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SACP Lyrics Updated Files Mar 28 2016
SACP Lyrics Updated Files Mar 28 2016
So you want to play the part of the sultry one I can make it..
A firm decision so show us what you got...
I can make amends with you, any way that you do-
Can you help me change-this point of view?
Dont rehearse for me, just be glad to see-
That we can talk about it, your tittle tattle now
Dont flaunt it unless youve got it. You cant illuminate me-
Cruising down the road with my stereo on, going to sing my song.
Brainwashed by society stone cold sobriety and nothings wrong-
When the water isnt cold, and the icicles dripping down-
Never let them tell you- yes you are- Above suspicion,
Its hopeless hear me now-dont come near me now-
Youre Above Suspicion, Above Suspicion,
you're hopeless hear me now, dont come near me now-
Above suspicion yes you are.
Aeros Love Reg @ SACP Sam SACP 2015
Another place:
ABD
Would you still be by mein the Afternoon of Life
all this pain and sorrow -doesnt mean that much to me
if youre not there standing by me- in the Afternoon of Life
oh standing by me- in the Afternoon of Life
I'm down in Angel Town, She Dreams, of Love and War, Love Systems, Look What they're
Doin', Loud Dreams, I'm on Location, Nervous for You, Little Viper, Last Time's Enough-
(Extra Bridge)
A/// B/// D/// A/// (D7//// A7//// 3x-s) G// F// E////
Anastasia Reg.@ SACP S A Music 1987-2016
Look at the busy boyhes fixing the car and mowing the lawn
hey look at that busy man going off to work
He lives in Iran Iraq-
MrIve seen you walkingdown the river slowly, you come from the Nile
if all those kings of Egypt couldnt understand your plight
how could I help you
Loves like a bloody Dino Ferrarithey both can drive you insane
Id like to meet a girl sometime who dont want to change her name
-All About Love--when Im with you- All About Love-when I'm next to you-
-All About Love-when I'm in your arm--All About Love- When I feel your charm-
All About Lovewhen Im in your heartAll About LoveWhen Im not
(E7/ A7/ 8X-s) (G/ C/ 4X-s) (E7/ A7/ 4X-s) (B/ D/ A//// B/ F/ A//// 4X-s) G
All Night Long Reg.@ SACP S A Music 1987- 2016
Now you walk away again; and those voices in your head.
All night long going round and round in and out upside down.
Too much drive on the passion side, too much hope and not enough time.
All night long going up and down, going in and out upside down.
Too much drive on the passion side, too much hope and not enough time-
She wants out like another notch on a burning gun;
and you can't say no, no no no-
Two hours away freedom awaits prayer for desire with platinum taste.
I've got to move more shadows and Ill change your mind-
I've got to grab your handles on the other side-
I know I'm walking but I'm walking blind-
The tears on my face, last call collect, of falling from grace, I'm desperate and lean-
Two pictures away on a moonlight cruise-you can watch cartoons in the afternoon with me.
Move the shadows see them fall, see the pictures on my wall,
hold me tightly before I fall, and then you know what I mean-
Walking away to another place, over the hills and far away,
you can see them run, you can see them run-
All Your Love-I need you all the time- All Your Loveyoure by my side
All Your LoveI need you all the timeAll Your LoveAll Your Love
All Your Love-I need you all the time- All Your Loveyoure by my side
All Your LoveI need you all the timeAll Your LoveAll Your Love
Solo___
Its not that I feel that we can believe uswe were told we could
By the stories, the moralsthe fables of each his- we mis-understood
All Your Love-I need you all the time- All Your Loveyoure by my side
All Your LoveI need you all the timeAll Your LoveAll Your Love
Solo----------Out
A// F// C// G// F#m//// E//// D//// F////
Angry at Love Steve Arroyo -- Curt Phillips Reg.@ SACP SA Music 1987-2016
A--if anything you are-Bm-Ill be-D- happy just to-A- vote for you
Just walk Bm-away-inside your D-light-
if A-anything was ever real----
_F-C-G-D---
such a stara handsome sight-F-C-G-DF-C-G-D-F-C--E-
--theres still a place for you theres still a place for you
Wait for me, you gotta wait for mewait for me-F-C-G-D-wait for me-F-
C-G-D--hands are beside meF-C-G-D-hands F-C-are beside me-
Wait for me, you gotta wait for mewait for me-F-C-G-D-wait for me-F-
C-G-D--hands are beside meF-C-G-D-hands F-C-are beside me-
Wait for me, you gotta wait for mewait for me-F-C-G-D-wait for me-F-
C-G-D--hands are beside meF-C-G-D-hands F-C-are beside me-
Out____________
Animal Life Reg @ 2015 Steve Arroyo & SACP Music SA Music
Stanza--
Transfuse this place; try to run away, if not too far, you won't get too far,
and the milky sky, I've got a cure for this world; cold water moves you,
you know the treatment is good; cross firing night's, all that glitters is gold-
Animal life, energize me tonight. Addiction comes, its not surprising now.
Drop the anchor now were off the political streets of Alaska, walking down through the
analytical classifications with the ambidextrous roses, amnesia,
and the ambivalent winds of desire.
Out_________
Armored Star Reg.@ SACP S A Music 1987-2016
The decline of the family unit- brings armies of bad luck kids-
setting off to fortune citys, never knowing what theyll find-
Tuesdays out of laughter when they move the hands of time- h
Hard luck and misfortune; Misfire ---
All good rebels fall into the lines
All good rebels fall in to the lines
Oh oh oh oh oh oh oh oh-
Armored Star, the walls too tall-- they can't climb over-
The walls to thick- they can't go under-they always drown
Armored Star- Weve already gone too far-
Out__
Atlantic City Reg @ 2015 Steve Arroyo & SACP Music
Atlantic City killed me with a 45, couldn't pay my debts back to society.
Even when I rolled the 7-Eleven's on the table,
there was a blonde I ain't no James Bond.
Pay my rent pretty little darling- down the river, goin to Mississippi
river boat, Im gonna move with a silent ghost-;
you can see me from that roaming eye-
that comes from the stars and tries to look at you,
tries to look at you- tries to look at you, and say:
Got a $.25 dollar, that won't pay a nickel for your dollars, that won't pay a nickel for your
speeches yeah yeah yeah.
Paint my walls, with your paintbrush; make it something kind of influential, influential.
you can see me from that roaming eye- that comes from the stars and tries to look at you,
tries to look at you, and say:
Stuck a man on the moon flying low, it's aloof its a way,
He can say how to seek the truth-
He put his cart before the horse and turned the opposites on down,
Turned the table, turn the bluff and youre there-
Im-running in clouds, Im-Im running in clouds,
You can see me from that roaming eye, who try to look at you-
Tried to look at you and say-
Atlantic City killed me with the 45 couldn't pay my debts back to society, even when I
rolled the 711's on the crap table, there was a blonde; I ain't no James Bond-
Out___
Baby be Mine Reg @ 2015 Steve Arroyo & SACP Music
I've got a story to tell, and I'm not so well, but I'm gonna try to make you mine.
Baby be mine, baby understand, you've got the power, to make me a man-
Walked down the sidewalk; pick it up, try to pick it up, as the streetlights change from red to green-
I see the red red light, I'm gonna gonna have to stop, what is it mean if it's green
and that lizard is dancing on my head-
Get that lizard, it makes me kind of weird, get that reptile- and put him in a box.
Mealworms on me, mealworms on me, they kind of crawl crawl crawl, they kind of itchy
itchy gew; we got this itchy itchy goo goo mealworms on me, mealworms on me I'm going
dancing I can eat no meat.
Bridge
Waste my time, drinking Kings wine, put me in handcuffs, just button up your lips.
I've got a story to tell, and I'm not so well, but I'm gonna try to make you mine.
Baby be mine, baby understand you got the power to make me a man.
Ad Lib Out___
Be with Me Tonight Reg @ 2015 Steve Arroyo & SACP Music
You gotta be with me tonight, you know it's gonna be all right,
you want to be with me tonight, gonna make you feel all right.
You gotta be with me tonight, you know its gonna be alright-
Take ride r-i-d-e- r-i-d-e my position, my position is lonely-
Shoot falling star, over the hills from the years; don't complain if it doesn't go
right; I've got an answer to anything, but nothing I can really explain, to you, to
you.
Take a r-i-d-er-i-d-e-
I talked for years when I listen; I hear voices from the clouds, I can describe
anything you can become, now that it's all said and done, we can decide-
if you don't throw your life away, it's gonna be a brand-new day,
and you know, yes you know, were not heroes-
were not everything-were not heros-
I offer you a diamond ring.
Ad lib Out___
Bedclothes Reg.@ SACP Steve Arroyo Curt Phillips S A Music 1987-2016
Key of A minor Intro Standza (Am-F Am6-G-C-D-A6th-D6th-C6th-Am6)
Horseshoe Patty came to me on a two dollar bet, on a horse called Lying C this is a
Story, Im not quite sure how it goes;/it was at a racetrack outside of Delmar
/--Oh Oh Oh; On these walls of confusion, we find ourselves torn apart.
Verse 1
Refrain
Meanwhile in/ to- my apartment we hung around and drank some more;
well have tea and maybe its Lipton you see;
she put the tea bags in a cigarette pack-
tried to get home/stoned, tried to relax on my bed,
thats when I said :
Vs. 2
Well I went to a place where we use to go, shes standing in an in crowd, where in people go,
there we were on top waving by and bye; she really really gets by just fine-
To my apartment we hung around and drank some more; well have tea and maybe its
different you see ; she put the tea bags in a cigarette pack, tried to get home, tried
to relax on my bed, thats when I said:
You/she - always leave your /Bedclothes on my floor; even when she wakes up and trys to
Ignore me/even when theres a sale at Sax Fifth Avenue;
you always leave your Bedclothes on the floor;
well how could I ask for more.
Bridge
Horse shoe patty: dont ever leave me, Ill be so blue, so blue over you;
Id bet on lying C; Id even by you that stupid kicking horse; have its mange
cut off and have it autographed by Reno.
Verse Solo
Vs. 3
Oh ho oh ho oh ho wo ho; On the floor, on the floor, on the floor, on the floor, even
when I wake up in my deepest dream; On the floor, on the floor, on the floor, on the
floor, how could I ask for more;
Ohho hoOn the flooron the flooron the flooron the floorhow could I ask
for moreHorseshoe Patty
Behind these Bars Reg. @ Steve Arroyo and SACP Music 2015
Went out looking for trouble, I hope that it would come my way;
Girl of my movies, my life, my life-
Tackle my problems- keep us in line-
An open plane, Im not afraid-
Vs1-
Ad lib Out___
Best of You Reg @ SACP 1987-2016 Steve Arroyo & Curt Phillips SA Music
I've got the best of you, I know it's late it's true,
you don't know what you're putting me through,
this wave of fools I don't mind-
I've got the best of you - I know it's late it's true,
you don't know what you're putting me through,
this wave of fools I don't mind-
You drive me away then you say, you drive me away then you say,
you drive me away then you come closer, come on hit the gas....
You drive me away then you say, you drive me away then you say
you drive me away and then you say, come closer, come a bit closer...
It's not big, it's not small, it's not round, it's not tall, what it is
I've got a present for you-
Try to get through on this Wednesday night-afternoon-
Yea-yea-
Ive got a present for you-
It's not big, it's not small it's not round, it's not how you can shape it-
shake it up, Ive got a present for you-
it's got pretty wrapping on it, pretty wrapping on it-
Any way you see it its not going to be what you think it is-
Yeah it's not big as you-
yeah it's not strong is glue-
what it is I've got a present for you.
Get your scissors- you cant shape it- get a hammer- you can't break it-
try to get through on this Wednesday night afternoon,
what it is Ive got a present for you-
Tear the wrapper off, tear the wrapper off, you've got to tear the wrapper off.
It looks like a present to me, it's your birthday you see,
yeah yeah-the gifts you give to me-
It's not big, it's not small it's not round, it's not tall it's not how you can shape it-
shake it up, it's got pretty wrapping on it, pretty wrapping on it-
Anyway you see it it wont be what you think it is-
Cant win for losingcant please em allshe gets abusiveevery time I callthats nuts
cause all I do-is sit around your doorstepand wait for you
When I go to love her, shell act so nice-When I go to leave her Friday night-
When I buy her flowers, shell just say alright-All she really wants to do is twitch-
Dreams are for rulersdreams are for foolsshe gets abusiveshe broke the rules
Love is not a cheap thing its worth its weight in gold- time to time it needs some nurturing,
Call her on the phone-
Shell take it easy on the townshell scream and yell and tell my friends, Im not around-
thats nuts-cause all I dois sit around your doorstep and wait for you
I waited for an hourall night longI waited twenty daysall night longI waited for
your breathI waited for your lipsall she really wants to do is twitch-all she really wants
to prove is this-
When I go to love her shell let it go to the headsometimes I paint her in blue, green
and red-some could say it was crowded, some could say were aloud-I gave her everything-
(E// D/ E/ - E// G/ E/ - E// D/ E/) (G//// F#/ F/ E/)
Black Leather Girl Reg @ 2015 Steve Arroyo & SACP Music
Ad libs___
Black Widow Steve ArroyoCurt Phillips Reg.@SACP 1987-2016
Dark night-full moonI was walking homeheard a voice out of an alley that whispered
Dont be aloneI walked in-and she sighedas I fell in to her webI was on my best
behavior and she just squeeze me tighter and said
She kiss me like a Black Widow-can only kissher eyes were as cold as winter-
And she kiss me like a hungry Black Widowout for the thrill, she was getting her fill-
Broke away-caught my breatheight legs wrapped around me againpulled me back into the
web-then she went for the killsuch a passionate thrillparalyzed hypnotized the fine arts of love-
savored every lesson and every venomous touch-,
And she kissed me like a Black Widow can only kissif its a game Ive
crowned a winneragain and againshe was doing me inand she sucked my blood-huh
E// F#m E// C#//// (C#7//// Ab7//// F#7/// C#7//// 2Xs) Ab7//// F#7////
Ab7/// F#7//// E// F#m// E// C#7////
Blemished Reg @ 2015 Steve Arroyo & SACP Music
Blueblood icon, walking home, takes your pencils out, write me down.
