1

FRENCH OPERA vs ITALIAN OPERA Mid To LATE 17th CENTURY

NB: These are broad generalizations and should not taken as absolutes.

1. Libretto more important than the 1. Music more important than the
Music libretto

2. Recitatives models of correct 2. Recitatives taken at great speed,

declamation, frequently recitativo accompanied by few
accompanied by the orchestra, of simple chords, and of minor
major importance importance

3. Airs are short, melodically simple of 3. Arias are many, extended in form,
minor importance often melodically ornate, of
major importance

4. Opera's goal to glorify the King and 4. To entertain aristocracy and populace
Country or both

5. Action and music conventional; does 5. Played on emotions of audience;

not seek violent passions, violence and passion are the rule;
preferring wit over broad comedy broad coarse comedy preferred
for light relief over wit and light relief

6. Allegorical scenes, numerous ballets, 6. Elaborate spectacles with complex

chorus and orchestra are machinery; few ballets. Chorus
important parts hardly used and purely orchestral
numbers are rare.