Contents / Inhalt / Sommaire / Inhoud / ii A Track / plage page bP? an 7 Tuning Note Fe 7 irs (Sei) Crossover Saxtune Otto M. Schwarz [* 1967) PARP PY AF av (hy ba va oy) 4 Arhythmic Jazz Bertrand Moren (* 1976) TVRS SY Be KR (AMEGY RELY) 6 Almost a Rag | nile Spore 1951) PoILER b (4 ABAD) cer B Une marche pour Nebuys flond Keren (1942) NSO AMO FH (A— FY b+ eR) eevee 10 BERGA Jazz from 5 to 8 André Woignein (* 1942) PeA FAA 5 hy B (FYE oeaey) 12 REST (FTA 7» thes) cee 4 14) Vallée d’Aoste Ferrer Ferran (* 1956) Yr ys PHAR (Favw- P2nFv) 16 Gera Bouncing little Elephant Kevin Houben (* 1977) Gam Ca Quijano Ferrer Ferran WBNS (Fas FenFv) see 18 @2QEHIGS Princely Ceremonial Aloin Crepin (* 1954) Hwee roe = 7 ee) 20 NEM 20121) Week-end Alain Crepin B4-9EYE (FIY + FRY) sume 22 @QER223) Cushty Martin Ellerby (* 1957) a ere foe 24 (@ER2425) The Only Answer Jacob de Haan (* 1959) BY Tete (VET FAY) 2.26 = Solo with accompaniment / Solostimme mit Begleitung / O™ Feta abo vee seconpegnement Selo met begeediog / PAE D& 2 = Accompaniment only / Begleitung (ohne Solostimme) / ©’ kccompagnement [sans la parte solo} / Begeleiding / (1387 pags par sCrossover Saxtune DARPA Py YRF amy Otto M. Schwarz yb MaDe ~ £> a Groovin’ Fast nv LOE TtCrossover Saxtine oes e eS pif fF molto rit. 7 SyArhythmic Jazz TYR YF + GRR Bertrand Moren AUbGy heey rall, molto ras ea —SS a ‘molto dim 7S\ehythinie diz 2 all, motto a ‘molto dim.rc OD - Almost a Rag AFOWEAR TS Philip Sparke Fao BRAY Gentle Swing (J = 126) (swing eighths) 2Almost a Rag,o> Une marche pour Roland Kernen Nobuya a-Fy he onRy NSO 7 e004 Falk Moderato giocoso (4 = 96) ~~ 4 . ~ = * reUne marehe pour Nebuya Andante espressivo (« = 88)EKO Jazz from 5 to 8 Dek+ Fah 5+ hy 8 André Waignein TyvKb+ gaa Jazz Style (2) = 190) a . eee . =: —_ pee ep opty mfJae from 3108 13ETD Bouncing Little in Houben Elephant _ Sonia Houben KRRF SD Happy March (= 104) 4 > > > > fs =f —=—=fom Vallée d’Aoste Grxve+PHAP Ferrer Ferran FRM T2VIy Andante non molto (+. = ca. 76) — mf cantabile oe =i Fg mpVallée d’Aoste Meno mosso ead lib. quasi cadenza F266 (4Ca Quijano WEA Feri Pane Ferran cay Allegra leggiero (= ca. 132)Cx Quijand 5 FP See eh Qe Sie Ft heres “if aS Ged Heel ier ie. == Tea a g ager ptf ier =ePrincely Ceremonial eee Alain Crepin TO TERY ritenuto he i020 ly DetPrincely Ceremonial a tempo subito Free =| subito f° 21Week-end D4—-7EyK Alain Crepin TRE DRY aWeek-end rall. rall.Ee Cushty CBRE ZE in Ellerby woF yy ELE Allegro (= 120) 24ritenuto to (no trill) a So]» The Only Answer BVI pe Jacob dle Maan Moderately Slow (= 84) og ny LS Ge Litt fs, eae, eee Sia terres ei pee gee 6 oS AS To Cola Q Gass Sp erruttThe Only Answer os ere Ce ” ete te ae Gree ie ee aniNO) TERRY STAN SSA ‘ NEW y. ESSENTIALi Foreword My work 0s a musician does not only consist of giving concers; | enjoy just as much teaching students ofall evel, from beginners to graduates. Over and over again, I've noticed tha! the literature for saxophone can actually be divided into two groups: on the one hand there is ¢ large omount of music for real beginners; on the other hand, we have « huge repertoire for students who major in saxophone and spend many hours every day on perfecting theit Jechnique, Between these two