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J B DALE
. . .
LO NDO N
PUB LISHIN " SOC IE TY 7 DUKE STRE E T
, , ,
AD ELPHI, W . C .
NEW YO RK "
THE P T
A I
H, x 44 , M A D SO N A V E N UE .
PR PR E T
O I O RS O F THE THE OSO H P IT
S , A D YA R .
1 89 5 .
PREFAC E .
, ,
ma m ez a t o foretell , w h e n c e i t h a s b ee n v ul g arl y
'
,
"
p 2 0 2 i t is w r i tte n " O n t h e B u dd h a s foot i s t h e
.
,
m ar k c alled t h e c h a k ra v art i w h eel or d isc u s
,
,
w h ic h s h ou l d h a v e b ee n o n t h e p al m o f t h e h a nd ,
by w h ic h t h e s a g e s at h is b i rt h d ivi ne d t h at h e
w oul d r is e t o c on si dera b l e e mi n e n c e "
He s a y s.
(p .
"
V ar i ou s d at a h a v e b ee n a ssig n e d t o t h e
p er i od o f B u dd h a s ex is te n c e Th e m o s t c orre c t
.
s ee ms t o b e a b ou t 5 50 B C , w h e n c e a s t h e s a g e s
. .
,
p ra c t is ed c h e i ro m an c y at B u d d h a s b i rt h , i t s ex is t
e n c e m u s t h a v e b ee n m u c h earl i er k n ow n a m on g
th e I n d i a n s " "
.I n t h e y e ar w r i te s "ad ki el ,
"
t h e c el e b rated a s trol o g er , "e o Wh a rton , Esq ,
. .
p u b l is h ed a tra n s l at i o n o f a m at c h le ss pi e c e a s
vi P REF A C E .
Dr J Rot h m a n
. .
"
Si n c e t h at p er i od t h e a rt o f
.
a not h er s a y s i t i s b a s e d o n t h e p r i n cip l e s o f t h e
Kab al ah t h e l atter b e i n g n ot h i n g m ore t h a n
,
a m n e m o n ic al s y s te m o f a s trol o gy F ro m t h e .
Es q I p ro p o s e n ow t o gi ve t o g e t h e r wi t h s o m e
.
, ,
o f t h e c h o ic e s t o f t h o s e o f t h e Ea s t t h e p r i n cip al ,
m atter an d t o ex p l a i n in t h e ord i n a ry l a n g ua g e
,
u s e d by p al mis ter s s u c h p o i n t s a s m a y re q u i re
el u ci d at i o n Mr Wh arton a c are ful s tu d e n t i n
. .
,
o nl y a c t i n a cc ord a n c e wi t h a s trolo gy a nd t h at t h e ,
art o f c h e i ro m a n c y c a n n ot b e rel i ed u p o n b e y o n d
t h e p e ri od o f fro m o n e t o t w o y ea r s at m o s t for h e ,
o b s erv e s i n h is p re fa c e "
Wh at m ore c o n vi n ci n g
,
t h a n i f by i n sp e c t i o n m ad e i nt o t h e h a n d o f a n y
,
m an I t rul y p ro n ou n c e t h is or t h at p la n et e ss e n
,
tial ly d ig n i e d or a n g u l ar i n h is g e n i t u re or i n ,
s u c h or s u c h a p o si t i on wi t h ot h er p l a n et s or s tar s ,
a n ot h er u n fo rt u n ate al ic te d or de fe c ted ? O r i f
, ,
a n d c o n si der i n g t h e re i n t h e s e v e ral p o si t i o n s o f
P REFA C E . v
t h e p l a net s a n d t h e i r c on gu rat i o n s o n e t o an ot h e r
a n d w i t h ot h er s tar s , I tel l h im , an d t h at d is t i n c tl y
a n d trul y , t h e l i n e s an d sig n atu re s e n gra v e n u p o n
-
I n t h e h an d o f al l m e n h e s h al l p u t a m ar k t h at
e v ery o n e m a y k n "
ow h is o w n w or k ; b u t i n o u r
tran sl at i o n o f t h e B ible i t is w ri tte n a s foll ow s
"
I n t h e h an d o f all m e n h e p u ttet h a m ark t h at
e v ery m a n m a y k n o w h is o w n w or k .