I'm going blow for blow I'm going blown up-
Seek the passages aside by which to feel damaged-
You walk with the walk and you talk with your name-
and you look with your eyes you're so boring-
Ad lib Solo__Out__
Blood on the BarsSteve Arroyo Curt Phillips Reg. 1987-2016 @ SACP
E B7 E B7 E B7 E
Violent cityviolent manlooking to get bygonna rob that liquor storelooking to
B7 E B7 E B7 E B7 E
get high
C# D E C#
Coda--Theres lots of violence in the airsomething I cant explain-- lots of urgence
D E everywhere I wonder whos to blame C# D E B7
E B7 E B7 E B7
Cast your vote- to the box-- cause thats where its gonna lie
I could tell it to myself some time and it wouldnt really matter-
E B7 E B7 E B7 E
Then you hold on to everything and anything you havecast
B7 E B7 On and on- armored forceand then youre going madCoda--
SoloE//// B7////
If theres blue, not me not you, don't call me up I'm not home;
on this moon I'll be flying, you can see me go,
I'll be lying in the winter snow-
ad lib__Out__
Blue Romance Steve Arroyo Curt Phillips Reg @ 1987-2016 SACP
Blue Romance
the love that you gave us would only last a dayin Blue
Romancecan the pain go away
in Blue Romancewe painted today
We wrote a book not a storytraded our dreams for the truthBut I build
for another religionHoly water falls
#A tuning
C/ D/// F/ D/ C/ D/// C/ D///// G//// //// F//// E//// Eb//// D//// ////
G//// //// F//// //// G//// //// F//// E//// Eb//// D//// ////
Blue Rumors Reg @ 2015 Steve Arroyo & SACP Music
Oh there must be two of you, inside that face, oh there must be to have you
inside that face; you might get dirty, hanging around me you might get dirty-
if you polish that hardluck-
Shippers come, to ring the bell, down in the shipyard, of the wishing well ,
nailed the boards down , so they won't go slip slip, I'm going to fall through the
cracks- if you don't catch my drift.
I've got a porthole I can see you coming down through the trees like a monkey's uncle..
it all comes together in Indiana where the fields grow
I won't hear these blue rumors all day long I won't hear these blue rumors;
bouncing off the walls ,R, I won't hear these blue rumors, tell me all about it,
tell me all about it, blue rumors, blue rumors, blue rumors, blue rumors.
Boston Beans Reg @ 2015 Steve Arroyo & SACP Music
Solo-VS- Solo___Coda__Out___
Boy Meets Girl -Steve Arroyo Curt Phillips Reg. 2009 _
-A-G-A-Shes got a path thats right and rabidG-a smile that would warm your-F- heartA-
He only wants her to want him--F-before the nights G-too A-old-
they both know what is C-comingBb-Two ships crashing in-- the A-night
Brainwashed Reg @ 2015 Steve Arroyo & SACP Music
We can be together every night and every day but sometimes I get crazy
and cruise my Cadillac all over town
How wild is the world-I want to know how wild is the world-
How wild is the world-but Ive got a question for my girl-
I Got an army coat from 52, stared at the ceiling and thought of you-
Tryin a get a bus load- Im headed for a heavy load-
See yourself in heaven, on this planet earth-
When things only get you down-try not to be so hurt-
But I got a question for my girl-
How wild is the world, let your bones out of the box-
How wild is the world, be egmatic-run the gambit-
Your love has a charming effect on me-
Its not upon our reality, but anyway-Im not afraid of you-
Take me away-
Solo____Ad-libs___ Out__
Broken Arm Reg @ 1987-2016 Steve Arroyo & SACP Music
I got a pain; I got this satirical, I feel kind of sick, Im still here-
I cant float in this marshmallow pond, because I've got a broken arm,
Sticks and stones can break your bones, your sticks and stones-
I can't float in this marshmallow pond cause I've got a broken arm-
Broken arm mama- broken arm daddy I cant float in this marshmallow pond-
cause Ive got it-
Another place
Solo guitar..
But I'm going to get there fast- I'm running out of juice,-
my electricity is wild, but you can plug me in any time-
look at here it's my arm-what you say it's my arm;
Half a yard means half a mile, half a day-half a life- half a breath- half a loaf half
east to west, its in my trunk or inside my vest-then you tell the DA what I did-
Speak to me my dear-Ive got a broken arm- speak to me my dear-Ad lib Out _____
Chasing Rainbows Reg @ 2015 Steve Arroyo & SACP Music
Were free spirits running through the night will make it to the light, it's our life ;
Were free spirits anyway you see, Im only there for you-
Youre always there for me- it's our life-
Now when you get that pot of gold and find a leprechaun-
You find a leprechaun before twilight;
and if he offers you a million dollars- share that half with me-
I'm only there for you; you're always there for me-
Free spirits running through the night we try to make it right it's our life-
Free spirits underneath the stars anywhere you are all see you once again-
In Manhattan somewhere, there's a lady standing cold; she wants you to hold her
tightly, get her through the night-
down in Southhampton, it's only at the end-
it's only at the end-free spirits my love it's only at the end-
Ad lib- Out___
Circle of Danger Reg @ 2015 Steve Arroyo & SACP Music
I'm in:
Circle of danger you let the Joker in- this is like a masquerade ball,
with those faces on-
Ad libs Solo-
Im in a Circle of Danger-
Out___
Cold Hearted Steve Arroyo Curt Phillips Reg. SACP 1987--2016
--My heart is full of angry tigersand you just might get bite-
G Am F G Am
I dont want them to bite you-
Am7//// Dm7//// Fm7//// Cm7//// F// G/// Am////-
Conscience Reg@ 2015 Steve Arroyo Music (SACP)
Everybodys looking for a herobut heros dont know any more than you
than youlife aint fairyou know its truelifes aint fair------ for me and you
Everybodys looking for that momentbut moments that they seek are really there-
and you know life aint fairnot for me or younot for me or you---- ---- ---- ---
Our days are all Consequencesdo you know what their calling for
If you cant control your nightmaresbetter sleep alone
better sleep alone-- -- -- gonna get hitbetter sleep alonetake a hint-- -- -- -
ewe ew ew wo oh oh
Key of A maj. 7th
_ad libOut________
From the books they wroteto the storys toldall the Prophets knowits gone
From the Andes mountainsto the depths of the seayou and mesurvival
All the Devils strength can enter your mindwhen the truth is wrong and the parrots gone-
lighting candles with youIm meditating the moodwe can live our lives in the spirit of mortals-
This atomic plaguecant pinpoint the problem, gonna teach you a lesson-
Im kind of quadrant- keep an eye out-
yeah a whispering campaign-the sentence always came before the trust-
-of 9of 9of 9Ive got my special orders intact, stick around to see-
-all this for the counsel of nine- of nine- of nine of nine-
The bailiffs laughing at the verdict, the criminals are dancing on the victims,
everyone gets away with murder, and Uncle Sams USA.
Court of Lies___
There gonna have to tell the truth-
Court of liesnow Im telling you-
Cross My Heart Steve Arroyo Curt Phillips Reg. @SACP SA Music 1987-2016
E C#m A B 4Xs
Blue night singa melancholy sounddont be worried babydont be sad
ya see Im sorry I forsakesolid groundbut too much drinkingand wishful thinking
for E--here and now and forever it was allF#m-- a foolish actE--I Cross My Heart
E C#m A B E C#m
For here and now forever it was all another gameI Cross My Heart
yeahI Cross My A--HeartB
E
Youre of my persuasiona diamond for a man
writing love lettersin my handF#m--
(F#m E 4Xs)
For here and now foreverI know its not too lateits not too late
for here and now forever I know I cross that Fait-h
E C#m A B E
Blue nights singa melancholy sounddont be worrieddont be sad
Im sorry I forsake you know Im your man-
Here they go at eleven o clock- riding down the snow
see the red lights flash their hungry dont you know
youre my persuasion a diamond for a man--B
A C B 4Xs
Crawling over barbed wirespitting back at the guillotines blade
as malicious tongues hang dry in the after math
plotting out our freedomsthrough the eyes of a microscope
challenging the leaders of a soon forgotten world--
A F#m G 4x
Crossing a Lineon the edge/walls- of a new horizon
---Crossing a LineStanding on the other sideCrossing a Line
of a prophecy-love or survive-
A C B 4Xs
--Crossing a Lineon the walls of a true horizonCrossing a Lineof a prophecylove or
survivelove or surviveand flourish on the other sideCrossing a LineGF--E
They flourish on the other sideand we cant look back, no--
A C B 4Xs
CB
Crossing a Lineon the edge of a new horizon
Crossing a Linelove or surviveand
flourish on the other sideCrossing a Line--
A F#m G solo--
Extr ad libs-
A C B 4Xs
picking locks on forbidden doorlaughing at the fools that
promise hopeand fail to give
A C B 4Xs
--Crossing a Lineon the walls of a true horizonCrossing a Lineof a prophecylove or
survivelove or surviveand flourish on the other sideCrossing a LineGF--E
They flourish on the other sideand we cant look back, no
A C B 4Xs
Crawling over barbed wirespitting back at the guillotines bladeas malicious tongues
hang dry in the after mathplotting out our freedomsthrough the eyes of a microscope
challenging the leaders of a soon forgotten world
ACB
Crossing a Lineon the edge of a new horizonCrossing a Linelove or surviveand
flourish on the other sideCrossing a Line--
A F#m G solo--
Cry Wolf Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
E7
My coals to blowdisplays a targetlost and need of helpwith leopard skin and razor
eyesthat loosen up the belt
C#m Em C#m
Were the virgins of remorseblue souls with vodka breathif what you seek becomes a
lieEm--promise that youllE-- never Cry WolfE--
E7
Squeezing through freaks and tunnelsholding torches of our faithdemanding drops of
serum-- from the fangs of women snakes
C#m
We are lonely mannequinsEm--of waterC#m -- --Em --but rest assured well neverEm--
movies that I saw-- but it wasnt rightI know its different nowshe agreedwe should
of the skythe truths of the sky and--she loves the green lights-- --
Dayglowshe called itDayglowDayglow-- she called itDayglow--she loved the green
the pictures they showed back reminded me of all of the times she wasnt so bright and
the timesand maybe I should have stayed-and listened- when she showed me the fire
flies on the wayshe pointed their- and said to come I was scaredbut I remember-she
didnt miss herbut I got a whole stable of pictures in the mean timerun off with some
darn flying saucerthanks a lot--cause Dayglow is like poster-ed colors from 1970s
D// A// C// G// F//// //// G//// F//// //// A//// ////
Eb//// C//// 4xs to A///
Days of the Week
Chorus
Now were at Sunday and church, we love Jesus thats for certain,
From the books they wrote, to the stories told-
Dead End Street Steve Arroyo Curt Phillips Reg. 2009 PAu 659-890
My heart is callousedmy feet are soreIve got me a diamond and worries galoreyour
hair sparkles while your hands exploreI love that we dont have to live no more-
on Dead End Streetno-- on Dead End Street-- Dead End Street--no more
Ive seen the picture-and Ive known some crimethe worlds brain is ugly unlike yours
and mine-I bought you a roseit bought us some time were hanging on so far and free
away
Live for tomorrowlive for todaywere living our lives out far and free away from Dead
birds and the children seemed far, far away--They put in the stop lights and they took
out the phonesit was so much quieter then it felt like home
Dead End StreetWere living our lifes outfar and free away from Dead End Street
hair sparkles while your hands exploreI love that we dont have to live no more-
On Dead End Streetno-- on Dead End Street-- Dead End Street-our love stifles and it
goes
Dead End Streetyou walk aroundyou never touch the groundIve seen your shadowsand
they flow in the windIm not ashamed to sayI cant lose or wintheres death in the
Coda
On Dead End Street, were living our lives out, far and free away,
from Dead End Street.
Vs. 2
Ive seen the picture and Ive known some crime,
The worlds brain is tailored-/troubled unlike yours and mine.
I bought you a rose and it bought you some time,
Were hanging on so far and free away:
Coda
Bridge
Vs. 3
Do you remember when we talked things out, and we tried to talk things over,
It didnt seem like it was such a waste of time/ needs a verse 3 4 5 like 1 & 2
Coda Vs.4 Coda Vs.5 out.
Death Dance @Steve Arroyo SA CP music 2015
In a haunted Tavern not far away, you stalk the living wrapped up in chains;
you drink fire forever but in my dreams;
I can hear your voice I can hear your screams..
Solo-s
You dont have eyes but you can see the evil that waits for me,
cause in your lair no one escapes,
The curves come fastthe curves are longI hit one-eightybefore longand I think
about you back in my hotel roomand I know the press will be there pretty soon
WellI wont get caught in your Death TrapI wont get caught in your raceI wont get
caught in your Death Trap babyget out of my face --
I wont get caught, Ill never get caught in your Death Trap-
I wont get caught, Ill never get caught in your Death Trap-
Eighty five miles an hourIve got the power
Please please please- a million dollars at ease-
Dont want to fall victimIm not another victim
Pleasepleasepleaseevery bodywant to feel
a million dollars at ease
pleasepleasepleasea million dollars at easea
million dollars at ease Im not another victim-
E/// D//// C//// D//// E//// A//// C//// D////
Em F Em
Appendage--How low can you go-when youre down in the ruts
how low can you go when your down on yourF-- luckEm-
-how lowcan you go
ACFA
Vs-1--Deep in the Eyestheres a wildcat massacrethe hard luck thats been endured
C--the time bombs- weve F--never heardA--Deep in the EyesC--try to read them F--
carefullythe plot unwinds soA--viciouslyC--on the love sick Fprodigy
Em G A C C11 Em G
Stanza--On the students black boardhes way past all the lessons
stating theorys of the burning A----C C11--gun, (angry ones)Em
the betrayals areG-- in deciseA--where you can C C 11--never leaveEm-
-when you look deepEmhowG-- low A--can youC--goC-11
Em F Em
Appendage-How low can you go-when youre down in the ruts
how low can you go when your down on yourF-- luck Em
howG-- low A--can youC--goC-11-
Em G A C C11 Em
I know a song that I can sing for a thousand dollars-
If youre Marlene deitrich where s my oscar-???
