PARKER THE UNTOLD STORY

SERIES BIBLE
"PARKER" is an American T.V. Series adapted from story and spirit from the famou
s Marvel Comic Book Character "Spider-Man a comic book about teenager Peter Parke
r balancing life as a Super-Hero and as a high school prodigy. The story of whic
h is a teenage story of love, heart break, and karma, none of which will be toss
ed in the show s overall process.
Being an adaptation the T.V. Series will have it s differences many pointed to dra
w in new Audiences and satisfy the loyal Marvel Comics Fans.
Our Peter Parker will still be a teenager, and will still work at the Daily Bugl
e and is still a tight wearing avenger of the poor and justice. The show will fo
cus on the more Human characteristics of our main avenger.
Parker s story begins in the pilot and continues beyond the series finale, during
the show at NO POINT will it be an idea to kill Peter off in any type during the
show.
The show s mission is to entertain and explore new areas of the Spider-Man mytholo
gy, being fans of the Sam Raimi Films and having love for the Ultimate Spider-Ma
n Comic Book series the show will stop at nothing to bring the real drama of a h
igh school teenager, and mix it with the fast action paced life of a Super Hero.
The beauty of doing a Series is taking more time to tell a story, more freedom i
n development. Character and story wise the development is a main focus, taking
creative liberties story and character are the main focuses.
We do not want to disrespect any coming source materiel. We ll take any and every
opportunity to exaggerate the comic book side without making corny dumbfounded r
eferences. What is trying to be achieved is a serious Teen-Drama involving our F
riendly Neighborhood Spider-Man. As a teen drama we ll explore his teenage human s
ide which is a key appealing factor in series.
Unlike the normal teen-dramas that are seen on ABC FAMILY and the CW this series
is stern in its attitude, and is despite the Super Hero nature, real. The chara
cters are real people who live in an Extraordinary World. There will be no excus
e for any lack of character, because the main players in this series will reflec
t real people in society and it will show with great pride.
When it s all said and done the mission at the end of the day will as mentioned ea
rlier is entertainment and staying true to our characters. The people LOVE Spide
r-Man an instead of trying to write a film where we ve only have a Couple Hours to
tell an amazing story, we could get three, four hours, full seasons, so that ev
ery piece of story is very strong and full of the character s experience, after al
l With Great Power comes Great Responsibility
structure

The structure of the series is a natural 6-act structure.

TEASER/PROLOGUE: the teaser will serve as a foreshadowing to the first act setti
ng the mood and the feeling of the episode.
ACT-ONE: will serve as introduction to the Problem and will grip the audience s in
terest.
ACT-TWO: This is the point in the episode where the main characters initial atte
mpt to solve the problem shown in ACT-ONE earlier but will folly due to the char
acter's narrow view of solving the problem.
ACT-THREE: This is the act where the main character talk to someone inspirationa
l(i.e. Pete talks to Aunt May) which causes them to think out the problem and cr
eate a plan.
ACT-FOUR: The final act in which our hero will solve the problem and reap some o
f the benefits of good karma for doing his heroic duty.
ACT-FIVE/EPILOGUE: This is the end of every episode where the karmic pay-offs an
d punishments are reflected on the characters. This is usually the point in the
episode where the main character reflects on the episode and what they've learne
d from it.
RULES AND RESTRICTIONS:
1. Tights and Webs: Spider-Man would not be Spider-Man without those colorful ti
ghts or his trademark webshooters. He could have organic webbing, but nothing ex
cites the audience more than drama of a main character with a good chance of dea
th.
Naturally his tights are a must themselves. Immediately he won t be Spider-Man but
still he will have to don them within the first 10 episodes. We want to please
fans, not be a 10 season cock tease.
2. Symbolism: The series itself has a message. Messages and subtext is something
the viewer loves. It gives the show and episodes meaning. But we do not want to
preach. No subtexts about abortion or religion, That s not our thing.
Our Subtext will be more towards the idea of With Great Power comes Great Respons
ibility plus this is a series with a Super Hero in high school, subtext fits in j
ust as well as penut butter and jelly.
3. Character Representation: OK everyone. We want this to be about Peter so natu
rally our plots are revolving around him. But we can t put characters in situation
s where they don t act themselves at least not with good reason.
