DecHet°R THEATRE AUDIENCE UA THE GUESTS IM YOUR LIVING ROOM, EVERY ACT HAS A SFOT FOR “DANCING SILK* WHETHER IT'S A on THaDu Aaa. ‘THE S25 TAY BE RESTING ON YOUR TABLE, IN YOUR POCKET OR FAVOSITE PRODUCTION BOX. THE LEFT HAND PICKS 17 UP AS IN FIG.1 AND RENGFERS 17 TO ToE RIGHT HAND PUTTING THE "GIMMICL” ONTO TH (FUG.19. 10 KAKE THE SILK FLOAT JUST RELEASE YOUR HOLD.” THE ACTUAL DANCING EFFECT 1S ACCOMPLISHED BY MOVEMENT OF THE RIGHT THMB-NOT JUST MOVING 17 ARDUND ATT “ROCKING™ OR "TILTING" THE TUNG PRON §10E TO SIDE. YOU WILL FIND QUT THROUGH THE SUA\L AYOUNT OF MOVEMENT NESSARY TO ACHIEVE THE CONTROL YOU MAKTs THIS 15 ONE TRIE YOU WILL EXIOY PRACTICING AND THE MANY MOVCS FOSSIGLE WITH JT, IT MILL INTRIGUE YEU. T WILL IVE YOU RY ROUTINE, “ALT THE LEFT $IDE TOWARD THE AUDIENCE AND THE GIMMICK OW YOUR RIGHT HaND THE SILK 1S RELEASED (FIG.3). THE LEFT HAND 1S HELD TN A SIMILAR FASHION 7O GIVE THE EFFECT THAT THE SILK IS FLOATING BETWEEN THE HANDS, THIS 15 ALSO MADE MITH THE MOVEMENT OF THE THUR, 1'B0 THIS SLOMLY AND THEN FACE FRONT BRINGING MY HAMIS TOGETHER IN WICH WiGHT EE CALLED @ “HALF™ FINGER INTERLOCKED POSITION, 216, 4 SHOMS MAGICIAN'S VIEW. SILK OMITTED FOR CLARITY. IN THIS POSITION 7 ‘#iiGs, FROM SIDE TO SIDE END FINALLY UNDER AND 16 FRONT GF THE HANDS. SILK_CAN BE MADE TO 60 ABOUT HALFUAY AEOUT THE 16. 5 SHIM R SIDE VIEN OF THIS. THESE MOVES ARE DONE AT f MODERATELY INCREASING TEMPO. FROM FIG. 5 POSITION I OFEN mY NDS AND LET THE SILK MOVE ABOUT FOR A SHORT TIME AND MAKE A GAG AT IT WITH BOTH HANDS AND MISS. ON THE THIRD TIME T CATCH TAN END THE ROUTINE. TO FINISH, YOU RAY JUST LAY IT ASIDE ATH THE LEFT HAND, VANISH IT OR CHANGE ITS COLOR. EATURE FROSTING: BEFORE, PLACING THE SILK OW THE KIGMT HAND, ® SOLLO RING FAD A SYALL LINCING RING SET YAY BE SHOWN AND HUNG ON THE RIGHT TUNG, FIG 6, THEN YOU CAN AAKE THE SILK FLOAT UP THROUGH THE RING MICH OF COURSE, 18 TAKEN BY THE LEFT HAND. CORRECT POSITION ON RIGHT THUMB