"
Th is alone
p ro v e s t h at Job b el i e v ed i n t h is sci e n c e .
Th e aut h or d oe s n ot c la im t h at t h ere is a n y
t h i n g n e w in t h is w or k , al t h ou gh t h e m et h od o f
t ra n s l at i n g a n d s ett i n g m a y b e o rigi n al .
REFERENC ES TO HAND .
No I . .
N a me M ou nt of J upi te r
. .
.o f foren ger .
success th ereby .
No . 2.
. .
In ferp re l a f z on
'
.
When fully m arked denotes wis
do mprudence ; when very full
, t acitu rnity sadness ;, ,
No 3 . .
Na ma M ou n t of the S un A pollo ,
"
.
L oca tz on R oot of ri n g n ge r
'
. .
n on e as th e case m ay be
, .
No 4 . .
N a me M ou n t of M ercu ry
. .
R oot of little n ge r
L oca tz on
. .
.
,
No 5 . .
Na me G i rdl e of V e n u s
. .
t o root o f little n ge r .
IN D IAN P A L MISTRY . II
No 6 . .
N a me Via Co mbusta
. .
m ou nt of m iddl e n ger .
N a me Via S olis
. .
e nvy .
No . 8 .
N a me Li n e of Fortun e
. .
w ant .
N a me .
L i ver li n e .
L oca tzo7z
'
A cu rv ed li n e run n i n g through th e
.
~
the Li fe li n e .
No . IO .
Na me Li n e of Li fe
. .
o f the thu mb .
b road an d u n i form de ,
an d even te mp er .
No . 11 .
[Vel ma Li n e of S aturn .
p rison m ent .
No . 12 .
.
,
cu ry .
No . 13 .
Na me Li n e of th e M oon
. .
No . 14 .
Na me M ou nt o f th e M oon
. .
No . 15 .
Na me .
-
Plan e and pla c e o f M ars . The m oun t
o f M ar s .
o ne on th e s id e of th e pal m by th e m oun t of M ar s ,
INDIAN P A L MIST RY . 15
M ar s .
rity.
No . 16 .
In
-
. .
cold n es s .
No . 17 .
li fe i n a foreign c ountry .
No 18
'
. .
t io n e d
, esp eci ally u nde r th e m ou n t o f the S un ,
No . 19 .
Na me Egypti an S ta ff
. .
L oca iz on Ju st b el ow ch ai n of Fortu n e
'
. .
No . 20 .
N a me Chai n o f Fortun e
.
. th e
l in e of Li fe an d th e Live r li n e u nde r th e m ou nt o f ,
J upite r .
of n oted ki nd .
No . 21 .
Na me S un pl ace .
L oca fz on
A s m all c i rcl e o n th e li n e o f Li fe
'
No . 26 .
Newman Path o f M ar s .
No . 27 .
Na me D ra gon s H e ad
.
.
No . 2 8.
Na me D ragon s Tail
.
.
i nto th e m oun t of V en us .
No . 29 .
Na me Li n e of M ars
. .
No 3 0 . .
N a ma M ars Cross .
. .
. .
No 3 1 . .
N a me O r acle of Jove
. .
In ferp refa z z on
D enotes honours an d ecclesia s
'
.
ti cal di gniti es .
No 3 2 . .
[Vel ma Li n e of Cala mi ty .
No 3 3 . .
Na n Cros s b ars
a .
thu mb .
In terp d
r a t z on This i s an i ndication of c o n t e n
'
No 3 4
. .
Na me G i rdle o f Pollux
. .
L oca l z 07z
A ri n g roun d th e thu m b
'
. .
No 3 5
. .
j oi n t .
No 3 6
. .
ti cal to j oi n ts .