DCBCBBCB
Chronicles will tellshes not feeling that well
but Ill /shell take the moneyoh that money--
the root of all evilthe root of all evil
Ill /shell- take the money on the cuff and run
Em F Em F
Goldfish swimming in a swimming gold bowllook how low-how low can you go
if youd only knowif youd only knowif youd only know-
how low youd go-
-the messages are blurredmy words can be heardwhen you look deep
Ad libs Solo_________Out_________
Didnt Mean To Steve Arroyo Curt Phillips Reg. @SACP SA Music 1987-2016
Dont cry tonight-- dont shed a tear just wipe your eyes and say
how much you mean to meand if this is not an apology
--I fought for daysI thought for hourstried to make some sensetried to make you
happybut it didnt mean a thing
C add 6//// G//// C add 6//// G//// Dm//// C//// Dm//// G add 7////
Dm//// C//// Dm//// C//// Dm//// G add 7////
Discipline- Reg. @ SACP SA Music 1987-2016 Steve Arroyo Curt Phillips
(Tripping in sin, dripping in gold, cant act human, you must be scolded).
You all need / could use -some discipline; you naughty boys with evil grins-
Enlighten my intelligence, my family- and my friends-
Aint in no-way a sin- You all can use a some Discipline-
You all need / could use -some discipline; you naughty boys with evil grins-
Enlighten my intelligence, my family and my friends-
You all can use a little Discipline-
Every day brings on another race so it doesnt get boring-see the people snoring-
Drumming up their blood and guts, and homicide homicide-
Teachers at the high school feeling guilty,
Teachers at the high school feeling guilty-
Ill give you some discipline, you naughty boys with evil grins
We all can use some discipline, a little bit of discipline.
We all can use some discipline, a little bit of discipline
A little discipline, some discipline
Discipline--
2nd Version-
Discipline Steve Arroyo Curt Phillips Reg 2009 Rsvd. PAu 659-890
Suburban brats in black Corvettesscare-in the world half to deathdrip-in-- in gold
Angels are fighting, for a piece of the head- eyes are all darting- (B)My emotions are
dead- (A)Ive (G)got to get it-(E) Im flippin the switch- (A)
Im kina (G)Disconnected again.
Im Disconnected, Ah ah Im Disconnected, ah ah
Im Disconnected,
Yeah
(G)Yeah, a Get me back (E)on, you gotta get me back on(G)- yeah(A)yeah (E)Disconnected
(C#m)Now your gonna please me (C)for a while, I know,(B)you can stay all night,
(A#)you can stay all night- (C#m)Girl youre pleasing me (C)like I need you to,(B)
Morning comes with a breath of fresh air, the night has memories to clear..
(E)In the nerve of the city, Ive got faces in mind- no dirt sticking to me, like a (B)moth to a line-
I didnt take and when interview youre just the greatest game
listen to your mother, stop calling me those names.
Who bought who that Halston, who got you that part,
I bail you out of your town, you put a pin into my heart
I didnt take advantage of you how was I to know you are looking for someone new;
in Louisiana you are a star, pouring drinks at rubies, getting tipped at cars.
Maybe it wasnt all that bad, shes the best thing Ive ever Ive ever had
Dont Crash My Car Steve Arroyo Curt Phillips Reg 2009 Rsvd. PAu 659-890
A7 E A7
You can promise me all your lovethats alrightyou can hock that engagement ring and
go party all E--nightif youA7-- leave meIll really take it E--hardand you can
G--scream my friends if youA-- want butDont Crash MyE-- Car
A7 E A7 E A7
Take me for anythingyou wantyou can act like a high class debutantohlie to me
like the gutter trash you E--areyou could G--spread it to theA-- worldbut Dont
Crash My E--CarDont Crash My Car
DCEDCE
Youre a low down dirty little rattle snakeI dont weight your body downin a lakeif
you canD-- see me for the C--man IE-- areG--dont youneverneverA--Crash MyE--
Car
A7 E A7
You can promise me all your love baby, thats alrightyou can hock that engagement ring
and go party all E--nightall night longif youA7-- leave me Ill really take it
E--hardand you canG-- scream at the world if youA-- wantbut Dont Crash My E--
Car
A7 E A7 E
Baby-baby-baby-babyDont Crash My Car-- Baby-baby-baby-babyDont Crash My CarDont
You Crash My CarA7-- wreck it in to a E--telephone polland the G--police come and
red lights on A--see this picture its gone and beyondG--Dont Crash My CarE whew
hewG
AGE
I aint got no insuranceand its got bald tiresno-no-no-no-no-no---(soloA7E3Xs) to
G//// A//// G//// E//// G//// A//// G//// E////
A7 E A7 E
Baby-baby-baby-babyDont Crash My Car-- Baby-baby-baby-babyDont Crash My CarDont
You Crash My CarA7-- wreck it in to a E--telephone polland the G--police come and
red lights on A--see this picture its gone and beyondG--Dont Crash My CarE (9th
chords)
A7 E
Its got a four twenty seven with an attitudeitll light up the tires when I give it
the juiceA7--out run anything on the streetif you E--scratch the paint youre gonna
be dead meatif you cantA7-- take me for the man I E--areG--- Baby-baby-baby-baby
A--Dont Crash MyE-- Caroh noG-- Dont Crash My Car-A7--oh no Dont Crash My E--
Car- no nooh oh(ride-- E --4 measures out)
Treat me like a fool treat me mean and cruel but love me.
Take my very heart tear it all apart but want to love me I would beg and steal.
Dont cut off my head Im gonna need it, I gotta do some thinking,
I got add up some numbers, I know that two and 2 is four.
yo pit boss; turn me a line dont you know Im running out of time;
now that Im calling Im gonna ring a ding ding ding ding ring a ding ding ding ding;
telephone line operator answer nobody home call Western Union kick me down $2000.
Ad lib.
Dont Erase Me from Your Heart Reg.@ Steve Arroyo and S ACP music 2015
ChordsC6-7maj
and dont go looking for amusing things that you will see,
because if you see too much you got to have company.
solo__chorus__
Extra words__
chorus
she bit bit bit bit bit bit bit me, she bit bit bit bit bit bit bit me,
she told me she lied, she told me she lied, she told me she lied.
chorus_
verse one_solo__chorus__out.
Ease Your Pain Reg@ Steve Arroyo and S ACP music 2015
Come here darling dont get mad I can help you out,
I can let you know if its right or wrong I can help you out.
This mission is like an open book you gotta keep my views away.
Stop right there, dont look back, you see trouble, Im your act;
grab your acts, easier mind-come my way,
here those siren scream, you got to hear just what they mean,
police on your trail, make those sirens wail-
easy action all the time, you dont have no boundary lines,
your girl and Im a guy and I know you not too shy.
Spilling blood is not for me, take a spin and then youll see,
what I want to give me free, my love for you makes me believe.
Easy action, theyre calling me, easy action there after me,
easy action thereafter me easy action, easy action.
You dont have to wait in line, all good things will come in time,
so many things for you to see, my life is full of mystery.
Bridge__chorus__solo__
easy action guarantee, youre the thrill thats right for me;
so many things for you to see, my love for you makes me believe.
and I know you not too shy, and I know you not too shy-
ad lib.__
Egg ball
and not that soon or late, take me into your cast iron gate.
VERSE 1
Time is only a state of art, on this path of faith we should lie;
Catch a ride on an alibi-you cant hurt me if you try
CODA
VERSE 2
On this path of easy luck everyone is for hire;
Search the recipes of Saints, your nothing but a liar-
CODA 2
Highways, side ways distractions;
superbelations, lowered ceilings crawling down-
as if to find the door---
Chorus__coda__solo
I traveled a mile, and Ive looked for your smile;
sometimes its rising behind me;
like a mirror in the desert, reflections in the pond,
I know its your face, no Angels can be wrong.
Verse one__chorus__coda__out__
Falling in Love Steve Arroyo Curt Phillips Reg. 2009 PAu 659-890
Poetry is a high ball for the dreamersconjured up by fools with broken hearts
You and I have seen them so many times before-
Its hard livin when your giving all that you got-
Poetry is a high ball for the dreamersconjured up by fools with broken hearts
I warned you once for now on in a thousand different times-
Every Saturday, every time you played-
seasons have a conscienceonly wind pain and snow
You can imagine anything at all-
Writers have a book about novels-
Words dont mean a thing when youre alone
codasolo--------
Poetry is a high ball for the dreamersconjured up by fools with broken
hearts2Xs------Cant there bemoviesframes of celluloid revolving reels
coda
when it all seems wrong, when the nights too strong for you,
we all need, that feeling of love, feeling of love.
Solo__
whew ewya-ya-ya-ya----ya-ya-ya-ya
G// F// E//// B//// C//// B//// A//// B//// C//// G add 6 //// Em////
You dont take noyou might say yesthe winning prize gets you a bet-
whose gonna be there for your needsyeah Firepower-
-I dont have the blood to bleed
Youre a hard girl to pleasebut I know what you need
Firepower- Vs 1 (coda 12xs)I dont mean maybe
chorus:
____chorus__
or worthy to side/find-
Flying Lower Reg. @ Steve Arroyo and SACP Music 2015
You dont know what I can tell its half an hour late,
were running for the gates to get away.
You see red and icy blue, its always up but not to you,
but its okay now were alright.
Flying lower than weve ever gone, and high on the way,
flying lower than weve ever gone,
and we still see the light in the sky.
Oh oh oh oh oh wo oh 2Xs
You dont know that I can tell its half an hour late,
Were running for the gates to get away-
you see red and I see blue its always up-
but not to you address advise and call attention,
to and give command, Sam-
Foreign Girl Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
Solo-
Fortunes of the Dead Reg. @ Steve Arroyo and SACP Music 2015
His body return to earth today but his soul has lost its way,
he complained of feeling meaningless a shell without a name,
cut crystal adorned his Avenue path his servants are on the take,
with empty head hes going mad to us he cant relate.
These are the fortunes, these are the fortunes you waited for,
with empty head hes going mad to us he cant relate.
These are the fortunes these are the fortunes of the dead,
watch them turn around now its almost 4 AM these are the fortunes,
you waited for, oh yeah oh yeah oh yeah.
Theres a wild eyed child inside youwho still carries so many dreams
of sailing ships and piratesand first love fantasys
B//// Bb// A// E7//// (2Xs F#m//// E7////) F#m//// A//// E7////
Fourth Reich Reg. @ Steve Arroyo and SACP Music 2015
an airtight plan the Peoples band put on the uniform and give us a hand.
Freezin Reg. @ Steve Arroyo and SACP Music 2015
Stop at the light, turn up your face turn off your face,
turn off your face and get weird.
I got a plan, I got a plan, I got a dollar in my hand;
your freeze in, your freeze and come on out of the cold,
your freeze in its reason die before you get old
I believed you-- when you told me you loved meand I would listen- any time at allBut
you intrude on my mind-and it makes me aggravated-- so just-get out of here- baby Get
Lost
Greens the color you adore so I bought you-I bought youwe walked on the sand and I
wrote your name down twiceso niceyoure annoyingquite annoyingand I dont need you
Its hopeless here me now dont come near me now baby-Get Lost
Its hopeless here me now dont come near me now baby Get Lost
Dont lift a finger, its a false alarm, a five minute warning a lucky charm.
With the heat of tomorrow, the flight of the storm,
stay a bit longer, be forewarned.
Coda__
You know its going to be so good, when the rain starts pouring;
that little bit on the head, in your neighborhood__coda
Im a Gun cowboy, chick a boom, chick a boom, oh on the range where the Buffalo roam;
oh on the range where the deer and the antelope play, oh in the forest, where the trees
grow tall, and the leaves come down in the fall in the fall__
verse one__coda__
dont lift a finger, its a false alarm, a five minute warning, a lucky charm;
with the hail of tomorrow, the flight of the storm,
stay a bit longer and be forewarned.
Give Me a Ticket Reg. @ Steve Arroyo and SACP Music 2015
coda__
Hey you what can I do Im only one man Im only one man,
hey you what can I do, Im only one man you need at least two,
coda__
I wont go dancing because I dont dance but you can come over and watch cartoons in
the afternoon with me, hey you what can I do, hey you what can I do, Im only one man
you need at least two.
Ad lib__
Great WallSteve ArroyoCurt Phillips Reg. 2009 PAu 659-890
At all the boys and hanging around, tried to pull their money out,
but to slap their face and winked at me and charmed me with your clout.
We went out romancing she talked about her past, __ad lib
From the futures past through the walls we crashed
there are mama was Gypsy, really hard as nails,
She liked to read their fortunes ad lib
Footnote see live versions for additional lyrics?
Hard to Get Reg. @ Steve Arroyo and SACP Music 2015
Oh yeah and I was pleased, I became worried when they pointed fingers at me;
and said something was lost in translation; all thereligions are laboring,
bringing to their needs, their messengers, messengers.
And I was so pleased, yes I was so pleased when they looked at me and said,
hey, youre one of us, youre one of us.
600 messengers came round the bend everyone thought it was hard to get;
hard to achieve, hard to get; so hard, so hard, so hard, so hard to get.
Dashing through the countryside, skipping over the land and sea;
I could hear it fading in the wind your name you see. ad lib__
Harder to Run Reg. @ Steve Arroyo and SACP Music 2015
Try to find someone that will be loving, solid as a rock to hold you up;
but even if you thoughts are kinda messy, they cant overlook when its too much,
its just too much__
yeah Im just a man kicked me down the road with only my clothes are crying,
if Im just a breeze, send me to the cold, with only my clothes for lying?
Walking time bombs, what are you on, self-esteem is low, nightmares scream no;
Look at pictures, oh great pictures, they are not your face, its not your face:
Yeah its getting harder to run, yeah yeah, yeah its getting harder to run, harder to
run:
the wars in Bosnia, your favorite soup du jour its the thing that we can teach.
