Gabriel Garcilazo presents a set of 34 drawings that are based on the
colonial-period codices to address the complexity of the problems associated with the trafficking of drugs, arms and people in the continent. With an ingenious and measured selection of visual elements, the artist establishes key geographical points on these journeys to create abstractions of superficial details that are combined with striking images of dead, migrants, murder victims, the homeland betrayed, and Americans represented as Spanish colonists
Memorndum
Hctor Zamora
In Memorandum Zamora merges the special characteristics of the building
with a mechanical activity, generally associated with the female gender, to set out diverse lines of interpretation of a sociological and political character related to the local and global context. Zamora critically refers to the functioning of the governmental, bureaucratic and institutional systems of power and points to the role of the secretary in the misogynist, capitalist workforce.
Extensive blue
Sofa Taboas
Large format installation composed of glass in various shades of blue that
occupy the main wall of the South Gallery reflecting the surrounding gallery. The artist piece relies on her interest for several materials such as plastic, construction elements, swimming pool tiles, leather, stone and paper, among others; often intensifies the characteristics thereof to isolate, contrast or build with them, installations and sculptural proposals.