I ndi cate s m any child ren .
No 3 7
. .
In ferp re/a tz on
D en ote s a j ov ial di s positi on
'
. .
No 3 8. .
L oca tz on
'
.
O u thi rd ph alanx of foren ger .
No 3 9 .
N a me S m all star
.
'
N o 40. .
N a me A li n e wi th star at bottom .
. .
No .
41 .
. e c on d .
of the n ger .
No 4 2. .
-
Honours and ri ch es .
22 INDIAN P A L MISTRY .
No 4 3
. .
. .
. .
No 44. .
.
,
No 4 5
. .
N a me Cross b ars . .
. .
per s on .
No 4 6
. .
In terp e
r z a tz on These a c cordin g to thei r nu m
'
.
,
,
.
No 4 7 . .
N a me Crest of Hermes
. .
L 0m iz on
No .
48 .
of the ski n .
L oca tz 07z
[ n te r
p re ta t z on D en
otes that
. th e person will b e
No 49 . .
L oca tz on O u M ounts
'
. .
N a me Con c e ntri c
. .
No 5 0 . .
Na me Lapi s La z uli
. .
L oca l z on
'
.
Tip of m iddl e n ger .
No 5 1 . .
N a me Lapi s La uli
. z .
. .
[n terp refa l z on S am e as No 5 0
'
r . .
No 52. .
L oca tz o7z
'
O u rst ph al an x o f littl e n ge r
. .
t h e c om plete c i r c le .
No 53. .
Na me Corn o r d i am on d loop s
. .
. .
.
,
severan ce .
cess .
( 2 ) Observe the n ge rs .
P oz n l ed Fo re n ge r ( rst )
'
. i n tuitive ; m iddl e ,
S q u a re F o re n ge r ( rst )
. truthful c autious ; , ,
( fourth ) j ud i ci ous , .
1 N arrow
. i nd i cate a n i rritabl e tem per o r as
,
pi ri n g spi ri t .
v iews .
3.
S m all i ndi cate p ride stubb orn n ess n arrow
, , ,
n ess an d bigot ry .
4.
B road an d at i nd ic ate a m ild and ti m orou s ,
d ispositio n .
INDIAN P A L MIST RY . 27
5
.
Filbert shaped i ndi c ate re nem ent an d c our
-
,
t e o u s m an ners .
reli an ce .
gen erosity .
s trai ght .
assu m e d ie re n t s h ap e s an d colour s
'
Therefo re .
c onverse i n th e fe m al e h and s .
s ic al pl an e .
s id e re d th e m oral regio n o f th e h an d .
and
32 INDIAN P A L MISTRY .
o n th e m ou n t o f M er c u ry ( No o r o n th e .
m ou nt of th e M oon
S hould th e si gn of a ag b e found he re and p ar ,
fa m e .
l on g an d good i f n ot b roken
, .
( No .
l i fe
.
a n d beco m e fam ou s .
w ealthy and so o n .
p rob ably d i e .
o r pai n te r .
THE LIN ES .
thumb .
o r t reble , et c .
m ou n t of the M oon .
THE M O UN T S .
n ger.
n ger.
40 IN D IAN P A L MISTRY
th e ri n g n ger .
l ittl e n ger .
THE LIN E OF LI FE .
m an .
TIM E OF E V EN TS .
a ge .
li fe
.
an d a short li fe .
w arranted .
c op e etc
, .
44 INDIAN P A L MIST RY .
I f th e sp ace b etwee n th e li n e of Li fe a n d th e
Liver li n e esp eci ally o f th e spac e b etween the
,
s h ow s p rodi gali ty .
, ,
I f thi s li n e h a v e a s i s t er li n e i t p rom is e s in h e ri
t an ce s .
ge re d .
i ntellect .
ful ness .
When th e li n e of th e H ead i s j oi n ed to th e li n e
o f th e D ragon s H ead i t p rom ise s a p ruden t an d
THE LIN E O F F O R T UN E .
and want .
and l abou r .
of body .