4. Adult Theme: This is a show for Teens and Fans. Those who would view this ser
ies should be treated with respect and be seen as adult. We re not going to joke a
bout sex in an obvious manner.
The Subtext will be an adult themed. Death is a factor. Death loves Spider-Man s S
upporting cast, let death meet a couple tragedy is Spider-Man s worthless friend.
5. Cliffhangers: Naturally we need a hook to keep fans interested in the episode
. But we won t keep the same old Can Spider-Man Survive this dangerous peril We re in
three acts here, Commercials will come and go, but we need to make sure the view
er keep coming and not going.
SETTING:
QUEENS, NEW YORK- The hometown of the Parker family this is an Urban setting in
which many of the sets take place. This is Where Spider-Man s initial Patrols will
begin.
PARKER RESIDENCE- Like all Super Hero s Peter has a loving home where the man he w
ill become will start. The Parker residence is a place of loving respect kept by
a religious family with the best intentions and the greatest of loving care. Th
e house is a two story three bedroom, one bath, house equipped with a basement w
here Peter keeps his lab and develops his photos. With all areas this place shou
ld feel the most Homey, not well decorated it is a very fine house to which any
child like Peter would be more than proud to live in.
STACY RESIDENCE- Home of Commissioner George Stacy, who is a Spider-Man supporte
r, lives with his only daughter, Gwen Stacy, Peter s first love and best friend. T
his house will be rarely seen, more-so than the Osborn Penthouse, but will still
be seen as a place of harmony for all who enter.
WATSON RESIDENCE- Home of Mary Jane Watson, this is another site for Peter to co
me to. This place serves as the chaos of the series symbolizing Mary Jane s Home l
ife with Peter s life as Spider-Man.
NEW YORK, NY- Main setting for the corporate face of the series peter often will
travel here to visit harry and to work and do new college courses guided by his
high school.
OSBORN RESIDENCE- Norman Osborn s penthouse, which really never sees him, set in Q
ueens as a P.R. move Widowed Norman Osborn lives with his only son Harry Osborn.
This house is served to show the dysfunctional family side of humanity, situati
ons exaggerated by the life styles of characters who live here, albeit this plac
e serves as a second home for Peter while feeling exiled by family and other fri
ends.
DAILY BUGLE- Famed Publication owned by J. Jonah Jameson, who serves as Editor-I
n-Chief. Peter and Brock are the two most distinguished employees, working toget
her like brothers as a Journalist/Photographer relationship. This will often be
featured as a heavy work environment. Also will be used for scenes in which Park
er would be alerted of villain activity.
OSCORP- Norman Osborn s place of business, serves as an area of Harry s Seclusion. N
orman gets drawn into work, Harry breaks away from everyone. This will be the si
te where many of the villains are born. As well as having Uncle Ben as an employ
ee of Oscorp.
SERIES CHARACTERS:
MAIN CHARACTER: Our friendly neighborhood Spider-Man, the central character of t
he series and a basic overview of his character.
PETER PARKER/SPIDER-MAN: The Main and Title Character; the series revolves aroun
d him and his social problems as Spider-Man and as Parker. As the series begins
he s fifteen years of age freshmen in high school. Through the series he ll get a jo
b at the Daily Bugle that was given to him by an older child hood friend Eddie B
rock. Immediately within the first season he ll don the iconic outfit. His face as
Spider-Man represents the teenage fantasy with Spider-Man being chased by women
, as well as authorities symbolizing Peter s inner rebellious nature usually trump
ed by his love and respect for his Aunt and Uncle. While his true self, Peter, i
s the typical High School student who is merely the class Nerd having interest in
more than just school. Peter s representation as a teenager will be a main drawing
point to interest new as well as old fans. The Love of his life in the series w
ill be Gwen Stacy.
SUPPORTING AND RECURRING CHARACTERS: A short list of some of what will be many r
ecurring characters of those who will support and assist Peter on his Journey as
the Amazing Spider-Man
GWEN STACY: Pete s main interest, she will initially start being ignorant to the i
dea he is Spider-Man but will soon learn as he would eventually inform her. She
is a year older, beautiful blond and a very quiet good girl. She is highly appro
ved by Peter s Aunt and Uncle and along with them serves as his voice of reason, h
aving more effect being the fact she s closer to his age group. She will be the lo
ve of Peter s life and will be faithful to her aiding him whenever she can. Her st
atus as a strong independent female character will be an intriguing factor when
she is ever captured by villains. When the series begins she will be sixteen yea
rs old and has a crush on Peter oblivious to the fact he has a crush on her.
