Question 1

The extract below is written by Josef Haydn. Study it carefully and answer the
questions that follow.

1.1Re-write bars 10 and 11 of the first violin part

enharmonically and without key signature. (2)

1.2 I
d
e
n
t
i
f
y
the

intervals marked A, B, C

and D (4)
 A____________________________

B____________________________

C____________________________

D____________________________

1.3Transpose bars 12 and 13 of the Flute part for the Clarinet in Bb. Add your
new key signature.
(3)

1.
4

Re-write bars 8 and 9 of the viola part in the suitable compound time.
(2)
1.5 Name the triad in the right hand of the piano part in bar 3 at the asterix .
Give the key, the position and if necessary, the inversion eg. C# : ii6
(2)

________________________________

1.6 What is the meaning of Adagio?

(1)
________________________________

[14]

Question 2
Use the given motif to complete a 12 bar melody in ternary form. Add dynamics,
tempo and articulation.
Orchestral instrument____________________________
 Question 3

The extract below is named Sunshine. Study it carefully and answer the
questions that follow.
3.1 In which key is the song in bars 3 and 4 and what is its relation to the
original key? (2)

Key: _______________ Relation: ___________________

3.2 Invert the interval marked 3.2. Write and name the inverted interval in the
space below. Use any note value.
(2)

_________________________________

3.3 Write a scale according to the instructions that follow, using the given clef.

The Locrian scale starting on D#

Write ascending only
Write in compound triple time using correct grouping
(2)

3.4 Write a scale according to the instructions that follow, using the given clef
Whole tone scale starting on A#
Write ascending only
Write in Simple quadruple time using correct grouping
(2)

3.5 Name the type of non-chordal notes at A and B

(2)
A____________________________
B____________________________

3.6 Identify on which scale or mode the following extracts are based.

_______________________ (2)

_______________________ (2)

_______________________ (2)

[16]
Question 4
Complete the given bass line for a Traditional SATB 4-part for Choir.
Use a passing 6/4 and Cadential 6/4 progression.
Figure your chord choice below the staves with the correct roman numerals.
Include 2 creative non harmony notes.

Description Mark Mark

Allocation Given
Correctness: doubling, spacing, 14
voice-leading, parallel movement,
etc
Choice of chords: progression, 12
cadences
General impression: creativity, 4
non-chordal notes
TOTAL 30 2 = 15