See the white tears flow and, see them down your cheek,
see the white tears flowing, Im just having a peach;
Theres fire in the skyI see it comingIt kind of burns my eye-it kind of makes me
seek waterIve got to run for the mountainIve got to run for the seaIve got to get
away , any way I can-this is coming to fast
(coda 1 Hear the words of the mortals-Hear the words of the damned-Hear the words of
your disciplesHear the words of a man oh yeah, of a man)
Vs 1- vs-3 out
A/// C/ A/ A/// F/ A/
Heart ache Train Reg. @ Steve Arroyo and SACP Music 2015
Am7// Dm7//
Hey Bubu-get cleanyou know this aint your scene
tried looking aroundnever found what it means
Wasted womenwasted time
spend your moneyspent your dime
You kind of aggravate me
Ill just sweep you under a rug
F#m G F#m G
Its a fiery zealous time-- for me and you
dont be playing with my mindleave it behind
F#m G F#m G
Its kind of aggravatingthe way you comb your hair
Its kind of infuriatingthe way you stand there
F#m G A G F
Proudly at the sunI can see it come undone
I am Here and NowHere and Now
Am7// Dm7//
Solo-- //// ////
HerosSteve ArroyoCurt Phillips Reg. 19872016@
Heros
Solo
Youre gonna have to face the facts some day
when you wake up and you understand-
AGAGAGFE
Theres a light up aheadI can see it shining
theres another one thats not a part of you
You see themAcomingG-- againA-
-theyre trying to G--free your angel
its A--another G--page in a F--book you never E--read
G7 F7 E G7 F7 E
I saidHoldHold Out for me
hard luck sure comes on fastnever free
neverits never freeG7F7E--nothing comes for free
G7F7E--
AGAGAGF
You better hold out
you know theyre coming your way
Theyre tryin to change your life--
the way you Flive-- the way you E--see
FEFEFEE
Oh theyre coming againI can see it landing
they try to make contact---I cant understand the way I feel
G7 F7 E G7 F7 E
Hard luck sure comes on fastnever free
all the future holds is at your feetyour point
of view G7 F7 E oh-oh oh --- G7 F7 E --oh- oh- oh
AGAGAGFE
You better Hold Outevil witches are coming
you can see them try to turn away from lifeAG
be on the look outlookoutA
I think theyre comingG-- your wayA
you know theyre trying to G--change yourFE-- lifelife
--FE--let em change your lifeF--
Echange your life( G7 F7 E 4xs)
A G A G A G You better Hold Out
I think theyre coming your way
dont let them try to change yourFE-- life
be on theAG-- lookoutA
theyre G--after you AGFE-
-run awayFE--you better run awayFEFE
G7 F7 E G7 F7 E
Hard luck sure comes on fast
try in to hold on to the futures past
the futures past your point of view--
G7// F7 // E////- Uh-uh-huh----uhuhhuh
Hold Out G7// F7 // E////-you better Hold Out
for meFE
FE-- FE -- G7 F7 E
I see another light in the sky
its turning from red to greenred to green
G7 F7 E G7
The yellow monsters staringin to the car
you got todrive-drive-drive-drive-drive-driveF7--drive realE-- fast
You got toG7--get-get-get-get-get get getF7---awayE--fastF
AGAGFEAG
Theyll never knowtheyll never knowits all a game
December 12th youre drivingA
down theG-- 405 and hidingA-
-theres G--bigger fish---
youve got to F--lay low
Hold Outlay lowHold Out I knowA
Hour by Hour Steve Arroyo Curt Phillips Reg. @ 1987-2016
Bm/C G F#m Bm// D// C// A// Bm// A// Bm//
Bm C
If you cant wait for a while I cant wait for you
if it doesnt matter what we say
it doesnt--Bm-- matter what we do
G F#m Bm G F#m Bm
Hour by Hourday by day
youre conscience is strongerIm on my way
Bm C Bm C Bm
Youve gotall the pieces placed
and youve got mein your hand
now-I cant move in your presence
noC-- matter how I tryBm-
-Ive got to get out A--aliveon this Bm--plane
A Bm A Bm A Bm
Hour by Houryou come and move mein to different seas
Hour by Hour you come and move me intoG--in toF#m-
-mymyBm--yeahits my--CmymyBmA
Bm--lightmy my
A Bm A Bm A
Watch the people danceit ryhmes with blue- romance
youve got to field before youBm-- fly
you got toG--walk before youF#m-- hide
C D3 C D3 C D3
Dance before you cry youve got to dance before youDie-
ew hew hewew hewhewew hew
C-- hewD3
Bm C Bm C
Ive got manydifferent ways to dream
Ive got a million ships on the shore
they are ready to leave
myBm-- gold is your discoveryC
Ill give it all awayyou know Ill
Bm--give it all away if IC-- can
Bm A Bm7 Bm A Bm7 Bm A
Nothing we can say means it
nothing we could say could mean it
nothing we can do canBm7-- change itBm-
-any way weA-- are wellBm7--face it
SOLO--
(ABm 4xs)
Bm C Bm C
Spirits can followany track they find
through a million streetsup and down your spirit
Bm--now we come totheC-- anti-pas of loveBm
we see its not soA-- different from Bm--before
_____________Out_
How Wild is the World Reg. @ Steve Arroyo and SACP Music 2015
coda
How wild is the world, I want to know how wild is the world;
but I got a question for my girl__
coda__chorus__solo
Coda__solo__coda__
shes got a car too, yeah what year would that be?
A 63, thats all right with me-
Out___
I Wont Reg.@ Steve Arroyo and SACP music 2015
Solo__verse one__coda__out__
If You Go Out Reg.@ Steve Arroyo and SACP music 2015
and if its not what you want you scream for justice,
but dont turn your eyes at me-
If you say yes Ill confess Im not the easiest guy to please you cant believe;
but if you say no I will leave tonight on the latest flight,
if you say no Ill be out of your life on the latest flight;
but please say yes, please say yes, dont say no, tonight;
but if you say yes say yes, if you say yes dont say no, no no no__
Every time the evening strong, it makes you wonder, youre going to shake it up,
I dont see why you cant see it too, can you help me change this black to blue-
but please say yes, please say yes, dont say no, dont say no__
ad lib._solos_refrains_out_
Im Going Out Reg@ Steve Arroyo and SACP music 2015
If you got the time baby you know Ive got something for you,
it may not be that very blue the way you want it.
But if youre kind_baby_ Ill be there with you,
gonna be so innocent tonight youre gonna think Im someone else.
Im going out now Im going out on the town, blow my money out,
Im out, ew hew ew hew;
I got your picture, I got your name,
I got enough time to spend, I got enough things to
worry about__
rivers flow_
the Chicataw bow and the Chicataw Indians go wew wew wew wew wew wew
Old Indiana, looking for quails, gonna grow some soft soft fruit, on their slippery
tales,
and I might take some metal bars and build me a jail,
cause Ive been a bad bad boy.
Indiana, thats where I live in the Indians go
wew wew wew wew wew,
the United States of America-
Oh yeah,
island Earth you can plant a garden, you can be all right. 2Xs out__
Jealous Girl Reg .@2015 Steve Arroyo music SACP
So respectful in your very own special way and hard-edged,
never take no bad talk, this is the end-
here and now I'll tell you don't worry about my honesty,
here and now Ill tell you don't you worry about it.
Solo-s--
OUT__s
Jet Black Reg .1987- 2016 @ SACPAD music
Coda__
she dyes her hair, Jet Black,
the clothes she wears, Jet Black,
Coda
Coda
Ew hew
Vs 1-
Julias Paintingwhat you and I cant see
her canvas is vacanther brushes are stiff and worn2xs
V s-1-- --
Maybe you didnt know meshould our paths had never crossed
maybe you didnt know meshould the best of all intententions,
been istilled against the grains-
King fish King fish King fish Reno and the King fish
now back in that fishing boat, going down to Davy Jones locker,
where I left my girlfriend, like in the last story I was tell you about-
a song or two before-
solo
then he saw the secrets in the books and round the trees-
and he said these words to me-like this-like this-
F#m A F#m
When I go to love herit makes me come alivetheres something
underneath my A--skinand it says Im wasting
F#m--time A//// (A/ Ab/ G/ F#m)
BDAEB
Now the passion in you has turned cold
Im feeling left out side alone
begging you to D--listen to my A--plea
E//// (A/ Ab/ G/ F#m)
A Ab
Dont Kiss Me and Kill Me
Dont Kiss Me and Kill Me
dontG--Kiss Me and Kill MeF#--
Im too much under pressure-2X-s
F#m A F#M
We met under a secret moonCupid shot us in the night
fell in love a A-- bit to soon
why do wrong things F#m--seem so right
A//// F#m//// (A/ Ab/ G/)
BDAEB
Now the passion in you has turned cold
Im feeling left out side alone
begging you to D--listen to my A--plea
E//// (A/ Ab/ G/ F#m)
A Ab
A Ab G
I feel betrayalfrom the start
your lips are deadlyas they part
How can we discuss this when youre,
Only gonna lie--
A Ab
Dont Kiss Me and Kill MeDont Kiss Me and Kill Me
dontG--Kiss Me and Kill MeF#--who ever you are2X-s
BDAEB
When I go to leave herit makes me come alive
theres something underD--neath my A--skin
and itE--says Im wasting timeB
we metD-- under a secretA--moon
CupidE-- shot us in the B--night
fell in love aD-- little bit toA-- soon
why do wrong thingsE-- seem so right
I could tell it to myself a thousand different times,
And it wouldnt even matter-
A Ab G
I feel betrayalfrom the start
your looks are deadlyas they part
She only wants to-tear the locks down-
A Ab G
Dont Kiss Me and Kill MeDont Kiss Me and Kill Me
dont--Kiss Me and Kill MeF#--who ever you are2X-s
Kiss Me in the Cage Reg .@2015 Steve Arroyo music SACPAD-
When the water isnt cold enough and the icicles dripping down-
you can drive four more hours to South Lake Tahoe-
if it's a baby you want you can put training wheels on its carriage-
if it's a baby you want you can take me back home yeah-
coda
Last times enough, last times enough,
last times enough for broken dreams-
coda-
ad Lib-- I've had enough-last times enough
guitar solo__coda
//now you know how I feel when you say everything is real/
so if you really love me when it set me free_
coda__repeat__fade__ad lib.
Liberate Me Reg .@2015 Steve Arroyo music SACP
Man got the power to take his need he got the beat
and she got the lead-
See this picture, it's overflowing common with every villain, and everybody-
extricate them, don't negate them, great ideas-Western movies-
Comedys and ideas on the stage
on the sidewalk on the sidewalk drive in-
you're really not that undesirable you're just like a movie to me-
every word you say, every Saturday, you just like a movie to me-
it's hard to follow when you reading right-it is like a movie to me-
You move from one side to another side I am here in between-
don't direct me-
you're really not that undesirable you're just like a movie to me-
when you play the part Garbo-you're just like a movie to me-
Every word you say-every Saturday-
ViperViperViper
A//// E//// A//// E//// B// D/// Eb/ E////
A//// E////
Look What They're Doing Reg.@ Steve Arroyo SACP Music 2015
Coda
Look what they're doing today, the running in the fields jumping on the hay,
like what they're doing today, look what were trying to say;
I say hey hey hey/they're eating sushi on San Francisco Bay.
Up in San Francisco I take me a vacation, walking down the streets with other people,
I don't know why you can't see it too, can you help me change this point of view.
Coda
Lotta Nerve Reg.@ Steve Arroyo SACP Music 2015
We look out up and down-but we know we know it won't last for long-
And we see for 1000 years and we think it's really something and we know,
we know it can't last for long-
move with the baby turn me up and I'll be back there in a while-
move with me baby turn it up and I'll be back with you in style-
I'll give you anything, if you don't lie, if you don't lie-
I give you hearts of gold and I'll make you smile, make you smile-
you've got a lot of nerve, you've got a lot of nerve 2Xs
whew hew hew 3Xs
Loud Dreams Reg. 2009 Rsvd.-Steve Arroyo Curt Phillips PAu 659-890
Distant memories are in my brain
re-occurring nightmares causing pain
I couldnt through away the key
Im opening doors just to see
coda
solo-now shut up
Codasolo
But you want outand youre sorry that life aint fair
and two are one for a brief affair
solo
F// G// F// G// F// G// A//// //// A///Bb/ A7/// ////
Love and War Reg.@ Steve Arroyo SACP Music 2015
Coda
It's a fine line, a very fine line, between love and war-
you're asking for something, while demanding so much more-
heat and passion, meeting secretly, behind immoral doors-
it's a fine line, a very fine line, between love and war-
Half the time you're worried, about half the times you sad-
paranoia in Pacoima, adultery in Milan
she's fresh in past the winds of fate, in a New York minute,
She'll unbalance your weight's, to see it through tomorrow gates,
Coda
Half the time you're worried, about half the times you sad-
paranoia in Pacoima, adultery in Milan-
biting all your bullets, you're going to shoot off your tongue,
you gonna whisper out loud, and if you do that,
you gonna run run run, love and war. Ad lib.
