NINE TO FIVE \Words and Music by DOLLY PARTON ‘Vocal Arrangement by STEPHEN OREMUS. Piano Arrangement by STEPHEN OREMUS. ‘and ALEX LACAMOIRE Bright Pop = ae Tum-ble out =a bed and 10 the kitch - en GROUP 2: = Pour my-self a cup of am-bi = tion. BOTH: ssa a ‘Yawn and stretch and try to come to life Jump inthe show and the blood starts pumpin”. “Spt teewed coy temmacr eSe10 A S$ = = fe ENSEMBLE: eae = — Our on the streets the traf-fie stats jump-in’ for folks — E B E AE Ar e like me_ on the job from niné— t— five. Work-in’ nine to___five,_ way to make a liv tak - in’ and your mindB cm? Dim? a & era-zy if__you let_— it Hoo ho — hoo. FS cole ial «= vy & VIOLET: lives have got me hop- pin Dawn ‘til mid - night, there's. no stop-pin’ certr Don't know which I'm moth - ae2 FGA FI Bb? glen e #8 Pick is lunch. and kiss my son *n grab my purse and I keep run - nin’ F c i Bor Fr = @ a 8 + WOMEN: Got so much_ on my plate I could choke. — br . 2 oly VIOLET; / + WOMEN: serv = ice and devo = tion, you would e Ler: WOMEN: = tion, Want tobt ie be wee wt WOMEN: DORALEE:Bw EB you dream just to watch ‘em shat-ter, You're just a step on the boss man’s Iad-der, but By ° B Sun DWAYNE: SS got dreams_ he'll nev-er the same boat with a lot of your friends, Wait-in’ for the day your ship— “ll come in. (Dwayne top) — tide’s gon-na tum and it’s all gon-na roll ____ = ss2. # 6 ath BOTH: DORALEE: will make it through what - ev er. They can't cl. Ba? dim? Arce Ez nom: BR > keep us down, We'll ust rise - bove_ it. You hold on - Ain't noD Em? Faim? Dre G AmT Bm? C9 Gy & B E & ea & (Dwayne top) ss tell “em where to shove it “WOMEN: Nine to five, you can lose your mind. — Get up— and work, get up and work, MEN: Nine to five, you can Tose your mind. Get up and work, get up and work. E = = . bz = . to five, you can lose your mind, — to five, you can lose your mind, —Gada —>~ Nine five, you can drive you era - zy, drive you era - foe b Lose— your mind. ose your it's e- nought ‘ough — mind, — Nine laaanyB mi Glada2yD a it's e- nough, — vo fhe drive you ra Ws ¢ = nough_ i's enough. T ifs ¢=mough_ to drive— you cra - au: it’s e- nought drive you.‘AmTladds) majo cE Amy/D gp a a El e Get up and work, get up__ and work nine to fiv Slightly relaxed ab Domai? =e Dreams and plans are the makeing. Sue - cess is out there forthe tak ing Ablaad2) = = idl Wish it was as sim-ple as it 1 swear 1 you,— I'm gon-na do it, —teeth and TU get through it, I's hand to five be = came nec es-sar = y when my 4 abT Ab Bbm? = Bdim7 AWC bo = ee BF & hus ~ band, Dick,— forhis see-re-tar - y.Nev-er worked —be- fore, but some-how. worked — be - foreBb Cm? Dbdim? Bb/D_ ze 22 EE & . —— T've got to make_ it, Tl 1 team the ropes, T guess. ‘TM just have to fake— it, ____ B chm? Bye be Get up and work, get_up— and work. Work- in’we'll keep look = in’ r'wand_ Look = in’ ward — Work in" we can just af ford it Nine to five WOMEN & TENORS: Nine To five, you can lose— your mind — BARITONES:Get up and work, get up and work, Nine 10 ‘five, you cam Tose — your mind. — De Fem? ace eee ee Lose— your mind. — add TENOR: five, you can Tose your mind, —"se + nough ‘St Ise ~ nough. Tiles ¢ ~ nough. Use = mough mp __cresc. poco apace act Dove aot @ FE oraera suv "nc serve a fat pro-mo - tion. ‘The tide’s gon-na turn. for folks like — me for folks like — me @ a