Marxism and
Literature
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‘squequog|. Structures of Feeling
Jn most description and analysis, culture and society are expres
ted in an habitual past tense. Tho strongest barir tothe recog
ition of human cultural activity i this Immediate and regular
Conversion of experience into inished products. Wha is defen
bible a6 e procedure in conscious history, where on certain
soumptions many actions can be definitively taken as having
‘ded. isbebitualy projected, not only into tho always moving
Substance of the past, but into contemporary life, in which
felationehips, insitutions and formations ia which we ao stil
Sctively involved are converted, by this procedural mode, into
formed stholes rather than forming and formative processes
‘Analysis is then contted on relations between these produced
institutions, formations, and experience, so that now, asin that
produced past, only the fxed axpllet forms exist, and living
Dresonce It always, by definition, receding.
"When we bogin to grasp the dominance of this procedure, to
ook ino Its cetre sod if posetble past its edges, we can under.
stand, in new ways, tt separation ofthe social from the per
Sonal which is so powerful and directive a cultural mode. I the
focal is always past, n the senso that iis always formed, we
hhave indeed to find other torms forthe undeniable experience of
the present not only the temporal present, the realization ofthis
tnd thie instant, but the specificity of present being the inaien-
bly physical, within which we may indeed discern and
Scknowledge institution, formations, positions, btnot always
fs fixed products, defining products. And then ifthe social isthe
fixed and explici—the known relationships, insitutions, for.
trations, positions—all that is present and moving, all thet
ocapes or seems to escape from the fed and the explicit and
the Enown, ls grasped and defined es the personal: this, here
how alive activ, aubjoctive
“Thero is another related distinction. As thought is descxibed,
in the same habitgl past tense, tis indeed so different, in its
tsplictond finished forms, from much oreven anything that we
‘can presently recognize as thinking, that we set against it more
fective, ‘moro flexible, les. singular terms—consciousness,
txperience, foling--and then watch oven these drawn towards
Structures of Feeling 129
fixed, finite, receding forms. The point is especially relevant to
works ofa which wally ao, in one sonse, explicit and finished
forms—actual objects in ho visual ats, objectifiod conventions
and notations (semantic figures) in Iiterature, But tis not only
that to complote their inherent process, wo have to make them
‘reson, inspocifcaly active readings lisalsothatthemaking,
Sf artis never ital in th past tense It is always a formative
process, within specific present. At different moments in hse
‘ory, and in significantly different ways, the eallty and even the
primacy of sch presencee and such processes, ach diverse and
Yyet specific actualities, have beon powerfully asserted and
Foclaimod, es in practice ofcourse they aroall the time lived.
they ae then often assorted as forms themselves, in contention
with other known forms: the subjective as distinct from the
‘bjective; experience from belief; feeling fom thought; the
Immediate from the general the personal from the socal. The
undeniable power of two great modern ideological =ys-
tems—the ‘aesthetic’ and the ‘psychological, ironically,
systematically derived from these senso of instance and pro:
oss, where experlence, immediate feeling, and thon subjectv.
lity and personality aze newly generalized and assembled,
‘Agelnst these ‘porsonel forme, tho ideological systems of fixed
social generality, of catogorical products, of ebsoluto forma-
tons, ee relatively powerless, within thelr specific dimension,
Of ose dominant strain in Marcism, with its habitual abuse of
the ‘subjctve" and tho ‘prsonal’, this is especially tru.
‘Yetit isthe reduction ofthe socal to fixed forme that remains
the basic err. Mare often said this, and some Marxists quote
‘lm, tn fied ways belore returning to fxed forms. The mistake,
1850 often, i in aking terms of analysis os terms of substance
‘Thus wo spesk of world-view or fe provaling ideology orof@
class outlook, often with adequate evidence, but inthis gular
Slide towards past tonse and e fixed form suppose, or even do
ot know that we have fo suppose, thet these eat and re lived
Specificelly and definitively in singular and developing forms,
Perhaps the desd can be reduced to fixed form, though the
surviving rocords aro against i. But th living will not be
‘oducod, atleast in the first person; living third persons may be
Aiferent,Allthe known complexities, theexperienced tensions,
shifts, and uncertainties, the intricate forms of unevenness and
Confusion, ae against the tems of the reduction and soon, by