Love and War --Steve Arroyo Curt PhillipsReg. 2009 Rsvd.Pau 659-890
(Coda and Its a fine line, a very fine line between love and war
asking for something while demanding so much more
hate and passion meeting secretly behind immoral doors,
its a fine line love and war)
Coda
Half the time youre worried, about half the time youre sad-
paranoia in Pacoima, adultery in Milan
biting all your bullets--unloading your mind only pushing forty five
in a New York minute shell unbalance your weights
to see you through tomorrows gates-
built to last see you through the Hercules straights
D// C// A//// F//// G//// A//// D//// F//// A//// F// G// A//// F// G// A//
F// G// E////
Love has to Stray Reg.@ Steve Arroyo SACP Music 2015
You try a little bit too much, you try just a little bit too much,
you are always in my way, you can be there every day-
now I can't remember a thing, it's always in the dark
just a little too much for me tonight-
love has to find its way to me, something you could always use,
you are always in my way, you can be there every day. Ad lib.__
Love Headache (All the Aces) Reg.@ Steve Arroyo SACP Music 2015
Abm A F#m
I woke up from the crashin the bottom of a lake
said we were running out of gas B7 Abm A but I really should of think
but you didnt like meyou only took my bread
took my F#m B7 D E7 headand now Im drowning for you honey
E7 B7 A B E Abm
Do I sit in front of the moonJust thinking about the things you told-- --
I use to walk A F#m along the streets seeking your namesinging you praise
every dress I saw in the store I B Abm A wanted to buy you
who-who-who-whobut when you saw that I was such a little F#m B7 D puppy dog
you went for your fillyou went for the thrilland left me high at the hog
E7 B Bb A B E
oh Love Liarsuch a Love LiarLove LiarIm throughIm through
Who yeah yeah yeah you yeah yeah yeah love liar,
your pants on fire, just like the guys we find in comic books;
Love Sick JazzSteve ArroyoCurt Phillips Reg. 2009 Rsvd.--PAu 659-890
There I was-just walking aroundI didnt have a place to go
I put on somebody elses hatand they served me breakfast in bed
Oh I didnt need some gumbut I didnt know she was standing there-- --
oh-she was working at a diner on forty second streetwhen I came
in for a little bit to eat
I just couldntyou know-she was a nice girl and it just wouldnt be rightbut-what
time does she get off workwell I guess it was about nine that nightWe went out
dancingyeah-I wore her waitress hatWe went out romancingit was something when I
stole the hubcaps off her carI told her-I can help you find some
--I wouldnt want to make you walk home in the raineven if its not rainingbut let me
check on that inventorythe hubcaps-and see if you got some cash(cough2xs)--be right
back So I looked around and I found some other girlie out sidewhewlord lordnow she
seemed to be lost-- --missed her bus or somethingnow Ive got one insideone outside
lost the hubcaps on this onenow this onetry to hit me with her pursewhew-hey babe-
baI wasnt doing nothing- theres some alligators down the sewer-subway trainrats get
in the wayanyway
It was kind of uglyI get back to the love of my lifemy girlfriendguess what honey
weve come up with some hubcaps for your carmy customers homewont you give me a
little kiss on the lipsand were gonna sell you some hubcapsand well get back to
your caryou only need maybe ten dollars eachnow if you and your friends would like to
stop by tomorrow night and meet my cousinmyself it wouldnt be so bad
Maybe shes got a car toowhat year would that bea sixty threethats all right with
mecause I love this girl in the coffee shop that I metI love this girl in little
coffee shop that I metsuch a sweet thing --nice car tooyou know sometimes she lets me
borrow it on the weekends
coda
A7 E
I look in the mirrorIm not want of your praise
tomorrow is nearerlet it shoulder A D F A E the pain
remember our feverthe crash of our waves
the bonding the spiritthe A E diggerthe grave
A7
Moments of truth undeniablyLove-a-phobia
spoiling the fruitindescribably-- E A D F A E yeah
by this time on the morrow babyIll be coming home
ohoh-ya-- Love-a- A E A7 phobiaVs-1
A7 E A7 E A7 E A7
Make me a heroIm not want of your praise
tomorrow is nearerlet it shoulder the E A7 E A E A E A D F Ab B pain
thats too badBaby thats too badthats too bad
A7 E7 A7 E7 A7 E7 A7
Moments of truth undeniably
spoiling the fruitindescribably
C# G out
Lovers and Others Reg.@ SACP Steve Arroyo Curt Phillips Reg. 2016
B
Words are spokenhearts are brokenwith this guarantee
Its all up to you, its nothing on meits all the way we see-
DBD
Lovers and Otherssisters and brothers B
Lovers and OthersI think I can hang with- you-
Im A--sure I can hangGyes Im sure I can hang-
I guess I can hang-can you hang with me too?
Yes I can hang , Im sure I can hang-
Can you hang with me too-?
Solo
E/A repeat 4 bars 4 measures
2 PM, nobody is home and you won't be cooking biscuits too long,
hey lucky, your girlfriends in rubies__ad lib.
LustSteve Arroyo Curt Phillips Reg. 2016
D C Bm D C Bm D
I love what you do to me
you sense me with shockno others appeal to me
a golden chain C--whipyouBm--spoil me with pain
and aD-- top secretC-- alibi--
Bm--makes you feel--safe
A C A C A C G D Bm
CauseL, is for luckyU, is for you
Sis so sexymy Ts for two
Whats in a word we use to describe-
A C A C A C G D Bm
CauseL, is for luckyU, is for you
Sis so sexymy Ts for twowhats in a word-
D C Bm D
Whats in a four letter word that you use so easily
whats in a word--that you--C use Bm--against me
Whats in aD-- word that you C--use to Bm--control me
Within the bounds and not so far away-from
The balance wheel
craving you at midnight or any time atall-
Ands I cant be excited by this anymore-
--DC-- loveBm--
SoloBm//// ( D C Bm (repeat) 8X-s )
A C A C A C G D Bm
CauseL, is for luckyU, is for you
Sis so sexywhat do you do-
D C Bm D C Bm D C
I love what you do to me
youll make it in my heartyou see
Its not that were gonna be together-
Its not that were gonna live forever-
But Ive got a question for my girl-
This girl is scarred from a million wars the one the ones she won;
her house is filled with souvenirs, she keeps in her dresser drawer,
You say its for the bestI say put it to rest
At least we both agree upon one thing-
Im in love Im in love-
Im in love with mad Marie-
she squeeze me, she please
Mad Marie Mad Marie
Mad Marie Mad Marie
She tease me- she please me-
Im in love with Mad Marie-
(ad lib.
crispy greenery let's change the mood)...
Take me away-
A drive along the coast songs on the radio-
Promise rings, old photographs, dreams of solid gold-
Tell me the truth about lies, dont ask why-
I dont want aI dont want a-
Blue romance-
Out___
Miss Understanding Reg.@ Steve Arroyo SACP Music 2015
Coda
Bridge__
Bridge__
chorus__
Wo oh oh oh oh
My Valentine (Cat of 9 Tales) Reg @ 2015 Steve Arroyo & SACP Music
Woe ow ow
you invite your friends I'll invite the prom-
by next February 14th your mind to be too far gone.
Well celebrate our evenings till we come home late-
Well celebrate our evenings till we cant see straight-
Be mine all mine carnal femme fatale be mine all mine sweet little Valentine.
Your eyes glow red when I try-
dont be a jealous girl-
a Jealous girl in my mind-
Why is our love so delightful and thrilling-
Why is our love so delightful and thrilling-
your eyes glow red when you do what I said want you more than
out
A7 E7 B7
your pen and paper--write it downName Your Poison
E7-A-aug12+7
Well theyll try so hard to hold you downyoull have to kick and screamshow em
A7
howtheyre the clownits just a game a game you seeyou got to take em by the
E7
barschange all the rulesIf they see that it doesnt matter how they play your skin
B7 A7 G/A E7 B7 A7 G/A/ E7 B7 A7 E7
Name Your PoisonyeahName Your Poison yea-get gehits kind of rude going
G/A/ E////
down
Nervous for You Reg.@ Steve Arroyo SACP Music 2015
chorus__
because I'm in love with someone who doesn't know,
I do anything to steal the show,
and I'm nervous for you,
Nana Nana Nana Nana nervous for you,
you make me nervous for you I'm nervous for you-
Chorus__solo__course__
Now I don't know where you are and I can't forget of thing-
but each night before I go to sleep I can still see your face,
you'll always be my eternal first love
Every day I kick myself, for not meeting you in the park,
that's the last time I had the chance,
to put the future in my hands_
Theyll try so hard G-to put you down-in the New World-
Youll have to kick and screem show em their the clowns-
-if youre A-on the line or just-G- standingA-- by --------
D----C----Bb----A---4-X-s--Bb
In the New WorldIn the New Worldin the New Worldoh ho-ho oh-oh oh-
In the New Worldwo-oh-oh-oh-oh-oh-oh-ohyeahah-ah-ah-ah-ah-ah-ah-ahIn the New
World-- --In the New World
EXTRA WORDS OPTIONS----
crystallize the Peditry, solidify geography, mineralogy-and physics,
cry Wolf, so troublesome and now, troublesome and now, trouble some-
here comes the harvest hitting hurting injure in describe leave undone,
and liquefy the notch and open up your ears, pain and punish rarefy,
rebut, repotify and sculpture all the way back home-
turn off the cheap laughter it won't get you any cheer,,
your fashion statement is can a weird.
oh that again, deflect, dispose and loosen up so you don't cut your hands man,
conciseous and departure devour and decapitate your hand man,
reduce reactify everything in sight- it's nothing but a diligent night,
address advise and call attention to and give command Sam-
the disasters in the air__
New York ShySteve ArroyoCurt Phillips Reg. 2016
ad lib. solo__versus__coda__repeat_out_
Nine o'clock Train Reg.@ Steve Arroyo SACP Music 2015
This ain't what you wanted, this ain't what you needed,
this in no way to treat your man now said to me,
I can't be there by Saturday,
you know I'll only be home by noon on Tuesday,
you can hold it back from me,
cause I can see right through your hypocrisy-
Solo-----
I'm leaving on the 9 o'clock train,
I'm leaving on the 9 o'clock train
Just pass me some peanuts-wont to hand me a drink-
better wipe my mouth off, I don't have time to think-
you know this one-way man, got no place to be,
your hypocrisies, are boring me-
Step up to the walk, step up to the mic,
if you can't decipher what's wrong with the picture,
don't tell me what's wrong or right-
this one-way man has a notion, he's got a pocket full of mold,
he's got a harebrained idea for saving, youre very sold-
#E /E7////D/A/E/D/A/E/ D/-A/G/C/////F////E--
North November Winds Reg.@ Steve Arroyo SACP Music 2015
She doesn't care if I'm late, she doesn't care at all if I'm late,
should wait for me an hour and cry, wash her hands and so will I;
I'm not sorry, I'm not sorry, you're not sorry to,
it's so clear now, we're going over the edge, going so fast,
we can drive it for a while, drive-in movie's, in the back,
I'm not sorry, you're not sorry, we're not sorry to,
if you see it my way baby, you'll be sorry too-
It's a long road back to Phoenix, you know it's a long road through the night,
the moonlight guide, Indian spirits, coming up through the swamp,
I'm not sorry if you can't be there, will be having fun you know
you'll be sorry, if you can't make it, and we can't wait for you.
Then we'll go back high and low and talk about the weather,
turn the radio up a notch and pass me my blue sweater,
don't throw anything down the drain,
there sold rocks in those dinosaur brains, ah ha you'll be sorry too-
ad Libs__
Oh CindySteve ArroyoCurt Phillips Reg. 2009 Rsvd. PAu 659-890
Dm7 C G Dm7 C G
Oh Cindy-my Cindy-why did we part-
Oh Cindy-stop Cindy-breaking my heart-2Xs
CGCGCG
I seen you at the country clubwith some other guy
why do you go out with him
CGCGCGCG
how could you lieremembering were lovers only tears me apart
why do you always
C/ B/ A/ G
keep breaking my heart
Dm7 C G Dm7 C G
Coda--Oh Cindymy Cindywhy did we part
oh Cindy stop Cindy breaking my heart 2X-s
CGCGCGC
Why do you always run away when I come to call
Ive got lovin for you and girl-thats
GCGCG
not all
Am F G Am Am F
The roads to Dallas were filled with girls like you
you dont know what youre putting G Am F G/ Am Am F me through
you leave me out in the coldin the cold of the dark
No matter what you do G
CGCGCGC
Saw you in Chicago on a blue Paris stage
teasing drunken sailors nearly two times G C G C G C your age
you promised to be honest girlnow somethings not right
I heard youre G C/ B/ A/ G gonna be therenext Friday night
Coda 2-X-s Dm7// C// G////
Dm7 C G
CodaoutDm7/ C/ G////
Oh Crimson Theme Reg.@ Steve Arroyo SACP Music 2015
It's the business sense and nothing more and nothing less,
and on the door and knock and knock and knock and I just will come,
if you call me up I get the job done-
here comes the harvest hitting hurting injure in describe leave undone,
and liquefy the notch and open up your ears,
oh that again, deflect, dispose and loosen up so you don't cut your hands man,
conciseous and departure devour and decapitate your hand man,
reduce reactify everything in sight it's nothing but a diligent night,
address advise and call attention to and give command Sam-
the disasters in the air__
Oh India Reg.@ Steve Arroyo SACP Music 2015
I cared a lot about you but you didn't care thing about me,
the canons of the outpost locking horns with destiny__
on the path above, I see it coming like raindrops falling from the sky-
It's only natural, these books we love to read, it's only natural,
on the way we slide and go it's only natural, it's you and me-
now the trapezoid__ad lib.