UNCLE BEN: Peter s Uncle and often sage, initially will survive beyond the first s
eason and quickly puts together that Peter is Spider-Man. With this knowledge he
will keep the secret fearing May could have a heart attack upon learning. Ben w
ill start in the series being in his Mid 40 s. He ll be the man Peter sees closest t
o a father. He takes an active role supporting Peter as Spider-Man. Ben s views on
the vigilante will often clash against May s, only because of his support for his
nephew. Ben will die within the series.

AUNT MAY: Peter s loving and carrying Aunt. She serves as a stern right wing indiv
idual departing from Ben s views. Her initial reaction to Spider-Man will be of di
sgust out of someone acting outside the law. But will begin supporting the chara
cter after Ben s death. Sometime later she will discover Peter s secret and will rep
lace Ben as sage. After Ben's death She will become Peter s go-to person on advice
dealing with personal decisions. Her female intuitions will cause her to suspec
t and ultimately discover Peter's identity as Spider-Man.
MARY JANE WATSON: A totally hot red haired gal who will eventually find herself
possessing the heart of Peter.She is the most popular girl at the school. But he
r life having lived next door to him for years will cause a developed crush kept
in secret. Her character will be living with her Aunt and two cousins, having m
oved from home after suffering sexual, physical, and verbal abuse from her fathe
r. She claims herself as damaged goods but is driven by her past to take risks,
as well as her to-die-for looks. Those are the qualities that quickly launch her
as the Party Girl and as the most popular girl in school. She will harbor a qui
et resentment towards Gwen for being with Peter but accepts it.

FELICIA HARDY/BLACK CAT: Felicia Hardy is the daughter of a world-renowned cat b

urglar. After suffering a traumatic event as a college freshman. She trained her
self in various fighting styles and acrobatics and, after deciding to follow in
her father's footsteps, adopted her costumed identity as the Black Cat
CAPTAIN GEORGE STACY: Gwen s father and her own voice of Reason. He is a long serv
ing dedicated Police Officer having Serviced the good people of New York for ove
r 20 years. His eventual Death will have an shaking consequences on his daughter
.
HARRY OSBORN: Socially awkward taking his fame out of the fact his father is one
of the richest men in the United States. He flaunts the fact he has money havin
g no real discipline in his character. He often draws his methods from his fathe
r and begins to harbor his father s inner qualities as he pushes himself into Osco
rp absorbing the atmosphere of the company. He will transform into the Hobgoblin
and loses his mind.
NORMAN OSBORN: Corporate monger and often seen as the darker inspiration in Pete
r. This Goblin like qualities will influence his bestial nature turning him into
the Green Goblin. His Psychotic split personality the Green Goblin begins to co
ntrol his actions as the Green Goblin will eventually lead to the breaking of Pe
ter Parker with the death of Gwen Stacy.
EDWARD BROCK JR.: Child hood friend of Peter, he earns Pete a job over at the Da
ily Bugle where he works as an investigative reporter. He is the first to write
about Spider-Man starting with a positive outlook on the hero. His personal view
s will evolve to a similar outlook of people who see Comic Books as being Childis
h and Stupid with Spider-Man standing in for The Comics. He will become Venom after
having grown resentment towards Peter and Spider-Man for having them cost him h
is job.
DR. CURT CONNERS: Peter s mentor and teacher. Doc Conners will be a good friend to
 Peter serve as scientific council. His personal experiments will lead to him be
coming the Lizard. After the Lizard events he will go into seclusion not being a
ble to live a normal life after knowing what he s done.
J. JONAH JAMESON: Publisher of the Daily Bugle often gives Brock and Parker a ha
rd time for their inexperience, youth, and work but has a quiet respect for them
seeing them as younger versions of himself and protecting them like they're his
children.
ROBBIE ROBERTSON: Friend to Peter often offers him extra work to help pay for bi
lls. Serves as Peter s mentor feeling the boy has come from the same figurative ro
ots he and Jonah had arisen from.
