34 + the world of music 51(1) - 2009 1995 “Bowling Alone: America's Declining Sociat Capital” 2 Declining Social Capial” Journal of Democracy 66s. 2000 Bontng Alone: The Collpse an Reva teat of Aran Conny. New Yk Sn Pema Rober Dad Leis Flin 2003 Better Together: Restoring the Ameri i i : = ree Ameren Conran. New Yk: Sinan Scns, | Spon Roy, Fiddle Musie, and Social Sustenance in 21a!” “Fueon i Sea. len, Dv Shs an Mad 8 Ser ca.g» [| Franco New England Sia tet ern nC ot ag on ae Simoes Let oe “Dron of Benen Togas: Couseton Hoe . Critical Studies in Mass Communication 13:324-42. aa. Stn Mek 1983 Sada Som: Meme of he Wa Have, Wala Unvey ‘Smith, Harry, ed. a 193 lag meron lof Amicon FM Flys 28,2228 New Yok Poway, on Roy ia fie ple of Pranc-Amaricon exrcton who Is, and work ei ‘hor Ae, Don lad fd fom od amy members ad wat hay plea pion nding comesstreushout New Brand and Qube. During the 1980s he cage Boo: ety an dy Can Mat an Dae ccume profesional volved inte nonprofit hertege int 0 performer jniversity Press, and a evrier of Maine French cultural tradition. During the late twentieth century, ‘Tisserand, Michael Franco-Americanetiicty was being afcially supported by state and non-prfii- {998 "The Kingdom of Zydeco. Nw Yo: Atcade Publishing. stitutions 28 an inportat, formerly marginaltaed feature of Maine's cultural land. ae Sseape However, that era also witesced the claving of the largely French-operated UST Lieto Braley Furs Odin nd ety um: Olina Cony Sl ma of ee Pe shee ly Mh oe Face fa 20 New ak, Peo eee textile mile that had sustained French culture in northern Nev gland, ad the ‘concomitant decline of French language and religions practices tn the region. The ene, me trict races Dons oe a octal ratton-becre and ns subsequent euvation of Commies of Pace: ering, Ming and ety, Cig: Camb ‘sustainable mse commun nhs sutharn Meine loci iin, ei "vas given he git of mise fom my une, Tat gifts become te get pr of iy ie ad connie to pode he bev memes ad experienc woul ik 0 hare thi if wilh anyone who wants experience the joy of making music (Roy NE Tufts sag Uniesiytinery i of New Eagln Don Roy i, by most accounts, the preeminent Franco-Ameriean fiddler south- em Maine A many-tme fdle-contest champion with a he put it, “s box of tro- Dies in the atic wating to be meted down into ishing sinkes,” Don isan exteor- Ainatly creative mosican, steed in local and regional practic, and sophisicsted ‘with regard to the commercial and cultural implications of “beritage production.” He and his spouse and music partner Cindy Roy have toured extensively in the US and Canada, represented “New England Francophone culture” on Lincoln Center and Kennedy Center stages and atthe Library of Congress and neve besm rewn= ing guests on Garrison Keillor's 4 Prairie Home Compenian radio program, Don has received national and regione recognition for his fiddling, is @ major draw at festivals and fle camps, and curently divides his tine between performing histue Suen pu on 3a no som, a4 SKvs WoC] wPU LED Wear PIppY 40 sSimpzooou 249 0} wy pon “on ose usion-y I$ THOS stutod wEGaN JO4Go pu “yz0K MANY “UOISOE] 9 Jo S9uOT apINS alOUr SSumTaWeS aA YEA peysENUOS Supjion uo s1y jo asuas Auan® ® pouteren Suuowny ayidumy 2urepy ye, omg y angnades woyuiow anyssaudao sty 40} steed oip Zuoue woneindas at diysuroarie ub, 604T ‘nog yeasts Buoy pudspan 5.091907 ofoun “soz e3 Oy 7 Bua] wag UOC 29uep na sou pega Paps ouuns pu Seu Busan re sed sate Pas Smy 04 S08 TY UT AON “OUI Jo LEH ISM ArruNO> aurepy au tt porompa Su wlan’ Z661 UY (OUI “PUEICA W-OANAN “6661 Sey OK 4 paonpuos nang ‘nay ‘epeues qouans woyy sonbmoypor juourewso pue sou 1504 8 pn “une. soon wy Suu w pun 1960(d onpoussi S14 UL MON “anouedar apPY 0 YovostEe Wonut ajqusnayxouy Apsutuods pur Ais Zutog s,ueU nit Peas fia &@ oroyed auopY OBLONG Wt Yoans2,1 Yo JOUONEN anon ayy Sunusofied “sage ssmSiny (a) nonyrnyy uoyorey uuuhojod pus “9s PuE sors oq) Hump 20Fueq pu ajuoI9A wos] sep mney Buyeadde‘souounosd feuo!¥>s 0} Uo os Lalor] ‘9/N $1 caON, Pauseoy 94 auoyas “€Gy UL aUTEPY “HOS su pus ‘artouadas “uowanns ‘ssouangu jeisnus v9 se PRayOIGo Aap puw Uwanerey-coueiy puutuy MAN WoneHeUD# xopI0 Jo ‘puvpyooy ose soul YSy JTS Mout Ja oy Yon YBnomT sup peasosaud yrany Jo suoiyou Ansn e1}UOD UL spuS PUP aLIDAePED a4n294 ‘2 osm yo asuos payoyut s.uoc ut paioo: si wesfoxd au “syuedn 4 1 ands Bun22u [oH] Youn s} peoseq popunda UresRoud Suyppy Aamnuau09 w ‘snoI-ppIy parBHP sey Uoc] sxPO4 D2 v Kou sayy “pu Sayssoudxo 10} puewiap yeuorda1 Simao, emuaseud ouwmuepaod , aut -09 soR6t ayy ur qu04 a ny aaye ssouB9[9 pur suasiaassomn se ynq}I40 O} pSHEIMONe a19H Uo} Se “oj sug 18 amp uF pam. 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Chicag: Universe of Chicago Pres ‘University of Maine at For Kent ‘2002, Press eeu, University of Main at Fort Kent The Acadian Archive, January 1 Vicer, Ralph D. 1968 “Inmigration of French Canadas to New Eagland 184041900" A Geographical Anal si" PHD. Dissertation, University of Wisconsin. the world of music 51(1) - 2009: 55-74 “Pay for Play”: The Redistribi Diversity in New York State ar Sustainability in Music Lois Wileken Abstract This exsay seeks to connect the dots betes diversity nd sustainability in music. Tbe practice ef paying a radio station wo play as sure fo the public: suggests @ reciprocal rela, Corporate media comsolidation atthe turn of counterclaims that media consolidation is det Sit. The article detail New York State pay reached cash setlements veth major plaser ons dieadvamaged by payola, Finally, "Pay tnigue approach to festering diversity he the part of estate government to vediviibute resented music point toa concern for cultural and species diversity nthe biological sphere |. Introduction In July 2605, then New York State Attorn agreement designed to end the practice of * i the masie industry. Under the agreement tettainment would stop providing payment their employees in exchange for airplay for agreed to pay $10 million for distribution b, (RPA) 10 New York State not-for-profit ong ‘education and appreciation benefiting state r "New York State Music Fund, paid special ‘woll as to underrepresented music. In the