On My Way Reg.@ Steve Arroyo SACP Music 2015
The nights are cold and lonely the streets are filled with crime,
the California air is polluted, just like every Californian's blind-
On my way to you I miss you- if you want to drop a dime I miss you-
On my way to yo u If you want to stand in line I didnt even kiss you-
the message on my machine said, I better come to decide,
lots of good men want you and I'm just mad enough to try-
on my way to you, on my way to you, on my way you-
Bridge
I know when I hold your face, I know when we get embraced,
the words of wisdom that we'll make is worth everything,
it's worth everything-
the way you mouth that slanderous' mind pure and evil,
I wasn't cheating you, we had broken off, pure and simple-
A/ D/ A/ C/ F/ C/ D/ G/ D/ (3Xs)
On a mad streetin a red Ferrari-she turns it up
she likes to take on the scene that Hollywood Blvd.
movie dream and the Sunset Strip
they all know her namethey all know her game
you better not cryIm gonna tell you why
A G D (repeat) Coda
Shes just-- One Otherjust--One OtherGirl
shes just-- One Otherjust-- One Other Girl
A/ D/ A/ C/ F/ C/ D/ G/ D/ (3Xs)
After the strike of twelveshe comes aliveits no surprise
shes taking all those local boys uptown for a ride
she wont come downshes playing uptown you better not shout
you better not cryIm gonna tell you why
Coda A G D (repeat) G F E Eb D (repeat) Bridge
You wont see her running you downwhen youre going uptown
you wont see her crying outshell get what she came forcame for
A/ D/ A/ C/ F/ C/ D/ G/ D/ (3Xs)
Rock-a-byeand were going out on the scene tonight
another delightshes a friend of mine and every one else in the band
they all know her namethey all know her game
you better not cryIm gonna tell you whyCoda-- A G D (repeat)
GFGFG
Bridge 2And the way she actsshell give you a heart attack
theres no use in F--turning backE--she is going toEb-- get you D--yet
A/ D/ A/ C/ F/ C/ D/ G/ D/ (3Xs)
In a Badhouse dream shes at your door and back for more
And they look at her like they never seen her kind around before-
She rolls down her window and motions, come here-
dont try and touch herif you doyou know that shell be fooling you
A/ D/ A/ C/ F/ C/ D/ G/ D/ (3Xs)
Of all the girls in L. A. shes justOne Other
Of all the girls in Newport Beach- shes just One Other
San Francisco too- what could you do-
With a girl like that- you cant lose-
You cant lose, you cant lose-
of all the girls in New York Cityshes justOne Other
dont try and touch herif you do you know that shell be fooling you
One Other girlyeahyeahCoda 2Xs-- A G D (repeat)
One Thursday -- Steve Arroyo--Curt Phillips---Reg. 2009 Esvd. PAu 659-890
A//// C#m//// Bm//// F#m//// (2-X-s)
The morning sunshine brightly through a cloud
last night was roughwhen you said I wasnt love
C G6(3rd fret) C G6
Your pretty hairthe way you walk along that path
is it unfair-- to say I wanted C G6 C everything
Cupid is blindhe must missed your heart
fates is unkind-to leave me here wanting you G6 this way
Bm F#m Bm F#m Bm
The morning sunshine brightly through a cloud
last night was roughwhen you F#m Bm F#m
you pushed me out of luck
Bm F#m Bm F#m
It wasnt so badI didnt miss you that much
It wasnt so sadI hadnt kissed you Bm F#m that much
Wednesday will come soon enoughyeah
This ain't what you wanted, this ain't what you needed,
this in no way to treat your man now- said to me-
EX words possibilities---
Nine oclock, waiting on the phone-
Twelve midnight-nobodys home-
Im a Oneway man oh you know-
Ive got no where- nowhere to go-
I could trade that story in for a chain of gold-
Wear it around my neck now your storys been told-
I was there in the subway and the tokens are gonna slide
GFGFGFGFG
here they go-underneath and the rats are going to die
then Only Words,-can decideF
-get off on Fifth or Seventh out of here alive
A Bm C#m D
You try to make me happyyou try to take me home
everyday I worshipon your throne--
EGF
throne(Only Words 4s-)
GFGFGFGFGF
Everyday I keep talking to you-
youre telling me things I know aint true
youre a liar G F G F G F
and thats a fact
cause I seen you with himin his Cadillac
A Bm C#m D
You try to make me happyyou try to take me home
everyday I worshipon your throne--E G F throne
(Only Words 4s-)
GFGFGFGFGF
EverydayIm still talking to you
youre telling me things I know aint true
youre a G F G F G F liar-and thats a fact
cause I seen you with him-in his Cadillac
A Bm C#m D E
Nine o clockwaiting all alone//I wont be alone
twelve midnightnobodys home G F G F G F
I was there in the subway-
and the tokens are gonna slideG F G F G F G F G
here they go-underneath and the rats are going to die
then Only Words,-can decideF
-get off on Fifth or Seventh out of here alive
Coda
Bridge__
solo__
Well I get news for you black as the print on the New York Times,
Aint it funny, hey buddy, when it all goes right, tonight-
word for word,
coda
Paris here we come I can see it come undone-
Proudly at the sun- you're all I care about today-
Solo-
You I'm not amused by, all you say and do,
I can't remember you, why do I like you-
Why do I care-
put on your party shoes-
We'll dance like catching jellyfish-
You I'm not amused by- all you say and do-
When the nights too strong for you-
put on your party shoes-
put on your party shoes and dance-
Solo-s
Another good day, I don't have much to say,
nobody has an answer, it's time to clean the garden-
I've got a lot to, I've got a lot to do, with you-
Real life isnt real-what does it mean-
Is it a dream-
Enlightened my intelligence,
my family and my friends,
write it on your paper in your books-
You part the rivers with your handyou make it rain on dry land
you set your sail against the windyou escape the evil once again
and again
I owe it to youcause you make me feel this way-- wuhuhu
its kind of toughlive inin the zoo
I got some place to beand its tough live inwith or without you-
chorus
chorus__solo__bridge
Sacrifice for just one kiss; Im on fire; one chance is all you get now;
If you dont think Im hard as nails you better check the odds;
I might look easy in your eyes but dont turn your back to many times no, no, no
Ad lib.__solo__versus__out__
PrestigeSteve ArroyoCurt PhillipsReg. 2016@SACP
E/B/E//
Give me something nicedont think about it twice
give me what I want but dont D/A/D// make a scene
E/ B/ E/ E/ B/ E/ E9
For a little Prestigea little Prestige
E/ B/ E/
You can sell your daddys car
you can take me to a bar
I know you knowwhat I really need
D/ A/ D/
You can bring your mama too
shell keep an eye on you
A Abm D Db A
The way you movethat slanderous smile
its Pure and Simple
And theres no love Ab G F#m lost
it was a wasted talkits-Pure and Simple
Solo
Superheroes on Saturday-
by 10 o'clock were gonna faint-
Held over by popular demand-
a Norman Rockwell painting in the sand-
it's gonna be something-a heartfelt something-
gotta be a place where the pieces fit-
ad lib.__augment versus__out__
Question a People Reg.@ SACP SA Music 2015
Question a people who bury their problems,
suffer a lifetime and ridicule all-
Aspiring to madness-
we sailors of sadness-
burdened by cargo will never unload-
du du du du, whistles-
verse__out__
Rhyme and Reason Steve Arroyo / Curt Phillips Reg.@ SACP SA Music 2016
You get the fluff out, I know there's nothing left to lose-
Theres no Rhyme and Reason-
Everybody looks at me, everybody looks at you-
Theres no Rhyma and Reason-
coda-solo-coda-
D/A/C/G/ F////D//F///A////
Sans Votre Amour Reg. @ SACPAD 2016 Antzees
this is our Secret Season now winter spring and fallthats all
you know this is our Secret Season winter, spring and fall
any time at all
D/ F/ D/ C/
Drive so fast, you crash into the fence-
Time is an angel with no certain cause-
With the hail of tomorrow, the flight of the storm,
stay a bit longer and be forewarned
D/ A/ F#m/G/
This is our Secret Season now
winter spring or fallany time at all-
This is our Secret Season now
winter spring or fallany time at all-
(Optional)
D/A F#m/G
(I hear feedback --------on the shore
D/A F#m/G
Im not sure who you are- any more
like a whisk of sand--a fate of hand-----
nothing I can say could make it any different)
E A7 E A7 E
Red money rides on twenty one
you know the--black money rides on twenty one
and if I winIm winningA7-- youE
I can play guitarA7--just like youBbB7--I
seen you in casinosBbA7--lay in down your betBbB7
I seen you in casinosBbA7--acting like some petso IE
call you--Sexy A7--Roulettethats why I E--call youA7
Sexy Roulettethats why I E--call you
Sexy A7--Roulettenow spin meE--aroundB7
E A7 E A7 E
I see the bars heredrive me crazy
the roulette wheel is going to make me crazy
I want to land on twenty A7--one
I want to land onE-- red
you sexyyou sexyyou A7--Sexy RouletteABbB7-B
-BbA7--the red moneys good ABbB7
the pit boss is going to kickB---BbA7- you outE
I dont have no A7--doubtyou know all theseE-- boys
anywayB7
E A7 E A7 E A7
Cmon babyknock it off/give it up
I can tell that youre not so hot
if you are cmon now lay it down
get yourE-- fivesand your tens and yourA7-- twentys
get out of town E--sexysexyA7--I call you---E
thats why I call call call youA7--Sexy RouletteE--sexysexyA7
thats why I-- call youE--A7--Sexy Roulettesexy
youre lay in down your betB/
Bb/ A/ A/ Bb/ B/ B---BbA7
The bars spin aroundyou make me dizzy
I think the bars spin aroundyou make meE--
dizzy
you spin theA7-- pit boss aroundEsexy
Sexy A7--Rouletteyou E--sleep with all theA7-- pit bosses in town
but I got aE-- pit dog thats gonna A7--bring you down
that E--dogs gonna A7--chompand the E--parrots gonna A7--fly
E7th out
Its not the way that you push me around
its not the way you turn me around
Cmon baby knock it off, I could tell youre not that hot;
Its not the way that youre pushin me around,
you know its not the way you turn me around;
whew hew hew Sexy Roulette Sexy Roulette-
Cmon baby knock it off, I can tell that youre not so ho-
you know youre not so hot youre kind of sexy down low
cause I seen you in casinos layin down your bet;
cause I seen you in casinos, and Im gonna get you yet-
Sexy Roulette-
Red money rides on 21, you know that black money rides on 21,
if I win Im winnin Im winnin you; I could play guitar just like you
Cause Ive seen you in casinos, youre layin down your bet,
Ive seen you in casinos your acting like some pet;
So I called you Sexy Roulette, thats why I call call call you-
you Sexy Roulette; thats why I call you Sexy Roulette
now spin around,
I see the bars here they drive me crazy,
the Roulette table is gonna drive me crazy, I
want to land on 21-- I want to land on red,
your sexy, sexy, you sexy roulette;
the red moneys good- the pit boss is gonna kick you out,
I dont have no doubts you know all these boys anyway-
Cmon baby knock it off- I can tell that youre not so hot-
If you are, cmon now lay it down,
get your fives and youre tens and your twenties,
get out of town; sexy, sexy,
verse) out---
F#m Abm A
I swore she accounts to her parents
to have our baby and work-
baking soda cant numb it
B
this romance cant walk a straight line
F#m Abm
Coda-- She Calls Me to Heaven, and I cant turn away-
when she calls me, when She Calls Me- A//// B//// C#m7Abm7 4X-s to Heaven-
I -cant change my plea-
when She Calls Me-- She Calls Me to Heaven)
C#m7 Abm7 C#m7 Abm7 C#m7
Now the brick in the hand of our patience
told the mentors where to go file
and paintings of Abm7 C#m7 Abm7 granddads religions-
are dripping rhetorical vile
Coda-out
She Dreams Reg.@ SACP SA Music 2015
of everything we said,
she dreams, in Technicolor red-
she's a jack of all trades, she sits well with the banker,
she's a chef hors d'oeuvre, and the Shakespeare matre d',-
feel the breakwaters come, just a piece of the earth,
ad lib. out__
G F Dm7
Digging out the books-that I asked you for
they were from the First World War
GFE
something about the guns in the skies
you were a nurse in the war and helped me get Eb Dm7 better
but I wont fight againcause youre not a nurse now
Dm7 G A Bb
You talk about things that you dont understand
Sheiks of Manhattandont you see C the signs on the roof
Dm7
Were not our world now
Its two thirty nowits two thirty later
See the signs in the skyoh cant youcant you see them flying by
were are world nowwere not world
says--a worlds gone gangland
Dm7
Sheiks of Manhattanwell be in the front row
with our body guards right below
well be looking to the skies and sinking far below
underneath the sewers and the man hole covers----
were not our world
The Titanic crashes again-
The thing went array when the waters fell off-
Shout for Release Reg.@ SACP SA Music 2016
Him or her, him and them, both great people, and that's a fact-
if it bothers you then who cares about facts,
I've read the papers, you gonna shout?
Ad lib.
half the times you worried, about half the times you sad-
paranoia in Pacoima, adultry in Milan-
Ad lib. arrangement__
Sick in the Head Reg.@ SACP SA Music 2015
She drives so fast and reckless,
the white lines turned to one-
she said so well connected,
the flatfoot's just too dumb-
her eyes started twitching,
the psycho game she's played-
Out__
Silent NightSteve Arroyo Curt Phillips Reg.@ SACPAD 2016
When we were just loverswe had no jealousies-- we cared a lot for each otheryou cared
a lot for me --no more being pushed aroundwere not gonna take this lying down-- the
Some people in the puzzle sin discovered that they just don't fit-
there's always rotten apples in the bottom of the barrels we swim-
rapscallion swift double talkers were working out another routine-
like a Mississippi riverboat gambler with an ace up his sleeve-
In the traps of rack and ruin you can hear the angels saying-
I've been working on the railroads all the livelong day-
Some people in the puzzle soon discovered that they just don't fit-
they never did-
there's always rotten apples in the bottom of the barrels we swim
rapscallion swift double talkers were working out another routine-
like a Mississippi riverboat gambler with an ace up his sleeve-
wont
G7 C G7 C
do any helpLove lost leaves you bound-aint it the truth I cant take this back no
G7
moreI cant take it from you
Em A C G Em A
Coda-1--I was just like youwhen I was young its truehad another point of view un-
C G7 Em A C G Em A
like no oneSome Other TimeIm gonna make you mine Some Other TimeIm
C G////
gonna make you mine
CGC
Vs-2--Life can be cruel-but its hard to tellyes its hard to tellyou know we beat the
GC
odds and were doing so wellyes were doing so well Love hangs on a moment, a
GCG
promise, a feeling an attitudeloaded in the minds of the futures past and I cant
forget
about you
Em A C G Em A
Coda-2--I was just like youwhen I was young its truehad another point of view un-
C// G// Em A C G Em A
like no oneSome Other TimeIm gonna make you mine Some Other TimeIm
C G Em A C G Em A
gonna make you mineSome Other TimeSome Other Timewell be so fineSome
CG
Other Timegonna make you mineSome Other Time--
CGC
Vs-3--Love hangs on a moment, a promise, an attitude--I cant take this back no moreI
cant --take it from youits- nothing that you cant debate, reflecting the Golden age,
some other time I can carry a locket with your picture on it-reflecting the Golden age
and -say I forgot itEm--When the world is A--rightC--when they hate to G--fight
I wont mindEmA--Some C--Other G--TimeSome Em--Other A--Timewell be soC- G-
the Border line you know Im South of the Border line, 2Xs)-(D7)shattered glass
scene and Im South of the Border lineall against the odds at the clubs and Im South
reaching out for lucky stars, oh ba preparing to love(D7)getting under tomorrow lost
alleys, overflowing tears---hit em in a bottom with a hammerlower than faith can take
youlet you downhope you understand every minutelife isnt charmed, your never on the
edge of clouds
(D7)face of clouds, forgetting storms, in the face of distorted admissions(A7)Human
like people babied like menodorless monstrosities keep teaching us sin(E7)casting out
witches and they have more say(D7)pointing cruel fingers we all burn at the stake
(A7)at charlatan houseno, let me tell you about charlatan housefeeling desert winds
locked up within and never explained brushing the high priestess hair-- there's an old
enchanting the dreamers-they were dismaying the losers- untangling rumors- boy kings
and peasants
Highly advanced minds from above lent them brilliance--- no more limitations
Virtueless greed led the weak to believe they were servants -
Golden cats guarding tombs with emerald eyes--as an Eastern sun beats down the river
Nile-
Watching the catspulling their claws out of their hats
and the golden calves, and the angry God's, Moses grab your staff -part the seas-
Condemning the seekers, controlling the weaker-
cursing the evil, boy kings and peasants-
discerning the message, untangling rumors
heeding the vengeance ignoring the penitence-
__solo between versus__out__short version__or add:
Watching the cats pulling their claws out of their hats- top hat now,
I saw up parrot land on my head -
Moses, grab your staff, part the sea, turn the waters into wine,--and they built the
way;
Stacey, Stacey, Stacey of her river; Stacey, Stacey, Stacey, Stacey of her river.
