Suzuki‘Fhute School Suzuki Method InternationalSuzuki ‘Flute School FLUTE PART VOLUME 4} by Toshio Takahashi CONTENTS 1) Minuet from Sonata III, G.F. Handel 2) Allegro from Sonata III, G.F. Handel . 3] Le Rossignol en Amour, F. Couperin (4) Sonata I, M. Blaver Andante Allemande Gavotte Sarabande Finale Copyright © 1974 by Dr. Shinichi Suzoki Sole publisher for the entire world except Japan: Summy-Birchard, In. ‘exclusively distributed by Warner Bros. Publications nc. "265 Secaucus Road, Secaucus, New Jersey 07096-2037 ISBN 0-87487-171-9, 81413-1211 10987654 ‘The Suzuki name, logo and wheel device are trademarks of Dr. Shinichi Sunuki used under exclusive license by Summy-Birchard, Inc. sy reat, sanction wranguan te comport pa tha booknay be sotocopa epaaices ry way who partion. nnaorad usec wom lsagement othe Us Sepyng Ac and te puntata by Ca +10 cl 12 13 BINTRODUCTION FOR THE STUDENT: This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications. In addi- tion, there are piano accompaniment books that go along with this material. FOR THE TEACHER: In order to be an effective Suzuki teacher, a great deal of ongoing education is required. Your national Suzuki association provides this for its membership. Teachers are encouraged to become members of their national Suzuki associations and maintain a teacher training schedule, in order to remain current, via institutes, short and long term programs. You are also encouraged to join the International Suzuki Association. FOR THE PARENT: Credentials are essential for any teacher that you choose. ‘We recommend you ask your teacher for his or her credentials, especially listing those relating to training in the Suzuki Method. The Suzuki Method experience should be a positive one, where there exists a wonderful, fostering relationship between child, parent and teacher. So choosing the right teacher is of the utmost importance. In order to obtain more information about the Suzuki Method, please contact your country's Suzuki Association, the Intemational Suzuki Association at 3-10-15 Fokashi, Matsumoto City 390, Japan, or Summy-Birchard Inc., c/o Warmer Bros. Publications Inc., 265 Secaucus Road, Secaucus, New Jerscy 07096, for current Associations’ addresses.Slurring Exercises 00d fle SS [Accent the Ist of the 2 slurred notes and diminish the Ind but do not let it go. How to practice in low register 1. Exercise for » Ran the lip, and keep slight horizontal tension in th. centr of lps, ting the ja r00p js ite bad 9 TT I~ 7 REDRE bad BV Buomer rey bet, Pen Om eH OCer AECL ER ALE MIS SF BORE 1. power WOME EEC MAOE, DEMERS ERE shape of lip opening mmm HE 2. Exercise for 2. some In the same lip condition, thrust lower jaw downwards, BONER AMC MAO, FRRIME BO 1 feeling a bigger column of air behind the lower ip. SRB, HR TACEn ET. 3. Exercise from f to » In the same lip condition, change the position of the jaw. How to practice in middle register L, Exercise for p Make the lip opening a little narrower and Keep alittle ‘more horizontal tension in the center of lip, theusting jaw downward just a lite 3. fb PNOBIT REROBTHRETATERELERBES, DTM fe LeReoRT HP RIMIC BUF BT 1. potent wnoxeteeincmsay, At, PRE TADEnET. FHsogoenem 2. Exercise for f 2. Some In the same lip condition, thrust lower jaw downwards, HEMMMBCTHADgoEnemeen aa, FAS feeling suitable aie pressure behind lower lip. freemen. 3. Bvercise from f to p In the same lip condition, change the postion of the jaw: 3. [26 pNOBTT BEMokECEMAM Bone Lie £2, IRENE LER AS OEMEs TOM aesone cmos petsmBs 2 ie ag : = eee ee ===. === === ———— (42a o opi eich ehh Cee ‘ 5 ‘Trill Exercises I Preparatory Exercises > bY) LORE (1) mst esse d= 108 Joss oo = 7 malngct a miele peared, Toate CMMEnceme tees ET Long tal kindof fingering vibrato, and short til 3 CAB Ee. Rub FCT RE TIF ind of ascent teamed, Met 9mRT Tee HOMER Ex ome gone written played or played bgt PP tit eo ae onmercamcamets. ‘© Thrust your jaw downward, = 18 Take cate of the lip condition and air pressure. ‘Fingers should be well arched ‘© Start with good attack, vibrating well in the mouth and throat, avin es or in cae ofslow tempoUi] zs Minuet from Sonata III pxeey | TIFFS Hest GF Handel 1 at Time No Tail a ad Tine Til Ex 2 t 2. Grace Note Must Be Played On The <== Sle Allegro ‘On The Beat from Sonata III TL7o D+ 9S He tly[3] Le Rossignol en Amour BOIS wt F. Couperin Andante (in 6)[Double du Rowignol aR ———— accel [Tes Tenement ce wit ies ‘molto ral, ——$————_ Fine.10 [4] . Sonata IT VTI G2 M, Blavet F98- Andante (4 = 92) 5 t, dolce — BP subito~~ Allemande Allegro (¢ = 120) P op Ind time rand feGavotte (les caquets) ‘Tranquillo (¢ = 90) nf Brite —_—13 Sarabande Largo (/ = 60) pit w Janel —— 2nd time, ee — 2nd time ot. Finale Allegro (4 Dea leasero — ——f ——= a P80.Saenewy.