoughs are poweTiss fies. eed: Tinkng Shakes =e ome Thought, Different Words ters ecamine bow Horo the epeakough Why 82 jae une wan 0 oes this ample hou hel eapecive vie Snrext of Horatio Hee | ‘what ithe need find wo such 2 ines: Ws aghine a's ope cae 18 WAS ort hasbeen ne ERY vaage te bing preted a: ASEN ‘seemed want some wr hon oft Te ae EHS aoe de te oer af 09 We pinche sky ave te ‘Comider Horas san is ie viento plesophy mos ik sorb wth rg noWGHS SOP tive elevated expression rearing, gorgeous nt 8 faerowing ES swords ted wh ora ha aes Se hiele—his deepens of ina special energy th them outside ee ra raring te abort "pysteons icra ery vito. rr Hor. Then oR! OWE fo Horatio they esha ua them im of ever ly morsing si ‘Themornincwet mene a Wal

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