JEAN DeWOFLE: Police officer ex-wife of John DeWolfe. A cop in favor of Spider-M
an seeing that he is essentially a good person. She dates the divorced Cpt. Geor
ge Stacy.
SERIES VILLAINS: A list of the many Spider-Man villains that will become recurri
ng season and series villains.
GREEN GOBLIN: Norman Osborn's psychotic split personality that is physically tri
ggered due to an incident involving the OZ Formula. The Green Goblin becomes Spi
der-Man's greatest Nemesis stopping at nothing to torture or murder the hero.
HOBGOBLIN: The OZ Explosion at OSCORP didn't create just one monster. But a seco
nd, this one hidden deep in Harry's subconscious took a while to manifest as Har
ry had not yet developed a split personality. After a series of Tragic events in
volving his father and best friend. Harry becomes the Hobgoblin and as a result
is a problem Peter must deal with.
VENOM: Once a product of scientific work created by the late Richard and Mary Pa
rker and Edward and Jamie Brock The project Symbiot became Venom after being rej
ected by Spider-Man it bonded to its other natural host Eddie praying off his an
ger transforming him into Venom.
CLETUS KASADY/CARNAGE: Murderous Psychopath known as the Sin Eater. He marks his
victims sins and often partakes in cannibalism. The Sin eater will be originally
thought by Brock to be a John DeWolfe.
DR.OTTO OCTAVIOUS/DR. OCTOPUS: A brilliant scientist reduced to teaching at ESU
along with fellow scientist Curt Conners. But after an accidental explosion in h
is private work fused four metal arms to him it cost him his sanity. Dr. Otto Oc
tavious as a result became the megalomaniac Dr. Octopus.
WILLIAM BAKER/THE SANDMAN: A mob enforcer escaping prison who had the misfortune
of being bombarded with radioactive sand in a industrial laboratory.
JOHN DeWOLFE/THE SIN EATER: A decorated officer of the law who becomes overly ti
red of the criminals in New York and is thus inspired by the Spider-Man to becom
e a vigilante known as the Sin Eater.
QUENTIN BECK/MYSTERIO:Former FX artist put out of work due to CGI companies Quen
tin Beck turned his talents to getting revenge on those who once wronged him and
because Mysterio master of illusion.
THE LIZARD: A living experiment gone horrible wrong as Curt Conner's desperate a
ttempt to regrow his missing arm transforms him into the living nightmare known
as The Lizard.
SERGIE KRAVENOFF/KRAVEN THE HUNTER: Sergei Kravinoff is a Russian and the host o
f his own reality show in which he hunts down dangerous animals, and intends to
hunt and kill Spider-Man on live television in order to boost his ratings.
DMITRI SMERDYAKOV/THE CHAMELEON: The Chameleon was born a Soviet citizen named D
mitri Smerdyakov. Eventually, Smerdyakov emigrated to the United States of Ameri
ca and became a corporate spy feeding companies info on their competitors as he
assumed an even more impressive disguise: the identity of the Chameleon.
MIKHAIL MORBIUS/MICHAEL: Once a brilliant scientist who in a tragic experiment w
as grossly transformed into Morbius the Living Vampire. Once transformed he bega
n a heroic struggle to attempt to destroy the Evil Vampires.
RICHARD PARKER JR./KHAOS: Secret first child of the Parkers, his resemblance mat
ches that more of a much younger Ben. He is the older brother of Peter. He has a
resentment feeling that he had been tossed to the side being held by a Governme
nt prison known as the Vault. He will become the Main Villain of the final seaso
n.
MAC GARGAN/SCORPION: Mac Gargan was a private investigator who was hired by J. J
onah Jameson to spy on Spider-Man but When Spider-Man evaded Mac Gargan, J. Jona
h Jameson sponsored an experiment done by Farley Stillwell which led to Mac Garg
an becoming the Scorpion in order to defeat Spider-Man.
ALEKSEI SYTSEVICH/RHINO: Originally a common petty crook under Big Man, Sytsevic
h had repeated run-ins with Spider-Man and were getting frustrated at constantly
being dupes and punching bags was turned into the Rhino by the Green Goblin to
test Spider-Man's abilities.
SPENCER SMYTH: An industrial tyrant who planed to send the Chameleon to deliver
the corporate secrets of Oscorb unaware of the war he had enraged with The Green
Goblin.
