SHOT LIST

Name of Film: Retention

# Shot Location Action Actors Equipment

1 ESTABLISHING OUTSIDE An establishing shot of the house - CAMERA, TRIPOD
SHOT HOUSE to set the scene.

2 MID SHOT OUTSIDE Jace walks through the gate and DANIEL CAMERA, TRIPOD
HOUSE walks past the house.
3 CLOSE-UP OUTSIDE A close up of Jaces feet walking DANIEL CAMERA, TRIPOD
HOUSE along the path.
4 MID SHOT OUTSIDE Jace walks up to the front door DANIEL CAMERA, TRIPOD
HOUSE and reaches for the handle.
5 MID SHOT OUTSIDE A mid shot from another angle DANIEL CAMERA, TRIPOD
HOUSE showing Jace pulling down the
door handle and entering the
house.
6 MID SHOT INSIDE Jace walks through the door and DANIEL CAMERA, TRIPOD
HOUSE closes it after him.
7 TWO SHOT- LIVING Riley and Malia are sat on the GEORGINA, CAMERA, TRIPOD
MID SHOT ROOM sofa having a conversation. HOPE
8 MID SHOT LIVING Jace walks into the living room. DANIEL CAMERA, TRIPOD
ROOM
9 MID SHOT LIVING Malia and Riley say hi to Jace as GEORGINA, CAMERA, TRIPOD
ROOM he walks past them and sits down DANIEL,
on the sofa next to Riley HOPE
10 TWO SHOT LIVING Malia and Riley are having a GEORGINA, CAMERA, TRIPOD
ROOM conversation whilst sat on the HOPE
sofa.
11 MID SHOT LIVING Jace, Mackenzie and Eli are sat COURTNEY, CAMERA, TRIPOD
ROOM down, Mackenzie and Eli are both DANIEL,
being anti-social. JOE
12 SHOT-REVERSE- LIVING Conversation between Malia and GEORGINA, CAMERA, TRIPOD
SHOT ROOM Riley about going into the attic. HOPE
 SHOT LIST
Name of Film: Retention

13 MID SHOT LIVING Malia and Jace get up from the DANIEL, CAMERA, TRIPOD
ROOM sofa and go to the attic. HOPE
14 ZIP PAN / LIVING A short conversation between Eli COURTNEY, CAMERA, TRIPOD
TWO SHOT ROOM and Mackenzie JOE
15 ESTABLISHING OUTSIDE An establishing shot of the outside - CAMERA, TRIPOD
SHOT HOUSE of the house at night time.
16 CLOSE-UP LADDERS A close-up of the bottom of the DANIEL, CAMERA, TRIPOD
TO ATTIC ladders as Jace walks up to them HOPE
and starts climbing them.
17 MID SHOT ATTIC Jace climbs up the ladders whilst DANIEL, CAMERA, TRIPOD
Malia waits for him at the bottom HOPE
of the ladders.
18 MID SHOT ATTIC Jace opens the door to the attic. DANIEL CAMERA, TRIPOD
19 MID SHOT ATTIC Jace goes through the door of the DANIEL CAMERA, TRIPOD
attic.
20 HIGH ANGLE ATTIC Malia is stood at the bottom of the DANIEL, CAMERA, TRIPOD
MID SHOT ladders watching Jace pick out a HOPE
board game from the attic.
21 OVER THE ATTIC Over the shoulder of Jace looking DANIEL, CAMERA, TRIPOD
SHOULDER down at Malia from the attic. HOPE
22 MID SHOT ATTIC Jace grabs the Ouija board from a DANIEL CAMERA, TRIPOD,
crack in the wall and shows it to OUIJA BOARD
Malia through the door.
23 CLOSE-UP DINING A close-up of the candles to use - CAMERA, TRIPOD,
ROOM for the film title. CANDLES
24 TILT DINING A camera tilt showing the candles - CAMERA, TRIPOD,
ROOM placed in a line leading to the OUIJA BOARD,
Ouija board. CANDLES

25 CLOSE-UP DINING A series of close-up shot-reverse- COURTNEY, CAMERA, TRIPOD

 SHOT LIST
Name of Film: Retention

SHOT-REVERSE- ROOM shots of the characters discussing GEORGINA,

SHOT the Ouija board. DANIEL,
HOPE,
JOE
26 TILT DINING Riley gets angry and rises from GEORGINA CAMERA, TRIPOD
ROOM her chair shouting at the group.
27 REACTION DINING Jace is shocked at the outburst DANIEL CAMERA, TRIPOD
SHOT ROOM from riley.
28 - - Cut to black. - -