Shes got Master Cards and gold hair; Runs around the river, Ill be floating there;
Shes got a hot Continental, and a Cadillac dream; coming down at the scene, shes
sipping she wont say she really needs you, oh oh; Stacey, Stacey, Stacey of her river;
See the words that shes offering; When you make some peace by the riverside.
Stacey of her river, what do you see? A miniature porcupine scratching a tree.;
Hey there girlie dont you shout at me; You better cast out your line and pull up a
craw fish you see; Shes got an old hiding place she keeps her old man;
Just like a trap skeet fuse, and she beats him with a frying pan Just for mee.
She drops anchor in her lovers wine; chases black bats erases white lies;
What murder, she wouldnt hurt a fly; 6 oclock, 7 oclock, 8 oclock, nine.
Stacey of her river just loves to fly away, Stacey of her river just love to fly away
Poked spiders in the West Chteaux; fifteen nights like a Marilyn Monroe;
Its dirty shoes, dirty hack saws N soap, nic nac paddy wack down da road.
There was something underneath a log; She moved it carefully and then she sighed:
Whatya doin interrupting my poker game; I had 3 aces and a flush in my boot; See the
words that shes offering, when you make some peace by the riverside.
Try to eat an apple, but it had a big worm, try to tell every body, she had a
permanent hairdo but it was a green colored red almost found a bone by the Interstate
Fred, Stacey of Her River---Never second chances, counting in old romances she wont
says she really loves you or leaves you, When you go to see her she wont really leave
you oh-
Shell bounce on her couch, alone in her house, nothings gonna stop her when she cant
come down; If you got a question Stacey got an answer, she wont change, you know the
rest are gonna pay, Stacey of Her River just loves to sing and play, .
Telling sad stories of lost wealth and fame, braces inner thoughts of whose to blame,
let her seek the Wine that shes offering when you make some peace by the riverside.
Tried to run but she couldnt walk away from her problems; all the rest sit under a
brilliant sky She tried hard to find a higher power, Stacey; all the rest sit in her
hands, well be waiting there by the last corner of your mind, of your mind.
Come back ten years to the day said the crawfish to Stacey as he floated down the bay,
since Stacey went away; baby come back, Stacey come back, come back, come back, Stacey
down
Solo A// Ab// G// F#m 4-Xs
A// Ab// G// F#m 4-Xs
Kind of awkward and practiced nowkind of upsideupside downkind of flip flop in my
put that foot in your clownish mouthknowing not what side to stand on
B// D// A// E// 4-Xs
Im not that bigor that smallIm not your man to be aroundgive a look every where
work on anotherand your stairway nowon your stairway nowon your stairways now
A// Ab// G// F#m 4-Xs
Kind of awkward and practiced nowkind of upsideupside downkind of flip flop in my
of Desire yeahew-hew-ew
E7
Now take an iron handput on steel glovesfor a heavy manautocracydictatorships
dispositioncelycanismtyrannydomineeringheavy handed
administration B// D// A// E/--hand in hand you hold my sanctionsnever mind the
Sunset Killers easily your friend, hes killin once, hes gonna kill aagain-
Hangin out by the local school- doesnt have a moral book of rules-
Ad lib.__solo__
Repeat__
we can do it for a year we can do it for a//beer// cheer if you talk to me.
and that Cadillac that you drive our credit card bills are piling to the sky.
if you Talk to Me
Tarneshed Angel Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
AGAG
When you find a loverwho seems true and good as goldyou really get your hopes up
A--float above the floorwhen you go to G--see herdown by the river side--A--every
time you see the starsG--she arrivesA--
DCADCA
Shell love you like no other canshell take you out in to the promised landshes got
aD-- reasonto C--keep her A--plansshes a Tarneshed G--Angelohuh uhGA--
Tarneshed Angel G--uhwohu
AGAG
Try to tell yourself those stories are a pack of liesas shes pleading with you
theres teardrops in her A--eyesG--but the picture A--plainly showsanother G--
darker sideA--should you take a chanceyoull beG-- taken for a rideA--
DCADCA
Shes not one for foolish plansshes got another way to take your handshes got a
reason to keep her plansshes a Tarneshed AngelTarneshed Angel uhwoo
Solo
AGAG
Now how do you find your loverwhen you cant get off the floorevery time you see her
you want a little moreplan in out the futureforget in about the pastthen you get a
phone callthis love will never last
DCADCA
Shes a Tarneshed Angelshe dont shineshineshinefor you no moreshes got another
side to live her lifeshes never shown beforeIn the pillars you can see her light
every one can see it to
DCADCA
Shell love you like no other canshell take you out in to the promised landshes got
a reasonto keep her plansshes a Tarneshed AngelTarneshed Angel uhwohu
AGAG
When you find a loverwho seems true and good as goldyou really get your hopes up
A--float above the floorwhen you go to G--see herdown by the river side--A--every
time you see the starsG--she arrivesA--
DCADCA
Shes a Tarneshed Angelshe dont shineshineshinefor you no moretoottoot4X-s
out
Am G Am
Whats the matterwhats the cause
I can help you get through this melancholy,
fix a broken dreamif it G--hurts youand it hurts youAm
look at us were not togetherG--I know we can wail this stormy
F--weatheroh--youre a geniusG-- straight from
your broken lip
Dm7 G C F
Coda--Tell Me Againhow you love me
Tell Me Againhow its gonna beTell Me Dm7--
Againhow were gonnaG-- make it through the C--nightF-
-night
Am
I know theres some girl out therejustG--waiting to be held
Am--you can tell me for everhow youG-- need meF
I dont careG--Im not there-- -- --You got to:
Dm7 G C F
Coda--Tell Me Againhow you love me
Tell Me Againhow its gonna be
Tell Me Dm7--Againhow were gonnaG
make it through the C--nightF--night
Am G Am G
Now theres nothing we cant talk about
nothing left to saymy trains moving out--
Am--packed my bags last night after our G--argumentF-
-try to make you happyit dontG-- make no common sense
BridgeC//// B//// Bb//// A//// Tell Me AgainTell Me Again Dm7// G// C// F//
Dm7 G C F Dm7 G C
Ew-ew-ew-yeahyou got to Tell Me Again-- Ew-ew-ew-yeahif its not what you F--wanted
Dm7--Ew-ew-ewG--hew--you got toC-- Tell MeTell Me F--Again
Dm7 G C
Am G Am G
Now theres nothing we cant talk aboutnothing left to saymy trains moving out--
Am--packed my bags last night after our G--argumentF--try to make you happyit
dontG-- make no common sense
Dm7 G C F Dm7 G C
Ew-ew-ew-yeahyou got to Tell Me Again
Ew-ew-ew-yeahif its not what you F--wanted
Ew-ewDm7---ewG--hew--you got toC-
- Tell MeTell MeF-- AgainDm7
Ill be back on theG-- next trainTell MeC-- Again--
_______
(Tell me Again-extra versus_2nd versions)___
___________
What's the matter, whats the cause I can help you through it-
The methods to our madness are for real-
There were oceans we tried to swim through; we could not find our way,
there were many places they said they knew you, and wouldn't let me in-
I had to wait outside; it was cold out there,
Tell me again how you'll never leave me- never break my heart;
Better than the Vegas odds with the pit boss- Huh.
Another place, I've been laying down the dice, I'm enrolled in the craps on the table,
updating 7-Eleven's; I'm going to win it track, you know my horse is coming in; I'm
going home and limousine unless you're with me you gotta be with me.
been checked, that's good, right now would like to talk about another edition as we get
into other areas of the fourth part of our seminar, if everybody's ready with their
bit spiffy when going to bed of the summer has come along due to do do do do...
On the beaches off the coast of the stories you told me the most;
hey we can try it again go for a while take a little walk look at me and smile;
you don't smile...
The girl next door that I know that I brought those flowers every day;
you're not the one that made me laugh, you 29 a I am 29 b,
29 a and 29 b.
The Inca Song Reg@ Steve Arroyo at SA CP music 2015
I got the freeway of my mind I can drive up to Phoenix and be there in no time,
Pass me a dime, convertible sofa that is__
you go through my clothes looking for numbers, numbers, you can call me up at a time,
Im your speed, turn me on like my views I represent youth;
My impression, your recession, my tale so tall, Im on market Street in San Francisco,
cable car, cable car
My American flag shines on the roof of my Pinto wagon,
yeah I support, George Bush and I will be hanging you down,
you gotta hang around, you gotta turn around,
there is filling stations to the left and to the right,
$.25 off gets you a dollar tonight;
my impression, your recession, you got to get around, you gotta get around
Im your speed, turn me on, light my views, the same goes on and on and on.
And the Inca man on my wall, green and tarneshed in gold,
theres a brown man next to him, my heater runs hot and cold,
give me some more life and let me seek the truth?
Pour some water on me- I represent youth,
you can decipher the difference it doesnt really matter
going up market Street in San Francisco my cable car;
your my cable car, turn me on light my fuse,
plug me into an AC adapter 110 may be 215 in Europe,
my shaver dont work and I cant shave,
gonna get you every night and day, trade my bicycle in,
for your little sister, dont talk about my sister,
in the same goes on and on__
My Incas fallen off the wall__ __ad lib.__repeat__verse one
The Puzzle Reg.@ Steve Arroyo SACP Music 2015
Have some on me, a little bit of honey-
full of love, and under statesman-it's got a be something,
a heartfelt something-
Over and over the pieces fit superheroes on Saturday,
by 10 o'clock will faint, held over by popular demand,
a Norman Rockwell stand, gotta be something-
Take the pieces slowly out of the box-
Sitting here in the rain, the heads go on but the bodies wonder,
working the puzzle, and planting fresh bouquets-
Now there's going to be a phone call from India and the Holy/cosmic sees,
seize the ships and the bounties are calling, but the money is no good-
it's gonna be something a heartfelt something-
In the rain, on the floor, where the pieces fit-
the heads don't go on straight, the bodies in the brains,
and the pieces in the rain, can never be explained-
I see you can see it too, were working the puzzle and
How can you make it all go wrong, when all goes right, yeah tonight-
Have some money a little bit of honey-superheroes and mourning,
by 10 o'clock will faint held over by popular demand-
it's gotta be something a heartfelt something-
Got to be a fit to put it on, where the heads go right,
and the bodies wonder, who is in charge of the solarium,
guinea, stained glass houses, and anti-equations-
Stop by the Creek and saw your hooks, don't let the tow missiles fly,
ad lib.__
hey Mr. you're not really here, I seen you in a movie once before,
the lines you recited are meaningless, but you won't be ignored-
and all we can do is sit here working the pieces,
and try to put their heads upon the bodies,
on the million parts in little pieces, but they never go on straight,
they never go on straight, superheroes on Saturday,
by 10 o'clock were gonna faint, held over by popular demand,
a Norman Rockwell painting in the sand-
it's gonna be something, a heartfelt something-
ad lib.__augment versus__out__
Written by SACP @ 2006 The Wicked Child
Steven V. Arroyo #C Maj 7th
Curtis A. Phillips
Vs 1
It's a long road that never ends as the clock unwinds; take a look behind these words
and tell us what you find, little actors playing parts for sympathy and wine; perched
fuel for alibis, crying wolf in sheeply clothes on innocent and old, bribing them to
their prey, so please dont tease the lovesick prodigy, the lovesick prodigy.
Solo---------Vs 3-Coda
Its an old tale of trickery saved for passers by, take a look inside the books and
tell us what you find; little actors playing parts for sympathy and wine, you cant
believe weve come a million miles so please dont tease the lovesick prodigy the
what you find; theres little urchins playing parts for sympathy and wine, cutting in
perched on clouds of nine sabers drawn against the savory skies just to please.
(out),,,
The Wounds of Love Steve Arroyo Curt Phillips Reg. 2009 rsvd. PAu 659-890
To the flagrance of the hour-To the mighty blows of life- When the mountains come
tumbling down: our love- You see, the skin becomes a hunger_ while true beautys in the
eyes- My love is always suffering from far to many lies-
(Coda-(The Wounds of Love cut deep-deeper and deeper Im losing sleep-I need someone to
standing on a mountain and your love is nestled in the breeze- My love is always
difficult as the hours linger on-See a, she was sweet and candid with eyes as pure as
gold I didnt heed the warning sign, but how was I suppose to know
(Coda)Oh oh a ho a These Wounds of Love-
When youre climbing down the mountain and your love is whispers in the wind-when the
but she wanted it enstoned-.See, a after all the battles, my heart is torn and scarred,
hard to breakAmA6AmA6AmA6AmA6--
Solo Dm7th//// Am7th//// 3X-s
Bridge Am/ Abm/ Gm/ F#m/ Am/ Abm/ Gm/ F#m/ F// E// F// E// Am
Dm7 Am7 Dm7 Am7 Dm7 Am7 F
Slick as oilso quick to speakIve got secrets tootake a minute-try to thinkdont be
chords-- --
C#m C B Bb C#m
A year ago we said some thingson a night of passion and promisesits so easyor --
were not theAmF--//// Am//// same --solo 2F//// Am//// 4Xs toA/ Bm7/ Dbm7/ D//
A//// Ab//// G//// F#//// oh-oh-oh-oh-oh oh-oh A//// Ab//// G//// F#//// whistles
It's coming on hard-these freeways are jamming for the weekend strong-
where money is king? Love's a sloppy second-what do you need?