levels, however, there is a big gop in the reperoire. Usually, cfter approximately four or five years of learning, students reach the point where they want {0 move on from the instrumental method they are using to ‘real” saxophone pieces, But in Practice, this step offen turns out to be foo greal. The works available are sill oo dificub, and to play them anyway would imply having them on the music stand for months, which is surely not very motivating, This insight gave me the ideo to compile « number of books with varied, but nottoo-dificut ieces that are all writen in the typical saxophone sound idiom. In close cooperation with 1 composers at De Haske Publications, this collection of twelve newly composed pieces ih piano accompaniment was one of several books developed. The others are already ‘available: Encore Pieces (1389-06-400 DH) and Recital Album (DHP 104366 1-400). On the CD, you will hear me play the pieces fist. This will provide one interpretation for you, You do not have to play them exacly the way | do. You wil then have the opportunity to play along with the grand picno yourself. With this recording on a Yomaha DS6APRO grand piano, you will always have your own piano accompaniment at hand when you're studying ot home. However, it will be most instructive to play the music together with a ive piarist. You will especiolly enjoy the interaction that can develop between you and your ‘accompanist ae RA Nobuya Sugawa Born in Saga Prefecture, Japan, in 1961, Nobuya Sugawa studied with Yuichi Omuro at the Tokyo National University of Fine Arts and Music. In addition to playing the classical saxophone, he has successully drawn nationwide attention fo the instrument, which was litle recognised inthe field of classical music. For this, he is greatly admired by many young Japanese saxophonists. He is highly acknowledged in Jopan as well as in Europe ard the USA for his sophisticated and bilan! tone, virtuoso technique, and refined musically. Nobuya Sugawa makes about 100 recital and concert appearances @ year and hes recorded more than 25 CDs. His concert appearances have extended fo the United States of America, Germany, Czech Republic, Spain, Austria, China, Taiwan, Korea, Malaysia, ‘and Singapore. He is @ lecturer in saxophone at the Tokyo National University of Fine Arts and Music. In 1995 he was invited to hold master classes at the Conservatoire National Supérieur de Musique in Paris. He has also given master classes at music colleges throughout Jopan, Europe, and the United States. ‘A remarkable fact about Nobuya Sugawa is his wide range of repertoire. He not only plays the big Saxophone Concertos like Ibert, Yoshimatsu, Debussy, and Glazunov with huge success, but he also plays @ more popuiar repertoire. Sugawa delights in surprising and impressing his audience with his wonderful one and interpretation. Nobuya Sugawa is a Yamaha performing artistContents / Inhalt / Sommaire / Inhoud / {iii 5 Track / plage page hoor : Tuning Note Ft Fanny 7 RR (SE) @BLEE® Crossover Saxtune Oto M. Schwarz (* 1967] PURA-HK— Py IRF ay (ty b Moya Duby) | 10 Arhythmic Jazz Bertrand Moren (* 1976) FURL YI HK (AV EGY RELY) 14 Almost a Rag Philip Sparke (* 1951) AMER ET GF (D4 9+ AK—Y) 18 Une marche pour Nobuya. Roland Kernen (* 1942) OLDMAN (BFL b+ PRY) aon 21 @RERICGD Jazz from 5 to 8 André Waignein (* 1942) v¥A- 7A 5+ by? 8 (PYRE oeayy) 26 G@QERAWD Bouncing litle Elephant Kevin Houben (* 19: ERBESY (F947 ik) . 