FIFTY MODERN ENGLISH SONGS Selected by and Published for THE SOCIETY OF ENGLISH SINGERS Price I5/- net Boosey & Co., Ltd. Sole Selling Agents: Boosey & Hawkes, Ltd. London + New York * Los Angeles * Sydney * Toronto * Cape Town * Paris Printed in EnglandPREFACE. HE songs in this volume have been compiled by the Society of English Singers. There are many existing volumes of classical and non-copyright songs, but this is the first time that a collection of songs by contemporary British composers has been published in book-form, and the Society wishes to express its sincere gratitude to the individual composers, or their representatives, and to the publishers without whose patriotic co-operation the scheme could not have been carried out. The object of those concerned has been to bring within the reach of all a representative set of songs by contemporary, or recent, British musicians with English words and guaranteed as intrinsically good. The book should be invaluable to training colleges, schools and teachers throughout the Empire and of real help to the individual singer, professional or amateur, whose heart is in the right place but who is in need of advice in the matter of selection. Many, if not all, of the songs can be sung as Unison-songs and there is no fee or licence of any sort attaching to their public performance. They have been printed, so far as possible, in the original keys, but many of them are also published separately in other keys, and where this is the case a foot-note to this effect appears on the first page of the song. The compilers have no financial interest in the undertaking, and have therefore no hesitation in recommending it to the public. The present volume, they hope, is only the first of a series.ALPHABETICAL TIT Bells of Clermont Town (The) Birds in the high hall Garden Bird of Blue Boat Song Carol of the Skiddaw Yowes Come into the Garden, Maud Corinna’s going a-maying . Crabbed Age and Youth. Cuttin’ Rushes : Dainty litle Maiden Diaphenia Eldorado Fairy Lough (The) Fairy Boat (The) Grace for Light Green Cornfield (A) Hymn for Aviators (A) I will go with my father a-ploughing In Summer-time on Bredon ... Johneen Lads in their hundreds (The) Love's Philosophy ... Love on my heart from heaven fell Lullaby (A) nee Magdalen .., Marden Blosh The)" Mistress Mine. Nanny Night Piece (The) “ Ochone, when I a to be 2 young! Ophelia's Song... O Men from the fields Oh my Swetynge ... Ould Lad (The) Rain it raineth every day (They Row, Burnie, row ... Scythe Song Sce where my love a-maying goes Since thou, O fondest Splendour falls (The) Spring Song (A) Sunny March There's a Bower of Roses To the Soul Villanelle Virgin's Cradle Hymn (The) Whither must I wander? ... ‘Widow Bird sat mourning (A) Young love lies sleeping Youth and Love Sigh no more ladies woe ADDITIONAL SONG worps By Hilaire Belloc... Tennyson “ Chrystabel Walter Herries Polloc Ernest Casson... Tennyson Herrick Shakespeare Moira O'Neill Tennyson... H. Constable... Edgar Allan Poe Moira O'Neill Annette Horey Moira O'Neill Christina Rossetti Mary C. D. Hamilton . S. Mac Cathmhaoil A. E, Housman Moira O'Neill A. E. Housman Shelley... Robert Bridges Thos. Dekker ... Henry Kingsley Herrick Shakespeare Thos. Percy Herrick Geo. H. Jessop Shakespeare Padraic Colum Anom ... Moira O'Neill” Shakespeare... Walter C. Smith Riccardo Stephens XVII Century Robert Bridges Tennyson Shakespeare Norman Gale... Thomas Moore Walt Whitman Ernest Dowson Arthur Charlton R. L. Stevenson Shelley... Christina Rossetti R. L. Stevenson ~ Shakespeare INDEX. COMPOSER Pace A.M. Goodhart ... 38 Arthur Somervell 13 Edward German... 26 €. Villiers Stanford 41 Ivor Gurney an. 173 Arthur Somervell... 30 Ernest Walker 51 Maude V. White... 58 C. Villiers Stanford 45 Arthur Somervell... 66 Harold Samuel... 62 Richard H.Walthew 10 C. Villiers Stanford 1 Harold Samuel... 70 Hamilton Harty Michael Head 200 C. Hubert H. Parry 84 Ivor Gurney 79 Arthur Somervell... 88 C. Villiers Stanford 93 Arthur Somervell... 156 Roger Quilter 6 Clive Carey 107 C. Villiers Stanford 24 Caroline Maude... 102 Roger Quilter 154 Richard H.Walthew x61 Harold Samuel 110 Roger Quilter 150 C. Villiers Stanford 122 Mande V. White... 98 Herbert Hughes ., 115 Harold Samuel 118 Hamilton Harty 164 C. Villiers Stanford 143 H. Burgess Weston 189 Hamilton Harty. 194 C. A, Lidgey 137 Samuel Liddle 127 Richard H.Walthew 180 C. Hubert H. Parry 134 CLA. Lidgey .. 140 C. Villiers Stanford 184 C. Villiers Stanford 146 Cyrit Scott 170 Herbert Fryer 197 R.VaughanWilliams 176 B. Luard Selly... 20 Arthur Somervell... 130 R.Vaughan Williams 16 Frederick Keel... 203SomeRVELL (ARTHUR)— Birds in the high hall Garden Come into the garden, Maud Dainty ‘little Maiden ... In Summertime on Bredon The Lads in their hundreds Young love lies sleeping STANFoRD (C. VILLIERsS)— Boat Song Cuttin’ Rushes ... The Fairy Lough Johneen A Lullaby — | Ochone, when I used to be young! The rain it raineth every day There's a Bower of Roses Tothe Soul... oy Samuet (HaRoLD)— Diaphenia The Fairy Boat Nanny on Ob my Swetyng: Scott (CyeiL)— Villanelle oe oe oo od one Sevpy (B. Luarp)— A widow bird sat mourning... WALKER (ERNEST)— Corinna’s going a-maying ... Waite (Maup VaLéRtE)— Crabbed Age and Youth Ophelia’s Song. s+ Wactuew (Richarp H.)— Eldorado Mistress mine. The Splendour falls Weston (H. BuRGESS)— Row, Burnie, row Wituams (R. VauaHan) — Whither must I wander? Youth and Love ee ADDITIONAL 9UXG Reet (FReperick)— Sigh no more ladies eae Tennyson 13 Tennyson 30 Tennyson 66 A. E. Housman 88 A. E. Housman 156 Christina Rossetti 130 Walter Herries Pollock 41 Moira O'Neill . 45 Moira O'Neill Moira O'Neill 93 Thos. Dekker 24 Geo. I. Jessop as, 122 Shakespeare . Tom Moore’ ... Walt Whitman = oe 1. Constable Annette Horey Thos. Perey ... Anon Ernest Dowson. 170 Shelley sae 20 Herrick a5 Shakespeare 58 Shakespeare ... 98 Edgar Allan Poe... 10 Shakespeare ... 161 Tennyson 180 Walter C. Smith... 189 R.L., Stevenson. 176 RL, Stevenson... 18 Shakespeare... 2. 203THE FAIRY LOUGH. (from “An Irish Idyll”) Words by : Music by MOIRA O'NEILL. From “Songs, of the Glens of Antrim" C. V. STANFORD. (by permission Ei ihe Authoress & Op. 77. ‘Messrs WE Blackwood & Sons.) # Andante molto tranquillo. ft = Voice Piano: wa-therS black an’ deep. Ould Copyright 1901 by Boosey & CO AIS0 published separately in the keys of DF. nonrons go a-fish - in’ there, - . . = Lough- a - reem- .