ALISTAIR SMYTH: Son of Tyrant Spencer Smyth, Allistair builds an army of vicious
Spider-Slayer designed to kill Spider-Man and the Green Goblin
HERMAN SHULTZ/SHOCKER: Villain frequently and easily defeated by Spider-Man.
MAX DILLON/ELECTRO: A more challenging nemesis then Shocker. Dillon comes from t
he same poor background having been discriminated against for his status as bein
g a government freak, turned hired gun.
ADRIAN TOOMS/VULTURE: An insane scientist who develops a vulture like suit for m
ilitary and turns to steal it and becomes a insane super criminal.
MILES WARREN/THE JACKAL: A psychologist facinated by the psycological effect Spi
der-Man has created. He sets in Motion a plan to hypnotize a super villain to dr
aw out Spider-Man and explore on that.
SEASON OVERVIEW
SEASON OVERVIEW: This is a basic overview of each season, minor storyline hints,
messages, and characterization over the course of the series.
SEASON ONE: The first season is relatively short but is short to get a story acr
oss, this is Peter's origin. We explore the genesis of Spider-Man. The storyline
is going to cover Spider-Man becoming a hero. He'll start as a Pro-Wrestler and
evolve into a hero. No major supervillains will initially appear but we will ge
t some alter egos...
SEASON TWO: The second season is a patriarch sets the voice of the Series, here
we will begin to introduce major villains with "hush,hush" talk of some, and gra
nd appearances by others. The storyline of the season is about Peter really adju
sting to the heroic traits he has while adjusting to the hero he is. Meanwhile P
eter is attempting to help is Parents with the bills when Eddie Brock brings him
along on a new story and the two share credit getting them both jobs at the Dai
ly Bugle. This all becomes jarring after a bombing hints at a deadly supervillai
n in the shadows. This causes Peter to conduct an investigation on the matter. T
he investigation leads Peter through a line of super villains and finally the my
sterious bomber himself...
SEASON THREE: The motif of this season is desire, desire for normal life. This i
s where we see Peter begins wanting more out of life, where the wait of Spider-M
an becomes too much for his shoulders. It starts after a deadly clash with the m
ysterious Green Goblin Peter throws away the costume, despite Ben's opinion. Thi
s causes Peter to leave the house, trying to escape into his own world to discov
er what he wants. This results in a robbery gone wrong, and the Death of Ben Par
ker.
SEASON FOUR: OPENING on the funeral of BEN PARKER this sets the town of the seri
es, Peter is afraid of losing someone elses he loves. In particular GWEN. This c
ause Peter to be more protective. While during this time period another supervil
lain will rise and take the life of Gwen Stacy's father, causing her to blame Sp
ider-Man. The motif is forgivenss, during the season Peter has to learn to forgi
ve himself so he can take a step forward with Gwen. This causes Peter to break t
he news to Gwen(mid-season) while she takes time to think about what she has hea
rd she ultimately decides Peter couldn't have killed her father and makes a pres
ent for him to show her support, after this Peter wears a new suit and finally b
attles and defeats the villain that killed Gwen's Father allowing her closure.
SEASON FIVE: PETER and GWEN are in love and are doing well together This is the
best time of Peter's life. He's got the girl, friends, and he's really coming to
terms with his Uncle's passing. Spider-Man is now popular despite Jamesons's ca
mpaign for his arrest. There is a rise of a new character a jewel thief known as
the Black Cat who takes a liking to Spider-Man. Brock begins dating Mary Jane a
nd despite Peter seeming to pull away Brock attempts to keep their friendship. B
rock in an attempt to bring Peter around shows Peter a hidden project from their
fathers called "PROJECT:V"
SEASON SIX: Peter and Brock become obsessed with Project:V while Gwen and Mary s
tart to hang out causing Mary to confess a crush on Peter while Gwen is reluctan
t to voice her real opinion on the subject. Peter becomes so involved that when
taking a sample home to work on it he get's some of it on himself thus causing i
t to bond to him. This initially set the tone of the season going dark with Pete
r being pulled closer and closer to the line of murder while wearing a black uni
form that reflects his darker attitude. His actions cause his friends pain and m
isery, forcing Brock and Mary Jane to split and getting Brock discredited as a r
eporter. While Peter faces the return of the Green Goblin. This all culminates t
o a confrontation between Peter and Gwen that ends with her leaving and unbeknow
n to him, kidnapped by the Goblin. This causes a large confrontation between Pet
er and Goblin with the death of Gwen Stacy and Osborn and the attempted destruct
ion of the symbiot.