32 ELEM Vallée d’Aoste Ferrer Ferran (* 1966) XD Vole IRAR (P2UUM* P25) 36 EXEMISGF) Ca Quijano Ferrer Ferran BRN (Favs FavFr) . 2 CEM! 819) Princely Ceremonial Alain Crepin (* 1954) MRA (FT eV Sv) . “7 ERI Weekend Aloin cr DARKE TI + IUKY) 22.50 @QER222D Cushty Martin Ellerby (* 1957) THE (AF 4 be 53 ies The Only Answer Jacob de Haan (* 1959) ly PV FP (VAT FAHY) 56 Solo with accompaniment / Solostimme mit Begleitung / Partie solo avec accompagnement / Solo met begeleiding / #7 Yn Accompaniment only / Begleitung (ohne Solostimme) / Aecemporceraany fect (ohne Begeleiding / (F002 7?Crossover Saxtune DaAAH + Py IRF aH yoke Groovin’ Fast Ve et = =Sa7 St a =ai pert = Iz — —_ SS > = Ae fete w iene : fs ai | Ht iLArhythmic Jazz PY ARL YP + IeKSlow Blues Tempoar fe Sa eeeTRACK @3GB) Gentle Swing (2 126) ghths) Almost a Rag A-MEARST FT Philip Sparke TaAVat Rad == Gentle Swing (J _ (wing eighths) _ t sug # - (2 Sige atat | a: == SSSAlmost a Rag. (ieee ee : =f SeAlmost a Rag, onD® Une marche pour Nobuya NSop 72x or4¢T ite ds Roland Kernen BAF be PRY ____ Moderato giocos0 («= 9 p Moderato giocosoUne marche pour Nobuyaoo Tempo | —— 4A -3f == ‘ . of Tempo I TS a PiaJazz from 5 to 8 VrA+ 7a 5+ hy: 8 hy == = Er André Waignein Kes Y sara Site = 190)16 > 0 te of Slowly («= 76) mes SS SS See ” ee a a eh SS SSSJazz from 5 108Jazz from 5 to 8Jazz from 3 to 8Bouncing Little Elephant RABE Y ,, Bevin Houben Happy March (= 104) roay = == = SS Happy Mareh (= 104) 4 \$ 3 do } f marcato ee 32 ® Comic S00 beBouncing Little ElephantBouneing Liule ElephantBouncing Little Elephant 35Vallée d’Aoste Dryb+FHRre ee. —=S— = = aVallée d’AosteVallée d’Aoste Meno mosso a cad tih quasi cadenca J lg aValle d’Aoste ¥ Sf if IN == ae: 5 ql i | vn | terrea_|[Hrsrren Piyirma ir uN ems sre than hy | talks i tas tts dal teCa Quijano ws?): Ll rm ee lyre jie | Te HT | Mn ik tl : | peice 2 a yt ————— apr itaN “oe = See Ta Ss SW aeneeR ei oe be 2 bea pS OE PE pS ee ee eee ——— spay aoe: ee FESS =a 7 a i - a Saas ore = ore itt = Sg ae — Sie epy RPL ap err) — P —— Lf fo eS oe sees eure eee |Princely Ceremonial ere ote septa fh an = abo BS SS = S_- ==Eeemg 7 RO _———— ae ———S loegrrarze TEW eck- endTONWoek-end Pia lento f Pid lento all. nOSHS bff pe ae AE A Aer‘The Only pry —_ a eH f- ™ Moderately Slow («= 84) Answer e mp legato (con pedale) eae 2 = ———— : To Coda O ie eg ee __ “Tota 6 be > SSS gales SEE pitta er oo = a ee pee a 7 = ———— 5 = ° o 3Pree Gao eae nf nN = eS we optes Bear ==‘The Only Answer . eee ee dp aS ee pepe r Gree : = Pale ‘y : ss fe go gei. de haske” = ele from Nobuya Sugawa: dies + Order number: 1197-04-400 DHI Studies = Order number: DHP 1043659-400 se Studies = Order number: DHP 1043660-400 nd esFa @& de haske® Also oveilable from Nobuya Sugawa: Recital Album The Classical Collection Recommended Repertoire Dance of Uzume Encore Pieces Sei Canto + Order number: DHP 1043661-400 Order number: 1241-05-40 DHI + Order number: 1242.05-400 DHI + Order number: 1223-05-400 DHI + Order number: 1389-06-400 DHI + Order number: 1390.06-400 DHI