- a,Lough-a - -reem- - a;When the sun goesdown at — sev.en, H.t0910hills are dark..... an’ air -" lit - tlewave runs up the shore An flees, 4H. 10910.4 a mtn (a eo Ge pod ie = Cae erin + reem- - a,Lough-a - rem. = a! Stars come out, an’stars are StONES reece ad fa. das qr aaa ay tS ete ~ t= SSS Se ee — a ae 6 = =k a = ae light ‘The Horse-men will come ri - din’ Roun’ an’ H, 10910,(Ey ; row” the fair - tS ae _ —- | H. 10910,LOVE’S PHILOSOPHY. Words by Music by SHELLEY. ROGER QUILTER. Op. 3, N91. Molto allegro con moto. (d-112) Voice. Beet i 1 The foun-tains ——+ The winds of 9-cean; Also pubtisnéd separately inG D&E Copyright 1905 by Boosey & C2 H. 10910.All things, by a law di-vine, In one an- gle— Why not aco Fit. with — thine? Pre tempo 000 rit tains kiss high Heavy ¥, 109102 =< waves clasp one an- o- thers No sis-ter flower would be for - crese. moon - beams kiss the = SOAs .creees — Ss f= What are H 10910H. 10910.ELDORADO. Words by Music by EDGAR ALLAN POE. R.H. WALTHEW. (by permission of the publishers of £.A.Poes cemplete workss 2.6. Armstrong-d Som Naw Yorks) Allegro giusto. Voice, Gai - ly bedight, A Pianos tor? for? bop’ Boe? EDF Jour; neyed long, Sing. ing a song, In search of El - do- ra - EP oF fer ir fp be Copyright 1896 by Boosey & Co A180 published separately in C&D. en11 of ground That looked like El. - do- 7 = fi fot’ fof Oe ee) ee “El F? BoP? 7 And as hisstrength Failed him at length, He met a pil - grim Fe “t_epaFe 7 = — tyr Prt as tof grt / “Sha-dow)’said he, “Where can it be_ This pre port Earp #10910pri lento _ oe a5 ets osha : -_ dow, Ride, bold-ly ride?’ The —— = Se fT Fis EF tw r Ye, ——— Shade re-plied, “If you seek for El-do. ra - 5 H. 10910.13 BIRDS IN THE HIGH HALL - GARDEN. (from “A Cycle of Songs from Tennyson's Maud?”) Words by Music by TENNYSON. ARTHUR SOMERVELL. (by kind permission of Messrs. Macmillan &C?) Andante grazioso. Voie, BPE a Piano. = + ae =F en twi -_light was fal! - ing, Naud, Maud, Maud, ing and call. ing. PPS. who else, was with _ her, Bt Copyright 1898 by Boosey & C? #10910.4 = + A — = = é | ce = si Gather - - ing wood-land li lies, My - riads blow to. b, = Q ee = eel a. | sang Ring-ing thro’ the val-leys, Maud is here, here, here In a Zz A kissed hersien-der hand, She took the kiss _ se -date-ly; Maud is not sev-en- ~ ss oly * H. 19910,- teen, But she is tall and_ state-ly. fal sg know the way she went™ =a Home with her maid-en pos y, For her feet have touched the weet fen to - dows’ And left. the dai - — sies sa~ ba Hi. 10910.YOUTH AND LOVE. (from “Songs of Travel’ part 2.) Words by Music by R.L. STEVENSON. R. VAUGHAN WILLIAMS. (by permission of Messrs, Chatto & Windus.) rE Andante sostenuto. = 4 ~~ Piano. pespressiva, tempo rubato, SS DINER a - Copyright 1907 by Boosey & CF ¥.19t0,18 Poco animando, it = et B ~ oS oe ee SS Y Thick as ae nic when the moon a # FO. * affrettando. Se ee and but waves a \C= eae el oo es sempre f crest tH EY EY ufrettantd, TS eS E_—C—s=~=Piit moss0 SF hand as he passes on, but a = = 4H. to9ta,19 word to her... at the gar- den gate, oo aa, \" oe = a rail. stave sempre rall.e dim. an: (aria 10910,20 To 4, Plunket Greene, A WIDOW BIRD SAT MOURNING. Words by SHELLEY. Music by B. LUARD SELBY, Piano. pp t= 5 mourn-ing for her +—— <= SS *: = mourn-ing for her Copyright 1902 by Boosey & C2 H. 10910.wind crept pele as There was no leaf up - on the fo- rest bare, Noflower up - on the ground, foo H.10940.P These was bare, No flower up - W. 10910,23 mill wheel’s fi». 2, S=eS2=a22 oe =f = =F H. toto24 A LULLABY. Words from PATIENT GRISSEL by THOMAS DEKKER. ¢. VIL (Cirea A.D, 1600.) Adagio. P Gold - Pianos Music by LIERS $ANFORD. Op.19. N92. =o] en slum - bers Smiles a-wake you — when you rise,.. CSS a= 6 Rock them,rock them, SS 2 H. 10910,25 Care ishea- VY; there-fore sleep you, are cate, and care must keep you, —= = crese. Sleep, _pret-ty wan-tons, do not cry, And I will Sing.. eresc. —~ p Rock them,rock them, lul- —_la- by.. ralt.al fine. PP them,rock them, ul - H. 10910.26 BIRD OF BLUE. Words by Music by “CHRYSTABEL.” EDWARD GERMAN. Allegro agitato. é -88 Voice. —_—_—— Piano. thro’ life we're look. ing for you, Lit-tle Bird of Cer-tain- ly youll bring us Though they're bound with —rue...... —e | ———____———_ 2 Ra. & Re. Also published separately in Dp Eb & F. Copyright 1910 by Boosey & C9 1H. 10910,27 When on wings you swift-ly fly; Will you so journ by and @ tempo animato Where we Would have you tar- ry, Where the winds of hea-ven car-ty Mes.sa-ges for you, bs #RD ED % a tempo rit. oS Lit-tle Bird! Little Bird! Lit-tle Bird of Blue? o — pp atempo la Sar 4H. 10910,Lit-tle Bird of Blue! ee pa temper Come, and bring us crowns of ro-ses,_ All un-touchd of un-touch’d ‘of Ie: Stay with lap- pi- ness be ours for ev cee H. f0910,shallcome to those who sor- row, ———— — i r —>=== Meno mosso God's own Min-strel Ra. # Fa, # RD. rall. —————_ pa tempo Vittle Bird! _, Little Bira! lallargando pad lib. fr Lit-tle Bird of colla voce pp rr 1.10910.. COME INTO THE GARDEN, MAUD. (From “A Cyele of Songs from Tennyson's ‘Maud.”) Words by Music by TENNYSON. ARTHUR SOMERVELL. By kind permission of Messrs. Macmillan & C? Non troppo allegro. Voice. Come _in-to the gar den, Piano. PP una corda —S= a? Maud For the black bat, night, has flown,... 