SEASON SEVEN: Peter wakes up in the church free from the symbiot. He returns hom
e and finds Gwen's cell phone, he finds evidence she was going to stay. Peter co
llapses in tears. He checks his Phone. Harry has left voice mail upset that his
father was found dead. Peter goes througha phase of mourning. Mary Jane sticks c
lose to him. Her crush of him flourishes while comforting him. Eddie has left th
e church and has a transformation of character becoming abusive and angry. He ac
cuses Peter of stealing their work and begins harassing him. Peter refuses to re
turn as Spider-Man until Mary Jane goes missing for two days. He searches for he
r as Spider-Man and meets VENOM. Unaware of who Venom is, Venom uses his power t
o beat Spider-Man, narrowly escaping with MJ. Peter discovers that his mourning
must end and he must move beyond Gwen's death. He returns to be Spider-Man and s
earches for Venom. Venom finally takes the fight home by harassing Peter and his
family. Eventually revealing his identity. This sets a confrontation between th
e two where Peter defeats Venom and has Brock separated from the symbiot and jai
led.
SEASON EIGHT: Harry Osborn has returned from a long exile to a Switzerland with
his Psychiatrists. Harry begins having blackouts that are seemingly connected to
a wave of destruction. Peter attempts to restore connection with his friend, st
ill angry over the death of his father, but learning to forgive. Harry in respon
se throws a coming home party inviting all his friends. Peter and Mary Jane atte
nd. Peter begins struggling with himself on whether or not he should tell Mary J
ane he is Spider-Man. During the party Harry excuses himself and has a "blackout
" were he transforms painfully into the Hobgoblin. He creates chaos during the P
arty Peter swoops in as Spider-Man and fights the Hobgoblin. Spidey beats the ho
bgoblin and chases it down to it's Master revealed to be Miles Warren. He tells
Spider-Man that he's not done with Osborn, and sets in motion through the season
a series of Test to test Spider-Man's abilities that leads to the ending battle
between the three taking Miles and Harry's life ending the season with Peter te
lling Mary Jane who he is.
SEASON NINE: Mary Jane and Peter take a break from their relationship. Eddie Bro
ck has been jailed for a solid year and has been planning a revenge scheme. The
symbiot has returned and has found Eddie. Eddie s Cellmate Cletus Kasady tries to
steal the symbiot from Brock, but the symbiot rebonds with Brock and Venom is fo
rmed once again. Mary Jane
returns to Peter, accepting his status as a hero. Peter embraces her. Venom begi
ns stalking them watching them. While Cletus Kasady escapes the prison via unkno
wn means. Venom begins Boxing in Peter causing him to become paranoid. As Venom
engages Spider-Man in public, Kasady makes his
appearance as Carnage known. Carnage causes New York to be a war zone, setting i
n Motion Maximum Carnage. Venom and Spider-Man looks for help in the motion of B
lack Cat. No longer a jewel thief, but a female vigilante battling the Carnage p
leg. Together Spider-Man, Venom, and a flirtatious
Black Cat take on Carnage. With their efforts combined they defeat Carnage and d
estroy his symbiot.
SEASON TEN: Mikhail Morbius Transylvania Biologist attempts to crack the genetic
codes to create a super-being resulting in mistake of science transforming Mikh
ail into a monstrous being, a Vampire. With him set loose on the city Pete is fo
rced to hunt him down, while keeping his romance with Mary Jane intact. Unknown
to Peter his identity is discovered by the resurrected Green Goblin setting in m
otion a plan to bring Spider-Man s Six deadliest foes together, and kill him. Usin
g Morbius as Bate; Norman Osborn and the Sinister Six set up a series finale tha
t redefines the character.
Source: Robert Garlen
Why You Should B e Worried About The Future Of 'Arrow'
Why 'Supergirl' Is So Confusing
The Flash Introduced a DC Villain You Never Thought You d See
Did Star Wars Merch Just Reveal Finn s Famous Father?
Mouse over video for audio