A drug and a blonde?
I've been casing out the joint for a long time,
but there's nothing left worthy to steal,
every treasurer is looted, every treasurer is fake-
nothing's for real, nothings for real- nothings for real-
now it's a rip off you better believe it, nothings for real,
but if you livin' with me I might try- I might try-
the heroes are/have fallen, crime's a running joke-
Third Times a Charm Reg.@SACP SA Music 1987--2016
EBABE
If I had a diamond ring for every girl that said to me--I love youId be a happy man
So many times I wined and dinedso many women-made me cryso Im going to sing this
farewell song
CECEC
I dont know why you walk with meyou worship me like a clownstillII got a place
around
AGAGAG
At my feet you are an angelevery time you worry to the heartthe freaks fire rockets
in the A--skythey blast your name G--on the fourth ofF-- JulyE
E
bought her a sweatermade you feel bettermade you run into the treetry to make love
and try to make birds and bees(A/ Ab/ F#/ E/ B//// 2Xs)--you cant just create any
thing you want-- A/ Ab/ F#/ E/ B//// in an afternoonstanding under trees and saying
Thousand Letters Steve Arroyo Curt Phillips Reg 2009 Rsvd. PAu 659-890
Lover I feel sorry, for the two of us-and dearest how I wonder how youve been
And all the silly lines, wasted paper and wasted timesI must have wrote a thousand
somewhere else-
(coda-- I just cant forget-the night we fell in love and kissed (met2)).-I must have
and lover I feel sorry, so very sorry, so very sorry, so very sorry, come back to me- I
Three Shades of RedSteve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
A7//// D7// A// E7// D7// A/ E7////
Three Shades of Redand I cant even touch youThree Shades of Redits not fairthree
there to hold youwhen he let you goall along I waitedall along I waitedfor a
Betty Fordshow can I forget all the times that you forgot(I hocked my stereo for
not fair-- --Three Shades of Redfour or fiveI only want to hold youtonight--
I only want to touch youI just want a chancewhen you let him gonothing I do dont
on my fingers, one, two threedont waste your time with the birds and beesdoesnt
wont fall for youas long as were TogetherTogether as long as were together-
You said hellowho are youIm a recording artist singing the blueswere gonna be
Together through the newspapers and all the Saturday night news
I said highI said highI said high
-
Turn the Corner (24 kt) Steve Arroyo Curt Phillips Reg 2009 PAu 659-890
Turn the cornerdont abandon meon this desert in your open seapleasepleaseTwenty
four KaratsI cant do nothing- I cant cope with this branchThe symbols respectfully
Im an odd personyou cant bend, turn or shake off twigsdig inTyphoid Marys two
extremeTheres more gas in the backwe can drive four more hours and get to Phoenix
Now down in PhoenixPick up the hammerknock it loose try to find the long legged
Indianswhew-whe-wh-whew
Now the signs-they say gobetter stop---and the stores are closed but theyre always
open for youthey want to sell you dresses of goldthey want to sell you rings and
diamondsthey want to give you everything under the sun-- -- --slay the dragonson the
railways-- --
E//// //// C#m//// E/// C#m// B/// A// G//// B// A/ G/ B
Two Beating Hearts Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
A// G// C/ B/
We were on topyeah we were in vogue
life was a camerayeah-we could explore
breakin the bankstoast of the town
we were excitingjust hangin around
DFADFAD
Two Beating Hearts were never more in loveshook it all and took it as it comeswhy
F A C#m D C A G C B
did you do itwhyd you have to go awaywhy did you have to say-- Two Beating
Hearts--
A// G// C/ B/
Some called you sillysome called you a bore
I never listenedI always ignored
E
Built you a pedestalset you up high
GEDC
believed in your storylove is so blindlove is so blind
Solo A// G// C/ B/
presses say G--todayin a D--Rockwell stancetheC-- bombs will fly its G--certain
groundso UnderA--groundF--
GDCGDC
Going back to where they started from againthe visions were a new thing tonight--G--
is not a prisonnot a home to call your ownthis camp is not a campsite for the lost
wear those moccasins like a manyou Indian telephone poleyour short waves come
undone--your sun suits getting wetthat fingertip coatand that coach, coach,
headed--un-cultural
GDCGDC
Going back to where they started from againthe visions were a new thing tonight--G--
of us who wait
EFE
When left is right you better questionthey got a million tricksevery heart is being
A--when you see the lightyou better followif theyD-- let you throughyou better
A--Until the Last DayF--ohG--oh --ohohA--Until the Last DayF--oh E--oh oh oh--
of us who wait
EFE
When left is right you better questionthey got a million tricksevery heart is being
A--when you see the lightyou better followif theyD-- let you throughyou better
C--runrunrunA--chance to do another dancejustD-- let us know how its C--done
A--Until the Last DayF--ohG--oh --ohohA--Until the Last DayF--oh E--oh oh oh--
Until the Last Day-
DCDC
Where burning bodys screamdont be surprisedyoure wickedor so it seemsdont be
a sound.
But when the missiles fly, and the leaders hide, deep under the ground, there wont be
go to
War machines, war machines, threatening other nations; war machines war machines
killing with radiation from our bombs; and the band played on Solo
As a youngster I remember, playing duck and cover, growing up a little paranoid;
And I hoped that the people would change their wicked ways and try to live life in
harmony;
War machines, war machines threatening other nations,
War machines, war machines, killing with radiation from our bombs
And the band played on
Curts notes: some extra verse or two for the ends
War MachinesSteve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
GDCGD
Do you want your babys-to end up in radiationtheyre dirty faces melted to the C--
and I G--hoped that all theD-- people would C--change their wicked ways and G--try
to liveD-- life in harmony--C----G-- When the missiles flyand the D--leaders hide
life
B Am F C G C// G//
Im always in a hurrybut somehow I must of missed her in this world
Am F C G
Coda-1--I couldnt grow a thing outside my gardenI couldnt grow a thing out side of
Am F C
dreamsbut When it Comes to LoveWhen it Comes to LoveWhen it Comes to
G C// G////
Love--youll always be with me
C B Am F// C G
VS-2--There were many days spent in early lovingand that can really tear your world
C/ G// C B Am F C G
apartand I remember all the pain in learningyesand I remember those many
CG
broken heartsyes I do--
Am F C G
Coda-2--I couldnt grow a thing outside my gardenI couldnt grow a thing out side of
Am F C
dreamsbut When it Comes to LoveWhen it Comes to LoveWhen it Comes to
G C// G////
Love--youll always be with meyoull always be with me baby
Solo (C B Am F// C G C//G// 2-Xs)
rock and roll and a rainbow in the sky
Am F C G
Coda-1--I couldnt grow a thing outside my gardenI couldnt grow a thing out side of
Am F C
dreamsbut When it Comes to LoveWhen it Comes to LoveWhen it Comes to
G C// G////
Love--youll always be with me
Wicked Child Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
Am G F E7 Am G F E7
C7 G C7
V-s-1--Its a long road that never endsas the clock unwindstake a look inside the
bookand tell us what you G--findC--little actors playing partsfor sympathy and
E////
Am G F E7 Am G F E7
Coda--To pleaseanother Wicked Childcarefullyas they play the cardscasuallyweve
stealing food away from fliescrying wolf in sheeply clotheson innocent and old
appease the Wicked Child dont appease the Wicked ChildIm a victim of circumstances
V-S3-- Its an old tale of trickerysaved for passers bytake a look beyond these
words and tell us what you findlittle actors playing partsfor sympathy and wine
kto look the other waydont tease the Wicked Childyou got to see him along on your
bookand tell us what you findlittle actors playing partsfor sympathy and wine
please
Witchunt Steve Arroyo Curt Phillips Reg. 2009 all rights rsvd. PAu 659-890
Tell the story-- see the grins of the people you never know--the tricks of October
in your mind--like something in the forest thats hungry--you want to feed it a lot--
you want to beat it to the ground--you want to work it to a knot--and than you want to
or loses--theres one thing you hadnt planned for--all the way from Manhattan--you
say, come to the pot burning oilhemlock wish notburn at the stakesburn at the
when you walked away from town--you said that I would love you if you promise you
didnt lie or curse- but I saw you through the bones in the fire and something worse-So
with the boysand that perfume that you wreak ofaint no way a sinand you say you
should be paranoid
EDEDC
You dont know what damage you can doyou dont know what you put her throughtill you
townnow,--she supports your habits doesnt even have a ringstill tries to make you
you walk aA7-- milein a Womens Shoe--till you walk a miletill you walk a mile--in
nurturingdont take her for grantedcall her on the phonelet her know your heart
aint wondering
E D E D E//// D//// E
till you walk a miletill you walk a miletill you walk a lonely mileyou dont know
what damageD-- you can C--do--till you walk --A7---- miletill you walk a milein a
Womens Shoein a Womens ShoeWomans Shoe--you dont know what damage you can do
this and that-AE9D9F9E9A7--- you dont know what damage you can do SoloOut
Write it in Blood Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
AGAGAG
Youre tell in different stories all the timeyou got me wonder in whats on your A
mind--GyourA-- friends are tell inG-- me youve been A--un-true--GI want to A--
A-- wish you would G--explainitsA-- killing me toG-- see you goingA-- out with
the other G--guysbut Im A--really not G--shockedA-- BCDb--D --Im really not
surprised
DCDCDCDDE
If you love meif you leaveif you think that Im worth itif you feel it from your
heartbaby--
AGAGAGAGAG
Write it in Blood if you love mewrite it in blood if youre theirWrite it in Bloodif
D--mindC--yourD-- friends are tell in C--me youve been unDtrue--CI want to D--
dont feel noG-- painyou make us E--smile- --D--we dont feel noG-- painE--oh
D--noC--now that youve opened Eb--up the doorsI can see them smileG--XavierE
D--OhG--Xavier
GEDG
Girl friendsand boy friendsand Friday nightswe go a hundred miles an hourand your
answer
Coda-2G//// E//// G//// E//// E//// D// G////
GED
Here they come around the cornerlooking for an answerthey cant see nothey cant see
D--cantG--no they cant see meE--when youre D--going upC--or down, down Eb--at
backG-- homeI can movefasterif I can hold the wheelE--and try to make you D--see
thisG-- point of viewE--when youreD-- looking up or C--down, down Eb--at the same
Your World Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
A F#m A F#m
I use to play gunsdidnt know it was wrongdidnt grow up to killdidnt worry too
longdidnt A--yell at our parentsF#mtalk back to teachersA--smoked a little pot
drank a couple of beers
A F#m A F#m A
I use to day dreamat my desk at schoolwhen I graduatedI was nobodys foolgrabbed a
piece of lifeby itsF#m-- shirt and tailA--drunk driving myself to the -----F#m--
county jail
I dont know why its like thisI dont know why its like thisI dont know what day it
wasI dont remember what day it was---
A F#m A F#m A
I use to day dreamat my desk at schoolwhen I graduatedI was nobodys foolgrabbed a
piece of lifeby itsF#m-- shirt and tailA--drunk driving myself to the F#m--county
jail
3. This agreement does neither nullify nor discredits previous lyrical rights
assignment transfers drawn up by Attorney Stanly Hassan. The total amount now paid is
$2700 dollars up from previous $2200 so stated as our contentions.
4. Down load this documentation to your printing apparatus for official records of
transcript?
5. Curt Phillips agreed without reservation to the terms here situated. An objection
toward that of any said transgender mish mashing was an, we state categorically one
of two reasons to take control of which we, myself, would have nothing to do with
glorifying same sex orientation predications in our collaborative environment of test
and convey Sin so a contention.
6. So by way of entry however it be put, buyer was not satisfied with direction of some
of co-authors suggestive lyrics somewhat to this date and contract with the purpose and
character in nature of SACP music is to be good, have good time, and make ye peace, and
give a blessing or two to these ends as stated here over under inscribed in record I
kept for the side I'll save cometh Judgment Days hereof therewith buyer accorded.
Pages 1 0f 2
Written Assignment Transfer
7. Our Copyright number for the whole just bouts catalogue is corresponding file at
Library of Congress Washington D C. and on these PDF transcript documents submitted.
8. The S.A.C.P. Adventures of Love catalogue Claimants Steve Arroyo aka (Schofer) and
Curt Phillips will hereby be owned and operated by Steven Van Arroyo inter alias Steven
V. Schofer in full.
10. The under inscribed under penalty of Law agrees to the above entitled accounts and
descriptions and comments to the authorship transfer and lyrical concessions as to be
true, correct to a reasonable preponderance credible to manage his these here instated
materials of acceptability ascribed hereunder.
IN GOD'S WILL WE TRUST
Amen.
PAu001061871 1988
[8] Adventures of love : vol. VII. PAu001045933 1987
[9] Adventures of love VI / Steve Arroyo, music ; Curt Phillips, lyrics.
PAu001008906 1987
[ 10 ] Adventures of love : vol. V / Steve Arroyo, music ; Curt Phillips, Lyrics.
PAu000981970 1987
[ 11 ] Adventures of love I-III : revised versions / Steve Arroyo, music ; Curt
PAu000853277 1986
[ 14 ] Foreign girl & 2 other titles; songs / Lyrics by Curtis Alan Phillips.
V2399P079 1988
[ 15 ] Bad house : a.k.a. Bad house L. T. D. V2399P078 1988
[ 16 ] Sans your love & 58 other titles; songs / Lyrics by Curtis Alan Phillips, music