1 am here And the wood- bine s Copyright 1898 by Boosey & C?31 waft - ed a-broad, Andthemusk of the rose is blown. —_——— alee —S == breeze of morn - ing moves, Andthe pla-net of Love is on Be - gin-ning to faint in the light__sheloves On a ed of daf- fo-dil sky, faint in thelight of the eayE—EE sun that she loves, To faint inhis light,and to die, —= H.t0910night havethe fo_- _ses flute, vi-o-lin, —_bas - soon; All night _has the case- ment jess - a-mine stirred To the dan - cers danc-ingin tune; Sat =s lence fell with the wa- king birdy And a hush with the set - ting tre Corde H.10910.33 >_ —== of the rose- bud gar-den of Come hi- ther the dances are In gloss sa - tinand glim-mer of pearls, Queen out, —lit-tle head, sunning o - ver withcurls, To the floweis, and be their H.10910,~_~—_~ 34 tear From the pas - There has fallen a splen. did atthe gate. my dear, She is com-ing, my life, near, she is near}” cella voce == white rose weeps“She is oS le #1091035 0) — I hear;’ And the fi - ly whis-pers,“I wait?’ is com. ing, my own, my sweet beat,Were it earth in an earth H.10910,36 Would start and trem- ble un. der her feet,.. And blos-som in pur - Pil mosso. Would start H. 10910.37 her senza rall. senza ral, zs W 19910.38 Dedicated to MP Plunket Greene, THE BELLS OF CLERMONT TOWN. (AUVERGNAT) Words by Music by HILAIRE BELLOC, A.M. GOODHART. Allegro leggiero e brillante. nf Voice. Piano. mf poco martellato cresc. S . : Presto, ma distinto. cao SSS SS Sea eS was a man Was half a clown (It’s so, my fa -ther tells of it,) He £ £ Y i pp poco scherzando, colla voce sempre basso ostinato. saw the church in Cler-mont Town, And laugh’d to hear the bells of it. He Copyright 1909 by Boosey & CO #10910.39 laugh’d to hear the bells that ring In Cler-mont Church and round of it; He pocodim - in - u - ex - do heard the ver-ger’s daugh-ter sing, And loved her for the sound of it. The cre + = seen : 5 Oo + 5 = i 4 Fé =p SS Zi 2 2 ae Zr = | yer-ger’s daugh-ter said him nay (She had the right of choice in it); He had a voice in H. to0t,40 4 hh [G6 —— = —- ae SS = SS : road went up, the road went down, And there the mat-ter end-ed it: He loco - +t. == ov poco erese. ——f £ ¢. f -f = 2: Ea — A broke his heart in Cler-mont Town, At Pont - gi - baud— colla voce * H.10910,41 BOAT SON Words from Songs and Rhymes by Music by WALTER HERRIES POLLOCK. C. VILLIERS STANFORD. Op. 19 NOS. Allegretto tranquillo. Voice. Piano. P —=__ Boat, lit-tle boat, a breeze on thy sails shallsoon light, light-ly float,....... a-way in-to the moon - light: Wing- ing thy flight... the pda) ie Also published separately in D & F. : y +H.10910.Az world... . In a dream of de- light,. SS in a dream of de-light shall thy glis- - - - - - . ae, _ e+ f Sore SSE fa : y+ - > -ten-ing sails be un - furl’: [#9 “es |.) es | -,, ep SS SS SSS Float far a - way...... from the glare of the sun’s blind-ing light, get Pe AE t i — oe | SS ee ee ee H An910,43 From the heat of the day to the cool of the slum-ber-ing night: Float thro’ the bay... thro’ the soft rip-ples’ in - fi-nite a) as Bear me a - Way,.. a —_—_—_— bear me a-way to the tire - - - less waves of the 0 - H. 10910.44 PR Float to the deep, . to the o-cean bitdS Jong... roll - ing on a soft toss-ing cra-dle of H.10910.CUTTIN’ RUSHES w om “An Irish Idyll”) Words by Music by «MOIRA O'NEILL. ©. ¥ STANFORD. from“Songs of the Glens of Antrim” 0p. 72 iy permission of Messrs. William Blackwood & Sons) Allegretto. nf Voice. Oh may-be it was ——_ Piano. t yes-terday, or fif- tyyears a- go! Me- self was ri- sin’ ear-ty on a ooo S| a day for cut-tin’ rushes, Walk-in’ up the Bra-bla’ burn, still the sun was a | Now Ta hear the burn run an’ then [4 hear the thrushes. Published also for high Voice in “An Irish Idyll’ N92 Edition, Copyright 1901 by Boosey & CO 1.10910.46 Foung, still young!— ant drench.in? wet the grass, Wet the got- den ——_.. ho - ney-sue.kle hang-in’ sweet -ty down; “Here, lad, here! will ye fol-low where I find me cut-tin rush.es Then was it on. ly yes - ter-day, or fif . ty years or ; = H. 10910.AT Rip-pird round the bog pools igi a-mong the = = = = hea-ther, ‘The hook it made her hand sore, she had to leave it go, Twas C= =e 4—* 2 > — me that cut the Tush-es then for her to bind to - ge-ther. = —~ — 5 SS SS SS SS SS SSS f : an’ back a-long the burn Come, dear, = i the dar-lin’ ho - ney-suc-kle hang - in’ like a crown. H 10910— “sure, there’ someone at the turn!” af. ther cut - tin’ rush - es on the moun - Poco it lento. Yes - ter-day, fif - ty years a. ror a dreams when I Ht0910.49 Tempo I? accel. the sum.mer thrush - es. On, that’s. the Bra - bla’ 1 it sing an’ flow, a — On that’s fair, I'd soon - er see a bunch of green. so pix _mosso mind when we were young? The ho - ney.suekle hangs a,- bove, the a 1H. 10910,50 is dark an The ee brown: day we the song ye cut the rush. es on the _ - H.19910,To 54 MY? Plunket Greene, CORINNA’S GOING A-MAYIN Words by Musie by HERRICK. ERNEST WALKER. ‘Allegro leggiero. mf Voice. = Piano. up forshame, the blooming morn. Up-on her wings pre- sents. P the god un- shorn. See how Au-ro-ra throws her fair Fresh - - quilt-ed col-ours through the air; Get up, sweet slug-a - bed, and see The Also published separately in Eb &F. Copyright 1902 by Boosey & C2 H. 10910,52 Pp dew be-spang-ling herb and tree, Each flower has wept, bowed —to-wards _ the hour since, yet you not dressed, Nay! not so much as out of bed; When all the birds have ma-tins said, And sung their thank-ful hymns: ‘tis sin, Nay, pro-fan- a-tion to keep in, When_ as a —thou-sand virgins on this day, Spring,soon-er thanthe lark, to fetch mf Rise, and put on your fo - - Jiage, and be poesia | R To come forth like the springtime,— fresh and green, And + sweet as Flo-ra. Take no care For jew-els for your gownor hair: Fear not, the leaves will strew Gems in a-bun-dance up-on you: Be-sides, the childhood of the H 19910,54 A-gainst you While the light Hangs - on the dew-locks of the night, And Ti - tan on the east-ern hill Re - tires him-self, or else stands still Till you dress, be brief in pray-"ing: Few beadsare best, when once we go 7 10910.while we are in cur prime, And take the harm-less fol- ly , P mesto We = shall grow old Nts sempre dim. Be-fore we know li- + ber~ ty. Our h_ H. 10910,56 sempre dim, Va - pour, or a drop of rain fost, can nebr be found a - gain: o As fasta - way as does the ‘sun: 4H. 10910,sempre culandae pocoapocorit.- - - - - - = = All ~ love, all li-king, We —s sempre calando € poco a poco rit|- bb a w basso assat tenuta, ance ane eee poe accel. drowned with us in end - less ” night... Then while time | accel. BP tempo primo ot ——— we are but de - 5 tempolprimo ————— - rin-na, come, let’s go 4H. 19910.88 Dedicated to ME Plunket Greene. CRABBED AGE AND YOUTH. Words by Music by SHAKESPEARE. MAUDE VALERIE WHITE. Allegro con brio. Voice. e Attacca sibito Con brio. Sf ma leggirro 2 Z Crab- bed Age and Youth Can - not live... to - ge - ther; S me leggiere Youth is full.. of plea-sure, Age is full cf care, Copyright 1894 by Boosey & CO H.10910,Con spirito. Youth like sum-mer morn,...