eens tre & ey body ote Jolette Conroy Cees palgrave ae macmillan TRE SESSSee [eee Eke sctummcearear 01 See elite peice end by Marine Aeameié odie and ening Bodierand power Bodie and inde odie and xkare Conlon: ying nd doing de Aceon vi a a 86‘ed questions Presence, Being reset, ve ong stretches of te, Us presence rier nd, er ‘Material to atria fom oem to forles, rom Instrumental to ment, fo ‘Tine otimel. Maing Abramov / ly, Ngo Gn, 1981 [eccerteee tate no yoni ance the ait esl ‘Years ago atthe Docerent eibion in Kael, Nam June Paik ws suposed to pie «plano coer st axa ‘performance, He tok + micropone and sald that was {og to be very boring concer (plese ave th oc). He repeated bis pel for 45 minutes, nd finaly people line or nothing and yee i preselyehtdong nothing tbat open the dort diferent peteepsons, The performer wes the pble ke amir and ee ves, in Wesern cultures, it rceanry to have some ‘rsuma, some tebe tragedy In your private ie, tobe able o rake a mental leap; perhaps smeboty dies, you Jie oper, or you cial die and then ener In ‘Eten calves alered tater of ings ae fen a matter fection an bodily paction Sf dancoy forint, turnin concrete, ferent the peed ofthe oer ‘Greer ul hose in the inner eres enter a race. Thy play with aarp arodney etic space 40th tay wrong move could ease the death of somebody. For ‘hem, heen pt outro a presen ht ike 2 ‘eampolie fom which you can mike he ment mp ito tothe ate of consumes. “Thinking ofall those things, there are ail 9 many sunanawered guetons rested preformance rates, ow hoa he psiarme pepe fhe perma? ‘Win hind et ce iy vet What figs hey he ‘Wha Lind of yee hal he perme re odo ‘Wha Lind of wets hole perormer he todo — ‘Wien nl ob naan whe ol ou be red? Wt prions ‘Wha the perme bd? ‘Wht th irc twee perma an tee?‘What our expt our ans? ‘Why prormnce ll an aera fm? ike proranen pekeed agua thers "Vo do youl ie performance td hat ae he als? (Why is performance an atm hat wil eer andl sleay reper itr rome tor? Whats tale oe wis? ‘Slot wpa rate pnt? ‘Wehpnnpti mtg peice ht (at pote cet th ptf the pectrmer u ‘dln? Why i so tmporiaetto sage pa a dager im he ‘elnmance?| hat sbat peta? Wat abt king our wn Marina oer on tently ciel rie, bam apn nde nN or wh fest eo smn fo ey fs nn ny ft me 1. Swe wh fa i lpg ea of eb the aher of pen, he mp of ln nd pe a pe frm Thee Ryt O (194 Lipo Tea (97), ‘ening In Bething Out (197, The Lover: Wilk oo the (Gree Wl (985 nf The Haute wih the Ona View 2002. & Sarah serbard Body ‘The following page from Sank Bernkants pst rmouly published mal The Art ofthe Thee (1928) fre adie fr anybody considering career nating: “To summarizes, the entra withthe adi son of poteatl dramatic aris, ought to tke ‘pec ote of the bodily proportions of ep tots, ad ref toa le women with bi Tadeo Las with lng Bois, suport by ‘sort and bundy legs — even a cami cor. Isbeter for the ager tb theres their stale ther than tht of ee pil imper fetons. For Irene thet of arti othe who owe their repetitions to psd Any. repute blooms (p49)