Fae WU FOUR-TO-THE-BAR COMPING IN THE STYLE OF FREDDIE GREEN a | 7 CHARLTON JOHNSON |.ynveanienun com ON‘Whats Four-to-the-Bar Rhythm Guitar? Time and Groove Rhythm Chords and the Extraction Concept | 23Basic and Essential Ahythm Chords Reading Charts and Chord Reduction | Reading Charts and Chord Expansion ‘More About Chord Reduction and Expansion Paar 2: FonoaMentas oF Ruy GUAR ‘The Role of the Rhythm Guitar in e Big Band Types of Guitars and Their Setup The Use of Amplification Rhythm Guitar Technique Practice: Food for Thought, nr 3: Chono Rernence Lonany Drop and Raise Chord Voicings ‘The Chord Reference Library Major Group Minor Group Dominant Group Altered Dominant Group Diminished Group Which Voicings Should | Use? CONTENTS “ 15 16 18 19 2 2 alc Parr 6 Guono Iverson Exenses How the Exercises Work Major Group Minor Group Dominant Group Aeced Dominant Group Diminished Group 14 Pa 5: rr avo PocnessOs . Introduction tothe Chord Patter Exercises . Harmorized Major Scales Two-Five-Ono One-SixTwo-Five Minor Two-Five-One Minor One-Six-Two-Fve Diminished Connecting Chords Titone Substitution Pant 6: Peace Tones Pars 7: Reoueron ano Exeansion Chord Reduction Chord Expansion Reduction and Expansion—Summary Reating vs. Playing Reduction “Nic Bones Lives Alone” Reading vs. Playing Expansion “Full oft “sa 95 Thang ‘erenone : rca ano Choos Aerenon I: A Bas Histo Fou 70--Bx8 Rein Guna 8 a 4% 48 81 58 59 9 n n n 3 4 15 18 4 16.23 25 2829 031 4058 565 50 0 26 6