- 2 like sum - mer brave, Lf tm fusco Youth is full of plea - sure, Age is full Youth is full of sport, Age’s breath is short; 2 Age.. like win - ter 2 Age... like of care; wea - ther, win H. 19910,nim- ble, Age is lame; Youth is hot and Viento Age is weak and old; Youth is wild, And Sa tempo. H. 10910.dore thee; Oh! my rit. ard -an-do ee sweet shep - herd, For ‘calla voce 10910.62 To Alfred Wareing, Esq. DIAPHENIA. Words by Music by H, CONSTABLE. HAROLD SAMUEL. Allegretto. / Voice. Di- a - phe - nia, like the daf- fa-down- re pe sempre in |tempo. com Sm. White as the sun, fair as the li- ly,.. my lambs - lov- ed of Also published separately in C, D & F. Copyright 1909 by Boosey & CO H. 10910.63 blest were if thou would’st Sl Di- a - phe - nia, like the spread-ing poco cress. thee...as..each flow'r Loves the sun's ‘Iife- giv- ing pow, H.10910.64 a ———— thy breath to life might © move me. = ae Di- a - phe - nia,tike to all things bless-éd, ¢ largamente > a tempi love thee, AS the birds... the p C Pie | jz tempo. marcato la melodia H.10910,65 — Or the bees their care-ful king, ral. AP @ tempo love me! quite, sweet mai - den, doloe? rall.bn.tan-do pp atempo H. 10910.66 DAINTY LITTLE MAIDEN. (from“Love in Spring-time”) Words by Musie by LORD TENNYSON. ARTHUR SOMERVELL. Allegretto. A. v whi- ther would you wan - der? Whi - ther from this a ty home, the home where mo- ther dwells? A. af. A, Copyright 1901 by Boosey & C2 H. s0910.67 Meno mosso. said the dain ses and H.1091068 ther would you = ther from this pret - ty house, this H. 10910.69 Meno mosso PP “Far v said the za =~ a tempo ——_=. dain- - ty lit - tle maid - > en, “a a-mong the = => =a => dows, the clo - verand the cle - ma-tis, Dai- sies and => king-cups and hon-ey-suc -kle flowers?”... SS H.10940,70 . THE FAIRY BOAT. Words by Music by ANNETTE HOREY. HAROLD SAMUEL, Andante, ma non troppo. p legato. Voice. Somé-time a-down a a) pp g [em Ere mellolessteroe pin Con due Pedal. ma-gic stream Jit- tle boat comes sail - a - ing, A sail- ing in the evn-ing just be - fore the sha-dows poro eresc, ‘Also published separately in E>, F &G. Copyright 1919 by Boosey & C9 ¥. 10910.cal mea-dows by the bank where I stand wait - aod - ing, Then sweet and clear —up-on 10910.72 Poco animato senza sording > =—_—. bright-eyed squirrels play, And the soft en-chant- ing Sa WSS H.10910.float up - on the tide, a tempo - ing, Onward to where the bat- tle-ments _datce And spires...are rear-ing del-i-cate - gainst a sky H. 10940.14 poco ralt. azure, Un- til wereach the dis-tant bor—- der of the molto dolce z ~— comes Some-time..... tle boat Mastings, Aug: 1918, ¥. 10910.15 GRACE FOR LIGHT. (trom “Six Songs of Ireland”) Words by MOIRA ONEJLL. Music by (By permission,) HAMILTON HARTY. from “Songs of the Glens of Antrim? Moderato e scherzando, Voice. Piano. we were lit- tle chil- der we had a quare wee house, of = |F ‘That joys for the har oo84 A HYMN FOR AVIATORS. Words by Music by MARY C.D. HAMILTON. C. HUBERT B. PARRY. Moderato. Voice. aaa Piano. nf —== ———_— guard and guide our men who YS them tra -_vers-ing Also published separately in Bb, F & 6. Copyright 1915 by Boosey & C2 10910.85 St tempo dark-’ning stor or sun- shine fair. (a who dost keep with ten - der = dim bal- anced birds in pered winds, be bry a _——_ rit. tempo no fear. H.10910.86 SS pore rit. Teta Con-trol their minds, with in-stinct fit, What time, ad - ven - tur-ing, they —— p000 rit. So vempo arth quit The firm se - cu--ri-ty of land; Grant stead - fast > tempo eye and skil - ful hand. 4.10910,87 —— —==== _=—— i-tudes of space, Up - hold them with Thy a God, pro - tect our men who oar fly Through — lone- ly ways... Leime : jaf : — (Spe as allargando > 2 |F =r Ht STN Y vel vais wut H.10910.S IN SUMMER-TIME ON BREDON. (from “A Shropshire Lad”) Words by Music by A. E. HOUSMAN. ARTHUR SOMERVELL. (oy kind permission of the Author) Allegretto. rf Voice. = In sum - mer-time on > Piano. a. Fa. Rap. =——_ Gg —* t= 4 == 2S a eS Bre - don The bells they sound so... clear; Round Se eS and the shires .. them, stee - ples far... they ring. Le eee . Saat Copyright 1904 by Boosey & C9 H, 10910.839 poo rit, —————— fompo of Here of a Sun-day morn-ing | My love and I... would lie, —— _—_—__ > $= rall. And hear the larks so high About us P= all to church, good = ny a ple,come and pray? Buthere my — love. a a Zo Py | ot H, 10910.90 would turn and an - swer - mong the spring - ing... ——_ will hear the... chime, And come to =a ral. P Meno mosso when thesnowsat Christmas On’ Bre - don top were , > =——_ — = the stee- ples hum, to church, good tf rall. sy bells, be... dumb; I hear — you, A a tempo - ral ———- H, 10910JOHNEEN. c Grom ‘An Irish Idyit”) Words by MOIRA O'NEILL. Music by from“Songs of the Glens of Antrim” ©. V. STANFORD. Op.77. By permission of Messrs W%™ Blackwood & Sons. Allegretto. Voice. p— Ba - by John- eeny~ Watch yerself now, for he's ter-ri- ble sthrong, Ba - by John - cota Published also for high voice in “An Irish Idyll” NY 2. Edition. Copyright 1901 by Boosey & C? H, 10910,crese. Pp Am his fists “ll be up if ye make a-nyslips,Hehas fin - gerends like the vat _ 2 daisy-tips, But he'll have. ye at-tend to the wordsof his lips,......... Witt John. j - colla vore A Allegro moderato. There’ This John-een; no - body can right-ly tell the col- our of his eyes, .. leggiera, For theyre H.10910.95 Like John-een. far as hes thra - velld he’s been poco rail. tempo orese. Jaugh-in’ all the way, For the lit-tle soul is quare an’ wise, the lit-tleheart is gay; An’ he ‘olla parle likes the mer-ry daf- fo-dils, he thinks they do to play. With John-e: (porn orese, Pid mosso Hell sail a boat yet, if he a S on-ly has his luck, Young Juhn-ern, For he takes to the wa-ther like ey Rae H.10910.a-ny lit- tle duck, Boy John-een; Sure them are the hands now to a a pull on a rope, An’ nate feet for walk-in’ the deck on a slope, But the ship she must wait) a wee while yet, To hope, cco For John - Dy : oo a eee puen prilento could - nit do want - in’him, not just yet, Och, John - een; H.10910.97 ral. P Pit lento A ‘Tis you are the dai-sy, an’ you are the pet, Allegro Heres to your health, an’ we'll Slain-tegeal, atic machree! live aw do right, H.10910,98 To Miss Maud Holden OPHELIA’S SONG. Words by Music by SHAKESPEARE. MAUDE VALERIE WHITE. from Hamlet”? Andantino, P Voice. semplice Piano. aay shoukt I your true love know From an- 0 - kle hat) and = And bis san doloroso. He dead and gone, —_—>— H,10910,99 Se At his heads grassgreen