48 INDIAN P A L MIS T RY .
m ean s of s o m e ki nd red or a wi fe . .
t h e mo unts or pl aces
v e rs e l yparallel .
and b eauty .
fem ales .
the hand .
and m urdere r s .
etc.
a n d live r .
h a z el or blue eyes .
go o d in e n .
gristles .
, ,
IN D IAN P A LMISTRY .
55
sp a sm s .
o r little li nes .
TH E M O UN T OF A P O LL O . THE P LAN ET SU N .
wisely .
,
56 INDIAN P A L MIS T RY .
mode s t .
Whe n fo rtu n ate " good and c lear m ark s n ear thi s
m ou n t star s etc The s e p erson s are su c cessful i n
, , .
s on s to b e i n c on stan t i n li fe an d action s .
ETC .
fever s etc
, .
form i n g th e gure
Perfecti o n of wit an d s ci en ce " a star pl aced ( o r
oth er clearly fo rm ed ower s or ag) i n th e m e n s a
-
form s a n i ce gu re .
R i ch es an d shown by overthwart li n e s
h on ou rs
c lear an d red un d ern eath th e n ai l an d j oi n t of the
th u m b .
t h e thu mb to th e li n e of Li fe .
thu m b at th e m iddl e j oi n t .
THE M I D D LE FING ER .
THE LI TTLE E NG ER .
great s peake r .
t h e m ou nt of V en us .
rem ai n poor .
to be su c c essful i n th e world .
THE A RMS .
re m ai n poo r .
and their Inuence upon
H
UMAN LIFE AND DEST
R MA RAS D
INY
BY A P A MA . .
.
C lotlz 8 vo , .
4 /6 nel .
ca n fore s ee .
L if uc er .
T
he D mof Raven AMystery
rea
C loth 8 110 , .
.
not
.
m an i fe s ted ; th at he wa a m y s t ic h i m s elf n d sp o k e of th i n gs th t
s a a
w ere re l i t i e s to h im an d not m ere e m p ty s p e c ul t i on s is e vi den t to
a a ,
nn
so un ser
r rrnr
o s
Transla ted into English
WI T H A N ES S A Y THE VI S I ON O F SC I P I O C O N S I D E RE D A S A
"
F RA "M ENT O F T H E MY ST E RI E S BY L 0 . . .
O ne vol .
, cl ot/z , 8 110 . n ot .
N ot si n c e 1 8 0 4 h as a ny En g l is h v er si on of the t w o fa m ou s
P yth ag ore a n tre a t is e s i n c luded i n th is v olu m e a pp e a red i n boo k fo rm
O f the i r imp ort a n c e i t is s u f ci ent to s t a t e th a t they h a v e been j u s tly
held i n the h i g he s t e s tee m by M y s t ics fro m a n e a rly p er i od to the
p re s ent t im e Th is h a a l s o been the c a s e wi th the S m m n S ipionls
. s a / u r
"
F TJ P T I
I
ou nd ; F i re ; Y o g ; and S y m bol is m a e the s ubje c t s t re a t ed
S a r
w h ic h h is b i rthr i g ht de s er v e s to be re d o f all m en T lo v er s of
13 ,
a . o
the S c r i p ture s of the World t he e ss ay o n S y m bol ism wi l l app e l
a
the m o s t i m p ort ant tru th s a fre q uen tly v e i led fro m the s u p er ci al
re
P h i lo s o p h i e s
H
TEY
O"AOFCH
RIST"ortheScience of theSoul .
WRI TTEN D OW N BY A . K . G .
EDI TE D BY F . H EN RI ETTA M UL L ER , B A . .
, a a a
thou g ht and i d s i n the s ol ut i on f d ii lt p roble ms Th a t C hr is t i n
,
a o cu . a
m un i on wi th the n t iv e s f I nd i a
\
a O .
"
THE T HE O SO P HI C A L P U B LI S HIN G S O C I ET Y ,
7 ,
D U KE S TREE T A D E L P HI L O ND O N W C , , , .