turf, At his f>————.. White his shroud a va sotto... — tain snow, - ded with appassionato, Which be - wept to the grave did go With a affettuoso. SS a = f H.10910.100 <4 come a- gain? And will he not come a - a thy... death ~ He = nev- er, ney. er wif come a- gain, He. nev - er will come a 4.10910,101 P, = — beard = was white as snow, All flax- en con abbandong He is gone... mito semplire @ religrioso appasstonato « And we cast a- way a God ha’ mer- cy... on his gra sotto... H.10910,102 t MTS Russell’ Barrington. MAGDALEN. Words by Music by HENRY KINGSLEY. CAROLINE MAUDE, (Wiscountess Hawarden) Voice. Piano, Mag-da-ten, at Michael gate, Tirtea On Jo-sept’s thorn sang the black-bird,— “~~ Sang the black-bird,“Let her in, Copyright 1898 by Boosey & C2 H. 10910.103 “Hast thou seen thewounds?” said Mi - —chael,“Know-est thou thy sin?” “It is eve-ning} sang the black-bird, Sang the =—Z, ob black-bird, “Let her in, let her in, calla vane SR “Yes, L have seen the H. 1090.104 baa = tte knows it well? sang the black - bird,— “Let her in, let her H, 10910,105 sor - ty}. sang the biack - bird, olla voce, : Sj in!” Pa aes == a — agitato @ accel. crese, tf ete : dime rail. Ea ~~ H, to910,106 night ONE cameando-pened Mi - chars gate, Mag - da-ten a a colla vore. H. 10910.110 To Robert Chignell. NANNY. Words by Music by THOMAS PERCY. HAROLD SAMUEL, Allegretto. Oo Voice. Piano. ny, Wilt thou go with me,Nor a a poco rit C sigh to leave the flaunt - ing town? a i lentgtens have a o thee, The low-1y corr if Copyright 1913 by Boosey & C? w.toste.411 er drest in sik - - 5 en — co allargando sheen,. No long - er deck’ with calla voce canst thou quiteach court —~ scene Where thou wert fair-est of the H.10910.412 Nan- ny,when thovrt far a-way,Wilt —— 3S a a (sas SS oe thou notcast a Wish be-hind? Say. * 4 SS Ee thou face the parch-ing rays Nor Pie poco erese. P poco rit. Or when thy swain mishap shall rue,.. polla voce allargando .. To share with him the pangs of wor? On!........Nan-ny,canst thou love... —= H.10910.413 ptic e pti a tempo true,Thro’ pe-rils keenwith me to TF FF pie pitt a tempo ny, wilt thou go with me, Nor sempre legato lentglens “have charms fos b) br P calla voce H,10910,114 poco crese. that’ soft and i | == poco erese. pore allarg: a tempo mien Ex-tremes of hard- ship poco allarg: er > v —_ == erescerall- = —_ re-gret each court ~ scene Where thou wert fair- est of 4H. 10910.118 To Robert Chignelt. OH! MY SWETYNGE! — ; Music by — HAROLD SAMUEL: Andantino. con grazia. Voice. Oh my swe - tynge! My . P grazioso. Piano. con BB. sempre staccato. lyt-tell pre-ty swe . tynge, My swe-tynge will I... love wher- =~ =~ She is so pro.per and pure, calla voce Copyright 1913 by Boosey & C9 H. 10910.119 poco allarg: = Fullsted-fast, sta-bill and de-mure, There is none such, ye may be sure, As sutvez, lyttell swe. - tyng In all thys world,as thynk-eth me, Is none so pleasant to myeye, That I amglad so oft to see,.As.... my. swete swe - tynge. H, 10910.120 When 1 be-hold my swe-tynge swete, Her face, her hands, her minion feet, poco cress. ¢ rall. oh eh # They seem to me these none so mete As... my swete swe - — tynge)... — a oS tynge, 0 ‘sempre molto piano = Aff. ——S My swectynge will I... wher - ev - er I go,. calla voce H 10910.121 She is so pro-per and pure... Full sted-fast,sta-bill,and de- mure, poco rall. is none such, ye may be surey i P poco rail. con espress. pice pit rall. oF H. 10910,122 : OCHONE, WHEN I USED TO BE YOUNG! (from “Shamus O'Brier?) Words by Music by GEO. H. JESSOP. : C.VILLIERS STANFORD. Andante. af Voice. Och - one,when Lused to be rall. a tempo. t Och - ongwhen I used to be young! ‘Them was thedays 1 was ) calla voce. —— free andhear-ty, The life and soul of a dan - cin’ par - ty, Thefirst boy —~ <7 pow ral. axed whena song was. Och - — one,when lused to be (colla parte. Copyright 1896 by Boosey & C9 H.t0910.123 fa tempo. young! Then I could coort as sweet as ho-ney; Di-vil a hair 1 thought of mo-ney, Ochsure, I was brave and young. — Sp Poco ral, Och - one,when I used to be young! colla parte. v Pi mosso, Now look at me, poor and bat-terd, Cau - beenpatehd and > Sf —_—— all tat-teru, Look’ at the work of a H.10910.124 Born from the kings that tuled the pa-rish, ——— Sure a-ny girl ould - est stock. = 2 one,when I used to be young, used to be ries danced at my H.10910,125 mo - thers mar-ry- in’. est keen that e - vershe — sung! Sure all theworld has turn a - gin me, Since No - ra 10910.126 2 sourd the love with - in me Wid a could sharp ‘No’ from her om 2 Pit lento. _ cru - el tongue. Och- one! > —=_ A> -one, when 1 used to be young! Och- one! Och - one! to be young! H,10910.127 SINCE THOU, 0 FONDEST. Words by Music by ROBERT BRIDGES. SAMUEL LIDDLE. Andante con moto. teneramente, Voice. = Since thou, 0...fond-est and espressivo. Ae Piano. Se aes, tra - est, ‘Hast lovd_ sme best and long - est, And —_ r = St now with trust the strong est The joy of myheartre-new - est; oo rt —— serese, Pp Turn =p 7 —S Since thou_artdear-er and dear - erWhile Copyright 1901 by Boosey & C? H. 10910.128 oth - er hearts grow cold - er, And ev - er, as love oe eo St of dim. =—_— of er, More__lov- ing- ly draw-est er Since o——~ ol Hi a4 oe eerere t k : re Et i now Isee inthe mea = - sure of all my giv-ing and ae = | SS Se _ crese sempre aie ene ee [Dp ete re PE allarg. ! S 4p = o + —=. = = as = ra oe = oa os tak - ing, Thou wert myhand inthemak - ing, The H. 10910,128 P good I have ne - %r re-paid thee In heavh__I.....pray be re - erese. frit, dim. And all thy love Ui col gves” —— PR God, thyMas-ter that made _ thee. H. 10910,31 YOUNG LOVE LIES SLEEPING. (from“Love in Spring-time? } Words by Music by CHRISTINA ROSSETTI. ARTHUR SOMERVELL, ndante sostenuto. pp Voice. Young Love lies Piano. lies, Lappld in ten - light: White lambs come graz- ing, Copyright. 1901 by Boosey & C9 H. 10916131 ee Pp White doves come build-ing there, And round - bout him The. == May bush-es are pp —= zo Young Love lies dream-ing; But who can tell the dream? _—_————_ r fect sun-light On... rust-lingfor- est tips, — 10910,132 per - fect moon- light Up-on a rip - pling stream; Or = —— si- lence, Or... song of cher-ished lips. —— eae yf —= =—- —_— Draw close the | cur-tains Of branch - e+ vergreen; —— of Sa CS SUT ——— pp Change can-not touch them With fa-ded fin-gers sere.. aN H. 10910,133 —_—_—_— =———. Here thefirst vi- o-lets, Per- haps... will ——— =. bud un-seen,And a dove,........__ may-be, Re - turn to nes-tle here. —_ z ———— S PR Young Love lies sleep - -_ ings And round =a - Sa ( aS ji f —_—_ - bout him The May bush-es are white. H, 10910.134 A SPRING SONG. Words by Musie by SHAKESPEARE. C. HUBERT H. PARRY. (From “As you like it”) ‘Op 21 N92, Allegretto, M. M. d = 112, Voice. Piano. P his lass, With a hey and a ho, ey... ni not That green corn - field did pass Inthe spring - time, the H. 10910.135 on - ly pret- ty ring time, When birds do sing sostenuto @ tempo a Hey ding a ding, Sweet lov - ers love Pin lento, d = 84, o of the rye These pret-ty coun-try folks would 1 ca-rol they be- gan that hour, ral. - How that life was but a flow’r, How that life was 4H. 10910,PR time With a hey and a ho, I And there-fore take the —pre- sent and a << hey no ni no! For crown-ed... with the prime, a... - ly pret-ty ring time, When rit, _sustenuto L. birds do. sing Hey ding a ding, Sweet lov-ers _love.... the Spring, ro $f sostenuto H. 10910,SEE WHERE MY LOVE A- MAYING GOES. 17 Musie by Words XVII Century. C. A. LIDGEY, Allegro vivace. Voice. Piano. * a - may - ing With sweet dame Flo- ra s —_— ‘Also published separately in Eb,F &G. Copyright 1902 by Boosey & C2 H. 10910.138 eee with night- in - gales + Woods’ de- lights con - ralt. atenpo ————— a- gain my dear - The pleasantest air’s in mea-dows; Flas H. 10910.139 dl. pp molto ralt. atempo —= breathe, molto rail. FP mole SS eee ——— a-mongst the wil - — lows,.... And = » PO re” amongst the wil - oco rit. poor. Fad. SSS [Va tempo —_ H.10910,140 SUNNY MARCH. Words by Music by NORMAN GALE. C. A. LIDGEY. Allegro giojoso. nf Voice. Piano. hedge is full of the hou - ses full of packiss.rall. _ f @ tempo For it’s spring; pockiss.rall. yel-low- - ham-mer —tin- kles_ To the haw - thorn green a - tr t+ Copyright 1903 by Boosey & C9 H. 10910.141 pockiss rall. @ tempo tf a On the wing. ‘ =F pehiss rall. Tempo sparrow, he the gym-nast, Swings more bold - ly on poco rall. ma- Vis floods the or- chard With an too fine for poro rall. H. 10910,142 @ tempo “mp _pockiss. ptic lento, Trill and = Now my milk - ing-maid is wait - ing By the hay - stack for a =———_ pp In_the dusk; a clasp my love in poco rall. with dou - ble scent, Milk and poco Fall. H. 10910,THE RAIN IT RAINETH EVERY Day “** Words by Music by SHAKESPEARE. C. VILLIERS STANFORD. (from “Twelfth Night”) Op.65 NO3. Moderato e leggiero. a Voice. When that Iwas and a tit-tle ti-ny boy, With Piano, —— —= => hey ho the wind... and the rain, A. fool-ish thing was but a toy, P For the rain. 7 it raineth every dayoo— when I....came to man’s es-tate, With Copyright 1897 by Boosey & C? H. 10910.and the rain. knave and thief men shut their gate, it rain-eth ev-’ry poee rall. @ tempo when I” came, a-Jas! towive,witha hey ho, the wind. a . and the fe By swag-g’ring I could ne-ver thrive, H 10910945 P For the rain, Bsn . itrain-eth every — day, — SS A great While a- go the World be-gun With a that’s all one, our play is done, And well strive = e ral ia to please youev-ry day. { oe a tempo | S cotta voce 10910,— TO THE SOUL. (from “Songs of FaitH, Set 1D) Poem by Music by WALT WHITMAN. C. V. STANFORD, Op.97 NO4, Andante solenne. mp Voice. = Dar- est thou now, 0 Soul, Piano, i Pp Walk out with me towardthe Un - known Where nei-ther . to fol - low? FF map there,nor guide, Nor voice sound-ing, nor touch of Copyright 1908 by Boosey & CO H. 10910,147 hu- man hand,...... face with bloom - ing flesh, nor a nor eyes, are in that land. P —=— 1 know it — not, FF blank —__be - fore us; All waits, un- ——. 2 =f - dream@ of, in that re - gion,- that in-ae-cess ~ i-ble a H, £0910.148 "p poco a puce pi moto foos-en, All but theties e-ter - = nal, Time and Till, when the ties k 4 P__ pti agitato ed accel, Nor dark-ness, grav-i - ta- tion, sense, nor a-ny bounds. Des ele Hert, alt grTempo I. Then we burst Time and Space,® Soul pre- lcolla parte, nf, accel. -pared for them; SSS E = qual, —e- quipt at crese. H. 10910,149 ramente. pall. Pec aa Sf. Sf maestoso ? : OT iG 3:4 ¢F fi 0910,150 THE NIGHT PYECE. (From “To Julia”) Words by Music by ROBERT HERRICK. ROGER QUILTER. Op. 8 N04. Molto allegro e leggiero. (¢ =100.) Voice. Piano, P tf wr Her eyes the glow-worm lend thee, The shoot - ing stars at - == - tend thee; And the elves al-So, Whose Lit-tle eyes glow Like the sparks of fire, the ~~ a2 Se TS UME Also published for low voice, in “To Julia” NO 1. Edition. Copyright 1906 by Boosey & C? H. 10910.151 be-friend thee. Will-o'-the- wisp mis - light thee, Nor = snake or slow-worm bite thee; But on, on thy way Not’ mak-ing a stay, Since orese. = ghost... since phos there’s none... to af-fright thee. H, 10910.Let not thedark thee cum - ber; | What though themoondoes slum - ber? The stars of the night Will lend — thee their j poro rit. S largo e¢mottoles at Thus, thus to come. Ht 10910,153 mp a tempo poco erese. And when I shall meet het 2 largamente _——— my _ soul... langamente |, £ rt a tempo. poco accel. # H. 10910.154 THE MAIDEN BLUSH. (from“To Julia”) Words by Music by ROBERT HERRICK. Ee ee p.8 N22. Moderato semplice.(d= 80.) mp Voice. So look the morn-ings | a Piano. when the sun... Paints them with fresh ver - mil- i-on: ——_—_ rv yF fF So_cher-ries blush, and Kathern pears, And_a- pri-cocks... in youth-ful poco erese, 0 cor-als 100k more love-ly red, === poco erese, Also published for low Vaice in “To Julia NO1 Edition. Copyright. 1906 by Boosey & C2 4H. 10910.455 ru-bies late - ly _ polish-ed: (poy erese. —$—$_—___rspressive of clar-et wine: As A te di- a-per doth shine . SS —— a _— vt _ Copyright 1904 by Boosey & CO H.10910.espress. ———— there With the rest are the lads that will ne. ver be + + be : : = = ty 7 = S a Ss chaps from the town and the field and the till and the cart, And He x * =—- = ¢ =e a € ¥ Be * aa : = SSS E == man~- y to count are the stal-wart and man-y the man-y the hand-some of face and the hand-some of heart; And 4.10910.158 express. ——_ few that will car-ry their looks or their truth to the grave. TS meno mosso wish one could know them, I Wish there were to- kens to tell The 5 —— = : — 4 ——— oy ig tamagea di 7 for- tun-ate fel-lows that now you can ne- ver dis-cern; , And then one could talk to them friend - - ly and wish them fare - - 4H t0gt0.And watch them depart on the way that they willnot re - now you may stare as you like but theres no- thing to sean; And ts +s * ‘ SS SS SS SS f z z brush- ing your el- bow un- guessed at and not to be told They $- a= #10910,160 eres. frail. car- ry back bright to the coin- er the min-tage of man,— The Sf_————_ that will die in their glo- ry, the lads. o that will rall. in their glo- ry and ne- ver be old. H.10910,161 MISTRESS MINE. (from “An Album of Twelve Songs”) Words by Music by SHAKESPEARE RICHARD H, WALTHEW, Grom “Twelfth Night”) Allegro leggiero. Voice. = = Oh Mis-tress mine, Piano. where are you roam-ing? Mis. SSS SS) true love's com-ing, That cansing both high __and low; Trip no fur-ther, pret- ty sweet-ing, Jour-neys end in lo - vers meet-ing, Ev-’ry Copyright 1898 by Boosey & Co H, 10910.162 wise man’s son doth know, Ev-’ry wise man's mp a tempo. What is ¢ love? Pre = sent mirth hath pre - sent laugh ter; scherzando | ane H. 10910,163 SSS] plen - ty; Then come kiss me, sweet and — twen- ty, Youth's a stuff will not - dure, Youth’s a stuff col canto fal H. 10910.aes To my Mother THE OULD LAD. Words by MOIRA O'NEILL. Music by fromSongs of the Glens of Antrim” HAMILTON HARTY. (ay permission of the Authoress) Voice. I mind meself a wee boy wi? Piano. no plaintalk, An’ stand - in’ not the height 0” two eats; There was things me-self con-sat-ed or the espressiva who's to tell when wit an’chil-der meets? ’Twas the dai-sies down in Copyright 1906 by Boosey & C9 rr,grass, The stars high up in the skies, eT |e first 1 knowed of a moth-er’ face Wi'the kind love in her eyes, Kind Jove in. 1 went theway of oth-er lads that’s a = r a SS ’ still, @ ye see, a lad has far to SS eg , ¢ 4H. 10910,= was-n'tsick nor sad, They're aS aS *Twas whiles a boat on the 2 L-~ be-yont, An’ whiles a girl on_the shore, =f o the fid-dle- strings, Or... may-be an odd thing ape May-be an odd thing a se + 77 Pp ——_ z H, 10910167 a z eae ye vigoroso man, they say, inspite is het-ther for a wife, -und-her this ould roof I live me — lone; hev-er seen the wo-man yet I - fr made me ph — a 4 tae CPSs 5 pil-low on a stone, "Tis gut SS eS ee 20980,fan - cysticks to theyoung;But a man of hisyears cando wi’ a smoke, anhould his wd tongue, D’ ye mind? os 200 vit” |e ‘pe wie YE pipe, Smoke awhould his 4 ee (poco Fit, Tempo a e see me now anou Fe == SS == —— | ee SS SS Work near done, Sire the hair up-on me heads gone white; But the #_$¢ js -4J f f— ee Pe — = = ——= oy — —— Ss = —————— SS = tS ia a ar H.10910.169 things meself consated or the time that I could run, Theyre the nearest to me heart this espressten Just the dai- sies down in the low ges The first knowed of a stars high up — in the skies, ther’s face Wi? the OE 7 1.10910,To JW. H. 173 CAROL OF THE SKIDDAW YOWES. Words by Musie by ERNEST CASSON. IVOR GURNEY. Quasi Andante, p Voice. The shep-herds on the fell - side That Piano. is by Beth- a - ny, Had not on fin - ger Red-der blains than . that is God’s light Copyright 1920 by Boosey & C9 10910.174 7a a yowes that men were mind - ing Long and long a - go, ee ES todie Than ours in the — sno’ ————_—. Were —not_— more like that knows Thy — sheep,..... Skid-daw - yowes 4.10910,175 LE: an-gels that were sing - ing, Long and long a -. gone, Were not a whi-ter host Than snow-flakes falling down; the true fold,.... 4.10910,176 WHITHER MUST I WANDER? Words by Music by ROBERT LOUIS STEVENSON. R, VAUGHAN WILLIAMS, Andante. np Pramguetto. Voice. Home no more home to me, Piano. Pp legato ~~ risalute = ——_ - = = 7 = a ime a rain and my roof is in the dust. Lov of wise men was the a Also published separately in © & 9 minor Copyright 1912 by Boosey & C9 H.A0910,417 a OT shud of my roof-tree, The true word of wel-come was spo-ken in the door: — 4 no Dear days of old...with the fa-ces in the fire - - light; Kind folks of _— ee Ce old, you come a-gain fo more, TT ue valle voce — 2 ~~ EF — Home was home then, my dear, full of kind-ly fa- ces, Home was home'then, my dear, 2 OO i —=_— hap-py for the child. Fire and the win-dows brightglitter'’d on the moor - H.10910. >178 ea = land; Song, tune-ful song, built a pa-lace in the wild. —— bs = = ~~ risolut Now when day dawns onthe brow of the moor-land, Lone stands the house and the a pororit, a tempo = chim-ney-stone is cold. Lone let it stand now the friends are all de-part - — -_ed, The kind hearts, the true hearts, that lov’ the place of old. _—— aa So lenlla voce ~~ a eee Spring shall come,come a-gain, call-ing up the moor-fow!, Spring shall bring the sun and rain, ag Bh — ee F H.10910.i bring the bees and flowers; Red shalltheheather bloom o-verhill and val - AS>Hn...L - fey, Soft flow the stream through the e-ven flowing hours, tr ——— | pp So SS Fair the day shine as it shone on mychild-hood; Fair shine the day on the | ees Esse vse sith open doer Birds come and cry there and twit-ter inthe chim- - { = } poco rit 2a [i a — motto rall. ——_ a go fore - ver and come a-gain no more. | calla voce H. 10910.180 Dedicated to Miss Ada Crossley. THE SPLENDOUR FALLS. Words by Music by TENNYSON. R. H. WALTHEW. (by permission of Messrs Macmillan & 00) Poco allegretto. Voice. The splen-dour falls. Piano. on cas- tle walls. And snow-y sum-mits old in oe oe ee =— The tong light shake: ee a@-cross the lakes, ‘And the wild cataract leaps in a Copyright 1903 by Boosey & C9 H. 10910.181 P Blow, bu gle, blow, | set the wild echoes fly - ing, Blow, bu-gle; an-swer, ¢- choes, > — > O hark, 0 . how thin and . clear,........ And thin-ner, clearer,far-ther go - ing! O sweet and far. from cliff and —~_. ¥ 10910.182 sempre pp r The horns of Eif- land faint-ly blow - ing! Blow, let us 2 hear the pur- ple glensre-ply-ing: Blow, bu-gle; an-swer, e-choes, dy - ing, _—— & tove, they aie. ww Myon rich sky,.. They faint on hill or field H.10910183, con entusiasmo Our _e- choes roll. oe BR from soul to soul, = = poco rit. @ tempo And grow for ev - aa —=_ | cola vce P Blow, _bu-gle, blow, set the wild e-choes fly > > 2 bu-gle, an-swer, ech-o 5 = 10910.134 THERE’S A BOWER OF ROSES. (from “The Veiled Prophet”) Words by Musie by THOMAS MOORE. C. V. STANFORD. Andante tranquillo. Piano. con molto espresstone, ? — a Theres a bower of. { sempre larpeggtando e| stace. —_~ ~~ = “a Ben . de-meerS stream, Ant the night-in-gale sings round it allthe day.. == - = —— In the time of my child-hood’twas like a swee! H. 10910.185 dream, To and That bowr and its ae ae 3 ver for - get, = lone, in the bloomof the year, —— sing - ingthere yet? Are the ro - ses _— still... K. 10910.bright on the calm.. de- meer? wi - therd hung _o’er.. blos- soms And a dew was : from their H. 10910.a —_——_ =—=—=~_ > All the fra - grance — —_—_——— sum- mer, when Pia lento. a draws from de - light, ere ies... es-sence that... b. b. breathes of it ma-ny a year; H.10910- de-meert : oo H. 10910,To = MPS Coste, (Miss Muriel Foster) Ge) SCYTHE SON Words by Music by RICCARDO STEPHENS. HAMILTON HARTY, Tranquil but not too slow. Voice. Piano. j sempre BB. » wna corda wak-ened in the — ear-ly morn of scythe song,made by mow-ers, when they pass Throughthe green Copyright 1910 by Boosey & C? H. 10910,195 What — time the dew- drops / poco rit. glisten on the poco rit, _—=—= “This is the sound; she thought, “of sum-mer ee Noe co a Of — night - ingales,and dream-ing drow-sy > a 4H tost0196 =—— And = dim —~ nights, ip. = poco rit, a tempo mer! So much to take, so poco rit.To 197 Miss Muriel Fuster: THE VIRGIN’S CRADLE- HYMN. The Latin from an old print of the Virgin and Child, Music by English adaptation by ARTHUR CHARLTON. HERBERT FRYER. Op. 20, NO 1. Tenderly and rather slowly. Voice. Piano. PP > 3. PP 'P una corda. P Pp P PP P PP P (Sustaining pedal to be used throughout.) - ter. ri-det, quae-tam dul-cem Som - num vt - det, Thyera-dle, With Thy mo-ther watch - ing... oer Thee, ——— mi de = st, Slum - ber soft - ly, P P . Pe PF Copyright 1918 by Boosey & C9 H. 10810.198 pp ral. eS Fé SS =a — =e = ae Dor - mt Je" su, Blan - du- le, blan - du- le, In her lov- ing care, rest sweet Babe, peace - ful- ly, SS = ey =a. pp rail fre corde e PHD RP OR Pe Pe PR PR (with soft B,) —= os St non dor- mis wa ter plo - rat, bends to gaze up - Thee, on Pe (Soft Pedat) PRP (Soft Pedal to the end) In - ter ft - can - From her lips. prayer é H. 10910.199 P Blan - de, Blan - de, Is there i her heart a sor - row? a b Ba. ee ee eee ee ee ve + mt somnu - le, som - nw-le, she, weep - ing, rocks Thee tem - der-ly. Dor - Ho - ly... In - fant, slum- ber gent - ly, Bless - ed Je - su, Zt Je - su, Dor. mi, dor - mi, mi, Je 'f2 ‘P ® P Pp PP bpp rall. Blan - du-le. peace - ful-ly. 23 H. 10910,208 SIGH NO MORE, LADIES. ditional Song to the fifty appearing in the first edition. Words by Music by SHAKESPEARE. FREDERICK KEEL. Andante. Piano. Sigh no more, la - dies sigh no Men were de - cei - vers e' et One foot in =o one... on shore, To one....thing con - stant Also published separately in F. Copyright, 1922 by Busey & C2 H, 10910.204 and Con - vert - sounds of... woe In-to hey non-ny non-ny,.... hey hey = non-ny non-ny non-ny non-ny non - Se H, 10910,205 Sing no more dit - ties, sing The fraud... of = — sum-mer first was lea H, 10910,206 sigh not so, But let... them You blithe and 34 ny, Con- vert’- ing all... your sounds of... woe In-to non-ny,.... hey non-ny non-ny,.... hey nonny nonay nonny 3-51 L.& B. 4H. 10910. Lowe and Brydone Printers Limited, London.G. F. HANDEL A Collection of Songs Selected and edited by Walter Ford. Pianoforte accompaniments newly arranged by Rupert Erlebach. VOLUME I: LIGHT SOPRANO Guardian Angel (Time and Truth). Sinners, lift your eyes (Second Passion). © killing shock (Athalia). Author of peace (Saul). “Straight mine eye has caught new pleasure (L’Allegro). fe, when the sun, begins to shine {Il Pensieroo). No, no, I'l take i less (Seville. lovely youth Goseph). Ah, think what ills (Hercules). As cheers the sun (Joshua). No more shall armed bands (Solomon). VOLUME II: DRAMATIC SOPRANO Laudate pueri (113th Psalm). Break my heart! (Second Passion). O magnify the Lord (Chandos Anthem). O King of Kings (Esther). In Jehova’s awful sight (Deborah). My vengeance (Athalia). Come, pensive nun (Il Pensieroso). Vain fluctuating state (Belshazear). Prophetic visions (Occasional Oratorio). With thee (Solomon). Guilt trembling (Susanna). See, Hercules (The Choice of Hercules). VOLUME III : MEZZO-SOPRANO Hope, thou pure and dearest treasure (Esther). O dreadful oracle (Hercules). Subtle love (Alexander Balus). What means this weight? (Susanna). Haste to the cedar grove (Solomon). O thou bright sun (Theodora), Dryads, Syluans (Time and Truth). VOLUME IV: CONTRALTO Pleasure's gentle zephyrs (Time and Truth). Guards, sieze the traitor (Esther). Impious mortal (Deborah). Then long eternity (Samson). She weeps (Semele). Great God (Belshazzar). See iath what sad defection (Hereules), Gold now is common (Solomon). Frost nips the flowers (Susanna). O bright example (Theodora). Yet can I hear (The Choice of Hercules). VOLUME V: TENOR Beatus vir (Nisi Dominus). Though bound (Second Passion). God is a constant sure defence (Chandos Anthem). Who dares (Esther). Would you gain (Acis and Galathea). The mighty master (Alexander's Feast). Great Dagon (Samson). Let the deep bowl (Belshazzar). Despair not (Hercules). O Lord,-how many are my foes (Occasional Oratorio). To God who made the radiant sun (Alexander Balus). So long the memory (Joshua). From morn to eve (Solomon), Ye verdant hills (Susanna). Blessed are they (Foundling Hospital Anthem). Enjoy the sweet Elysian grove (Alcesto). Horror! Confusion! (Gephta). Pensive sorrow (Time and Truth), VOLUME VI: BARITONE © work sublime (First Passion). Ha! What vision (La Resurrezione). That God is great (Chandos Anthem). Turn not (Esther). Mountains on whose barren breast (L’Allegro). O Memory (Belshazzar). Oh Joue! (Hercules). To God our strength (Occasional Oratorio). And thus let happy Egypt's king (Alexander Balus). ’Tis Diocletian's natal day (Theodora). Ye fleeting shades (Alceste). Let me congratulate (Jephta). You hoped to call in vain (Time and Truth). VOLUME VII: BASS Te heavens (Second Passion). O praise the Lord (Chandos Anthem). When storms the proud (Athali). "A serpent in my bosom Saud. Vouchsafe,o Lord (Dettingen Te Deum). Since the race of time (Joseph). Leave me (Semele). Alcides’ name (Hercules). To power immortal (Belshazzar). Why do the gentiles tumult (Occasional Oratorio). Great Prince (Solomon). Peace crowned (Susanna). Wide spread his name (Theodora). Like the shadow (Time and Truth). 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